The thing about being a kid in the 1970s and 1980s was that your view of television history is skewed by the advent of reruns. Ron Howard and Clint Howard are much older than me, and yet because of reruns of The Andy Griffith Show and Gentle Ben, and the original Star Trek, I feel like I grew up along with, or maybe only a little bit behind the characters these actors played at a young age. So for anyone who grew up with the Howards on television or those that only think they did by way of reruns, you’re in for a fun insight into the life of these brothers behind the scenes in their new bookThe Boys: A Memoir of Hollywood and Family, available now here at Amazon. Long before Ron would direct Solo: A Star Wars Story and Apollo 13 and Clint would populate all of Ron’s movies and act in most of the Star Trek series as characters from Balok to Muk, a young couple in New York tried to make it in the movie biz.
We’re just a little over the midway point of Summer 2021, so there’s plenty of time to squeeze the pulp out of the sun and fun. Summer means movies, often big movies, and Turner Classic Movies’ latest in-depth research into the best of classic and genre films continues in the new book, TCM’s Summer Movies: 30 Sun-Drenched Classicsavailable now here at Amazon. Think about it–What would you recommend for the 30 best summer movies of all time? Writer John Malahy makes his selections, and pulls in an additional 30 movies as suggested “double features,” meaning you have 60 key suggestions that will either re-affirm your own picks, or more likely, provide at least a few new films you may want to try out. Over the past decade I have reviewed most of the books from publisher Running Press’s chronicle from the TCM library, and this latest is on the heels of TCM’s The Essentials: 52 Must-See Movies and Why They Matter and its sequel (reviewed here and here least year). Today I’m reviewing and previewing the new volume in what has become a major film library for the film historian. You may quibble with some of the picks, but I bet you’ll find at least 20 movies that make your own list of movies or at least help get you in the spirit of summer.
It’s a little difficult to get your head around. Eight years ago when I suggested going to your video rental store to watch the ultimate Fourth of July movie–Jaws–we still had several video rental stores in every town. It’s very different now with streaming services (have you finished Season 3 of Stranger Things yet on Netflix?) and any Blu-ray you want available overnight for purchase from retailers like Amazon. To be fair, you can still rent movies, the plastic disc kind, at localRedbox machines, and Family Video still has a good footprint across the nation and a broad video selection (pretty much Blu-rays prevail, so sorry to people still with only VHS and plain ol’ DVDs). Back in 2011 when I listed some recommended viewing material for Independence Dayhere at borg, I mentioned some films including my pick for today.
Every audience, every moviegoer, is after something different. If you’re looking for action try on Captain America: The First Avenger, or even binge the entire Captain America series of films. The first Independence Day movie from 1996 has your dose of sci-fi, and it’s an easy choice to go to especially if you’re too young to have watched it before. Even Independence Day–the day, not the movie–means different things to different people. I would recommend to anyone films like Dave, The American President, The Post, Mr. Smith Goes to Washington, All the President’s Men, Sergeant York, Far and Away,The Last of the Mohicans,Lincoln, Glory, and Dances with Wolves–each covers some aspect of what America stands for. Actually Frank Capra has more in the category, too, including Meet John Doe and State of the Union.
Four of my favorites are playing on Turner Classic Movies/TCM today. At 8:30 a.m. Central is John Ford′s She Wore a Yellow Ribbon, followed at 10:30 a.m. Central by Ford’s Fort Apache. These are some of the famed director’s finest works, and high points for both Henry Fonda, John Wayne, and Maureen O’Hara, plus the stories tell other tales of the American experience (and both rate high on my all-time best Westerns list here). A recent anthology film fits the bill for today well–that’s the Coen Brothers’ The Ballad of Buster Scruggs, which we reviewed here at borg last year. It tells several stories of the pain, struggle, and sacrifice of peoples from throughout the world coming together to build a nation. But what’s that sure-fire Fourth of July movie that should appeal to everyone?
It’s February, and for sports fans that can mean only one thing: Baseball is just around the corner. Spring training is only a few weeks away, so why not get into the mindset for the game with a look back to a modern classic, W.P. Kinsella′s novel Shoeless Joe. First published in 1982 and originally titled The Dream Field, Kinsella’s novel didn’t debut to overwhelming acclaim in the U.S., although it won the author the 1982 “Books in Canada First Novel Award.” Kinsella had been writing about the Black Sox, the famous White Sox team that threw the World Series in 1919, and while attending the University of Iowa Writer’s Workshop he decided to incorporate that event into a fantasy about Shoeless Joe Jackson returning to Iowa to play ball again. The result is what you might call the Great American Novel of the 1980s, now with a legion of fans devoted to the story. The novel includes two major character threads that were excised for the 1989 classic, Field of Dreams, a film that has been named to the Library of Congress as one of the greatest American films of all time, as well as included on two American Film Institute Top 100 lists, nominated for three others, and named the AFI #6 best fantasy film of all time. The book and film are equally superb for different reasons. The film is one of the finest attempts at magical realism on the silver screen, and the magic is at the core of the novel. In the original Kinsella went further than the film, delving into why American love for baseball transcends other sports and pastimes, and he takes readers on an adventure into the intricacies of relationships and human nature.
Shoeless Joe follows Ray Kinsella, one of a set of twin brothers whose father died many years ago. In their teens Ray’s brother Richard gets into an argument with his father and leaves home. Ray gets married, settles in Iowa City and has a daughter named Karin. He begins a life selling insurance, but one day he encounters an elderly man who starts talking baseball with him as he’s walking along the streets of Iowa City. Ray learns that the man, named Eddie Scissons, is the oldest living Chicago Cubs player, and soon strikes up a friendship, ultimately leasing a farm the man can no longer work. The next piece is familiar to moviegoers: Ray hears a voice from the corn, “If you build it he will come,” and understands it to mean he needs to build a left field for Shoeless Joe to return and play baseball again. Ray levels the corn field, and Joe arrives. Unlike the film, this happens over several months. And there’s more: the voice directs Ray cryptically again, this time with the plea, “Ease his pain.” Ray knows the message to mean he must go to find the reclusive The Catcher in the Rye author J.D. Salinger and take him to a baseball game. Kinsella, the author, used the living Salinger as a character, but the author didn’t want his name used so the role was altered to the fictional writer Terence Mann (played by James Earl Jones) for the film. Research by the studio determined potential audiences of the time were no longer familiar with Salinger and the swap did not affect the film.
But Kinsella had reasons to use Salinger in his novel, as Salinger had used two characters with Kinsella’s last name in different works in real life, hence Kinsella’s real-life fascination with Salinger, and the use of Ray and Richard inShoeless Joe. Unlike the film, whose key points are getting Shoeless Joe, Archie Graham, the famous author, and Kinsella′s father to come to the field, the key point of Shoeless Joeis getting Joe to the field in the first part of the story, but the pinnacle is getting Salinger to reveal his love of baseball, to go into the field, to learn what really lies in The Great Beyond, and hopefully return with a new novel for his fans after the many years of not writing. In reality Salinger stopped publishing, but he didn’t quit writing, all the way to his death in 2010. This week his heirs announced for the first time they would be releasing several of Salinger’s unpublished works after 2020 and over the next 10 years.
While we wait for the opening night of Cowboys and Aliens on July 29, two days ago we walked through the top western movies to get psyched for Jon Favreau’s big budget clash of Old West and classic sci-fi story. Today we run down the best alien movies Hollywood has created. We’re not thinking so much about aliens in their native environment, or Star Wars and Star Trek films would top the list, but unexpected human encounters with otherworldly, friendly and not-so-friendly brethren.
1. THE DAY THE EARTH STOOD STILL (1951). It should be no surprise that a movie from the director of West Side Story, The Sound of Music, The Sand Pebbles, and Star Trek: The Motion Picture (and the editor of Citizen Kane and The Hunchback of Notre Dame) makes the top spot of this list. Robert Wise’s classic story would fit solidly alongside the best Twilight Zone episodes. And story is the point–no modern glitz and special effects necessary. Michael Rennie appears to be just a man. But he is not. He is Klaatu, a visitor who has come to observe us in his flying saucer with the giant robot Gort. How would we react to an alien visitor? The first look at ourselves revealed paranoia and fear–it is the original self-reflection story that would later inspire V and Alien Nation.
2. PREDATOR (1987). He’s a hunter. A collector. And he’s on vacation. That doesn’t sound like a high calibre story description. Substitute the alien visitor and Predator is a western not unlike High Noon. Our creature is a visitor with a secret past like any of a number of Clint Eastwood gunslingers. And he is just as cool, a hunter that would stand firm alongside Boba Fett, Bossk, Dengar and Zuckus. His make-up is unreal–truly alien to us–and he looks like a Nausicaan–that race that shoved a pool cue though Captain Picard in Star Trek: The Next Generation. Let’s see, who has an unusual skull that would look good on his trophy mantle? How about that melon on Arnold Schwarzenegger? There’s a cool vibe throughout the film and a great cast–and what other genre film features two future state governors? And one of those gauntlets looks like Daniel Craig’s from the Cowboys and Aliens trailers.
3. CLOSE ENCOUNTERS OF THE THIRD KIND (1977). But for Star Wars this picture would have gone off the charts the year it was released. Because of multiple Star Wars viewings by me in 1977 and 1978 (I saw it ten times with my brother and sister instead of going to see anything else), I didn’t get to see this movie until years later when it was released on video. But once I saw it, I realized how grand in scope it was. Mix all the episodes of Leonard Nimoy’s old TV series In Search Of… and you’ll end up here. A ship in the middle of the desert, a 1940s squadron appears out of nowhere, and we keep seeing this shape, painting it, making models of it. Near the place where the Sundance Kid grew up is a destination for sci-fi fans now, at Devil’s Tower, Wyoming. And those five musical tones. And an alien kidnapping scene, revealing nothing about the aliens, toys that seem to come alive, shocking and scary. Invaders or friends? Richard Dreyfuss’s second best movie. One of Spielberg’s best.
4. E.T.,THE EXTRA-TERRESTRIAL (1982). Not only did Close Encounters and The Day the Earth Stood Still teach us that aliens can be our friends, with E.T. a lot of us would never think to put up a fight when the invasion arrives. Ugly but lovable, E.T. was funny, thrilling, and made us all cheer. Ignore the recent edited, updated version–the original was just fine, thank you very much. A classic pop culture film that gave us several catch phrases: “Home,” “I’ll be right here,” “Be good,” “Phone home.” And I am still addicted to Reese’s Pieces. Another great Spielberg picture in his long list of blockbusters.
5. ALIENS (1986). Bill Paxton’s Private Hudson had it right when he said, “Game over, man, game over!” The polar opposite of the aliens-as-friends films, these exoskeletal aliens have nothing in common with humans. As villains, there is nothing for us to sympathize with. They will just exterminate us. This was a wake-up call for everyone who wants to meet our galactic neighbors. Stay home and draw your curtains instead. It was destiny that someone would pit them against Predator years later and it was no contest that we’d cheer the Predator. And I don’t care what anyone says about the first movie with these monsters, Alien–Aliens, the sequel, was tons better with less unnecessary gross-outs. You’ve seen one stomach burst, you’ve seen them all. Skip the sequels but check out Aliens vs Predator for even more fun.
6. THE LAST STARFIGHTER (1984). When Robert Preston, the original salesman from River City in The Music Man, comes to your planet looking to sell you something, like being a Starfighter, you know you have a different kind of film. Here we expand the alien movie archetype from either good or bad–aliens are shades of gray, like people, some are good, some are evil. Directed by Nick Castle, John Carpenter’s colleague, a simple, quiet movie that has a lot of heart and makes everyone wish they’d get Alex Rogan’s calling. And Grig’s make-up was the greatest thing until Enemy Mine. With a great ending for the bad guys, with an all-time classic exchange: “We’re locked into the moon’s gravitational pull! What do we do?” Answer? “We die.” Back in the days of arcades, this movie rivaled Tron as to coolness factor. “Greetings, Starfighter. You have been recruited by the Star League to defend the frontier against Xur and the Ko-Dan armada.” Where can I sign up?
7. THEY LIVE (1988). This is a John Carpenter classic reviewed in an earlier post and puts Carpenter’s storytelling up there with Kurt Vonnegut, Jr. Here, the story goes that Earth has already been invaded and They have been living amongst us. We could just ignore them. After all they aren’t hurting anyone. But once we see them they are sooo ugly. And we were here first. Some of us will play along to get the “good life”. But for one guy trying to keep to himself, this is something he can’t ignore. The truth must get out. Roddy Piper is here to chew bubblegum and kick ass, and he’s all out of bubblegum. But no happily ever after will be had here. They are here to stay. On the one hand, some movie watchers and critics dismiss They Live as just another action flick. But if you pay attention, like with all Carpenter movies, you can see Carpenter’s masterwork is much more complex and dips into our own world’s politics and those who do, and those who don’t, sell-out.
8. ALIEN NATION (1988). Much more than just a morality play and allegory to our own prejudices, Alien Nation digs into the struggles all lifeforms surely must face in a multi-species environment. What motivates us, how do we get along with others? James Caan (The Godfather, Elf) and Mandy Patinkin (Princess Bride) were perfectly cast as human and Tenctonese cops. The film’s themes prompted an immediate successful TV series starring Gary Graham and Eric Pierpont. Beyond the deeper themes, it’s a great police story and an odd, but fun, buddy movie of the Odd Couple variety.
9. WAR OF THE WORLDS (2005). I almost didn’t see this remake in the theater. But Tom Cruise movies are exciting and enjoyable 95% of the time. So I saw it and just re-watched it a few weeks ago. Here we see the futility of combating an invasion of even slightly more technology and might than us. The situation really is hopeless. All one can do is run. As in They Live, with War of the Worlds the aliens have been here for a long time, only here they parked their vehicles here and are just now coming back to rev ’em up. This movie has great special effects, truly creepy unsympathetic villains, and a lot of dread. You really feel the pain of the result of alien visitors who don’t want to be our friends. Yet another Spielberg blockbuster.
10. DISTRICT 9 (2009). A great film of political complexity. A variant on Alien Nation, yet the same basic story. An extraterrestrial race is forced to live in slum-like conditions on Earth. Their vessel runs out of resources and parks itself over South Africa. It’s a blunt morality tale about the brutality of prejudice. This one will strangely make you cheer against the humans. Luckily for the visitors, they find a kindred spirit in a government agent who is accidentally exposed to their biotechnology. You’ll find yourself asking: What are your values? How do you treat others who are different? Where would you draw the line between life worthy of mutual respect and not? Its documentary-style filming and non-American cast is refreshing and new. And half the time you have to cringe at the protagonist’s actions. Are we with him or not?
Honorable Mention: Starship Troopers (giant bugs destroy Rio de Janeiro, Johnny Rico is a classic western hero type), Enemy Mine (like Stagecoach, a human is stuck with an alien and even without a common language they come to realize how alike even different species can be and how valuable relationships can be formed by just trying to get along).
