Tag Archive: The Moviemaking Magic of Star Wars: Creatures & Aliens


Review by C.J. Bunce

The “Moviemaking Magic/Cinemagic” series from Abrams Books is my current favorite book format for genre tie-in non-fiction works.  Check out my reviews of the volume on the Marvel Studios Heroes and Villains here, and the first volume on Star Wars, The Moviemaking Magic of Star Wars: Creatures and Aliens, here.  The format is interactive, featuring several series of foldout photographs that allow the reader to see the changes in design over time, like ships from concept to realized model.  And these books allow for hundreds of photographs and how-to film production process accounts and interviews, arranged in an easy to reference chronology.  With the latest film in theaters, Star Wars: The Rise of Skywalker, Abrams has published the next look behind the scenes at the production process, The Moviemaking Magic of Star Wars: Ships and Battles, the most comprehensive account of the 11-film franchise’s models, sculptures, concept artwork, and their creators since Sculpting a Galaxy was released in 2005 when we only had six films available (you can see my review of that book here).

The book is targeted at a younger audience, but Star Wars fans of any age will appreciate the detail and information they may not have read about before, including notes from George Lucas from the first idea for the film, his treatment for The Star Wars, to Colin Cantwell and Joe Johnston′s concept drawings, all the way through the two “Star Wars story” movies Rogue One and Solo, and all nine Skywalker saga films, including a preview page of concept art from The Rise of Skywalker.  The original trilogy gets the biggest share of the coverage, including the full run of major ships, how they were developed, and what method was used to get them on the big screen, but the 21st century films and the prequels also get significant sections.  Readers will follow the development of filmmaking methods old and new: full-sized sets and vehicles like the landspeeder and X-wing fighter, scale models (both small and large scale), kitbashing, matte painting, and CGI.

Fans of the Millennium Falcon specifically will not want to miss this book.  They can track the development of the many models and designs used across the original trilogy, which had to be resurrected for the final trilogy with a side trip to an early, modified version of the ship for Solo: A Star Wars Story.  Coverage includes concept art, unused designs, and photos of the pocket-sized models through the multiple full-sized, walk-on creations. The various Death Star space stations and Star Destroyers get similar handling in the book.

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Our borg Best of 2019 list continues today with the Best Books of 2019.  If you missed them, check out our review of the Best Movies of 2019 here, the Kick-Ass Heroines of 2019 here, the Best in Television 2019 here, and the Best Comics of 2019 here.

We reviewed more than 100 books that we recommended to our readers this year, and some even made it onto our favorites shelf.  We don’t print reviews of books that we read and don’t recommend, so this shortlist reflects only this year’s cream of the crop.

So let’s get going.  Here are our selections for this year:

Best Read, Best Fantasy Read, Best New Edition of Previous Published Work, Best Translated Work – A Hero Born: Legends of the Condor Heroes 1 by Jin Yong, translated by Anna Holmwood (St. Martin’s Press).  The first book in one of the most read books of all time finally makes its way to the U.S. after its premiere in Great Britain.  Readers will learn why George Lucas pulled its concepts for his Skywalker saga, and why generations of Chinese fans of fantasy of flocked to its heroes and villains.  Honorable mention for Best Fantasy Read: A Labyrinth of Scions and Sorcery by Curtis Craddock (Tor Books), The Dark Lord Clementine by Sarah Jean Horwitz (Algonquin Young Readers).

Best New Novel, Best Horror Novel, Best Historical Novel, Best Mystery Novel – The Cthulhu Casebooks: Sherlock Holmes and the Sussex Sea-Devils by James Lovegrove (Titan Books).  A truly literary work combining a smart Holmesian adventure and the dark mind of H.P. Lovecraft.  Readers will love Lovegrove’s approach, Holmes and Watson’s journey, and all the creepy surprises.

Best Sci-Fi Novel, Best Thriller – The Andromeda Evolution by Daniel H. Wilson (HarperCollins).  Wilson successfully conjured the spirit of Michael Crichton for this smart, creepy, and oddly current sci-fi sequel to The Andromeda Strain.  A cast of characters just like Crichton would have put together, and a must-read.

Best Franchise Tie-In Novel – Firefly: Magnificent Nine by James Lovegrove (Titan Books).  One of the best authors around crafts a worthy story to expand the Firefly canon and give fans their own new movie of sorts for the franchise.  Runner-up: Alien: Prototype by Tim Waggoner (Titan Books).  Honorable Mention: Death of the Planet of the Apes by Andrew E.C. Gaska (Titan Books).

Best Retro Read – Mike Hammer: Murder, My Love, by Mickey Spillane and Max Allan Collins (Titan Books).  Collins continues to bring Spillane’s characters to life with thrilling prose and all the best pieces of noir drama and action.  Honorable mention: Brothers Keepers by Donald E. Westlake (Hard Case Crime).

Best Genre Non-Fiction – Industrial Light & Magic Presents: Making of Solo: A Star Wars Story by Rob Bredow (Harry N. Abrams).  Bredow’s unique access to the production made for a rare opportunity in any production to see details of the filmmaking process.  Every movie should have such a great deep dive behind the scenes.  Honorable mention: The Making of Alien by J.W. Rinzler (Titan Books).

There’s much more of our selections for 2019’s Best in Print to go…

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Review by C.J. Bunce

Following up on its successful look behind the entire Star Wars saga in The Moviemaking Magic of Star Wars: Creatures and Aliens (reviewed earlier here at borg), Abrams Books is bringing home the characters of Avengers: Endgame and the Marvel Studios long journey to get there in its new release The Moviemaking Magic of Marvel Studios: Heroes and Villains Incorporating its trademark interactive Cinemagic features, including booklets, interactive flaps, and accordion fold-out images of the concept art behind every major Marvel Studios superhero, Abrams has nicely timed this book for fans of the franchise who can’t get enough of the latest MCU film.  Full of color photographs and interviews with the producers, directors, art designers, costume and prop makers, and special effects magic makers behind the 21 films leading up to Avengers: Endgame, writer Eleni Roussos (The Art of Black Panther, The Art of Thor: Ragnarok) has pulled together behind the scenes insights that offer something new for even the most diehard fan.

Which characters wore practical, real-life costumes and armor, and which required motion capture and/or CGI effects?  What was the key element included in Marvel’s Avengers that Joss Whedon required to be added before he agreed to direct the film?  What do the contributors agree was the smartest strategic decision made for the Marvel films?  How did each artist convert the character from the comic book page to the finally constructed costume that appeared on the big screen?  What effects were the most challenging for each film?

Altogether The Moviemaking Magic of Marvel Studios: Heroes and Villains spotlights more than 100 individual superheroes, on-screen support crew, and the most colorful and memorable villains from the series, with significant creative and visionary contributions from Marvel Studios president Kevin Feige, directors Anthony Russo, Joss Whedon, and Peyton Reed, visual development executive Ryan Meinerding and artist Andy Park, and costume designers Rebecca Gregg, Laura Jean Shannon, Mayes Rubeo, Alexandra Byrne, Anna B. Sheppard, Judianna Makovsky, Sheldon Differ, Louise Frogley, and Ruth Carter.

Take a look at this giant preview of The Moviemaking Magic of Marvel Studios: Heroes and Villains below, courtesy of Abrams Books:

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Review by C.J. Bunce

At long last Star Wars fans have a single volume of behind-the-scenes gold that includes more than the original trilogy and the prequels.  Writer Mark Salisbury returns with his next pop culture book, The Moviemaking Magic of Star Wars: Creatures & Aliens.  This is the first book to include coverage of all ten Star Wars films, and it’s the first book that digs into the creature makers and makeup artistry of all the Star Wars movies–a creature effects companion to those comprehensive books reviewed previously here at borg.com chronicling the costume and prop sides of Star Wars productions: Dressing a Galaxy, Sculpting a Galaxy, and Star Wars Costumes.

How many movie franchises can claim visual effects over four decades incorporating all levels of monster making: animatronics, puppetry, practical effects, costuming, CGI, sculpts, animal actors, prosthetics and makeups, stop-motion animation, and motion capture creations–sometimes all in a single film?  The book spans it all: Jawas, Tauntauns, Jabba the Hutt, Yoda, Chewbacca, the Rancor, Ewoks, Watto, Jar Jar, Darth Maul, Rathtars, Maz Kanata, Porgs, Crystal Foxes, Proxima, Rio Durrant, and so many background aliens from the Tatooine cantina, Jabba’s palace, Maz’s castle, the Pod Race, Kamino, Geonosia, and Scarif.  More complex characters from the franchise get the most coverage, with less coverage from Revenge of the Sith and Solo.

Readers will learn about and meet a variety of artists and creators of these creatures and aliens, with interviews and examples of the work of Stuart Freeborn, Rick Baker, Dennis Muren, Phil Tippett, Jon Berg, Ben Burtt, Fred Pearl, Frank Oz, Kathryn Mullen, Lorne Peterson, Nick Dudman, Rob Coleman, John Coppinger, Tom St. Amand, Richard Edlund, Ken Ralston, Kit West, Nilo Rodis-Jamero, Doug Chiang, Dave Elsey, Neal Scanlan, Luke Fisher, Ben Morris, Darek Arnold, some of the actors who performed costumes characters, and visionaries George Lucas, J.J. Abrams, and Gareth Edwards.  Select concept art is included from Ralph McQuarrie, John Mollo, Iain McCaig, Terryl Whitlatch, Jake Lunt Davies, and others, and readers will learn Doug Chiang’s five rules of concept design.

Keeping with the fun new trend of incorporating three-dimensional, interactive elements into non-fiction books, Abrams has included foldout flaps, accordion pages, and color tipped-in booklets of sketches, photographs, and stages of the creative process.  The book comes from Abrams’ Young Readers imprint, however, the in-depth information and rare or never-before-published photographs and sketches will appeal to all ages of Star Wars fans.

Take a look inside some preview pages of The Moviemaking Magic of Star Wars: Creatures & Aliens:

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