Tag Archive: Adria Arjona


Two of the three most famous genre Jareds take center stage in the latest trailer from the Marvel universe.  Academy Award winner Jared Leto (Suicide Squad, Blade Runner 2049) stars as Dr. Michael Morbius and Jared Harris (Sherlock Holmes: A Game of Shadows, Fringe, The Expanse) as an undisclosed mentor, possibly Jack Russell.  Morbius takes place in the Sony side of the Marvel universe.  Not yet taking the plunge to become a full-on Marvel Cinematic Universe entry now that the Disney/Sony deal is done, a trailer appearance by Michael Keaton as Vulture reflects a straddling of the franchise.  Keaton’s character was the villain of Spider-Man: Homecoming, the first Spider-Man movie of the Marvel Cinematic Universe.  Morbius appears to have been filmed in the dark lighting of the earlier horror/superhero-verse film Venom, which featured another historic tie-in character from the world of Spider-Man.  Morbius will be released this summer a few months in advance of a Venom sequel.

Not to be confused with the Dr. Morbius of Forbidden Planet, this is the sci-fi/Dracula hybrid–the “living vampire”–created by Roy Thomas and Gil Kane in the pages of Marvel Comics in 1971.  Comic greats like Don McGregor and the late Rich Buckler and Steve Gerber would work on the Morbius stories over the years–a doomed hero drawn to look like actor Jack Palance.  Over the years the character would rub shoulders with Ghost Rider, Man-Thing, Doctor Strange, and Blade, but most notably Spider-Man.  Elements of the trailer look like the stuff of Doctor Strange, Venom, and Deadpool, and this is obviously a character from the world of Stan Lee.

The original Morbius in superhero costume from the pages of Marvel Comics.

The film co-stars Doctor Who’s Matt Smith, Fast & Furious’s Tyrese Gibson, and 6 Underground’s Adria Arjona.

Could this be an entry point for new Blade, Ghost Rider, or Carnage movies?  Take a look at this first trailer for Morbius:

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Merry Christmas!

It’s that time of year again, time to take a look forward at what movies should be on your radar for 2020.  Are you going to see them all?  Heck no.  These are the genre films we think borg readers will want to know about to make their own checklists for the coming year–and they are only the films we know about so far.  We pulled 85 of the hundreds of films that have been finalized or are in varying stages of final production, slated for next year’s movie calendar.

What looks to top the list for most fanboys and fangirls?  Ghostbusters: Afterlife Scarlett Johannson solo in Black WidowA new James Bond movie, No Time to DieVin Diesel in Bloodshot and a new Fast & FuriousThe original Tom Clancy novel series is finally continuing with an adaptation of Without Remorse Comic book adaptations are in less supply in 2020, but look for Venom 2, Wonder Woman 1984, Eternals, The New Mutants, Morbius, Birds of Prey, The Old Guard, and did we mention Black WidowCompare the below list to our 2019 list and even the 2018 list, 2017 list, 2016 list, 2015 list, or 2014 list, and your takeaway may be seeing the studios moving genre content from the big screen to the small screen via streaming services.

Do you like sequels?  There are far less coming to theaters in 2020 than in 2019, but many more remakes of movies, books, and TV shows are on the way.  In fact, with all the blockbusters in 2019, 2020 looks pretty tame as the cinema marquee is concerned.  Some films don’t have locked in release dates yet: Amazon Studios and Netflix haven’t revealed dates for the following 2020 releases (those we know you’ll find on the calendar below):

  • 7500, a film about a highjacked airplane, starring Joseph Gordon-Levitt (Amazon Studios)
  • The Dig, a film about a woman finding archaeological treasures on her land, starring Ralph Fiennes, Lily James, and Carey Mulligan (Netflix)
  • Horse Girl, Alison Brie stars and directs this story about an awkward girl who fuses her dreams with reality (Netflix)
  • Jingle Jangle, an animated Christmas story with the voices of Forest Whitaker, Keegan-Michael Key, and Hugh Bonneville (Netflix)
  • Louis Wain, biopic of the 19th century artist starring Benedict Cumberbatch, Claire Foy, and Andrea Riseborough (Amazon Studios)
  • The Old Guard, adaptation of comic book story, starring Charlize Theron and Chiwetel Ejiofor (Netflix)
  • Radioactive, a film about Marie Curie, starring Rosamund Pike and Anya Taylor-Joy (Amazon)
  • Rebecca, adaptation and remake of the Daphne Du Maurier classic novel, starring Lily James, Keely Hawes, Kristin Scott Thomas, and Armie Hammer (Netflix)
  • Welcome to Sudden Death, sequel to Jean-Claude van Damme 1995 movie starring Michael Jai White (Netflix)
  • The Willoughbys, animated adaptation of the Lois Lowry book, with voices of Maya Rudolph, Martin Short, and Jane Krakowski (Netflix)
  • Wonderland, murder conspiracy mystery starring Mark Wahlberg, Allan Arkin, and Colleen Camp (Netflix)

Some of these films will have revised release dates, or get pushed to 2021.

So grab your calendar and start making your plans–here are the movies you’ll want to see in 2020 (and some you might not!):

January

The Informer – Thriller, starring Joel Kinnaman, Rosamund Pike, Ana de Armas, Common, and Clive Owen – January 10.

Underwater – Thriller, stars Kristin Stewart in underwater horror story – January 10.

Dolittle – Family/Comedy, stars Robert Downey, Jr. in remake of the classic, with voices of Tom Holland, Rami Malek, Octavia Spencer, Emma Thompson, Antonio Banderas, Ralph Fiennes, and Michael Sheen – January 17.

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Review by C.J. Bunce

Ryan Reynolds (Deadpool) and director Michael Bay (Transformers, Armageddon) are going to surprise a lot of people this December.  Their new film, a direct-to-Netflix, big-budget action spectacle called 6 Underground, is the kind of movie that belongs on the big screen leading the box office rankings.  It has big, over-the-top, expensive action sequences that leave last year’s seemingly impossible to beat Mission: Impossible–Fallout, in its wake.  It also stuffs about two movies into one: giving the audience a slight breather between action sequences, its edits are sharp and quick, so much so it offers one of those strobe warnings upfront, with an amazing new weapon we haven’t yet seen anywhere that it keeps for its third act.  If you loved the team of crooks in Baby Driver, the good guys seeking revenge of The Italian Job, and the speed of The Fate of the Furious, get ready for the next watchalike.  It’s Leverage on steroids.  It’s the best direct-to-Netflix movie yet–and a whole lotta fun.

Reynolds is a billionaire genius fed up with not being able to do good with his money by following the rules.  He fakes his death and recruits and tries to maintain an international band of six “ghosts” who have complementary mad skills and are willing to leave their lives (including names) behind to change the world.  This includes an incredible driver played by Dave Franco (Now You See Me), a badass ex-CIA spook played by French actress Mélanie Laurent (Inglourious Basterds), a hitman played by Mexican actor Manuel Garcia-Rulfo (The Magnificent Seven), a doctor played by Puerto Rican actress Adria Arjona (True Detective), and a parkour whiz played by Brit actor Ben Hardy (Bohemian Rhapsody, X-Men: Apocalypse).  When one of the team dies in a messy job, Reynolds’ character, known only as One, recruits an ex-marine sharpshooter played by Corey Hawkins.  And the movie gets bigger and better.

Although the opening 20-minute action scene will be talked about for years, it’s Hawkins arriving new to the team as Seven where the story takes off.  He was willing to leave the military service behind because he was held back–he tried to save his fellow soldiers in an attack but was ordered not to–but with this new team he finally has the freedom to do all he can for the greater good, all under his own terms.  Reynolds as Reynolds–the same snarky, smartass character he played in Deadpool and Life and R.I.P.D. and Green Lantern is here, and he makes it work yet again, thanks to funny banter and a team of actors and characters with chemistry.  He carries the leading action man role that would normally be taken by Jason Statham and twists it a bit, not doing all those kicks and physical feats, but getting in the middle of the action and staying there with all the other stunt-heavy moves going on around him (not that he doesn’t get to play in the punches, too).  If that weren’t enough, 6 Underground also has amazing international settings and gorgeous, James Bond universe-type cinematography thanks to photography by Bojan Bazelli (The Ring, The Sorceror’s Apprentice, Snake Eyes).

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Review by C.J. Bunce

Director Guillermo del Toro’s ode to Godzilla and the mecha genre in 2013’s Pacific Rim continues with del Toro producing the sequel Pacific Rim: Uprising, directed by Steven S. DeKnight.  As you’d expect, that means bigger and better Jaegers–those enormous fighting, armored machines initially only manned and newly created as flying drones to defend Earth–and some bigger and more terrifying Kaiju–humanity’s nemeses in the form of terrifying, alien, Godzilla-inspired monsters.  Fans of the franchise can see the development of the next generation of both creations, and how their development relied upon getting the right look and sound effects together, in the new book The Art and Making of Pacific Rim: Uprising.

Director DeKnight, showrunner of Marvel’s Daredevil, and producer of genre favorites Smallville, Angel, and Dollhouse, provides a foreword to the book and takes readers through each step of the development of the film from idea to fleshing out the look of the film’s giant-sized spectacles and its several new human characters.  Screenwriters T.S. Nowlin and Travis Beacham provide insight into the direction of the story, and DeKnight and visual effects supervisor Peter Chiang (Star Trek Beyond, Godzilla, Total Recall, John Carter, The Chronicles of Riddick, Labyrinth, Highlander, Krull) explain the look and rationale for each element of the film.  Author Daniel Wallace incorporates interviews with cast members John Boyega, Scott Eastwood, Jing Tian, Cailee Spaeny, Rinko Kikuchi, Burn Gorman, Adria Arjona, Charlie Day, and others, plus costume designer Lizz Wolf describes her concepts behind the signature look of each character.  We also meet the next generation of cadets, with a young slate of international performers: Wesley Wong, Rahart Adams, Karan Brar, Lily Ji, Shyrley Rodriguez, Ivanna Sakhno, and Levi Meaden–a group of up-and-coming actors that will be fun to watch emerge in films in the next few years.

But for most fans it will be the concept art for the Jaegers that are of key importance for a book like this, and they should be happy as most of the content is devoted to these designs, including discarded concepts and rejected variants.  Production designer Stefan Dechant (Kong: Skull Island, Alice in Wonderland, Minority Report) talks about his influences for design elements of each Jaeger (like F-16 Fighters for Guardian Bravo, the Millennium Falcon for Bracer Phoenix) and how the massive weaponry was developed.  Color was a key design factor for the Jaegers and the Kaiju, and the large icons were also defined by their sounds.  More so than most behind-the-scenes looks into films, The Art and Making of Pacific Rim: Uprising may provide the most attention to the incorporation of sound effects.  Supervising sound designer and editor Erik Aadahl (Transformers, Godzilla, Terminator Genisys, G.I. Joe: Retaliation) shares many of his secrets to help create the foreboding presence of the monsters and machines.

Key for fans of the franchise will be the book’s incorporation of tipped-in scrapbook materials, reproductions of original artwork like unused Jaeger concept art, storyboards, a monster/machine size comparison chart, a glossy, full-color pull-out blueprint of Romeo Blue, and several other reproductions of the designers’ concept art.

Check out these images from The Art and Making of Pacific Rim: Uprising:

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emerald-city

The Wizard of Oz–whether or not you may be a fan of L. Frank Baum’s classic book or one of the best fantasy films of all time, you may want to tune in for a new NBC series airing Friday nights this winter.  Featuring well-known actors Joely Richardson and Vincent D’Onofrio, Emerald City stars Adria Arjona as twenty-year-old Dorothy Gale, who is sucked into a tornado and transported to the otherworldly Land of Oz.  D’Onofrio plays the famous Man Behind the Curtain who runs Oz.

But don’t expect the bright and cheery world of the 1939 production or something like you’d see from Disney.  Look for a dark world in this modern-day retelling.  It’s gritty and somewhat dystopian as seen in the first trailer for the series, below.

Oliver Jackson-Cohen, Ana Ularu, Mido Hamada, Gerran Howell and Jordan Loughran co-star in the series.  Series writers and executive producers include Shaun Cassidy, David Schulner, Tarsem Singh Dhandwar, Matthew Arnold, and Josh Friedman.  Dhandwar directs the series.

emerald-city-banner

Star Wars fans take note: Trisha Biggar, costume designer for the prequels and featured in the landmark book Dressing a Galaxy: The Costumes of Star Wars, has created the costumes for the series.  Keep Padme Amidala in mind when watching the wardrobes of the various featured witches.

Check out this preview for Emerald City followed by several character posters released by Universal to promote the series:

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