Tag Archive: The Vast of Night


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Ten years of movie reviews.  How do you pick the best?  Our theory from the very first day of publishing borg has been reviewing only those things we like, things we think are fun, imaginative, or just plain cool—because if we think they’re cool, maybe you will, too.  What makes a great movie?  #1 for us is great writing—great storytelling.  #2 is re-watchability.  Lots of movies are good, but if every time you watch it you enjoy it all over again and maybe find something you didn’t see before, then you likely got far more value from the movie than the price of a movie ticket.  #3 is innovation—there’s nothing to top off a good story like new technology surprising us.  Finally, the experience must be fun—why else would you devote two hours or more of your valuable time?

So in Casey Kasem style, here are the Top 40 movies we recommend, spanning 2011 to 2021.  These are our favorites.  How should you use lists like this?  If you like what we talk about at borg, you’re probably going to like these movies.  If you’ve missed any, odds are you have some new movies to take a look at.  Let’s start at #40 and move our way to #1.  As with everything borg, we’re stressing genre movies, so don’t expect to see strict dramas or a lot of Best Picture Oscar winners here.  Title links are to our original borg review.

Let’s get started!

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When we created last year’s preview of 2020 movies we were pretty sure we were going to have some great movies this year, but we were surprised by what ended up being the best, mainly because what were to be the big box office hits were delayed to 2021 because of the covid pandemic.  All year we wondered what we’d get to see and what we wouldn’t–and thanks to Netflix, Amazon Prime, Vudu, and similar streaming services, an impressive array of movies kept us entertained, especially by way of genre content.  Ultimately we think the Best Movies of 2020 will stand up against any other year.

GenredomAs always, we’re after the best genre content of the year–with our top categories from the Best in Movies.  There are thousands of other places that cover plain vanilla dramas and the rest of the film world, but here we’re looking for movies we want to watch.  What do all of this year’s selections have in common?  In addition to those elements that define each part of genredom, each has a good story.  Special effects without a good story is not good entertainment, and we saw plenty of films this year that missed that crucial element.

Come back tomorrow for our best on television and later this week for our print media picks and our annual borg Hall of Fame inductees.  And if you missed it, check out our Best Kick-Ass Genre Heroines of 2020 here.  Wait no further, here are the Best Movies of 2020:

Best Film, Best Sci-Fi Film, Best Drama, Best Director, Best Cinematographer, Best Writing, Best Suspense/Thriller, Best Retro Fix The Vast of Night (Amazon Prime).  The man of many hats, writer-director-producer-editor Andrew Patterson dazzled us this year with the sleeper sci-fi film The Vast of Night, from Amazon Prime.  Amazon hadn’t before stunned us with a feature film, but this one sure blew us away.  We knew this was the #1 science fiction offering of the year at first viewing, but when we went back and watched films again, it also stood out as the clear winner for top prize.  Part American Graffiti, part The Twilight Zone and The X-Files, and filmed as faithfully to the era as a Francis Ford Coppola masterpiece (with Orson Welles flair), this story sneaks up on the audience thanks in part to its two talented young lead actors.  The script is impeccable and rich, dotted with great jargon that dances artfully like music from the characters’ lips.  Expert Chilean cinematographer Miguel Menz adds just the right lighting and camera angles for a film we hope can get recognized by the Oscars, if only so we can see more of these filmmakers and actors in the future.   Honorable mention for Best Sci-Fi Film: Altered Carbon: Resleeved (Netflix).

Best Borg Movie, Best Superhero Movie, Best BorgBloodshot (Sony Pictures).  The story of slain soldier Ray Garrison provided the year’s best look at life as a borg.  What do you do with cybernetic enhancements, how do you use them, and what toll does take from your humanity?  Jeff Wadlow’s story really kicked in once the audience slides into the plot twist.  The Six Million Dollar Man didn’t get to decide to get his bionics, and neither does Ray.  Once you give up control of yourself to someone else, more and more of you vanishes.  Especially if the person in control is using you as a tool of evil.  The best superhero films tend to be about the B-level superheroes, and Bloodshot proved that true again this year.  Honorable mention for Best Superhero Movie: The New Mutants (20th Century Studios).

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Once a year at borg we ask: What makes a great screen heroine? It’s time for borg′s annual look at the Best Kick-Ass Genre Heroines in film and television.  Despite delays in releases due to the covid pandemic, nothing kept Hollywood from including great female characters on the screen, even if that meant moving movies to the small screen for a while. We’re highlighting the very best from a slate of fantastic heroines, with characteristics to learn from and root for.  Determined, decisive, loyal, brave, smart, fierce, strong, you’ll find no one here timid or weepy, but all rely on their individual skills to beat the odds and overcome any obstacle that comes their way.  Over the years we have expanded the list to include any tough, savvy, gritty character played by a woman, so villains are welcome here, too.  (Want to see previous years’ kickass genre heroines to see how 2020 compares?  Here are 2019, 2018, 2017, 2016, and 2015). Some may be frazzled, put-upon, war-weary, or human, but all have fought, some against difficult circumstances, others against personal demons (literally, figuratively, or both), and some against gun and laser fire.  And they all showed what a tough, kick-ass, and often badass, character is about.

This year we add masked superheroines, a CDC epidemiologist, aliens, assassins, martial artists, warriors, cyborgs, a telephone operator, an engineer, a bounty hunter, and a frog and a pig–with a roster evenly split between television and movie characters. Credit goes to both the writers, costumers, and other creators of the characters and the actors and performers that brought them all to life.

These are the Best Kick-Ass Genre Heroines of 2020:

Bo-Katan Kryze (The Mandalorian, Star Wars: The Clone Wars).  In the animated series she would let nothing stand in her way. In a galaxy with villains like Grand Admiral Thrawn and Grand Moff Gideon, we’re lucky to have Bo-Katan on our side. Leading a team to find the Darksaber and restore Mandalore, she’s also willing to enlist a lone straggler, and help him for his efforts. With Katee Sackhoff, the actress behind Starbuck, in the armor, the coolness factor goes up by a factor of 100. Great heroines are great leaders, and, like Bo-Katan, they wield an incredible arsenal of skills. (Disney/Lucasfilm)

Nicole Haught in Wynonna Earp

Sheriff Nicole Haught (Wynonna Earp).  Katherine Barrell’s tough, savvy, and friendly sheriff is one of the best reasons to watch Wynonna Earp, now four seasons running. She’s the girlfriend of Wynonna’s sister Waverly, she is plugged into the local supernatural happenings, and she’s always available to lend a hand, when she’s not carrying out her sheriff duties. She’s an investigator who is loyal, driven, and smart. She’s also fun and friendly, making her the heart of the series. In a show about supernatural people, she holds her own as law enforcer simply by her own human wits. (Syfy)

Seven of Nine (Star Trek Picard).  More than forty years of Star Trek have revealed some exceptional women leaders. This year we were lucky to see the re-appearance of one of the best, a character who was captured as a child and trapped in what amounts to a technological cult. With the help of a strong captain, Seven was able to break free, and re-learn what it means to be human. This year that meant helping a legendary former admiral, avenge the death of her closest friend, and fight for good long after her call to duty. (CBS All Access)

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Review by C.J. Bunce

So often big budget dramas dressed in sci-fi dress rise up the box office rankings, you might miss the best films, the ones that don’t need the big budgets or major stars, the refreshing sleepers that surprise you.  One of those great surprises was Midnight Special, which I reviewed here at borg back in 2016.  The next spectacular science fiction work is even better–The Vast of Night–the brainchild of writer-director-producer-editor Andrew Patterson (who is billed under multiple names), now streaming on Amazon Prime.  Could this freshman filmmaker be the next J.J. Abrams, John Carpenter, or Steven Spielberg?  Think Super 8, The Fog, and Close Encounters of the Third Kind, in a setting like American Graffiti and The Outsiders, with stunning cinematography, superb dialogue in a tightly written script, and a fresh and eerie use of sound.  If you missed this Amazon Studios arrival earlier this summer, you’re in for a treat of 1950s teenage sleuths, a radio station, and strange goings about town: An ambitious film that comes pretty close to perfect science fiction in the classic tradition of The Twilight Zone, The War of the Worlds, and the short stories of Philip K. Dick.

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