Tag Archive: Whiskey Cavalier


It’s time for borg′s annual look at the Best Kick-Ass Genre Heroines in film and television.  This year we selected 25 characters that rose to the top.  Again the studios gave us more to cheer about than ever.  We’re highlighting the very best from a slate of fantastic heroines, with characteristics to learn from and root for.  Determined, decisive, loyal, brave, smart, fierce, strong, you’ll find no one here timid or weepy, but all rely on their individual skills to beat the odds and overcome any obstacle that comes their way.  Over the years we have expanded the list to include any tough, savvy, gritty character played by a woman, so villains are welcome here, too.  Some may be frazzled, put-upon, war-weary, or human, but all have fought, some against difficult circumstances, others against personal demons (literally, figuratively, or both), and some against gun and laser fire.  And they all showed what a tough, kick-ass character is about.

Several characters who made previous years’ kick-ass heroine lists returned to TV and film and could very well make the list again, but we’re looking for new recruits.  So we’re not forgetting Lagertha in Vikings, Liv Moore from iZombie, Trish Walker in Jessica Jones, and Juliana Crain from The Man in the High Castle, all in their final seasons of their series, plus Eleven in Stranger Things, Juliet Higgins in Magnum PI, Liz Dudley in Lodge 49, the 13th Doctor in Doctor Who, Betty Cooper from Riverdale, and Sabrina Spellman and Ms. Wardwell from The Chilling Adventures of Sabrina.  At the movies Valkyrie, The Wasp, and Okoye were back, this time in Avengers: Endgame, Martha/Ruby Roundhouse returned in Jumanji: Welcome to the Jungle, and Rey was back one more time in Star Wars: The Rise of Skywalker This year we add a mystic, a former Russian operative, a DHS agent, an adventurer, an undercover cop, a bounty hunter, a general, a gang leader, superheroes, martial arts masters, special agents, survivors, former soldiers, resistance fighters, gelflings, warriors, witches, a bride, and even a cyborg–with a roster evenly split between television and movie characters.

Credit goes to both the writers and other creators of the characters and the actors and performers that brought them all to life.

These are the Best Kick-Ass Genre Heroines of 2019:

Aughra (The Dark Crystal: Age of Resistance).  If there was a greater woman character in the history of fantasy film, we don’t know who that would be.  We first met her 37 years ago thanks to Jim Henson in the original movie, and she hardly changed at all for the prequel series that arrived at last this year.  Voice actor Donna Kimball and Muppeteer extraordinaire Kevin Clash perfectly replicated the witchy sorceress whose wisdom, savvy, and mystic powers were stealthily used this season.  She went to death and back again, and was key to defeat the Skekses once again. (Henson/Netflix)

Black Widow (Avengers: Endgame).  After a decade of being the only superheroine in the Avengers, Scarlet Johannson’s Natasha Romanoff finally took center stage this year as the bravest of the entire bunch, giving her life to save not only everyone on Earth, but everyone across the universe destroyed by Thanos.  And yet she still didn’t get the fanfare that Tony Stark did.  We’re hoping she gets the solo film she deserves when she’s back one more time next year in her own movie. (Disney/Marvel)

Hattie Shaw (Fast & Furious Presents: Hobbs & Shaw).  As part of a big bad assassin family, whose mother was played by Helen Mirren and brother by Jason Statham, Vanessa Kirby’s Hattie might be the toughest of them all.  If you need to track down a missing deadly virus in the hands of a cybernetically enhanced superhuman, who else are you going to call to team up with Statham and The Rock?  (Universal)
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Review by C.J. Bunce

The next tropical paradise action series has two things going for it:  star Poppy Montgomery and a tropical island setting.  Unfortunately that’s probably not enough reason to come back for more.  The new series, Reef Break, will air Thursdays on ABC, with the first season of 13 episodes filmed.  The pilot aired last night, and unless the network made significant changes, viewers can expect a series you’ve seen before with rough writing and rudimentary stumbles.  The show follows Australian native actress Montgomery back on her home turf as Cat Chambers, a no-nonsense, take-no-prisoners, confident ruffian with a history (aka baggage), who returns after several years away to the tropical island town of Reef Break.  Filmed and written attempting to conjure a “tropical noir” vibe, it’s crime drama in the vein of Castle–it looks like it wants to be the next Castle with a Hawaii Five-O backdrop, but it has a long way to go.

Audiences have hardly seen a TV season go by–going back to her debut in 1994 on Silk Stalkings–where Montgomery wasn’t either firmly planted atop an acclaimed series (seven seasons on Without a Trace as the high point) or featured as an eye-catching supporting character She’s more than up to the task for this role, which is a showcase of her acting showing both her smarts, saving lives, solving cases, and otherwise being the smartest person in the room, and her physicality, surfing the waves, pulling a gun on the bad guys, and getting punched in the face by the daughter of a man she killed in the show’s backstory.  Montgomery looks like she’s having fun, and for some of her diehard fans that might be enough.  But the material also seems to be light faire for someone of her caliber.  She has presence and even swagger, but the story and dialogue are sub-par, and she’s using a Southern drawl that doesn’t seem like it fits the role (she’s filming in Australia, let’s hear that accent!).  The worst feature is reliance for emotion on an over-stuffed pop song soundtrack.  The opening scene alone incorporates iffy covers of three different overplayed radio songs.

A lot, probably too much, is going on here for a pilot, so it’s a surprise a network picked it up.  Cat Chambers is an ex-thief and now a fixer with the skill set of a British spy or FBI agent, and she knows everyone, and everyone knows her, in this island community.  Already the governor is ready to offer this almost ex-con (arrested, never convicted) a job–for anyone familiar with storytelling he’s set-up as the series recurring bad guy.  The appeal is for fans of Magnum P.I., which had instant chemistry in its reboot with the benefit of nostalgia in addition to the tropical setting, or counterpart series Hawaii Five-OReef Break is also not as clever or quirky as Death in Paradise Part of the pilot fail is a clunky introduction of all the characters, and an ending that shows all the characters are all too coincidentally connected.  It’s goofy and escapist, but so far more goofy than escapist, and doesn’t compare to that instantly slick and sharp (and now canceled) CBS crime series Whiskey Cavalier.

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Review by C.J. Bunce

After the 2019 Academy Awards recognized genre films Black Panther, Bohemian Rhapsody, and Spider-Man: Into the Spider-Verse, and gave top awards to Green Book and Roma, ABC aired the pilot for a new series.  Whiskey Cavalier begins with a solid pilot episode, and you can find it in its weekly timeslot beginning Wednesday evening on ABC.  It borrows from two familiar sources for network TV: the spy genre, like Mission: Impossible, iSpy, The Man from U.N.C.L.E., Avengers, and Chuck, and the “will they or won’t they” investigation shows like Moonlighting, The X-Files, Bones, Castle, and Private Eyes.  Whiskey Cavalier–the military/NATO spy call sign for FBI agent Will Chase (yes, that’s his name), stars Scott Foley opposite CIA Agent Francesca “Frankie” Trowbridge, played by Lauren Cohan.  It’s more action and fun than drama–a good thing that works for this offbeat new series.

The first episode finds Agent Chase as a sad sack agent, recently dumped by his French girlfriend, crying as he listens to songs from his break-up mix tape, assembled from recommendations from other FBI agents.  Those familiar with Michael Dorman’s lead character in Amazon Studio’s series Patriot will see much in common between the leads.  Chase doesn’t have his heart in his job until he’s in action, and then he becomes full-on Jack Ryan (actor Scott Foley has a vibe crossing Jack Ryan series star John Krasinski and White Collar co-star Tim DeKay, and the pilot includes a humorous reference to his Chris Evans’ Captain America appearance).

As Chase tries to intercept an alleged hacker/thief/traitor, CIA Agent Trowbridge steps in, and that’s when the chemistry begins.  You can almost hear the 1970s movie trailer voice-over: “What can happen when we combine this sensitive FBI agent and this tough-as-nails CIA spy?  Can they work together to save the world without killing each other?”  And yet, the pilot was edited into a fast-paced drama, not at all bogged down in origin story, and it supplies a supporting cast of characters that seem to gel from the start, played by Ana Ortiz, Vir Das, and Tyler James Williams.  In brief, it’s fun and it works.

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