Tag Archive: The Sixth Sense


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Review by C.J. Bunce

The top genre TV actress Rose McIver is back and as irresistible as ever.  The star of the wildly popular series iZombie is right back in her wheelhouse in CBS’s new series Ghosts: rapid-fire dialogue, outlandish situations where she must lead a crew of characters to decipher and inhabit myriad character types in the craziest of concocted schemes.  But unlike iZombie, which had its lighthearted moments, Ghosts is 100% pure comedy.  Sure, there are ghosts, but this is a full-on ensemble cast comedy where a brilliantly conceived haunted mansion is only the setting, the framework on which to build a comedy that will hopefully stand up to the even more dreaded ratings wonks.

For fans of Resident Alien, the show smacks of the exact same tone and humor, the latest in the trope mastered by The Munsters and The Addams Family.  It’s Beetlejuice, The Sixth Sense, and Tru Calling meets The Money Pit with a splash of Clue, with not a speck of heavy drama (or frights) but heaps of fun and pop culture references (like Sneakers, and if you pay attention you’ll find more than one iZombie reference) stuffed into each half-hour episode.

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The streaming channel Peacock arrived in a free, ad-supported edition this summer, and it’s pretty much like having a full cable TV line-up for only the one-time price of an Amazon Fire Stick.  The Fire Stick is typically available here at Amazon for between $30 and $50, depending on the options you want, and it’s a great portal to a variety of streaming platforms, from Netflix to YouTube and Disney Plus to HBO Max, as well as all the series and movies on Amazon Prime and the streaming platforms already available via that service.  Named for NBC’s classic trademark logo, the Peacock channel is bigger than it sounds, incorporating the giant NBC network of historic programming, content from channels like Bravo, USA, Syfy, History, Nickelodeon, Fox, The CW, MSNBC, and more.  Even better, right now Peacock has a “Peacocktober” hub that has a stunning number of classic and recent horror TV series and movies, all easily searchable, highlighting Halloween episodes of your favorite TV shows, recommended double feature movies, and a slate of programs you won’t find anywhere else.

Universal Monster vintage poster montage

Binge your favorite horror movie series, like A Nightmare on Elm Street, Friday the 13th, Chucky, Predator, Gremlins, Psycho (including the remake movie with Vince Vaughn, the originals, and the Bates Motel TV series), Phantasm, The Fly, Men in Black, Sharknado, Hostel, Cabin Fever, The Stepfather, Hellboy, Freddy vs Jason, Jason X, and more.  There are certified classics and odd films you may have forgotten, like American Werewolf in London, John Carpenter’s They Live, Village of the Damned, and Prince of Darkness, M. Night Shyamalan’s The Sixth Sense, George A. Romero’s Night of the Living Dead, The Exorcist, The Omen, Let Me In, Godzilla, Van Helsing, Alien vs. Predator and Prometheus, Scary Stories to Tell in the Dark, 1981’s The Fun House (starring Elizabeth Berridge before she starred in Amadeus), Videodrome, 1997’s I Know What You Did Last Summer, Steven Spielberg’s beloved E.T., the Extra-Terrestrial, It Came from Outer Space, Darkman, Nanny McPhee, A Series of Unfortunate Events, the original Munsters TV series, Day of the Dead, The Skeleton Key, Ouija, Rings, Prom Night, and a huge slate of dozens of vintage Universal Monster classics like Dracula with Bela Legosi.

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Review by C.J. Bunce

In many ways Stephen King’s new supernatural crime novel Later is a natural follow-on to his two earlier Hard Case Crime novels, Joyland, which I loved, and The Colorado Kid, which will have me revisiting it for years to identify what I am sure is a hidden story beneath the obvious one.  Joyland follows a coming of age vibe for an older character and King pulls from a similar quiver of creepiness in Later as he did for The Colorado Kid.  Yes, Later will get the obvious comparison to the “I see dead people” kid from The Sixth Sense–a few updates and this could be its sequel, one as good or better than that great M. Night Shyamalan shocker (a character even calls out the comparison, and King doesn’t try to shy away from it).  But even more than that, this story is a perfect launch pad for a television series, a series that should be written and directed by Shawn Piller as a natural follow-up to the King-Piller partnership’s successful series Haven and The Dead Zone.  The slow-simmering pacing reflects the perfect make-ready four season series centering on a boy burdened with an ability he cannot walk away from.  Later easily could be the next Medium, Prodigal Son, or Tru Callingjust as dark, with a bit of Fallen thrown in.  It’s a highly recommended read, available for pre-order now here at Amazon, scheduled for release March 2.

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Bates Motel

That’s right, Halloween is almost here.  This year we’ve been able to obtain an interview with one of the best horror writers around.  Who will it be?  Check back here on Halloween for a special borg.com interview.

For many, this week means tracking down spooky shows on Netflix, cable, or in the theaters.  Back in 2011 the four borg.com writers posted each of their top favorite Halloween flicks.  Since 2011 new films that fit the genre continue to be made, like The Woman in Black reviewed here last year, but there was also a few to skip, like Johnny Depp in Dark Shadows and John Cusack in The RavenThis year we were impressed by the totally fun and totally watchable Abraham Lincoln, Vampire Hunter, and the over-the-top but fun Hansel & Gretel: Witch Hunters.  There are plenty of opportunities to get your fix of dark, spooky, creepy, or just plain scary movies.

ALVH-217 - Abraham Lincoln (Benjamin Walker) and his vampire-battling mentor Henry Sturgis (Dominic Cooper) plan their next move during a fateful battle with the undead.

One film available on Netflix we haven’t reviewed yet here at borg.com is 2009’s Orphan, which should appeal to fans of The Others and Skeleton KeyOrphan stars Bates Motel’s Vera Farmiga and Skeleton Key’s Peter Sarsgaard as a couple adopting a third child into their family, played by the brilliant young actress Isabelle Furhman.  It also features Warehouse 13’s CCH Pounder and Genelle Williams–both as nuns.  Orphan is excellently creepy and an all-around good thriller worth checking out.  And speaking of Vera Farmiga, if you haven’t been watching Bates Motel, you should.  It’s a great creepy spin-off of Hitchcock’s Psycho, and Season 1 is available now on DVD and Blu-ray from Amazon.com.

Orphan movie - creepy little girl

Here is the link to our Halloween movie series from 2011 where you can view all of our recommendations.  Some of the staples of Halloween horror did not make our lists, like Friday the 13th, Halloween, Saw, Scream, The Omen, Rosemary’s Baby, Poltergeist, Nightmare on Elm Street, or Amityville Horror.   Jaws got our joint highest ranking, making three of our lists, and The Shining, The Exorcist, The Exorcist 3, Watcher in the Woods, The Ring, and Paranormal Activity seem to rise above the rest, showing up on two lists.  Seaside locales were the favorite location for scares, with Jaws, Rebecca, The Birds, The Ring, The Fog (both the original and remake) all taking place there, and creepy little girls are the favorite subject of–count ‘em–NINE of our haunts (The Ring, The Exorcist, Let Me In, Paranormal Activity 3, Watcher in the Woods, The Sixth Sense, The Shining, Turn of the Screw, and The Others). And we can now add Orphan and The Woman in Black to that creepy assembly.  (We Are What We Are was due out this year–another creepy little girl story, but it’s only been released in the UK so far).  For us the supernatural won out over monsters, saws and axes.  Four movies were by John Carpenter, three by Alfred Hitchcock.  The oldest movie was Rebecca from 1940, the newest came out in 2011, Paranormal Activity 3And look, we’ve got another one of those available now, too.

Happy Halloween watching, and don’t forget to come back to see what we have in store Thursday!

C.J. Bunce
Editor
borg.com

Review by Elizabeth C. Bunce

Regular readers will recall that one of our most-anticipated films of the season opened this weekend.  The Woman in Black, starring Daniel Radcliffe (Harry Potter) and borg.com favorite Ciaran Hinds (everything!), is a classic ghost story set in the late Victorian era, and offers up plenty of spooky atmosphere and a handful of startling horror sequences, though ultimately nothing too terribly terrifying.

Based on the 1983 novel by Susan Hill, and following a successful run as a play in London, The Woman in Black recounts the tale of Arthur Kipps (Radcliffe), a young, widowed solicitor hired to settle the affairs at the creepy, isolated Eel Marsh House in the equally creepy village of Crythin Gifford.  The film opens in true gothic fashion, with the young protagonist’s journey into a landscape that is both literally and metaphorically haunting and despondent.  Here, the unearthly fenlands and heavy-handed Victorian furnishings are used to excellent effect, setting the scene for a tale of loss and decrepitude.

From his arrival in Crythin Gifford, Kipps is made bluntly unwelcome by nearly everyone he meets: his innkeeper, his local employment office, and the brooding villagers in turn.  Only Mr. Daily (Hinds), a worldly stranger he meets on the train, makes any effort at friendship or hospitality, and will become a welcome ally during the course of the film.  Finally at work at Eel Marsh, Kipps discovers a house with a secret, suffused not just with damp and cobwebs, but with old memories and desperate grief turned to vengeance.  As Kipps works in the mansion, the titular Woman in Black works her deadly influence on the villagers.

Since a great deal of the fun of a good ghost story is the unraveling of the backstory (and, even more importantly, since that backstory makes up about 80% of the plot here), we won’t reveal more about the actual storyline.  Purists will want to note that apparently the story presented in the film is a rather sharp departure from that of the novel, so consider yourself prepared.

This is a gothic-styled ghost story (with actual ghosts), in the vein of The Others or The Turn of the Screw, so it relies on building an unsettling atmosphere, more than in depicting graphic horror.  The scares here are along the lines of what we saw in The Sixth Sense, although sadly, if you’ve seen the previews, you’ve already seen essentially every startling scene.  There is one brief moment of gore, hardly enough to warrant the PG-13 rating (though more sensitive viewers may find the plot sufficient for that).  The story is likewise somewhat thin and fairly predictable–yet The Woman in Black managed to deliver an ending I found immensely satisfying.

The highlight of the movie (aside from the incredibly grim Victorian set dressing at Eel Marsh, which deserves attention come awards season) was probably the performance handed in by veteran British character actor Ciaran Hinds.  Playing the only villager willing to confide in Kipps, Hinds adds a needed gravity to the film as a man of reason, determined to deal with his grief on his own terms.

If you’re looking for scares galore, graphic gore, and a film that will propel you screaming from your seats–this isn’t that movie.  If you’re a fan of costume dramas; misty, foggy landscapes; and traditional hauntings borne from compelling backstory, you’ll probably find The Woman in Black worth the ticket price.