We got our first peek at Shang-Chi and the Legend of the Ten Ringshere at borg this past April. The new, full-length trailer reveals a plot that has the feel of Wu Assassins, and only a few days since the Snake Eyes trailers, with Raya and the Last Dragon in theaters and on video, and a new Kung Fu series airing on TV, audiences are getting new opportunities to watch AAPI actors shine. While you’re in the vibe, don’t miss the live-action Mulan, the historical horror zombie seriesKingdom, the action movie The Night Comes for Us, the fantasy wuxia seriesLegend of the Condor Heroes, the animated movie Over the Moon, the supernatural graphic novelGhost Treeand Stan Sakai’sUsagi Yojimbo, the overview of martial arts in the movies in Iron Fists and King Fu Kicks, and the Bruce Lee documentary Be Water. Long-time comics readers will know Shang-Chi as the Master of Kung Fu from the pages of 1970s Marvel Comics by Steve Englehart and Jim Starlin. Originally the son of Fu Manchu, the character was an attempt by Marvel to create a monthly like the Kung Fu TV series after they failed in their bid to get the adaptation rights.
Check out the new trailer below for Shang-Chi and the Legend of the Ten Rings:
Ten years! That’s ten years reviewing TV series in the decade that streaming services began to dominate TV viewing– and binge-watching was born as Netflix began releasing entire seasons at once in 2013. How do you pick the best series? As with yesterday’s list of movie recommendations, our theory from the very first day of publishing borg has been reviewing only those things we like, things we think are fun, imaginative, or just plain cool—because if we think they’re cool, maybe you will, too. What makes a great TV series? Great writing—great storytelling. Also we looked to difficulty level and technology innovation—TV productions tend to get a fraction of the budget of big-screen features, so what they do with their time and money is critical, and some television series in the past decade were all-out feats. The third factor we looked to is re-watchability—we’ll be watching the best series for years to come. The big difference between ranking movies and TV is the change between seasons, that force that inevitably causes most shows to decline with each season. So consistency is a factor. Finally, as with movies the most important factor is the fun—why would you devote so many hours of your valuable time if you’re not going to have a great time?
One more thing: Ten years is a long time so we narrowed the series we’re including to those recommendations that fall primarily within the ten-year window. We covered several fantastic, re-watchable series that cemented their status in reruns or syndication, many beginning before borg began publishing and finishing in the years after, including Burn Notice, White Collar, Warehouse 13, Leverage, House, MD, In Plain Sight, and three landmarks among the best pop culture-packed series of all time, Chuck, Psych, and Community. We were disappointed that some of the best series were canceled and left to only a single season, otherwise they may have gone on to fare better against our top recommendations, shows like Jason Isaacs’ psychological police procedural Awake, Sarah Shahi’s all-for-fun Fairly Legal, Lauren Cohan’s action/spy series Whiskey Cavalier, the Doctor Who spin-off Class, the adaptation of Max Allan Collins’ popular noir novel series Quarry, the slick animated series Tron: Uprising, and the cyborg future-world Almost Human starring Karl Urban, to name a few.
So here are the Top 40 series we recommend, spanning 2011 to 2021. These are our favorites. How should you use lists like this? If you like what we talk about at borg, you’re probably going to like these shows. If you’ve missed any, odds are you have some new series to take a look at. Let’s start at #40 and move our way to #1. As with everything borg, we’re stressing genre series. Title links are to one of our previous borg reviews.
Put away what you remember (if anything) about the 1970s Kung Fu television series. You didn’t really watch the series for David Carradine, did you? If you were like most of the viewers, you probably showed up for the martial arts. CW Network’s new reboot of Kung Fu is for that same audience, but it also casts a wider net. Wednesday night Olivia Liang showed up to take the new series, CW’s Kung Fu, by storm. You can compare it to the similar-vibed, live-action Mulan, some of your favorite recent martial arts series that have the same dramatic beats likeWu Assassins, or you can compare it to series like Charmed, Smallville, Stargirl, or Riverdale. Fans of all these shows will get a kick out of the ease at which the CW has brought a young Chinese-American hero into our must-watch DVR queue with college student-turned-Shaolin warrior Nicky Shen. She’s a completely modern, updated Buffy the Vampire Slayer, and she brings with her an interesting supporting cast while pulling some intrigue into the story via elements of classic Chinese mythology and history. It’s fantasy, and its supernatural, and there’s swinging kicks and swordplay you’re not going to want to miss.
When you can take the affidavit from my hand, you are ready.
Not everything gets done right the first time. Take the 1970s television series Kung Fu. Based at least in part on an idea from martial arts legend Bruce Lee, the series was the #1 show in the U.S. in 1973. But casting David Carradine over Lee seems nothing short of lunacy in hindsight. While Lee’s heirs later continued his vision in Cinemax’sThe Warrior, the series that became Kung Fu is getting a reboot, a re-imagining, or a redo next month as Olivia Liang takes the lead role as Nicky Shen in CW’s Kung Fu. Well-timed to follow the success of the similar-vibed live-action Mulan and some of our favorite recent martial arts series likeWu Assassins, the series follows a Chinese American college student who travels to China and is taken under the wing of a Shaolin master. She returns to San Francisco with a new purpose. Nicky looks like a superheroine in the first trailers for the series, which makes the CW network of Arrowverse fame a good place to air the series. The new series also seems to have the slow-motion martial arts effects the original Kung Fu was known for (the same later used in the Six Million Dollar Man).
Check out some great first trailers for the series below. Continue reading →
It’s a question that goes back to Doom, if not before: Why make movie adaptations of video games? Easy answer: “Why not?” Or “easy money.” So why are so many so lackluster, in story, and often in production values? The triumphs mark the exceptions, from Tron and Tron: Legacy to the Resident Evil series, and a fine enough effort by Angelina Jolie and Alicia Vikander in two efforts to get a Tomb Raider film series to take hold, for starters. Then there’s Assassin’s Creed, Warcraft, Street Fighter, Wing Commander, and worse (at least Prince of Persia: Sands of Time had some fun in it). Often listed among the worst of them all is 1995’s Mortal Kombat, a film that couldn’t be saved even by casting Cary Hiroyuki-Tagawa as the charismatic villain or casting an ex-Bond girl (Talisa Soto). It’s those same characters and apparently plot that will get a retry this spring with the big-screen reboot Mortal Kombat. However this movie features leads of the stellar martial arts marvels The Night Comes for Us andWu Assassins, and the special effects are light years ahead of the prior films. Check out the first trailer for the movie below.
Audiences have seen some great animated films in recent years, with movies upping the ante on technology and visual magic, whether in Ferdinand or Spider-Man: Into the Spider-verse or Spies in Disguise or Klaus. Netflix’s new anime movie, a sequel to its live-action, futuristic, sci-fi hit Altered Carbon, takes animation and visual effects even further. Altered Carbon: Resleeved is part Blade Runner 2049, part Marvel’s The Punisher (season two), and part Wu Assassins. Live-action action sequences are rarely as thrilling as those choreographed in this film.
As with the live-action Altered Carbon, the inspiration from Syd Mead’s trademark futurism is all over this film, and that world looks just as stunning in anime form. The storyboarding and layouts, the surprise screen angles, wipes, and character movements are like nothing you’ve seen before, and the details are at times life-like and three dimensional. The story and execution is a vast improvement on the second season of the live-action show, which was a really good season of episodes to begin with.
Two years after the end of season two we catch up with Takeshi Kovacs, resleeved and working a job for Mr. Tanaseda, who has him pursuing a girl named Holly, a tattoo artist with cybernetic eyes and pawn of the yakuza, who carries some critical secrets. Working for CTAC is Gena, a badass agent carrying secrets, who clashes with Kovacs early on. It’s two days from an ascension ceremony–the anointing of a new mob boss–and in that time Kovacs must figure out why Mr. Tanaseda has set him on this job. The anime film, available with English subtitles or dubbed, has a new hotel and a new concierge named Ogai (voiced in the dubbed version by Chris Conner, who plays the concierge, Poe, and hotel manager in the live-action series). Ogai is a holographic Japanese man loyal to the new boss, but fond of Holly. Fans of the series will find his hotel to have equally exciting defensive feature’s as Poe’s hotel, The Raven.
With the much anticipated ninth episode Star Wars: The Rise of Skywalker here at last, writer/director J.J. Abrams has succeeded again at managing a major film franchise challenge and making the best of it. With Star Trek in 2009, he took a waning property and shot new life into it, but came up short four years later when he tried again and delivered Star Trek Into Darkness, heavily milking the nostalgia of the fan base with its retread of Star Trek: The Wrath of Khan. In 2015 Abrams was handed the keys to the other big space franchise, where he revitalized a left-for-dead movie saga and delivered Star Wars: The Force Awakens, notable for the introduction of Daisy Ridley’s curious and mysterious desert scavenger Rey, arguably one of the most fleshed out characters in the entire franchise with this final installment. Fortunately Abrams’s return to Star Wars will likely net better results for its fanbase with a movie that rises to become the best in the final trilogy, or at least as good as his The Force Awakens. Is this still George Lucas’s Star Wars? No, but that just shows the power and unique status of the original trilogy–even Lucas couldn’t capture the magic again with his prequels. The Rise of Skywalker is the kind of movie that could be judged on its merits as a J.J. Abrams movie and separately as a Star Wars sequel. Whether you as a viewer like this installment or not will depend on your own expectations.
Abrams may be at his best, with his unique style, lens flares and all, when he gives fans what they want. Abram’s success this holiday season is a bit of a salvage effort, bringing Rey back as the focal hero/heroine of the story, incorporating some of the saga’s best “Jedi being Jedi” sequences, and tapping into the nostalgia for the 1977 original in bite-sized bits instead of leaning on it like he did so unapologetically with Star Trek Into Darkness. If only Abrams had made all three Star Wars films, this third chapter could have been much tighter, and the whole trilogy would likely be better received by most of the fanbase. As a viewer if you don’t (or can’t) just sit back and enjoy the cameo performances, throwbacks, and Easter eggs, you’ll get the feeling that using two directors instead of one over the three films is the crux of any problems in The Rise of Skywalker. Upon its release, the previous installment The Last Jedi felt like it belonged to an entirely different story than The Force Awakens. Plot threads created by Abrams were summarily abandoned. Key characters were eliminated without explanation. New plot threads came from out of nowhere. In short, the director-flipping was the big mistake from a storytelling perspective. Abrams has the extensive portfolio behind him to demonstrate he would have been the right choice to direct all three films. So this time Abrams had a greater task than ever before, because he was stuck making major course corrections, all to get this tale back on track, re-focused again on Rey. The necessary patchwork aside, The Rise of Skywalker will go down as one of Abrams’ best works.
Will Star Wars, or more specifically, the Skywalker saga with this three-part conclusion, endure the test of time? If audiences continue to believe in its value as entertainment, there is no reason why studios can’t keep going back to this material repeatedly–think Shakespeare’s plays, Doyle’s Sherlock Holmes, Shelley’s Frankenstein, Dickens’s Ebenezer Scrooge. Recall how even more recent stories like the Terminator, Predator, and Halloween (and Star Trek) film series have continued to make sequels and wholesale reboots, disregarding a film that doesn’t do as well and continuing like it was never made. There’s no reason that can’t happen someday with Star Wars. So those fans who still want to see the Expanded Universe on the big screen–the complexities and triumphs of both Timothy Zahn’s sequel trilogy and Dark Horse Comics’ many stories like Dark Empire that did so much more with heroes Luke and Leia–just wait. Someday the right new visionary will step in and make it happen, but fans will need to accept new actors as their heroes, just like we saw with the latest Star Trek trilogy.
This year we found one series that could easily sweep most of the categories–a single television series that had everything: compelling story, a full range of emotions, great characters, tremendous action, a sharp use of humor, all kinds of genre elements that were satisfying and left viewers feeling inspired. Richly detailed sets and costumes. An impossible feat to replicate. No drama came close. No other visual effects spectacle could touch it. And its audience is everyone. A truly epic addition to television viewing, that series is The Dark Crystal: Age of Resistance, the greatest television series to come along in years. If you love genre like we do, this was as good as it gets. And like icing on the cake, along came The Mandalorian at year end.
But we’re not going to ignore the other good things that happened on the small screen this year.
Our borgBest of 2019 list continues today with the best in television. If you missed it, check out our review of the Best Movies of 2019here and the best Kick-Ass Heroines of 2019 here.
Without further ado, this year’s Best in Television:
Best Borg Series – Doom Patrol(DC Universe). With this year’s series Doom Patrol we got a look at two borgs, DC Comics’ Cyborg, an update to Martin Caidin’s original Bionic Man from the 1970s, and an older borg created before the word was even coined in the 1960s, Robotman. Both characters revealed a glimpse at what life might be like with significant cybernetic enhancements (when brought together by a modern Dr. Frankenstein). For 2019, it was the way to get your borg fix on the small screen.
Best TV Series, Best New Limited TV Series, Best TV Fantasy, Best Writing for TV, Best TV Costumes/Makeup, Best TV Soundtrack – The Dark Crystal: Age of Resistance (Netflix). It was worth the wait. Jim Henson’s seemingly impossible to replicate artistic vision was successfully achieved thanks to his daughters and the company he founded. The kindest heroes, the darkest evil, a truly epic, legendary story for the ages. Everybody is cranking out CGI extravaganzas, but how many are creating artistry so fundamentally real, with so many individual artists and artisans contributing and achieving so much? Even that wouldn’t be enough if not for the layered mythology and epic adventure story. Add great humor, high stakes, emotional impact, an all-star voice cast, Daniel Pemberton and Samuel Sim’s imaginative musical score, and those puppets and all that go into them–it adds up to a rare thing–a Henson masterpiece.
Best TV Sci-fi Series, Best TV Drama – The Man in the High Castle (Amazon). Amazon Studios could not have adapted a series more faithfully, making changes for the medium and the times, than its take on Philip K. Dick’s most celebrated novel. The use of science fiction to tell a deep and twisty level of subplots and unique setting all came to a perfect conclusion in the series finale. Exciting, intelligent, frightening, and the most thought-provoking series this year, it was also different from its sci-fi competition. Honorable mention: The Mandalorian (Disney+)–but only if we allow space fantasy since the series is not true science fiction, The Orville (Fox)–for its two-part epic movie-worthy space story, “Identity.”
Best New Ongoing TV Series, Runner-up: Best TV Soundtrack, Runner-up: Best TV Costumes/Makeup – The Mandalorian (Disney+). Not a lot needs explaining with this series, which in only its first two hours we rated it closer to the original Star Wars and The Empire Strikes Back than anything with the Star Wars label on it since. The Western motif is still alive, not all that hidden here in space fantasy garb. And we won’t get started on the impact of The Child (aka Baby Yoda) on the genre-loving world and beyond. Credit Jon Favreau’s visible enthusiasm and love for the original movies for the success of this surprisingly awesome arrival–the series is proof Star Wars is far from over.
It’s time for borg′s annual look at the Best Kick-Ass Genre Heroines in film and television. This year we selected 26 characters that rose to the top. Again the studios gave us more to cheer about than ever. We’re highlighting the very best from a slate of fantastic heroines, with characteristics to learn from and root for. Determined, decisive, loyal, brave, smart, fierce, strong, you’ll find no one here timid or weepy, but all rely on their individual skills to beat the odds and overcome any obstacle that comes their way. Over the years we have expanded the list to include any tough, savvy, gritty character played by a woman, so villains are welcome here, too. Some may be frazzled, put-upon, war-weary, or human, but all have fought, some against difficult circumstances, others against personal demons (literally, figuratively, or both), and some against gun and laser fire. And they all showed what a tough, kick-ass character is about.
Several characters who made previous years’ kick-ass heroine lists returned to TV and film and could very well make the list again, but we’re looking for new recruits. So we’re not forgetting Lagertha in Vikings,Liv Moore from iZombie,Trish Walker in Jessica Jones, and Juliana Crain from The Man in the High Castle, all in their final seasons of their series, plus Eleven in Stranger Things,Juliet Higgins in Magnum PI,Liz Dudley in Lodge 49, the 13th Doctor in Doctor Who,Betty Cooper from Riverdale, and Sabrina Spellman and Ms. Wardwell from The Chilling Adventures of Sabrina. At the movies Valkyrie, The Wasp, and Okoye were back, this time in Avengers: Endgame, Martha/Ruby Roundhouse returned in Jumanji: Welcome to the Jungle, and Rey was back one more time in Star Wars: The Rise of Skywalker. This year we add a mystic, a former Russian operative, a DHS agent, an adventurer, an undercover cop, a bounty hunter, a general, a gang leader, superheroes, martial arts masters, special agents, survivors, former soldiers, resistance fighters, gelflings, warriors, witches, a bride, an emperor (not empress!), and even a cyborg–with a roster evenly split between television and movie characters.
Credit goes to both the writers and other creators of the characters and the actors and performers that brought them all to life.
These are the Best Kick-Ass Genre Heroines of 2019:
Aughra(The Dark Crystal: Age of Resistance). If there was a greater woman character in the history of fantasy film, we don’t know who that would be. We first met her 37 years ago thanks to Jim Henson in the original movie, and she hardly changed at all for the prequel series that arrived at last this year. Voice actor Donna Kimball and Muppeteer extraordinaire Kevin Clash perfectly replicated the witchy sorceress whose wisdom, savvy, and mystic powers were stealthily used this season. She went to death and back again, and was key to defeat the Skekses once again. (Henson/Netflix)
Black Widow(Avengers: Endgame). After a decade of being the only superheroine in the Avengers, Scarlet Johannson’s Natasha Romanoff finally took center stage this year as the bravest of the entire bunch, giving her life to save not only everyone on Earth, but everyone across the universe destroyed by Thanos. And yet she still didn’t get the fanfare that Tony Stark did. We’re hoping she gets the solo film she deserves when she’s back one more time next year in her own movie. (Disney/Marvel)
Hattie Shaw(Fast & Furious Presents: Hobbs & Shaw). As part of a big bad assassin family, whose mother was played by Helen Mirren and brother by Jason Statham, Vanessa Kirby’s Hattie might be the toughest of them all. If you need to track down a missing deadly virus in the hands of a cybernetically enhanced superhuman, who else are you going to call to team up with Statham and The Rock? (Universal)
Agent M (Men in Black: International). Valkyrie Tessa Thompson is back on the list again, this time as the first movie lead Woman in Black, earning her nebulizer with the help of her Thor-world partner Chris Hemsworth. As a little girl, Molly witnessed an alien as her parents were zapped by Men in Black, and she worked her entire life to be able to get into the CIA or FBI, hoping one would be the entry point into the secret organization. Agents O and High T would recognize her value to the team, as she saved the planet from the latest menace. (Columbia/Sony)
Cyclone Mei(The Legend of the Condor Heroes). Even as an evil witch, Viola Mi’s master of the Nine Yin White Bone Claw and Heart Destroying Palm techniques became a sympathetic villain after her husband died at the hands of young Guo Jing and she became blind. Even blind she used internal techniques to defeat anyone she perceived as a threat. Master of the whip with fearsome claws, beautiful and fierce Mei Chaofeng once joined her husband as the “Twin Masters of the Dark Winds” to possess a forbidden manual of martial arts, and would leave mountains of bodies in their wake as they sank deeper into the dark teachings. (iQIYI)
Sarah Connor (Terminator: Dark Fate). We were excited when we heard Linda Hamilton would return to the franchise 27 years after she had a major transformation from waitress into the woman who would save 3 billion lives. One of Sci-Fi’s two best-known kick-ass heroines (along with Ellen Ripley), original terminator target Sarah Connor lost none of that drive and determination to continue to kill Terminators into the 21st century. As a grandma surrogate and mentor to the next generation of leadership, we’ve no doubt the future is safe again. (Paramount/20th Century Fox)
Special Agent Dinah Madani (Marvel’s The Punisher). For the entire second season, Amber Rose Revah’s DHS agent was hot on the trail of taking down Billy Russo’s villain Jigsaw. Who knew she’d need to get through his psychiatrist first. She was always tough and good at her job, but proved herself in the final two episodes of the series. (Netflix)
Leia Organa(Star Wars: Rise of Skywalker). Princess or General, Carrie Fisher’s Leia Organa was one of the 1970s brand of kick-ass heroines, although we still wish she’d had the opportunity to show her stuff just as Rey was able to in the third trilogy movies. We prefer seeing her as she continued after the original trilogy in Timothy Zahn’s novels, the Dark Empire comics, and the 20 years of the Expanded Universe stories, where we saw her realize power as great as Luke and the rest of the Jedi Order. (Disney/Lucasfilm)
Captain Marvel(Captain Marvel/Avengers: Endgame). Brie Larson’s take on Captain Marvel was an end-to-end story about being tough and taking charge. An entry in the Marvel Cinematic Universe that didn’t fit the mold of past films, it allowed audiences to meet her for the first time and ramp up our appreciation for all she could do in short order. Soon enough she’d be integral to relocating Thanos after The Snap, and she’d return one more time in the final battle to try to turn the universe back to the way it was. (Disney/Marvel)
Cara Dune(The Mandalorian). A master of hand-to-hand combat as well as crack sharp-shooter, the latest Star Wars heroine (played by Gina Carano) helped the Mandalorian take down an AT-ST in their first go. Once a shock trooper with the Rebel Alliance and a fighter after the Battle of Endor, Cara is just the help the Mandalorian and The Child need going forward in the series. (Disney/Lucasfilm)
Sue Lynn Blackbird(Stumptown). Always the smartest person in the room, and ten steps ahead of everyone else, Tantoo Cardinal’s Sue Lynn runs the local Tribal Casino, but she does much more. She’s a businesswoman who always negotiates from the power position. Her leadership role means she has the power to excommunicate anyone who isn’t acting in the best interests of the tribe–or give them another chance. She’s also tough enough to forgive and mentor younger walking disasters she encounters from time to time. (ABC)
Emperor Philippa Georgiou(Star Trek: Discovery). We’ve always loved Michelle Yeoh, but the series writers for her latest character held back in the first season of the series. At last viewers got the full monte when the mirror version of the series lead character’s captain returned not only to help her, but to eliminate any who got in her way, and proceed to take over the secret spy agency of the prime world timeline. Up there with Jaylah from Star Trek Beyond, “Mirror Georgiou” is one of the new breed of badass Star Trek character.
Christine Gavin (Wu Assassins). Vikings star Katheryn Winnick makes her second showing on the list, this time as San Francisco undercover police officer Christine Gavin. Expecting to find the ringleader of a major crime syndicate, she began her work gaining the trust of a man in a local chop shop, only to discover a larger world existed beyond the world we see every day. Possessing some major martial arts skills and a street fighting manner, she didn’t lose a fight all season long, and helped battle evil in both dimensions. (Netflix)
Grace (Terminator: Dark Fate). Sent from the future to save a young woman who has the potential to go forward and lead a rebellion against a new technological apocalypse, Mackenzie Davis’s Grace stepped up to fight a new brand of Terminator. A human that volunteered to undergo enhancements to make herself into a full-fledged cyborg, she would fulfill her mission, giving the ultimate sacrifice for the future of humanity. (Paramount/20th Century Fox)
Huang Rong (The Legend of the Condor Heroes). Quick thinking with a photographic memory, Yitong Ling’s Rong’er met her future husband on one of her outings in beggar garb disguised as a man, practicing her skills as a thief and 13th century grifter. Young and easy to underestimate, with the witty banter of Buffy the Vampire Slayer and an almost supernatural ability to coerce anyone to do her bidding, her charismatic traits were only matched by her mastery of enough schools of martial arts to prevent anyone from learning who taught her. Raised on Peach Blossom Island by her father, she learned how to confuse an enemy, and is able to convince Hong Qigong to teach her even more, all in exchange for her cooking–hey, you can be a badass and also a master chef. (iQIYI)
Maudra Fara(The Dark Crystal: Age of Resistance). Refusing to recognize Seladon’s claim to the position of All-Maudra, she’d challenge her for the Living Crown. Fara assumed the title of Maudra after Vala, her mother, had been killed during the First Battle of Stone-in-the-Wood, and she would prove to be the fiercest of all the Gelflings, male or female. Who wouldn’t follow her into harm’s way? Alice Dinnean was the puppeteer behind the scenes, with Lena Headey supplying her voice. (Henson/Netflix)
Grace(Ready Or Not). Samara Weaving’s character Grace made for the perfect bride on her wedding day… who married into a family of psychopaths that required she first beat them in a wedding night game of hide and seek–to the death. A horror movie that was also a suspense thriller, Ready Or Not ran circles around the similar Knives Out from an entertainment and excitement standpoint. Grace had to shoot though her in-laws and extended family to survive the night, somehow finding the mettle to defend herself when the unthinkable became the thinkable–and for audiences it was so much fun! (Mythology/Vinson)
Vedek Kira Nerys(Deep Space Nine: What We Left Behind). In this year’s Deep Space Nine documentary, the creators of the series returned to give viewers a glimpse at what Season 8 would have looked like had they been able to continue, complete with Kira as Vedek, in charge of the space station and taking her seven year character arc into new places. It’s the same grit Nana Visitor gave to her performance, and the spirit of the original shown through as she joins with her former Starfleet colleagues at the show’s cliffhanger.
Agent Francesca “Frankie” Trowbridge (Whiskey Cavalier). Lauren Cohan’s Frankie had it all, and unfortunately for fans the show was canceled after only one season. But what a season! This agent was every bit 100% James Bond but she also used her looks and smarts to double as “Bond girl” when the mission called for it. In hand-to-hand combat or with a weapon, whatever bad guys the writers threw at her, nobody could get past her for long. (ABC)
Zan Hui(Wu Assassins). Cold and near emotionless, Hong Kong movie star JuJu Chan’s Zan was ruthless as henchwoman to the leader of the Triads. But she was also ambitious, and at her first opportunity she didn’t hesitate to act. Incredibly skilled in kung fu and street fighting as well as weaponry, she didn’t need the supernatural skills of the other characters to make an impact. (Netflix)
Two (6 Underground). Melanie Laurent’s Camille was ready to join One and his secret force of ghosts, undoing some of the damage she’d done while CIA operative. Quiet and saying little most of the time, she reveals to the squad’s hitman she knows all she needs to navigate international politics. Take down a government led by a murderous villain and replace him with someone better? Count her in. (Netflix)
Gunnhild(Vikings). An entire series could be written around Ragga Ragnars’ strong and proud warrior. As shield-maiden, she doesn’t hesitate to lead the fight with her sword onto the battlefield. Also kind and humble, she also doesn’t hesitate to make sure her niece and nephew are protected when she has a dream that they are in danger. As Queen of Kattigat she proves she’s the right person at the right time in history. (History)
Dex Parios(Stumptown). Taking a character from the comic books to the screen, Cobie Smulders made ex-Marine Dex her own. Her P.I. is a walking disaster, always “this close” to succeeding, and always trying to claw her way back from the last worst decision she could have made. Somehow she is able to look after her brother. She makes Jessica Jones look like a lightweight, always her own worst enemy. But if she keeps fighting back in this city, she may just make it after all. (ABC)
Amelia Wren (The Aeronauts). Nobody else on the list had to climb to the top of a balloon in freezing cold temperatures with frostbitten, unusable fingers at a height of more than 30,000 feet. And Felicity Jones’s Amelia Wren was based on a real person. Does it get more badass than that? That she was a composite character doesn’t matter–she’ll make audiences breathless as she performs one death-defying feat after another in her two-hour flight. (Netflix)
Bell Mallory(The Man in the High Castle). In the series’ alternate histore, while the Eastern United States was still being fought over by the Nazis and a small band of resistance fighters, Frances Turner’s Bell Mallory rescued San Francisco and led a revolt that removed Japanese occupation from the entire west coast. Undercover op? Whatever it takes. A strategist and brains behind taking out a slew of leaders, she knew who to trust and who not to, and her decisions helped put the U.S. back into American control. (Amazon Studios)
Deet(The Dark Crystal: Age of Resistance). The nicest gelfling of the Grottan clan you could ever meet, she befriends plant and animal alike. Once she experiences a vision by touching Vliste-Staba, the Sanctuary Tree located in the Mountains of Grot, the nature loving soul joins the resistance. And when the Skekses are ready to destroy Thra, she is the only one who can muster the power to stop them. An unlikely hero, we don’t yet know the extent of the price she paid for restoring the balance of Thra. Performers Beccy Henderson and Nathalie Emmanuel couldn’t have created a better heroine. (Netflix)
And that’s this year’s list. Keep coming back the remainder of this month as we reveal the rest of our Best in Film, Best in TV, and Best in Print, and our borgHall of Fame inductees for 2019.
Want to see previous years’ kickass genre heroines? Here are 2018, 2017, 2016, and 2015.
From Hong Kong to the U.S. and Australia to Uganda, Australian director Serge Ou and writer Grady Hendrix track the scope of the Hong Kong kung fu movie industry and its pop culture influence on the world in the documentary Iron Fists and Kung Fu Kicks, now streaming this month on Netflix. Splicing interviews with kung fu legends of the past with new discussions with martial artists and actors influenced by them, Ou offers up a surprisingly rich look at how and why kung fu movies gained an international following that continues to this day via Jackie Chan comedies, the Matrix movies (with a sequel due in theaters next year), and new television series like Wu Assassins and Iron Fist.
Beneath what is in essence an overview of the genre is a smart mixture of social and cultural commentary on a global phenomenon centered on an artform mixing athleticism, dance, and grace. Kung fu made its way to American audiences with Tom Laughlin in Billy Jack, and into millions of homes via the Kung Fu series. This was paralleled by Bruce Lee movies and lesser films (they call them Bruce-sploitation) from China and U.S. studios, direct-to-video crotch-kicking and “squirrel-grabbing” action on VHS tapes in video stores, heroines leading the way as a sub-genre, eventually moving to black and inner city audiences embracing the culture, starting with martial artist and actor Jim Kelly (who co-starred with Bruce Lee in Enter the Dragon), re-emerging later as an influence on hip hop music. The genre got even bigger boosts with Jackie Chan heavy-stunt comedies, followed by The Matrix and the Academy Awards arrival of the genre with Crouching Tiger, Hidden Dragon. Chinese co-productions with other nations, and actors of Chinese background in the mainstream outside of Asia would eventually come along.
Viewers meet (or revisit) early kung fu icons Cheng Pei-Pei and Sammo Hung in new interviews, along with Billy Banks, who would turn the genre into his own fortune via the creation of the Tae Bo workout, early American female kung fu star Cynthia Rothrock, martial artist Richard Norton, plus from the 21st century shows, Iron Fist actor Jessica Henwick, Wu Assassins actor JuJu Chan, Doctor Strange actor Scott Adkins, and Marvel stuntwoman and choreographer Amy Johnston, among others. It’s all interspersed with great action sequences and other clips from more than 100 films. A theme underscoring much of kung fu movie history is a distinct lack of safety standards, with more than one participant in the documentary stressing that Hong Kong kung fu movies couldn’t be made anywhere else for that reason.
