Tag Archive: The Thin Man


Review by C.J. Bunce

Last month I reviewed TCM’s Summer Movies: 30 Sun-Drenched Classics, the eighth volume reviewed here at borg in the TCM library.  TCM is busy with new releases this year, and its look at film noir takes a different approach.  Written by Noir Alley host Eddie Muller, The Art of Noir author and proclaimed Czar of Noir, Dark City: The Lost World of Film Noir (available now in bookstores and at Amazon here) is actually an update of his 1998 look at film noir of the same name.  It’s an essential look at the genre for both novices and diehard fans, providing just enough about the key films to entice readers to add several movies to their DVR, and giving long-time noir audiences new ways to think about some classic films.  Whenever I hear someone referred to as an expert in genre, I make notes.  Here I made a list of what those essential and important obscure noir films should make any book on film noir.  Muller includes discussions of all of them except one, from Laura and Shadow of a Doubt to DOA, from Sorry, Wrong Number, Sunset Boulevard, and Call Northside 777, to The Strange Love of Martha Ivers and Chinatown.  So the book by all counts is the real deal and worthy of its accolades for both its original and new edition.  Unlike some of the other TCM books I’ve reviewed here at borg, Dark City: The Lost World of Film is not only an annotated guide to a list of recommended movies.  What film noir movies would you expect to find inside?

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thebigsleep 2  thebigsleep 4

Review by C.J. Bunce

The first thing to know about Raymond Chandler’s 1939 novel The Big Sleep is that it was published three years after James M. Cain published the serialized Double Indemnity.  If your only knowledge of The Big Sleep is the big-screen adaptation directed by Howard Hawks starring Humphrey Bogart and Lauren Bacall with a screenplay written by the likes of Leigh Brackett and William Faulkner, you should go back and read the novel to see how wrong Bogart is for the lead detective Philip Marlowe.  Both the novel and significantly modified movie version are convoluted tales of murder and mayhem, but the novel is better than the film in many ways.  Its value is in its shocking subject matter for the 1930s and being an early entrant helping to establish hardboiled crime novels as a genre.  Readers were first put inside the brain of Marlowe in this story, which reads like an effort to adapt Cain.  Chandler also was a reader of Cain’s work and along with Billy Wilder, Chandler would adapt Cain’s Double Indemnity for the screen.  Still in print, The Big Sleep is available in trade paperback here at Amazon.

Eight decades after its first publication, how does Chandler’s novel hold up?

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Review by C.J. Bunce

Is there a better way you can think of for New Year’s Eve than spend it with Nick and Nora Charles and their spunky dog Asta?  If you haven’t met them yet, read on, or just check out the TCM marathon tomorrow featuring Dashiell Hammett’s iconic trio as played by William Powell, Myrna Loy, and Skippy.  Find the amiable, put-upon, imbibing hilarity and forced sleuthing–and much more–with 1934’s “Pre-Code” movie The Thin Man, followed by After the Thin Man (1936), Another Thin Man (1939), Shadow of the Thin Man (1941), The Thin Man Goes Home (1945), and Song of the Thin Man (1947), beginning tomorrow morning at 8:15 a.m. Central on TCM tomorrow all day–appropriately on New Year’s Eve.

But where did it all begin?  In Hammett’s 1934 novel The Thin Man.

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Review by C.J. Bunce

Usually the books from Turner Classic Movies highlight lists of select genre favorites by a single author, with selections that are always on-topic, but can often provoke readers to pull out their hair, since it’s very likely nobody’s personal list will match the author’s–or anyone else’s.  We’ve seen great insights and and I’ve personally found numerous selections to track down from the likes of Must-See Sci-Fi, Dynamic Dames, Forbidden Hollywood, Christmas in the Movies, and most recently Fright FavoritesBut now I am going to double back to the book, and the list, that started it all.  It begins with the 2001 Saturday night series, TCM’s The Essentials.  The book is TCM’s The Essentials: 52 Must-See Movies and Why They Matter, by film historian Jeremy Arnold, a very different look at classic films.

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