Tag Archive: Three Identical Strangers


When we created last year’s preview of 2019 movies we were pretty sure we were going to have some great movies this year, but we were surprised by what ended up being the best.  All year we tried to keep up with what Hollywood had to offer and homed in on the genre content we thought was worth examining.  We went back and looked at it all and pulled together our annual picks in our Best Movies of 2019.

GenredomAs always, we’re after the best genre content of the year–with our top categories from the Best in Movies.  There are thousands of other places that cover plain vanilla dramas and the rest of the film world, but here we’re looking for movies we want to watch.  What do all of this year’s selections have in common?  In addition to those elements that define each part of genredom, each has a good story.  Special effects without a good story is not good entertainment, and we saw plenty of films this year that missed that crucial element.

Come back later this month for our print media picks, and our annual borg Hall of Fame inductees.  And if you missed it, check out our Best Kick-Ass Genre Heroines of 2019 here.  Wait no further, here are our movie picks for 2019:

Best Film, Best Superhero Movie, Best Re-Imagining on Film Shazam! (Warner Bros.).  Movies are supposed to be a wonder, right?  What brought the magic of the movies back to theaters more than Shazam?  Why did DC take so long to adapt a superhero to the scene perfectly?  Who cares–they finally did it.  Faithful to the character from the #1 selling superhero book of the 1940s, this was the superhero movie many of us have been waiting for for the past 50 years (or more).  Full of superhero fun, one of the best training montages ever, Zachary Levi’s boyish hero was perfectly matched to Jack Dylan Grazer’s take on best pal Freddy.  It’s also the only superhero movie we can think of that got better as it went along, culminating in a fantastic, satisfying third act and finale.  This is what we want more of.  And it was the first DC superhero movie of the millennium that could be watched and enjoyed by the entire family.  Honorable mention: Glass (Universal), Spider-Man: Far From Home (Sony Pictures).

Best Fantasy Movie, Best Adventure Movie, Best Comedy MovieJumanji: The Next Level (Columbia Pictures).  The only issue with this film was that its status as a sequel will prompt some to not recognize it for the gigantic success it truly is.  With adventure scenes bigger and better than anything in the entire Indiana Jones franchise, two movies in and director Jake Kasdan proved a sequel can actually be as good as the original.  The four stars didn’t miss a beat, swapping roles and adding new laughs, and the new characters inside and outside the game were perfectly spliced in to tell a new tale.  The bridge crossing scene is now the adventure film scene to beat.  An epic fantasy that’s loads of fun.  Honorable mention for Best Fantasy Movie: Shazam! (Disney/Marvel), Captain Marvel (Disney/Marvel).

Best Movie Borg, Best Borg Film – Arnold Schwarzenegger’s Carl, Terminator: Dark Fate (Paramount Pictures).  It would have been almost impossible for James Cameron and director Tim Miller not to get this right, a new thread through time reuniting Linda Hamilton’s Sarah Connor and a new T-800 with Arnold back with another take on his greatest borg of all time.  New characters and new effects kept the franchise from getting boring, but this was more than just getting by, a big sci-fi spectacle with great cyborg battles, and easily the best cyborg fix this year.

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Review by C.J. Bunce

The first ten minutes of the new CNN documentary film Three Identical Strangers is intriguing enough to merit a major motion picture adaptation.  The film re-tells the story of an adopted teenager who steps into the life of someone else on his first day at community college, only to find that he had an unknown identical twin brother who attended the school the prior year.  Director Tim Wardle‘s introduction and interview with Robert Shafran, now 57, and the best friend who in 1981 knew the newfound twin brother, Eddy Galland, and was shocked to meet Robert on campus, is the kind of exciting filmmaking that illustrates why there are fans of documentaries.

But that was only the first unlikely collision of events.  Only days later when the story was published in New York newspapers, another teen, David Kellman, born on the same day, was reading the story, and his mother showed him the photographs of the twins that looked identical to him.  Identical triplets, adopted out of the same agency, which had separated the triplets at birth instead of trying to place them into a single home.

The story was reported everywhere back in 1980, on shows like Donahue, and the triplets would go on to appear in a scene with Madonna in Desperately Seeking Susan in 1985.  Only the collective forgetfulness of a country of the men’s 15 minutes of fame allowed the story to fade away over the decades.  But there was more to the story, and Wardle would put together a contemporary writer’s research and remnants of the past, busting open a psychological study that breached any sensible person’s ethics.  The triplets weren’t merely studied from afar, their families were specifically targeted for placement, and their parents conned into letting the researchers into their homes each year for subsequent testing.  And yet there’s still more to the story, as Wardle interviews other relatives, an investigative reporter, and two former researchers involved in the study.  It’s a creepy look into the kind of science carried on by Nazi Germany during World War II and banned by the medical profession since, all with an eye toward digging into the battle between nature vs nurture in determining who each individual is in life and what they become.

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