Advertisements

Tag Archive: Ziyi Zhang


  

Warner Brothers released a great new trailer for the next Godzilla movie this week–Godzilla: King of the Monsters–and followed up with posters featuring clear images of Godzilla’s three gigantic foes–the “Titans.”  Directed by Michael Dougherty (X-Men 2, Superman Returns, X-Men: Apocalypse), the film stars Millie Bobby Brown, Kyle Chandler, Vera Farmiga, Sally Hawkins, CCH Pounder, David Strathairn, Ken Watanabe, Bradley Whitford, and Ziyi Zhang.

The new story follows a secret agency called Monarch as humanity faces off against the classic monster foes of Godzilla’s past–myths in the new story, which come to life, meaning certain doom for humanity.  Godzilla will face Titans Mothra, Rodan, and his ultimate nemesis, the three-headed King Ghidorah.  These are monsters that first saw the screen in Japanese films more than 50 years ago.

Who will win?

  

All of the original monsters can be seen beginning Saturday, December 22, on the El Rey Network’s Kaiju Christmas Marathon, screening 13 classic films including all four of these Titans.

Take a look at the new posters and these trailers for the film Godzilla: King of the Monsters:

Continue reading

Advertisements

Review by C.J. Bunce

How far back has this latest chapter in J.J. Abrams mash-up of science fiction and giant monsters been brewing?  Back to his 2011 summer coming of age release Super 8?  Like M. Night Shyamalan, all of Abrams’ projects, whether as executive producer or director or even writer-director, may not be successful, but they both take exciting risks with their projects.  Cloverfield was a well-crafted homage to Godzilla pictures.  10 Cloverfield Lane was a genre surprise, a mix of straight dramatic horror that ended up as a sci-fi monster movie.  And this week Netflix released a theatrical worthy next installment, The Cloverfield Paradox, this time providing that relentless sci-fi horror fix perfected with James Cameron’s Aliens.  And like Shyamalan’s recent thriller Split, a cool surprise is in store for viewers.

The Cloverfield Paradox is easily comparable to one of the best Doctor Who space station-based episodes (think The Waters of Mars).  In fact absent Matt Smith or David Tennant you might forget you’re not watching Doctor Who as so many tropes from Whovian space disaster episodes are weaved into the film.  And that’s a good thing for fans of the type of science fiction stories that Doctor Who tends to attract.  The cast of The Cloverfield Paradox forms a crew you wish would be around for a TV series.  Led by David Oyelowo (Star Wars: Rebels, Jack Reacher) as Commander Kiel, with physicists played by Daniel Brühl (Rush, Goodbye Lenin, Captain America: Civil War) as Schmidt and Ziyi Zhang (Crouching Tiger, Hidden Dragon, Rush Hour 2) as Tam, and other crewmembers played by John Ortiz (Kong: Skull Island, Alien vs. Predator), Aksel Hennie (The Martian), and Chris O’Dowd (Thor: The Dark World), the space station Cloverfield has a legitimate international crew.  But the focus is on crewmember Hamilton played by Gugu Mbatha-Raw (Beauty and the Beast, Jupiter Ascending), who leaves her husband (Roger Davies) back on Earth after her children die in a fire to help the scientists test a particle accelerator.  The success or failure of that test could mean a leap ahead for the planet or certain doom.

Anyone who has ever read an issue of DC Comics can understand the multi-verse science here.  Dabbling in quantum physics comes with uncertain risks, and after nearly a year of failed trials, when the station finally creates a stable particle beam, something has changed.  Leaving the audience always wondering whether this is going to be another Aliens episode or something else, the effect of the anomaly creates the stuff of The Philadelphia Experiment, smashing one reality into another.  One of the results is the appearance from another parallel universe of a Cloverfield physicist played by Elizabeth Debicki (Guardians of the Galaxy 2, The Man from U.N.C.L.E.).  Only Debicki’s character was not on the mission in the universe the film started out in, and as radio signals reflect an apparently altered Earth below, the loyalties of the crewmembers come into question.  It’s all great fun, and the production quality is good enough–with bonuses like crew costumes from Academy Award-winning designer Colleen Atwood–that it’s a shame audiences can’t watch this play out on a big movie theater screen.

Continue reading