Tag Archive: Tom Wopat


Uhura Nichols

This Friday, Saturday, and Sunday thousands of sci-fi, fantasy, and superhero fans will converge on Kansas City as Kansas City Comic Con returns to the Bartle Hall.  The show again has booked the very best comic book and fiction writers and artists in the U.S. as well as some great movie and TV guests.  Kansas City Comic Con features one of the largest assemblages of nationally known as well as local writers and artists, with more than 300 creators featured.

Headlining this year’s show as part of the 50th anniversary of Star Trek is Nichelle Nichols, well known for her groundbreaking role as Uhura in three seasons of Star Trek and six major motion pictures.  Star Wars fans can meet Billy Dee Williams, best known as Lando Calrissian in The Empire Strikes Back and Return of the Jedi, and Brian Herring, the puppeteer behind Star Wars: The Force Awakens’ lovable new droid BB-8.  Motion picture and TV star Ksenia Solo, star of Lost Girl, Orphan Black, and Black Swan, will be in attendance Saturday and Sunday.  And fans of classic TV can meet the original Bo and Luke of Dukes of Hazzard, John Schneider and Tom Wopat.

BB-8

Nationally known comic book creators featured at KCCC include legendary writer/artist Mike Grell and artist Michael Golden, as well as current Star Wars writer and Eisner winner Jason Aaron and Star Trek writers Kevin Dilmore and Dayton Ward, Star Wars artists Joe Corroney and Bryan Fyffe, and DC Comics artist Ant Lucia.  Plus fan favorite writers and artists including CW Cooke, Sean Von Gorman, Ande Parks, Nicholas Forrestal, Damont Jordan, Arie Monroe, Thaddeus Nowak, Bryan Timmins, and Darryl Woods.  But that’s only scratching the surface–check out the full list of national and local creators here.

Green Arrow by Michael Golden    Grell GA BC

Costume contests, a cosplay wedding, a Friday night concert, gaming room, live art, panels, photo ops, autographs, collectables, toys, comics, a scavenger hunt, video games, and an offsite movie screening for Star Trek fans.  It will be a full weekend for anyone who is a fan of comics, movies, TV, superheroes, sci-fi, and fantasy.

Continue reading

Django Unchained - Still A

By C.J. Bunce

How does a Western get nominated for a Best Picture Academy Award in 2013? As recently as two years ago the remake of True Grit was nominated for Best Picture and nine other nominations—but did not net a single win.  But would it have been nominated if it hadn’t been directed by the quirky directing duo of Joel and Ethan Coen?  Five years earlier Brokeback Mountain, a film with a Western—or at least a cowboy– theme was also nominated for Best Picture, winning three of eight nominations.  It took director Ang Lee and a completely non-Western plot for that to happen.  Then you have to go back to Unforgiven in 1992, which actually won Best Picture and four of nine of its nominations, to find the last major, critically acclaimed Western.

What made Unforgiven win?  Certainly by supplying one of the two most popular Western actors of all time as the film’s lead helped, even if it was one of his more bland performances, with Clint Eastwood also serving as director. (Yes, John Wayne still remains the #1 most popular Western actor ever).  But more importantly, like the few notable Westerns since, it had a very non-standard plot for a Western.  With its gunfighter-turns-farmer-turns-gunfighter-one-last-time story, it was basically a dark sequel to John Wayne’s Angel and the Badman.  You could keep going—back to Dances with Wolves in 1990, an example of the “epic Western” which seemed to reward the director and acting efforts of rising star Kevin Costner more than the movie as a Western genre masterpiece.  Or back to Butch Cassidy & the Sundance Kid in 1969, probably the last classic era Western to be nominated for a Best Picture Oscar, winning five awards, including a key win for the script by William Goldman.  Then go back to the also-quirky Cat Ballou in 1965 starring Jane Fonda—the rare Western notable for featuring a female lead.

Going back even further gets you into the classic era of Westerns, and throws you into the strange era of “epic Westerns” getting recognized by the Academy.  These were movies that in hindsight are really not as well done as many smaller pictures of the period, but their huge all-star casts and expensive sets made the films hard to ignore, such as How the West Was Won, The Alamo, and Giant.  Surprisingly you have to look back to the adaptation of Louis L’Amour’s Hondo starring John Wayne in 1953 to get back to the era of the “hero Western” as recipient of an Academy nod, a film up there with Shane and High Noon as successful and admired Westerns receiving acclaim by the Academy.

Schultz and Django

But if you put aside the classic Western and look at what has been selected by the Academy since the 1960s it makes a lot of sense that Quentin Tarentino’s Django Unchained is not only a Best Picture nominee this year, but a real contender for the win.  Set in the South two years before the Civil War, the film follows a slave named Django (Jamie Foxx) whose past owners lead him to meet up with German-born, dentist-turned-bounty hunter Dr. King Schultz (Christoph Waltz).  Schultz’s next target is the wanted-dead-or-alive Brittle brothers, and only Django can help him literally recognize his bounty.  Schultz serves as mentor in survival and pursuit skills for Django who is squarely focused on rescuing long-lost wife Broomhilda (Kerry Washington).  The search ultimately leads to a more complicated than necessary scheme to buy Broomhilda from infamous plantation owner Calvin Candie (Leonardo DiCaprio), if only his loyal house slave Stephen (Samuel L. Jackson) will not stand in the way.

So what is the formula for a successful Western in the 21st century and why should Django Unchained make the cut?

Continue reading