Advertisements

Tag Archive: Tze Chun


  

Review by C.J. Bunce

In the next inaugural TKO Studios series we’re reviewing here at borg, classic fantasy meets action-adventure in The Fearsome Doctor Fang A modern update to early 20th century mystery stories like The Insidious Dr. Fu Manchu, The Fearsome Doctor Fang blends elements from Doctor Strange, The Shadow, Tomb Raider, Allan Quatermain, Indiana Jones, and H.G. Wells’ sci-fi and fantasy novels.  No relation to the DC Comics Doctor Fang, readers meet this Doctor Fang in San Francisco–he’s a mysterious Chinese hero cloaked as a masked villain in pursuit of the location of the legendary treasure of Kublai Khan, all to save the world from a deadly menace.

Writers Tze Chun (Gotham, Once Upon a Time) and Mike Weiss (The Mentalist) create a story mixing stylistic influences from the likes of Alex Raymond and Alan Moore.  The Dr Fu Manchu comparison is obvious–the writers even incorporate the unusual character name Nayland from Sax Rohmer’s Fu Manchu stories).  Artist Dan McDaid (Firefly) provides the Amazing High Adventure look to the story, with layouts and close-ups reminiscent of Neal Adams, full of turn of the (20th) century exotic locations and historically costumed denizens bustling among the city streets.  Doctor Fang is a Zorro-esque hero for the people of China–and the world.

Readers will find great surprise twists and several funny scenes.  Think the 1999 big-screen version of The Mummy–the male and female leads darting between Doctor Fang and the book’s arch-villain have much in common with Brendan Fraser and Rachel Weisz in that film.  Bright period color choices by Daniela Miwa (Shaft) and interesting lettering by Steve Wands (Batman) support a unique look for the new adventure series.   Where the first two books from TKO Studios we reviewed feel more like standalone one-shots tales, this is a book you’ll no doubt want to see continued in subsequent series.  (*Editor’s Note:  Every time I type or say The Fearsome Doctor Fang, I hear the classic Dramatic Sound Effect).

Here’s a look at some covers and the first pages from The Fearsome Doctor Fang:

Continue reading

Advertisements

   

Review by C.J. Bunce

The second of the new TKO Studios titles we dived into this weekend is The 7 Deadly Sins.  Yesterday we reviewed Sara, which conjured scenes from Sands of Iwo Jima, and now The 7 Deadly Sins feels like a modern twist on the John Ford/John Wayne classics Stagecoach (celebrating its 80th anniversary this year) and The Searchers.  Despite the basic story building blocks from a John Ford movie, this isn’t a John Wayne film or Clint Eastwood spaghetti Western, or something like more recent Western comic book series like Dynamite’s The Lone Ranger.  This is a far less traditional Western–far from Classics Illustrated, this is a story that could wrap up the trilogy of Quentin Tarentino’s bloody violent modern Westerns The Hateful 8 and Django Unchained. 

1867.  A post-Civil War frontier “cowboys and Indians” era tale, the story introduces readers to a white man raised as Comanche whose signature is a unique style of scalping homesteaders and U.S. Cavalry soldiers.  A priest wants to broker an unholy peace with the Comanche, and a black ex-Union corporal named Jericho Marsh is trying to find his daughters.  Marsh finds himself in jail and breaks out with a pregnant ex-slave, a cannibalistic ex-Confederate soldier, a Chinese prisoner, a well-known crack shot, and a woman mistaken for a man, and they bring on an orphaned mountain boy and a Comanche child along the way.  The story pulls from Three Godfathers and The Magnificent Seven–not so much derivative, it pulls on the strings of plenty of Western tropes.  A handful of strangers, all outlaws, must join to fight off the Cavalry, a wealthy landowner, and Comanches, and it’s anyone’s guess who might make it out alive.

The 7 Deadly Sins comes from writer Tze Chun (Gotham, Once Upon a Time), artist Artyom Trakhanov (Undertow, Turncoat) and if the color work looks familiar to Western readers that may be because it’s created by Giulia Brusco (Scalped, Django Unchained).  Letters are by Southern Bastards’ Jared K. Fletcher.  Parts of Trakhanov’s panels are drawn similar to the very traditional, archaic layouts of Stan Sakai’s Japanese motif Westerns, landscape shots reminded me of the stark feel of Moritat’s work on the Jonah Hex book, All-Star Western, and choreographed action sequences carry the more stylized influence of Frank Miller’s interiors later in his career.

Take a look at these great preview pages:

Continue reading

%d bloggers like this: