Tag Archive: Tony Clifton


Review by C.J. Bunce

When Oscar gets it right, it highlights something about the current zeitgeist, not necessarily a mirror image of the social, literary, artistic, political, or technological achievements of the day, but at least a taste of it.  Do many of the nominees for the Academy Awards have that this year?  Ford v Ferrari, Once Upon a Time in Hollywood, Jojo Rabbit, Joker, Little Women, Marriage Story, 1917, Parasite, or The Irishman?  Did they last year?  How about a story about a person trying to make a name for himself, barely getting by, trying to pay his bills, experiencing a tough go at it before he realizes his dream?  Perhaps the biggest miss of this year’s ballot is one of those timeless stories of self-made success: Dolemite is My Name.

Dolemite is My Name is a biopic and a classic underdog story.  The seemingly ageless Eddie Murphy has his best leading role and best performance of his career, playing comedian, singer, actor, and film producer Rudy Ray Moore, who found his niche in cinema in the 1970s.  Murphy as Moore is like Richard Pryor at his best.  Murphy plays Moore as Everyman, pulling together his own outgoing nature from his 1980s stand-up performances and finessing them with the benefit of years of experience into a real, believable, even heroic character.  This is the same character type we saw resonate so expertly last year with Brent Jenning’s lead character struggling to succeed after putting years into a failed career in TV’s Lodge 49.  Murphy’s range of emotion, his subtlety, his depth of struggle and effort in every look and word is exactly why you have awards for acting in the first place.  This film is a smartly scripted drama with comedy notes, written by dynamic writing duo Scott Alexander and Larry Karaszewski (Man on the Moon, Ed Wood, The People vs. Larry Flynt).  It’s backed up with costumes, hairdos, music, cars, language, and an all-around fashion fest of 1975.  If you didn’t know better you’d think this was a Quentin Tarentino film, because it gets the retro production design just right, as he has been able to do so well.  Instead it’s Craig Brewer directing, the director of Hustle & Flow, the Footloose remake, and Empire series.

Supporting Murphy is a fantastic cast, beginning with Da’Vine Joy Randolph as Lady Reed, as an immensely entertaining and sympathetic single mom, brushing off her ex as Murphy’s Rudy Ray Moore watches and learns.  Moore invites her into his partnership.  He and his friends go to the movies for laughs and walk out nonplussed.  Moore knows he can do better.  So he tries to get financing and make a movie.  His selected production staff, and the actors behind them, makes for a dream assemblage.  Keegan-Michael Key (The Predator, Tomorrowland), Craig Robinson (Mr. Robot, Hot Tub Time Machine), Mike Epps (Resident Evil, The Hangover), Tituss Burgess (The Addams Family, 30 Rock), and Kodi Smit-McPhee (X-Men: Dark Phoenix, Let Me In), plus familiar faces Wesley Snipes, Chris Rock, and Snoop Dogg make for a top tier cast.  When these people are working together in an old abandoned hotel converted to a film set, you witness the same kind of camaraderie as audiences witnessed in those barber shops in Do the Right Thing and Marvel’s Luke Cage. 

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Review by C.J. Bunce

It’s a comic book nearly two years in the making.  Or maybe 27 years.  And it may be the best single comic book issue of the year.  But as strange as the tale between the covers, the story of its creators is stranger still.  What you probably know is this:  In 1984 Kevin Eastman and Peter Laird published a single issue comic called Teenage Mutant Ninja Turtles.  Intended as a spoof-parody-mash-up concoction of Marvel’s Daredevil and The New Mutants, Frank Miller’s Ronin, and Dave Sim’s Cerebus, the book sparked something much bigger for readers, becoming one of the most popular franchises for a few generations of readers and cartoon watchers (not to mention the impact it had via toys and movie tie-ins).  A couple unrelated–short-lived–parody spin-offs of Teenage Mutant Ninja Turtles came and went unrelated to Eastman and Laird, including Pre-Teen Dirty-Gene Kung-Fu Kangaroos and Adolescent Radioactive Black Belt Hamsters.

What you don’t know is that eight years after the Turtles saw their first comic–in 1992–comic creators Shane Bookman and his brother Paul released their scrappy indie creation on the unsuspecting comic book universe: Radically Rearranged Ronin Ragdolls Like Eastman and Laird, the Bookmans had their own share of ups and downs, tales of fame and fortune (evidently Eastman sold off his rights to the Turtles some 20 years ago, etc.).  So in 2017 Eastman and writer David Avallone and artist Ben Bishop (with Troy Little, Brittany Peer, Tomi Varga, and Taylor Esposito) took the Bookmans’ story to Kickstarter, and nearly 1,200 backers brought in more than $100,000.  Now it’s all done, first to tell the Bookmans’ story in a new monthly comic beginning this past week called Drawing Blood, and at the same time with a companion comic they created and discussed in their comic industry exploits, Radically Rearranged Ronin Ragdolls, Issue #1.

 

The result?  Radically Rearranged Ronin Ragdolls is an idea as good as any Turtles tale you’ve read, and as finely crafted an origin story, full of action, top-notch writing, beautiful layouts, and exciting new characters: referred to as the Ragdolls (from the cat breed), they are three female cats who encounter gamma rays, cosmic rays, genetic mutagens, and who knows what other comic book superpower trigger was tapped, to become Tezuka, Otomo, and Miyazaki.  Speaking, Ronin-trained, defender cats.  Otomo is the most fearsome, Miyazaki speaks in Haiku poems, and Tezuka is a master tactician.

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