Review by C.J. Bunce
The first season of Netflix’s Altered Carbon was a fantastic sci-fi series with a stellar cast and a story and production values that rivaled the original Blade Runner and its 2017 sequel. Based on Richard K. Morgan’s novels, the series is centered around Takeshi Kovacs, a future soldier in a world where science has developed a hard drive called a “stack” that is implanted in humans’ necks, allowing our memories to be uploaded to storage and replanted over and over so they seemingly can live forever, even in new bodies. That conceit allows Kovacs and other characters to be played by any number of actors, which, as demonstrated in Season 2, can allow the series to continue indefinitely much as Doctor Who’s regeneration mechanism allows replacement Doctors. So how does a series fair when it replaces the lead after the first season? Can it keep up the intrigue and interest for viewers?
The first season asked: What does it mean to be human, and how much can you shed away and replace with technology and still retain the “self”? Unfortunately, the second season falls a bit short. Although it wisely was paired down from ten to eight episodes for its second season (season one couldn’t keep up the action and would have benefited from some good editing), the series just doesn’t capture the same magic. Anthony Mackie′s assumption of the role of Kovacs in the year 2385, years after the events of the first season, is more of a re-hash of what we saw Joel Kinnaman do with the character last season. Mackie is usually one of the best parts of any project he tackles (The Adjustment Bureau, Captain America: Winter Soldier), but the story and dialogue here are not as sophisticated as in the inaugural effort, and Mackie is always intense, his acting dialed up to eleven, much different than his character in the first season. Simone Missick, who we loved in Marvel’s Luke Cage, provides an interesting new cyborg character for the Altered Carbon universe as Trepp, but it didn’t quite catch up to the passion of Martha Higareda’s driven cop Kristin Ortega last season. But where the series shines is in its supporting cast of characters, many returning from last season. The result is like comparing the first season of the Battlestar Galactica reboot with the last–good television–even if it’s not as gritty and exciting as the first season, it still may be the best sci-fi series on television this year.
Foremost is Chris Conner back as the artificial intelligence who has taken inspiration from Edgar Allan Poe, a bodyguard of sorts looking out for Kovacs (Mackie) in his new body (called a sleeve). Conner brings to the series the same kind of compelling look at the trouble of incorporating humanity into robots or cyber-creations, the same type of battle of sentience in the non-living as conveyed by Robert Picardo as the emergency medical hologram in Star Trek Voyager. In this season Poe is in trouble–his matrix is broken and he needs to reboot, which he does not want to do because that would mean he would forget Lizzie (Hayley Law), a key character of last season, and a memory stored in his digital mind. Not rebooting means he makes mistakes that could hinder Kovacs’s ability to stay hidden from his pursuers. But there is hope for Poe, and that comes in the form of another creation, another artificial intelligence, an ancient storage “archaeologue” unit called Dig 301, played by Dina Shihabi, who nicely substitutes as a futuristic love interest for Poe.
