Tag Archive: The Thin Man


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Review by C.J. Bunce

The first thing to know about Raymond Chandler’s 1939 novel The Big Sleep is that it was published three years after James M. Cain published the serialized Double Indemnity.  If your only knowledge of The Big Sleep is the big-screen adaptation directed by Howard Hawks starring Humphrey Bogart and Lauren Bacall with a screenplay written by the likes of Leigh Brackett and William Faulkner, you should go back and read the novel to see how wrong Bogart is for the lead detective Philip Marlowe.  Both the novel and significantly modified movie version are convoluted tales of murder and mayhem, but the novel is better than the film in many ways.  Its value is in its shocking subject matter for the 1930s and being an early entrant helping to establish hardboiled crime novels as a genre.  Readers were first put inside the brain of Marlowe in this story, which reads like an effort to adapt Cain.  Chandler also was a reader of Cain’s work and along with Billy Wilder, Chandler would adapt Cain’s Double Indemnity for the screen.  Still in print, The Big Sleep is available in trade paperback here at Amazon.

Eight decades after its first publication, how does Chandler’s novel hold up?

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Review by C.J. Bunce

Is there a better way you can think of for New Year’s Eve than spend it with Nick and Nora Charles and their spunky dog Asta?  If you haven’t met them yet, read on, or just check out the TCM marathon tomorrow featuring Dashiell Hammett’s iconic trio as played by William Powell, Myrna Loy, and Skippy.  Find the amiable, put-upon, imbibing hilarity and forced sleuthing–and much more–with 1934’s “Pre-Code” movie The Thin Man, followed by After the Thin Man (1936), Another Thin Man (1939), Shadow of the Thin Man (1941), The Thin Man Goes Home (1945), and Song of the Thin Man (1947), beginning tomorrow morning at 8:15 a.m. Central on TCM tomorrow all day–appropriately on New Year’s Eve.

But where did it all begin?  In Hammett’s 1934 novel The Thin Man.

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Review by C.J. Bunce

Usually the books from Turner Classic Movies highlight lists of select genre favorites by a single author, with selections that are always on-topic, but can often provoke readers to pull out their hair, since it’s very likely nobody’s personal list will match the author’s–or anyone else’s.  We’ve seen great insights and and I’ve personally found numerous selections to track down from the likes of Must-See Sci-Fi, Dynamic Dames, Forbidden Hollywood, Christmas in the Movies, and most recently Fright FavoritesBut now I am going to double back to the book, and the list, that started it all.  It begins with the 2001 Saturday night series, TCM’s The Essentials.  The book is TCM’s The Essentials: 52 Must-See Movies and Why They Matter, by film historian Jeremy Arnold, a very different look at classic films.

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