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Tag Archive: Tim Matheson


Review by C.J. Bunce

A new book at last features a throwback many fans of classic TV cartoons may not be aware of.  If you watched Hanna-Barbera animated shows Jonny Quest, Sinbad Jr. and His Magic Belt, Young Samson & Goliath, or Space Ghost before you learned how to read as many kids did, you might never have made the connection that Tim Matheson was the voice of Jonny, Sinbad, Samson, and Jace.  That’s the boy who would grow up to be well-known actor Tim Matheson, who would star in Animal House and Fletch, and have key roles in shows like Magnum Force and 1941, and guest star in several TV series, from Leave it to Beaver to Burn Notice, in addition to directing even more shows, all over the past six decades.

In the new book Jonny Quest Speaks: Jonny, Sinbad Jr. & Me, author Kevin Scott Collier pieces together past interviews with creators from Hanna-Barbera, giving a background for Jonny Quest, which premiered in 1964.  He includes an interesting and informative interview with Matheson as he recounts not only voicing the various cartoon characters, but his direct work with animation legends Joe Barbera, Don Messick, and Mel Blanc.  It all amounts to a good comic-con panel worth of content from Matheson, who recalls his interactions at this time in his life with great clarity.  A big deal for Matheson was his first public appearance, flying first class into Kansas City and staying at the Muehlebach Hotel.  He signed autographs at a department store, yet his series had not yet aired on television.  Matheson illustrates how he learned how the business of Hollywood works (and why the animation pioneers had the biggest houses in town), something he picked up by paying attention to the adults working around him, all always serious about their craft.

Matheson discusses his takes on competing animated series (speaking fondly of animation pioneer Jay Ward) and goes into more detail about working with Blanc and Gary Owens of Laugh-In fame in a chapter on Sinbad Jr. and His Magic Belt, Young Samson & Goliath, and Space Ghost.  The actor has been working long enough and is lucky enough to be able to drop names he worked with including Lucille Ball, Henry Fonda, and Bob Hope.

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Burn Notice finale

When USA Network announced last year that its hit spy series Burn Notice would see its last season this year, it really seemed like the right decision.  The ramifications of Jeffrey Donovan’s Michael Westen getting a burn notice, blacklisting him and leaving him with nothing: no cash, no credit, no job history, stuck in Miami doing whatever came his way for six years with his trigger happy girlfriend/ex-girlfriend/girlfriend again (Gabrielle Anwar), his old friend that used to inform on him to the FBI (Bruce Campbell), his mom (Sharon Gless) and another spy who he burnt along the way (Coby Bell)–it all seemed like there was not much left for the series to show us that hadn’t been done.

But as happens with writers and creators of many TV series who know they are working on their swan song, it’s like someone gave them some java juice, and they delivered the best of their past three seasons.

Jack Coleman in Burn Notice

Much credit goes to some superb casting this year.  Heroes’ Jack Coleman, featured throughout the year as Michael’s CIA handler Andrew Strong, was the best featured character to come along since Coby Bell signed on as Jesse Porter in Season 4.  Coleman was believable and likeable, in contrast with the misery the series put us through with Jere Burns’ black hat villain Anson Fullerton last season.  Veronica Mars and CW’s Cult lead actress Alona Tal was also a welcome and interesting addition this year as Russian spy Sonya.

Thursday night’s series finale even featured a small role for genre favorite Alan Ruck as a scientist working for this season’s villain James Kendrick, played by John Pyper-Ferguson.  If there was one storyline this season that almost turned us off it was leaving viewers to figure out what were the motivations of Kendrick, although Pyper-Ferguson managed to give us the best layered villain of the past several seasons.  Was Kendrick ultimately “doing good” or was he a villain?  Would Michael be justified in a continued support of Kendrick’s causes, or would the other villains–the CIA–win out in the end?  Who would Michael eventually side with?  With the penultimate episode and the finale last night, all of the questions posed over the past year, and even over the entire series, were laid to rest.

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