Tag Archive: 6 Underground


Chalk up another win for director Michael Bay and another Jake Gyllenhaal that doesn’t steer us wrong.  It’s the new action blockbuster Ambulance, which arrived in theaters last month, and is now streaming on Peacock.  Part revved-up first responder celebration in the vein of Backdraft, part heist in the lane of the original Taking of Pelham One Two Three, and part ticking clock race to the end like Unstoppable, it will keep you hanging on for two hours.  A certain artistry of its own is required to get this genre just right, and Bay’s pacing, kinetic sense, and thrilling use of camera angles should have you comparing this to your favorite race and chase movies.  It doesn’t have the humor of The Blues Brothers, the grit of The French Connection, or the sci-fi of Terminator 2, but it has a compelling two-hour chase through Los Angeles that’s worth your time.

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Review by C.J. Bunce

The 355 is the latest spy movie, a team-up of agents from different nations, starring three-time Oscar nominee Jessica Chastain, Oscar winners Lupita Nyong’o and Penélope Cruz, and Bingbing Fan, winner of comparable Chinese awards.  It’s not a serious suspense thriller, and easier to compare–at least on paper–to the big-budget, all-star actress team-up of Ocean’s 8, but you may find The 355 more fun and executed better.  And although it boasts a lot of Academy Award street cred, it’s the co-star without the Oscar nods who really steals the show.

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Review by C.J. Bunce

Fans of either of the three stars of Red Notice will probably flock to this latest direct-to-Netflix movie just to see their favorite star in their next picture.  But Red Notice, which arrived on the streaming platform this weekend, is another production that falls into the vibe of the old direct-to-VHS movies–it’s something you’d watch for free on cable but probably wouldn’t pay full movie ticket prices for it.  Going back to the first of Netflix’s exclusive production/distribution projects, Brad Pitt’s War Machine, subscribers began to see this trend, which, despite enormous box office budgets and big-name directors and actors, deliver only ho-hum content.  These include The Cloverfield Paradox, Extinction, IO, Polar, The Irishman, and Mank.  That isn’t to say Netflix never gets it right.  Roma, The Highwaymen, The Trial of the Chicago 7, Extraction, 6 Underground, and Rebecca are exceptions.

But how do you go wrong with Dwayne Johnson, Ryan Reynolds, and Gal Gadot?  When that’s the only thing you deliver.

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ARMY OF THE DEAD

Review by C.J. Bunce

Zack Snyder finally did it.  Despite taking on a heist movie and a zombie picture in a major action movie, he wrote a script and delivered the type of action blockbuster he has not yet been able to create.  Army of the Dead is his first movie to get it right, a load of tropes, a mash-up of genre ideas, a tightly written story with a great cast, and wall-to-wall fun.  Not a comedy like Shaun of the Dead or iZombie, Army of the Dead features the right amount of humor for this story, while incorporating all the expectations of any fan of the father of the genre, George A. Romero.  Rivaling the incredible action and effects in 6 Underground, it also rises to become one of Netflix’s most promising productions.

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Review by C.J. Bunce

On the heels of heavy-hitting, big-budget, high-energy, and fun Netflix direct-to-TV action movies as good as theatrical releases like 6 Underground and Extraction, it’s a shame Netflix’s next direct-to-TV release action movie is more misfire than fireworks.  Academy Award-winning actor Charlize Theron stars as a leader of the next take on Assassin’s Creed in Skydance Media’s The Old Guard, with a script by Greg Rucka based on his comic book mini-series (with artist Leandro Fernández), directed by Gina Prince-Bythewood (The Secret Life of Bees).  Unfortunately poor dialogue, a weak script, slow pacing, and uninspired execution in the face of so much good alternative content available makes Netflix’s latest one easy to skip.

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Your next shelter-at-home action movie has a second trailer this week.  It’s again coming to Netflix, the one venue reliably delivering movies this year with the pandemic still spiking at new highs across the country.  In The Old Guard, Charlize Theron headlines what looks like Atomic Blonde meets Assassin’s Creed, with a pinch of Aeon Flux, Mad Max: Fury Road, 6 Underground, and Extraction.  Consistently building on her last action hero performance to create the next, best action heroine, Theron’s new film is a mash-up of action and fantasy.

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Who knew audiences would be more excited about the next Netflix movie than whatever is coming to theaters?  Shelter at home is changing a lot of things, but one thing for certain is Netflix can hardly fill the ongoing demand this year for the next theatrical quality movie release.  Charlize Theron headlines what looks like Atomic Blonde meets Assassin’s Creed, with a pinch of Aeon Flux, Mad Max: Fury Road, 6 Underground, and Extraction in her next action movie, The Old GuardConsistently building on her last action hero performance to create the next, best action heroine, Theron’s new film is a mash-up of action and fantasy.

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Review by C.J. Bunce

You still have a month before visual effects artist-turned director Dave Wilson’s Bloodshot movie arrives as the next cyborg superhero from Valiant Comics to hit the big screen.  But if you want to get a jump on your friends, there’s Bloodshot: The Official Movie Novelization, just released from Titan Books, a  great read for fans of all things borg.  Readers will be pulled inside the story of Ray Garrison, a slain special ops Marine, who is resurrected thanks to Dr. Emil Harting, a (mad?) scientist who is perfecting his use of nanotechnology and cybernetics to create an unstoppable squad of super-soldiers.  Written by Gavin Smith and based on the Jeff Wadlow and Eric Heisserer screenplay, Bloodshot creates the next step in the evolution of cybernetic technology stories that began with Mary Shelley’s Frankenstein, mixing the rage of The Punisher with the impact on the human psyche and dehumanization of turning from man to cyborg, as we’ve seen in stories like RoboCop (who was inspired by Judge Dredd and Marvel’s Rom).

As for the comics in film, Bloodshot is poised to stack up neatly beside the lab-created Hulk, the merger of body and “something else” of Spider-Man and the Fantastic Four, the mission and science of Captain America, Wolverine, and Deadpool, the determination of Cable, and it’s a fitting follow-up to the half-man/half-monster movie, Venom.  That’s a lot of Marvel characters with similar struggles, and there are certainly more, characters with the same vintage of origin story–an unlikely or involuntary super-soldier–so how do you spin this key comics trope in a fresh, new way?  As Smith, Wadlow, and Heisserer have done it, you go back to the human condition, and look to what has come before.  Bloodshot isn’t from Marvel, but indie publisher Valiant, but it’s sourced in a common creative mindset.

Bloodshot reads much like Martin Caidin’s original story of the first modern cyborg in his novel Cyborg, about Steve Austin, the Bionic Man–the Six Million Dollar Man–a military hero brought to death’s door and back via science.  In many ways Bloodshot–the program that pulls in the story’s hero and becomes the name of his new persona–is an update to Cyborg–what you could imagine the Bionic Man reboot with Mark Wahlberg to be like.  And it pulls in good mind-twisting sci-fi elements evoking Joss Whedon’s Dollhouse and Duncan Jones’ Source Code.

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When we created last year’s preview of 2019 movies we were pretty sure we were going to have some great movies this year, but we were surprised by what ended up being the best.  All year we tried to keep up with what Hollywood had to offer and homed in on the genre content we thought was worth examining.  We went back and looked at it all and pulled together our annual picks in our Best Movies of 2019.

GenredomAs always, we’re after the best genre content of the year–with our top categories from the Best in Movies.  There are thousands of other places that cover plain vanilla dramas and the rest of the film world, but here we’re looking for movies we want to watch.  What do all of this year’s selections have in common?  In addition to those elements that define each part of genredom, each has a good story.  Special effects without a good story is not good entertainment, and we saw plenty of films this year that missed that crucial element.

Come back later this month for our print media picks, and our annual borg Hall of Fame inductees.  And if you missed it, check out our Best Kick-Ass Genre Heroines of 2019 here.  Wait no further, here are our movie picks for 2019:

Best Film, Best Superhero Movie, Best Re-Imagining on Film Shazam! (Warner Bros.).  Movies are supposed to be a wonder, right?  What brought the magic of the movies back to theaters more than Shazam?  Why did DC take so long to adapt a superhero to the scene perfectly?  Who cares–they finally did it.  Faithful to the character from the #1 selling superhero book of the 1940s, this was the superhero movie many of us have been waiting for for the past 50 years (or more).  Full of superhero fun, one of the best training montages ever, Zachary Levi’s boyish hero was perfectly matched to Jack Dylan Grazer’s take on best pal Freddy.  It’s also the only superhero movie we can think of that got better as it went along, culminating in a fantastic, satisfying third act and finale.  This is what we want more of.  And it was the first DC superhero movie of the millennium that could be watched and enjoyed by the entire family.  Honorable mention: Glass (Universal), Spider-Man: Far From Home (Sony Pictures).

Best Fantasy Movie, Best Adventure Movie, Best Comedy MovieJumanji: The Next Level (Columbia Pictures).  The only issue with this film was that its status as a sequel will prompt some to not recognize it for the gigantic success it truly is.  With adventure scenes bigger and better than anything in the entire Indiana Jones franchise, two movies in and director Jake Kasdan proved a sequel can actually be as good as the original.  The four stars didn’t miss a beat, swapping roles and adding new laughs, and the new characters inside and outside the game were perfectly spliced in to tell a new tale.  The bridge crossing scene is now the adventure film scene to beat.  An epic fantasy that’s loads of fun.  Honorable mention for Best Fantasy Movie: Shazam! (Disney/Marvel), Captain Marvel (Disney/Marvel).

Best Movie Borg, Best Borg Film – Arnold Schwarzenegger’s Carl, Terminator: Dark Fate (Paramount Pictures).  It would have been almost impossible for James Cameron and director Tim Miller not to get this right, a new thread through time reuniting Linda Hamilton’s Sarah Connor and a new T-800 with Arnold back with another take on his greatest borg of all time.  New characters and new effects kept the franchise from getting boring, but this was more than just getting by, a big sci-fi spectacle with great cyborg battles, and easily the best cyborg fix this year.

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It’s time for borg′s annual look at the Best Kick-Ass Genre Heroines in film and television.  This year we selected 26 characters that rose to the top.  Again the studios gave us more to cheer about than ever.  We’re highlighting the very best from a slate of fantastic heroines, with characteristics to learn from and root for.  Determined, decisive, loyal, brave, smart, fierce, strong, you’ll find no one here timid or weepy, but all rely on their individual skills to beat the odds and overcome any obstacle that comes their way.  Over the years we have expanded the list to include any tough, savvy, gritty character played by a woman, so villains are welcome here, too.  Some may be frazzled, put-upon, war-weary, or human, but all have fought, some against difficult circumstances, others against personal demons (literally, figuratively, or both), and some against gun and laser fire.  And they all showed what a tough, kick-ass character is about.

Several characters who made previous years’ kick-ass heroine lists returned to TV and film and could very well make the list again, but we’re looking for new recruits.  So we’re not forgetting Lagertha in Vikings, Liv Moore from iZombie, Trish Walker in Jessica Jones, and Juliana Crain from The Man in the High Castle, all in their final seasons of their series, plus Eleven in Stranger Things, Juliet Higgins in Magnum PI, Liz Dudley in Lodge 49, the 13th Doctor in Doctor Who, Betty Cooper from Riverdale, and Sabrina Spellman and Ms. Wardwell from The Chilling Adventures of Sabrina.  At the movies Valkyrie, The Wasp, and Okoye were back, this time in Avengers: Endgame, Martha/Ruby Roundhouse returned in Jumanji: Welcome to the Jungle, and Rey was back one more time in Star Wars: The Rise of Skywalker.  This year we add a mystic, a former Russian operative, a DHS agent, an adventurer, an undercover cop, a bounty hunter, a general, a gang leader, superheroes, martial arts masters, special agents, survivors, former soldiers, resistance fighters, gelflings, warriors, witches, a bride, an emperor (not empress!), and even a cyborg–with a roster evenly split between television and movie characters.

Credit goes to both the writers and other creators of the characters and the actors and performers that brought them all to life.

These are the Best Kick-Ass Genre Heroines of 2019:

Aughra (The Dark Crystal: Age of Resistance).  If there was a greater woman character in the history of fantasy film, we don’t know who that would be.  We first met her 37 years ago thanks to Jim Henson in the original movie, and she hardly changed at all for the prequel series that arrived at last this year.  Voice actor Donna Kimball and Muppeteer extraordinaire Kevin Clash perfectly replicated the witchy sorceress whose wisdom, savvy, and mystic powers were stealthily used this season.  She went to death and back again, and was key to defeat the Skekses once again. (Henson/Netflix)

Black Widow (Avengers: Endgame).  After a decade of being the only superheroine in the Avengers, Scarlet Johannson’s Natasha Romanoff finally took center stage this year as the bravest of the entire bunch, giving her life to save not only everyone on Earth, but everyone across the universe destroyed by Thanos.  And yet she still didn’t get the fanfare that Tony Stark did.  We’re hoping she gets the solo film she deserves when she’s back one more time next year in her own movie. (Disney/Marvel)

Hattie Shaw (Fast & Furious Presents: Hobbs & Shaw).  As part of a big bad assassin family, whose mother was played by Helen Mirren and brother by Jason Statham, Vanessa Kirby’s Hattie might be the toughest of them all.  If you need to track down a missing deadly virus in the hands of a cybernetically enhanced superhuman, who else are you going to call to team up with Statham and The Rock?  (Universal)

Agent M (Men in Black: International).  Valkyrie Tessa Thompson is back on the list again, this time as the first movie lead Woman in Black, earning her nebulizer with the help of her Thor-world partner Chris Hemsworth.  As a little girl, Molly witnessed an alien as her parents were zapped by Men in Black, and she worked her entire life to be able to get into the CIA or FBI, hoping one would be the entry point into the secret organization.  Agents O and High T would recognize her value to the team, as she saved the planet from the latest menace. (Columbia/Sony)

Cyclone Mei (The Legend of the Condor Heroes).  Even as an evil witch, Viola Mi’s master of the Nine Yin White Bone Claw and Heart Destroying Palm techniques became a sympathetic villain after her husband died at the hands of young Guo Jing and she became blind.  Even blind she used internal techniques to defeat anyone she perceived as a threat.  Master of the whip with fearsome claws, beautiful and fierce Mei Chaofeng once joined her husband as the “Twin Masters of the Dark Winds” to possess a forbidden manual of martial arts, and would leave mountains of bodies in their wake as they sank deeper into the dark teachings.  (iQIYI)

Sarah Connor (Terminator: Dark Fate).  We were excited when we heard Linda Hamilton would return to the franchise 27 years after she had a major transformation from waitress into the woman who would save 3 billion lives.  One of Sci-Fi’s two best-known kick-ass heroines (along with Ellen Ripley), original terminator target Sarah Connor lost none of that drive and determination to continue to kill Terminators into the 21st century.  As a grandma surrogate and mentor to the next generation of leadership, we’ve no doubt the future is safe again.  (Paramount/20th Century Fox)

Special Agent Dinah Madani (Marvel’s The Punisher).  For the entire second season, Amber Rose Revah’s DHS agent was hot on the trail of taking down Billy Russo’s villain Jigsaw.  Who knew she’d need to get through his psychiatrist first.  She was always tough and good at her job, but proved herself in the final two episodes of the series.  (Netflix)

Leia Organa (Star Wars: Rise of Skywalker).  Princess or General, Carrie Fisher’s Leia Organa was one of the 1970s brand of kick-ass heroines, although we still wish she’d had the opportunity to show her stuff just as Rey was able to in the third trilogy movies.  We prefer seeing her as she continued after the original trilogy in Timothy Zahn’s novels, the Dark Empire comics, and the 20 years of the Expanded Universe stories, where we saw her realize power as great as Luke and the rest of the Jedi Order.  (Disney/Lucasfilm)

Captain Marvel (Captain Marvel/Avengers: Endgame).  Brie Larson’s take on Captain Marvel was an end-to-end story about being tough and taking charge.  An entry in the Marvel Cinematic Universe that didn’t fit the mold of past films, it allowed audiences to meet her for the first time and ramp up our appreciation for all she could do in short order.  Soon enough she’d be integral to relocating Thanos after The Snap, and she’d return one more time in the final battle to try to turn the universe back to the way it was.  (Disney/Marvel)

Cara Dune (The Mandalorian).  A master of hand-to-hand combat as well as crack sharp-shooter, the latest Star Wars heroine (played by Gina Carano) helped the Mandalorian take down an AT-ST in their first go. Once a shock trooper with the Rebel Alliance and a fighter after the Battle of Endor, Cara is just the help the Mandalorian and The Child need going forward in the series.  (Disney/Lucasfilm)

Sue Lynn Blackbird (Stumptown).  Always the smartest person in the room, and ten steps ahead of everyone else, Tantoo Cardinal’s Sue Lynn runs the local Tribal Casino, but she does much more.  She’s a businesswoman who always negotiates from the power position.  Her leadership role means she has the power to excommunicate anyone who isn’t acting in the best interests of the tribe–or give them another chance.  She’s also tough enough to forgive and mentor younger walking disasters she encounters from time to time. (ABC)

Emperor Philippa Georgiou (Star Trek: Discovery). We’ve always loved Michelle Yeoh, but the series writers for her latest character held back in the first season of the series. At last viewers got the full monte when the mirror version of the series lead character’s captain returned not only to help her, but to eliminate any who got in her way, and proceed to take over the secret spy agency of the prime world timeline. Up there with Jaylah from Star Trek Beyond, “Mirror Georgiou” is one of the new breed of badass Star Trek character.

Christine Gavin (Wu Assassins).  Vikings star Katheryn Winnick makes her second showing on the list, this time as San Francisco undercover police officer Christine Gavin.  Expecting to find the ringleader of a major crime syndicate, she began her work gaining the trust of a man in a local chop shop, only to discover a larger world existed beyond the world we see every day.  Possessing some major martial arts skills and a street fighting manner, she didn’t lose a fight all season long, and helped battle evil in both dimensions.  (Netflix)

Grace (Terminator: Dark Fate).  Sent from the future to save a young woman who has the potential to go forward and lead a rebellion against a new technological apocalypse, Mackenzie Davis’s Grace stepped up to fight a new brand of Terminator.  A human that volunteered to undergo enhancements to make herself into a full-fledged cyborg, she would fulfill her mission, giving the ultimate sacrifice for the future of humanity. (Paramount/20th Century Fox)

Huang Rong (The Legend of the Condor Heroes).  Quick thinking with a photographic memory, Yitong Ling’s Rong’er met her future husband on one of her outings in beggar garb disguised as a man, practicing her skills as a thief and 13th century grifter.  Young and easy to underestimate, with the witty banter of Buffy the Vampire Slayer and an almost supernatural ability to coerce anyone to do her bidding, her charismatic traits were only matched by her mastery of enough schools of martial arts to prevent anyone from learning who taught her.  Raised on Peach Blossom Island by her father, she learned how to confuse an enemy, and is able to convince Hong Qigong to teach her even more, all in exchange for her cooking–hey, you can be a badass and also a master chef.  (iQIYI)

Maudra Fara (The Dark Crystal: Age of Resistance). Refusing to recognize Seladon’s claim to the position of All-Maudra, she’d challenge her for the Living CrownFara assumed the title of Maudra after Vala, her mother, had been killed during the First Battle of Stone-in-the-Wood, and she would prove to be the fiercest of all the Gelflings, male or female.  Who wouldn’t follow her into harm’s way?  Alice Dinnean was the puppeteer behind the scenes, with Lena Headey supplying her voice.  (Henson/Netflix)

Grace (Ready Or Not).  Samara Weaving’s character Grace made for the perfect bride on her wedding day… who married into a family of psychopaths that required she first beat them in a wedding night game of hide and seek–to the death.  A horror movie that was also a suspense thriller, Ready Or Not ran circles around the similar Knives Out from an entertainment and excitement standpoint.  Grace had to shoot though her in-laws and extended family to survive the night, somehow finding the mettle to defend herself when the unthinkable became the thinkable–and for audiences it was so much fun!  (Mythology/Vinson)

Vedek Kira Nerys (Deep Space Nine: What We Left Behind).  In this year’s Deep Space Nine documentary, the creators of the series returned to give viewers a glimpse at what Season 8 would have looked like had they been able to continue, complete with Kira as Vedek, in charge of the space station and taking her seven year character arc into new places.  It’s the same grit Nana Visitor gave to her performance, and the spirit of the original shown through as she joins with her former Starfleet colleagues at the show’s cliffhanger.

Agent Francesca “Frankie” Trowbridge (Whiskey Cavalier).  Lauren Cohan’s Frankie had it all, and unfortunately for fans the show was canceled after only one season.  But what a season!  This agent was every bit 100% James Bond but she also used her looks and smarts to double as “Bond girl” when the mission called for it.  In hand-to-hand combat or with a weapon, whatever bad guys the writers threw at her, nobody could get past her for long. (ABC)

Zan Hui (Wu Assassins).  Cold and near emotionless, Hong Kong movie star JuJu Chan’s Zan was ruthless as henchwoman to the leader of the Triads.  But she was also ambitious, and at her first opportunity she didn’t hesitate to act.  Incredibly skilled in kung fu and street fighting as well as weaponry, she didn’t need the supernatural skills of the other characters to make an impact.  (Netflix)

Two (6 Underground).  Melanie Laurent’s Camille was ready to join One and his secret force of ghosts, undoing some of the damage she’d done while CIA operative.  Quiet and saying little most of the time, she reveals to the squad’s hitman she knows all she needs to navigate international politics.  Take down a government led by a murderous villain and replace him with someone better?  Count her in.  (Netflix)

Gunnhild (Vikings).  An entire series could be written around Ragga Ragnars’ strong and proud warrior.  As shield-maiden, she doesn’t hesitate to lead the fight with her sword onto the battlefield.  Also kind and humble, she also doesn’t hesitate to make sure her niece and nephew are protected when she has a dream that they are in danger.  As Queen of Kattigat she proves she’s the right person at the right time in history.  (History)

Dex Parios (Stumptown).  Taking a character from the comic books to the screen, Cobie Smulders made ex-Marine Dex her own.  Her P.I. is a walking disaster, always “this close” to succeeding, and always trying to claw her way back from the last worst decision she could have made.  Somehow she is able to look after her brother.  She makes Jessica Jones look like a lightweight, always her own worst enemy.  But if she keeps fighting back in this city, she may just make it after all. (ABC)

Amelia Wren (The Aeronauts).  Nobody else on the list had to climb to the top of a balloon in freezing cold temperatures with frostbitten, unusable fingers at a height of more than 30,000 feet.  And Felicity Jones’s Amelia Wren was based on a real person.  Does it get more badass than that?  That she was a composite character doesn’t matter–she’ll make audiences breathless as she performs one death-defying feat after another in her two-hour flight. (Netflix)

Bell Mallory (The Man in the High Castle).  In the series’ alternate histore, while the Eastern United States was still being fought over by the Nazis and a small band of resistance fighters, Frances Turner’s Bell Mallory rescued San Francisco and led a revolt that removed Japanese occupation from the entire west coast.  Undercover op?  Whatever it takes.  A strategist and brains behind taking out a slew of leaders, she knew who to trust and who not to, and her decisions helped put the U.S. back into American control. (Amazon Studios)

Deet (The Dark Crystal: Age of Resistance).  The nicest gelfling of the Grottan clan you could ever meet, she befriends plant and animal alike.  Once she experiences a vision by touching Vliste-Staba, the Sanctuary Tree located in the Mountains of Grot, the nature loving soul joins the resistance.  And when the Skekses are ready to destroy Thra, she is the only one who can muster the power to stop them.  An unlikely hero, we don’t yet know the extent of the price she paid for restoring the balance of Thra.  Performers Beccy Henderson and Nathalie Emmanuel couldn’t have created a better heroine.  (Netflix)

And that’s this year’s list.  Keep coming back the remainder of this month as we reveal the rest of our Best in Film, Best in TV, and Best in Print, and our borg Hall of Fame inductees for 2019.

Want to see previous years’ kickass genre heroines?  Here are 2018, 2017, 2016, and 2015.

C.J. Bunce
Editor
borg

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