In our youths everyone at some point wonders if there is only the one person in the world that is the best match for each of us. “The one” is the subject of a new Netflix series from the UK now streaming called The One, a seriously good series that might sound like just another show about relationships and matchmaking. It’s certainly the hook, but what it delivers is actually a top-notch police procedural mixed with just enough science fiction and a great cast, the kind that could draw some comparisons to BBC’s Luther. Hannah Ware (Hitman: Agent 47, Oldboy) plays Rebecca Webb, one of the two discovers of technology using your DNA that can find the one person on earth that is guaranteed to be your best match. She becomes the CEO of the company that introduces it to the world. She’s driven, ambitious, intelligent, savvy, and ruthless. She’s also the series’ villain, and sure to be one of the best villains you’ll find on television this year.
PBS’s Masterpiece Classic is now playing a period television drama mini-series about Harry Gordon Selfridge and his London department store Selfridge & Co. It was produced by ITV Studios for ITV and PBS and is much longer than your typical British mini-series, where you’re often lucky to see three episodes (such as the brilliant but too short series Zen). You’ll see plenty of comparisons to Downton Abbey from reviewers but they are all wrong. Where Downton is steeped in the dramatic of a restricted age, Mr. Selfridge is a rollercoaster of movement and progress. Led by Jeremy Piven here totally in his element as a forward-thinking business man with ideas to spare and never enough money to accomplish everything he wants to do, this BBC mini-series is a chronicle of progress in a place everyone knows well–the department store. Ever wonder why the perfume counter is at the front of Macy’s and JC Penney’s? Why make-up is sold with perfume but gloves with hats and belts? Things that now seem trivial once had real meaning because of social mores of a bygone era.
Jeremy Piven gets to play a character we love to see him play. He’s flourishing in a world that seems like the Macy’s of Miracle on 34th Street to modern audiences but his department store goes back decades farther into the past. Lucky for viewers and Piven, Selfridge was an American, so no need to trip over feigned British accents. Piven gets to be a showman with arms wide open to every customer and every prospective vendor, partner, investor, and even an ambitious show girl.
Piven never disappoints, and shines in the varied roles he takes. Early in his career that meant a variety of smarmy types, but he’s grown on us, and his trying-too-hard characters often end up endearing instead of loathed. Piven snuck up on us bit by bit in small roles in Lucas and a pile of John Cusack films: Bob Roberts, Elvis Stories, Floundering, One Crazy Summer, Say Anything…, The Grifters, Grosse Pointe Blank, Serendipity, and Runaway Jury. But it wasn’t until Judgment Night, where Piven’s smarmy and cocky Ray Cochran tries to use his negotiation skill to save (unsuccessfully) a group of friends who take a wrong turn, that viewers really took note of this actor. Then the Drake University-trained actor starred in PCU, and got to do his own Animal House film with a twist on Tim Matheson’s Eric Stratton–a classic cult favorite today.
