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Tag Archive: Thelma Ritter


Stewart camera Rear Window

Review by C.J. Bunce

One of the first classic movies restored using a state of the art Technicolor dye-transfer process, the restoration of Alfred Hitchcock’s most stylish and suspenseful film, Rear Window, provided 1990s audiences a presentation of the film better than it was originally seen upon its initial release in 1954.  That version was back on the big screen this week, thanks to Turner Classic Movies and the Fathom Events series.  Inspired by a Cornell Woolrich short story about voyeurism and murder, Hitch’s classic piece of cinema still holds up, keeping a 2015 audience completely engaged with his unique use of humor juxtaposed with some pretty grisly circumstances.

Anchored by top performances from Jimmy Stewart and Grace Kelly, and just as superb supporting performances by Thelma Ritter and Wendell Corey, Rear Window is as atmospheric as any film of its decade.  Hitchcock filmed primarily in the muted brown tones of a sweltering urban summer, but he used targeted deep reds to highlight key imagery: the mercury of a wall thermometer, a bright and significant bed of flowers, a perfect lobster dinner, crisp uneaten bacon, and a certain fashionable socialite’s lipstick in her opening scene.  And yet, unlike Hitchcock’s The Birds or Psycho, the red of blood–and any gore at all–is kept off-stage.  He didn’t need it.  The suspense builds for two hours and even after 60 years, the payoff–and especially what we can’t see–is still able to transfix audiences with nail-biting action.

Stewart Kelly Rear Window scene

Highly memorable is the music–a soaring clarinet rises up above Franz Waxman’s jazz score from the film’s first scene, reflecting the liveliness of the block, the active and important parts of all the lives visible from the rear window of Stewart’s L.B. “Jeff” Jeffries, a war photographer laid up with a broken leg.  Waxman’s stylish music propels the story forward despite Jeff’s claustrophobic, trapped circumstance.  Love themes, like Bing Crosby’s “To See You is to Love You” and “Many Dreams Ago” reflect the seemingly hopeless plight of Miss Lonelyhearts–a single woman longing to find love who is attacked and then plans to commit suicide.  Waxman’s own song “Lisa” takes on its own life, composed over the course of the film by a piano player across the courtyard, to get noticed by Miss Lonelyhearts, and be picked up as the love theme for Jeff and Grace Kelly’s character, Jeff’s girlfriend Lisa Fremont.  And to relieve the tension at story’s end, a rousing accordion plays “That’s Amore” to the curtain.

Rear Window Stewart Corey

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rear window fathom

It’s Alfred Hitchcock’s most suspenseful film, his most engaging and atmospheric, and it features top lead actors with stars Jimmy Stewart and Grace Kelly.  It’s his 1954 blockbuster Rear Window, and if you haven’t seen it on the big screen then you haven’t seen it at all.

Tomorrow, March 22, 2015, and Wednesday, March 25, 2015, as part of the Fathom Event series, theaters across the country will screen the restored cut of the film.  Presented by Turner Classic Movies (TCM) and Universal Pictures Home Entertainment, the film will be introduced by TCM host Ben Mankiewicz.

It’s a steamy, sultry summer, and L.B. Jeffries (Jimmy Stewart) is a war photographer bedridden from an injury to his leg.  He’s being taken care of by nurse Stella, played by Thelma Ritter, and is constantly being prodded for his affections by the beautiful fashion model Lisa Fremont, played by Grace Kelly.  Jeffries’ apartment overlooks a courtyard and the back sides of other apartments, and as Jeffries gets more and more bored he begins following the goings-on out his rear window.  Newlyweds, a musician, an unhappy couple, an older couple, a dancer, a lonely woman.

Grace Kelly Jimmy Stewart

Is the heat getting to Jeffries, or could one of these tenants have committed a murder across the way?

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