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Tag Archive: Thomas Yeates


Our borg Best of 2018 list continues today with the Best in Print.  If you missed them, check out our review of the Best Movies of 2018 here, the Kick-Ass Heroines of 2018 here, and the Best in Television 2018 here.

So let’s get going.  Here are our selections for this year’s Best in Print:

Best Read, Best Sci-fi Read – The Synapse Sequence by Daniel Godfrey (Titan Books).  The Synapse Sequence is one of those standout reads that reflects why we all flock to the latest new book in the first place.  The detective mystery, the future mind travel tech, the twists, and the successful use of multiple perspectives made this one of the most engaging sci-fi reads since Michael Crichton’s Jurassic Park.  Honorable mention: Solo: A Star Wars Story novelization by Mur Lafferty (Del Rey).

Best Retro Read – Killing Town by Mickey Spillane and Max Allan Collins (Hard Case Crime).  The lost, first Mike Hammer novel released for the 100th anniversary of Mickey Spillane’s birth was gold for noir crime fans.  This first Hammer story introduced an origin for a character that had never been released, in fact never finished, but Spillane’s late career partner on his work made a seamless read.  This was the event of the year for the genre, and a fun ride for his famous character.  Honorable mention: Help, I Am Being Held Prisoner, by Donald E. Westlake.

Best Tie-In Book – Solo: A Star Wars Story–Expanded Edition novelization by Mur Lafferty (Del Rey).  Not since Donald Glut’s novelization of The Empire Strikes Back had we encountered a Star Wars story as engaging as this one.  Lafferty took the final film version and Lawrence and Jon Kasdan’s script to weave together something fuller than the film on-screen.  Surprises and details moviegoers may have overlooked were revealed, and characters were introduced that didn’t make the final film cut.  Better yet, the writing itself was exciting.  We read more franchise tie-ins than ever before this year, and many were great reads, but this book had it all.  Honorable Mention: Big Damn Hero by James Lovegrove (Titan).

Best Genre Non-fiction – Hitchcock’s Heroines by Caroline Young (Insight Editions).  A compelling look at the director and his relationship with the leading women in his films, this new work on Hitchcock was filled with information diehard fans of Hitchcock will not have seen before.  Young incorporated behind-the-scenes images, costume sketches, and a detailed history of the circumstances behind key films of the master of suspense and his work with some of Hollywood’s finest performers.

There’s much more of our selections for 2018’s Best in Print to go…

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Review by C.J. Bunce

Sometimes you ask for something and it magically appears.  Like the new Dark Horse Comics’ graphic novel Edgar Rice Burroughs’ The Once and Future Tarzan I originally reviewed a one-shot initial version of this story here at borg way back in 2012.  I liked the retro adventure vibe and thought that it begged for an expanded story.  At last writer Alan Gordon has taken Tarzan into the distant future in a full 15-part epic, as a 300-year-old survivalist who encounters a future world right out of H.G. Wells’ The Time Machine, Pierre Boulle’s Planet of the Apes, Nolan and Johnson’s Logan’s Run, or Richard Matheson’s I am Legend.  Tarzan and Jane join a tribe of warrior women on their quest–Tarzan is a well-educated leader who communes with the animal kingdom, and Jane brings her own special skill set to this adventure.

Readers will find a densely written graphic novel with many literary references and a thoroughly researched, thoroughly faithful look at Burroughs’ Tarzan, with the building of a great expansion world for the character, loyal to the spirit of the original stories.   It’s a mix of fantasy and James Bond action, as the Tarzan of the past confronts a future world reeling from decades of mishandling.  Tarzan has been secretly protecting animals, species other humans failed to protect, and Tarzan brings them into this future.  It’s a story of the past catching up with mankind, and a glimmer of hope via the legend of Tarzan.  Can the future still be saved for all of life on Earth, before nothing is left of the natural world?  Gordon’s story suggests the possibility and the story itself serves as its own sci-fi warning to take care of what we have before it’s gone.  The story isn’t dark and daunting, but it has that fantasy adventure tone of the age of serial adventures, peppered with humorous dialogue, too (some of the callbacks to Tarzan’s past are particularly funny).

The imagery of artists Thomas Yeates (Prince Valiant, Conan) and Bo Hampton (Viking Glory, Batman) is gorgeous, and it wouldn’t succeed so well without the complimentary color palette used by colorists Steve Oliff and Lori Almeida.  It has the nostalgic look of Illustrated Classics, but with more movement and action, something that will appeal to fans of Matt Kindt’s Dept.H and Black Badge, Phil Noto’s retro styled art, P. Craig Russell’s adaptation of Wagner’s The Ring, and the imagery of The Hobbit artist David Wenzel.  Parts feel like a voyage of Captain Nemo, Captain Blood, Conan the Barbarian, or Red Sonja.  All of these fantasies share the common quest, the world outside of a present day reality, stocked with nicely fleshed-out legend and lore.

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Edgar Rice Burroughs’ Tarzan has had many incarnations in the past 100 years, so it’s probably time that he is thrust into the far future as a 300-year-old human who, along with wife Jane, encounters a future world you might find in H.G. Wells’ The Time Machine, Pierre Boulle’s Planet of the Apes, Nolan and Johnson’s Logan’s Run, or Richard Matheson’s I am Legend in the new one-shot comic book The Once and Future Tarzan.  Tarzan faces strange creatures big and small, and a tribe of women who speak in a future French dialect, who he assists on their quest.  Tarzan is a well-educated survivalist who communes with the animal kingdom–the main element that ties this future Tarzan to the Tarzan of our past.

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