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Tag Archive: The Lone Ranger


night court

More than fifty years ago Newton Minow, the first FCC commissioner, called television a vast wasteland.  The prospect of 500 channels available and nothing to watch was forecast back in the 1970s and today it sometimes seems like it’s a truism more often than not.  But if you get tired of new programming–and make no mistake plenty of great television shows are airing this year–a few recently added channels to your local line-up may remind fans of classic TV why they jumped onboard in the first place.

Three channels: MeTV, COZI TV and LAFF, are a destination for those who just want to pop in now and then for a dose of the past.  Even pay channel Starz has begun broadcasting classic television series.  No doubt much of the programming may not hold up to current audiences.  Clothes, hairstyles, and stale, formulaic half-hour and hour plots may not keep your 21st century attention.  Yet many shows seem to hold up quite well.  As time goes on two of my favorites, Simon & Simon and Magnum, P.I., seem to drift farther and farther away, yet the comedy of Night Court and Cybill remains laugh-out-loud funny.

Simon & Simon

Classic TV gold, like The Six Million Dollar Man and The Bionic Woman, may be a bit much in big doses.  Only a diehard fan would stream these beginning to end.  Yet, try popping in once in a while and it’s like visiting an old friend.  M*A*S*H and The A-Team hold up quite well.  In particular, the formula established by The A-Team, no doubt based on decades of series that came before it, can be found continuing on to this day in series like Leverage and Burn Notice.  Even series like Wonder Woman and Charlie’s Angels can be fun, if you don’t take their 1970s approach to TV too seriously.  And you may find yourself engrossed in Quantum Leap all over again.

So what’s playing, where, and when?

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Journey from Krypton

Remember when summer movies were just plain fun?  No need for dark and dreary, just adventure and excitement?  No need for deep and poignant emotion, but an excuse to escape the heaviness of real-world problems for two hours?  Only one of the new preview releases seems to have that escapist romp vibe, and that film is The Lone Ranger.  Nothing serious there–just a goofy Western throwback with just a bit pulled from the classic original.  And Johnny Depp doing the kind of crazy characterization that earned him an Oscar nomination in the Pirates of the Caribbean series.  Who cares if they don’t have futuristic special effects and instead rely on a good old-fashioned train chase scene for their action and adventure?  To us it just looks like fun.  Check out this fun and action-packed new trailer for The Lone Ranger:

But you can’t have just one trailer and call it a trailer park so we have three more you may or may not want to check out.  Next up is the new longer preview for Man of Steel.  Man of Steel is starting to crystallize as a film that has a strange casting problem.  First, the lead, Henry Cavill, doesn’t seem to carry the mantle of Superman from any previews yet released–the zip, pizzazz, charisma, kindness and power of Christopher Reeve will forever be the comparison for anyone daring to fill the shoes of Clark Kent and his caped alter ego.  A chin dimple doesn’t make Superman.  Continue reading

Dwayne Johnson Milk Super Bowl

Although this year the Super Bowl didn’t seem to net any ads as awesome as this great Star Wars themed ad or Ferris Bueller ad from last year’s Super Bowl, we did get to see the movie studios try to find the best way to cram a two-hour movie into the time it takes to forget what show you’ve been watching.  All of the six previewed movies have already released full-length trailers.  So did the studios succeed in convincing you to see their newest release?  Did any ad get you to order advance tickets for any coming attractions?  Here are the movie trailer commercials straight from the 2013 Super Bowl.

First up, Universal Studios shelled out some big bucks for a full 60-second spot for the May 24, 2013 release of the sixth entry in the Fast & Furious franchise.  If none of the past versions of the road race series interested you then maybe a team-up of Dwayne Johnson and Vin Diesel will.

It all looks like… a lot of car chasing, but it doesn’t look like it is promising audiences to be anything else so we’re betting “what you see is what you get” with Fast & Furious 6.

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Tomorrow–comic book Wednesday–Dynamite Comics launches one of its biggest events of the year, Issue #1 of the new mini-series Masks, with story by Chris Roberson and painted art by Alex Ross.  We’ve previewed Issue #1 and readers are in for a beautiful book, featuring a stellar mash-up team of some of Dynamite Comics’ best licensed characters: Green Hornet, Kato, The Shadow and Spider, with even a nod to The Lone Ranger.

A new group of leaders called the Justice Party has taken over New York, and their rule includes the creation of a dark, masked police force.  Unlike a typical change in power, this new government is run by mobsters and thugs, swiping people off the street and throwing them in jail simply because the new police force has a quota, with no attention to actual justice.  Our classic heroes enter the picture, now on the other side of the law, fighting for true justice, and hardly no time passes by before their mantra is uttered at some bad guys: Crime Does Not Pay.

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Although it is not as big as the two-major comic book publishing houses, Dynamite Comics continues to impress and present exciting new series featuring some of the best writers and artists around.  Cover artist Alex Ross has been a headliner lately for Dynamite, painting several licensed character covers for numerous series, from Flash Gordon to The Shadow to Green Hornet to the Bionic Man.  His marriage of realism and idealism makes these larger than life figures almost come off the page, or, more accurately, the covers.  Ross pounds out so many covers they seem to take up all his time, and so we rarely get to see a cover-to-cover Alex Ross project.  We’ve seen such projects in the past with the iconic Kingdom Come, but he’s also done it with Marvels and Justice, all superb graphic novels.  And now we get to see his next cover-to-cover project.

Dynamite and the comic industry’s Previews magazine have released the details of an eight-issue cross-over series combining some of the 20th century’s most recognizable characters from very different yet classic sources.  The new series, Masks, brings together the ultimate in mid-century masked avenger/heroes, including The Shadow, The Green Hornet, Kato, and The Spider.  The series will also feature other masked heroes, including Zorro, Black Bat, Miss Fury, Black Terror, Green Lama, and possibly The Lone Ranger.

Taking place in New York City in 1938, masked characters band together to take on corruption and a powerful criminal syndicate.  Chris Roberson will serve as writer for the series.

“For years now, Dynamite Entertainment and I have desired to unite all of the varied pulp characters they’ve been publishing into one big crossover event,” said Ross in the Dynamite news release. “When the Green Hornet and Kato paved the way for a successful relaunch of the original masked duo characters, we knew that the grand prize of revivals should then be the ultimate original, the Shadow. Now, to be able for the first time in history to have these legends meet, along with fellow mysterymen; The Spider, Zorro, Black Bat, and others, makes this project a unique accomplishment. I always thought that illustrating the first hero archetypes like The Shadow would be a milestone in my career. I’m thrilled to touch upon the legends that began the very concept of the superhero in Masks with a crossover that is literally the longest overdue.”

Masks Issue #1 is scheduled to be released by Dynamite Comics in November 2012.  More images and details can be found on the Dynamite Comics website.

C.J. Bunce
Editor
borg.com

Review by C.J. Bunce

My exposure to the Lone Ranger was via Saturday movie serials featuring Clayton Moore’s portrayal of the masked lawman and his partner Tonto, played by Jay Silverheels.  I watched these with my dad, and he had watched them in the theaters as a kid.  My exposure to Zorro was via Guy Williams’ portrayal in a similar series I watched with my dad.  Williams, of course, later played Will Robinson on Lost in Space.  Moore and Williams looked alike to me, and I’ll admit if you told me George Reeves (who portrayed Superman in the 1950s alongside these other shows) had starred as Zorro or the Lone Ranger I would not have been surprised.  I mention all three together here because they all could be the same forthright hero played by the same lead actor.  So from my view it is a no-brainer that you would hook up the two Old West characters from this period of classic TV.  (I also was familiar with the Antonio Banderas films The Mask of Zorro and The Legend of Zorro).

   

The Lone Ranger: The Death Of Zorro Issues #1-5, published last year, was released this week in a trade paperback edition and it’s one you’ll want to check out if you like Westerns, especially the old Lone Ranger and Zorro serials, or if you’re just looking for something different.

This is not a team-up–It is more like The Godfather, Part 2, in its structure with Don Diego/Zorro in the Don Corleone slot and John Reid/The Lone Ranger in the Michael Corleone slot.

A fully realized historical fiction novel is lurking somewhere between the pages of this book, held back only by the required page count for the comic book format.  Expect something much more complex than, say, the current All-Star Western series by DC Comics (which is brilliant in a different way).  Unlike the Jonah Hex story, this is a shoot ’em up only secondarily.  Like Jai Nitz’s work on Dynamite’s Kato Origins series, Ande Parks delves deeper into the characters we only know on the surface.  I have been getting the vibe reading Dynamite Comics titles in the past year that this rich writing of background and relationships is becoming a hallmark of the publisher’s writer choices.  This trade paperback edition features another stellar retro homage to Zorro and The Lone Ranger by cover artist Alex Ross.

Note that this is not a Zorro book as much as a Lone Ranger book, as the Spanish masked hero dies early on, which should be no surprise based on the title.  But his spirit and legacy fuels the actions of the Lone Ranger and the rest of the story.  The audacity of killing off one of the heroes so early was surprising, but in that good way just as Steven Seagal had shared billing in the trailers with Kurt Russell in Executive Decision, yet was eliminated within minutes of the opening credits.  It wouldn’t be surprising to see Parks and artist Esteve Polls branching off on some past Zorro stories down the road.  Polls’s artistic style for this book has a very classic Western look and feel.

Look for themes of honor, loyalty, racism, brutality, corruption, Civil War aftermath, Spanish influences in America, the legacy of Native Americans–all here.  There is plenty woven into this story.  Parks even works in a subplot involving bushwhackers who have a James brothers vibe.  Plenty of strong-willed characters can be found here, and villains who are not just the guys in the black hats but characters with their own rules and motivations, however clouded or deluded as seen through the eye of hindsight from the modern reader.

You need only have a passing interest in the Old West to get sucked in.  Those who wouldn’t think to give the genre a try are missing out on some good storytelling.  Place this story alongside DC Comics’ El Diablo: The Haunted Horseman as a good entry point for new readers (Parks served as inker on El Diablo) as Dynamite currently has several titles featuring The Lone Ranger available.

Ande Parks will be known here to fans of Green Arrow as inker for several years on the DC Comics title, along with artist Phil Hester.  He also has written several works, including Capote In Kansas, Union Station, and The Green Hornet: Blood Ties.

The Lone Ranger: The Death Of Zorro is now available at Amazon here.

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