Arriving for the 35th anniversary of the musical, a new graphic novel will adapt Andrew Lloyd Webber’s long-running The Phantom of the Opera. Viewed by nearly 150 million people in 41 countries and 183 cities and translated into 17 languages, the musical ran 30 years in Europe and the U.S. Written by Cavan Scott (Star Wars Adventures, Doctor Who) with artwork by José María Beroy, the comic adaptation was delayed this year, but looks to be back on track to arrive in bookstores.
Review by C.J. Bunce
For a generation of film fans, the words “Hammer Horror” are synonymous with the first color horror movies and studio stars Peter Cushing and David Prowse, who would go on to find real fame in Star Wars, and Christopher Lee, who would be the go-to guy in the 21st century for dark, imposing characters in Peter Jackson’s J.R.R. Tolkien movies, James Bond, the Star Wars prequels, and much more. Before these blockbusters, these British thespians made movies for a London film company called Hammer Film Productions, and they were instantly recognized as Baron Victor Frankenstein, Frankenstein’s monster, and Count Dracula. These aren’t the famous monsters of Universal Studios fame, but thanks to Warner Brothers and Columbia Pictures’ distribution, their take on these classic horror characters gained their own international fan following. In time for Halloween, Telos Publishing has released a new information-filled guide for fans of Hammer’s horror legacy, writer Alistair Hughes’s Infogothic: An Unauthorised Graphic Guide to Hammer Horror.
As for the “graphic” in the title, it’s a bit of a play on words–think infographics, charts, diagrams, illustrations, and maps connecting the often intertwined fantasy world inside the Hammer films. The titles to the studio’s Dracula and Frankenstein sequels provide an idea of the absurdity film goers were in for, with a list that makes the Planet of the Apes pile of sequels seem pretty short: The Brides of Dracula, Scars of Dracula, Kali–Devil Bride of Dracula, Dracula AD 1972, The Legend of the 7 Golden Vampires, Dracula Prince of Darkness, Dracula Has Risen from the Grave, Taste the Blood of Dracula, The Unquenchable Thirst of Dracula, The Curse of Frankenstein, The Revenge of Frankenstein, The Horror of Frankenstein, The Evil of Frankenstein, Frankenstein Must Be Destroyed, Frankenstein Created Woman, and Frankenstein and the Monster from Hell. Hammer also made monster movies set much earlier than the 19th century. The most famous starred Raquel Welch in Ray Harryhausen’s One Million Years BC and Ursula Andress in She. Steven Spielberg would later provide a nod to Hammer films at the end of Jurassic Park. The words on the banner falling in the final sequence with the T-Rex was an homage to the Hammer film When Dinosaurs Ruled the Earth.
One diagram in Infogothic recounts the 30 most famous actors to portray Dracula. In others Hughes pieces together family trees based on information from the films for the Van Helsings and the Frankensteins. A chart shows the number of adaptations of Frankenstein movies by decade (the 1970s wins with nine, and there has been 51 in all so far as we bask in the character’s 200th year). Need to locate the story locations for each of the Hammer monster movies? Hughes provides maps for that, too. And Frankenstein’s monster and the Count aren’t the only monsters Hammer featured–the book includes interconnections of the several mummy movies and other creature features Hammer produced (The Gorgon, The Reptile, The Curse of the Werewolf, The Phantom of the Opera, Dr. Jekyll and Sister Hyde, The Plague of the Zombies, The Abominable Snowman). Hughes also includes details of lesser known and unproduced films throughout his book.
That is, if you’re in Scotland.
Census records estimate that more than twice as many people of Scottish ancestry live in the United States than in Scotland. Is it the destiny of Scotland to declare its independence from Great Britain? If not now, then when? At the beginning of the day everyone has been waiting for, polls show the likely outcome as a dead heat. We’ll soon learn the answer we’ve all been asking: Will they or won’t they?
Of course there are all sorts of implications to a yes vote, not the least of which is what kind of economic impact it will have on England, on the United States, and the world. If Scotland wants to make a statement to the world this could very well be Scotland’s day. So if you’re one of those Scots that are 16 years old or older and done voting or you’re in the States and can’t vote today, then what better than a brief celebration of all things Scottish? As Mike Myers’ character Stuart Rankin, proprietor of the store “All Things Scottish,” said on Saturday Night Live, “If it’s not Scottish, it’s crap.”
Scotland is well known for its inventors and their inventions. You wouldn’t be reading this website or surfing the Internet at all without the communications technologies that sprouted from Alexander Graham Bell’s telephone. John Logie Baird would invent the first television. Scots invented the refrigerator and the flush toilet, the kaleidoscope and the lawnmower. And–shazam–James Goodfellow invented ATMs so we can get money to buy stuff on nearly any street corner.
Our future is defined in part by the adventures of a Scot in space–James Doohan’s Commander Montgomery “Scotty” Scott from Star Trek, an engineering miracle worker who exemplifies Scottish ingenuity. And of course, there’s James Bond, the character, whose parents were Scottish, and Sir Sean Connery, the Scottish actor, the most famous Bond, and a supporter of today’s “yes” vote.
