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Tag Archive: Alden Ehrenreich


Smuggler.  Gambler.  Rogue.  Pilot.

Han Solo.

The hero of the Rebellion and the Resistance and rescuer of the galaxy more than once, one of fandom’s favorites is featured in his own book in November.  Insight Editions announced Star Wars Icons: Han Solo will be a comprehensive look at the creation and legacy of one of Star Wars’ most beloved characters.  Covering the Han Solo’s journey from his genesis in George Lucas’s first Star Wars drafts to his portrayal by Harrison Ford in the original trilogy and The Force Awakens to his rebirth in Solo: A Star Wars Story, and beyond the films to his role in the Star Wars expanded universe: novels, comics, video games, and more–Insight promises this will be the definitive book for every Han Solo fan.

Illustrated with rare and previously unpublished images, including on-set photography and concept art, the deluxe 224-page volume will feature new interviews by author Gina McIntyre with Harrison Ford, Alden Ehrenreich, Mark Hamill, Billy Dee Williams, Peter Mayhew, Ron Howard, J.J. Abrams, Lawrence Kasdan, Jonathan Kasdan, and more.  This is especially noteworthy since Solo: A Star Wars Story director Ron Howard has not given many interviews about Solo: A Star Wars Story.

You can pre-order what we expect to be the first of several Star Wars Icons books, Star Wars Icons: Han Solo now here at Amazon (at a discount off the cover price).  And don’t forget to lock-in the pre-order price for Solo: A Star Wars Story on DVD, Digital HD, and Blu-ray here.

This is the smuggler you’re looking for.  Check out this preview of Star Wars Icons: Han Solo:

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Last weekend San Diego Comic-Con spotlighted women costume designers and the creations of more than a dozen women designers created for actresses for some of the decade’s biggest genre films.  The Costume Designers Guild presented a panel Saturday featuring members Sanja Hays (costume designer, Captain Marvel, Star Trek: Beyond, Star Trek: Insurrection), Amanda Riley (costume designer, Supergirl, Agents of S.H.I.E.L.D.), and Laura Jean Shannon (costume designer, Iron Man, Titans, Black Lightning, Jumanji: Welcome to the Jungle) who provided highlights and anecdotes about their careers designing costumes for some of the most popular current and recent productions on television and in film.  A big high point for attendees was Hayes, whose new Captain Marvel costume will be the next benchmark in the Marvel Cinematic Universe, to be worn next year by Brie Larson in Captain Marvel–the first Marvel film with a woman in the title role.  Hayes commented that she found working on Marvel movies  different from past projects in that many details of design and even minor changes require extra levels of approval from Marvel’s continuity side.  Each of the designers stated they have arrived at a stage in their careers where they now have the power to cherry pick costumes to personally dive into from their projects and assign other production team members for the rest.  They also stressed the value of having close-knit and exceptional artists on their teams that can work together to meet the requirements of production.

   

At the giant Marvel Studios area on the convention floor, attendees could get up close to several key screen-used superheroine costumes from the past ten years, from Anna B. Sheppard‘s World War II Agent Carter uniform worn by Hayley Atwell from the beginning of the franchise to Evangeline Lilly‘s armor from The Wasp from this summer’s Ant-Man and The Wasp, created by Louise Frogley.  Eight other costumes bookended one side of the Marvel stage, including another four costumes opposite them in glass display cases–twelve heroines in all: Lupita Nyong’o‘s Nakia, Danai Gurira‘s Okoye, and Letitia Wright‘s Shuri costumes from Black Panther, created by Ruth E. Carter, Tessa Thompson‘s Valkyrie armor created by Mayes C. Rubeo for Thor: Ragnarok, Scarlett Johansson‘s Black Widow costume from Captain America: The Winter Soldier, Zoe Saldana‘s Gamora costume, Karen Gillan‘s Nebula costume, and Pom Klementieff‘s Mantis costume from Guardians of the Galaxy, Vol. 2, all created by Judianna Makovsky, Elizabeth Olsen‘s Scarlet Witch costume from Avengers: Age of Ultron, created by Alexandra Byrne, and Jaimie Alexander‘s Sif armor from Thor: The Dark World, created by Wendy Partridge.

A separate giant display elsewhere was created for Karl Urban‘s Skurge armor created by Mayes C. Rubio for Thor: Ragnarok.  DC Entertainment displayed Leah Butler‘s Shazam! costumes for Asher Angel‘s Billy Batson and his superhero alter ego, played by Zachary Levi.  And Lucasfilm presented David Crossman and Glyn Dillon‘s costumes from Solo: A Star Wars Story (a little more out of reach than the rest, posed high at the top of their exhibit), including screen-used costumes from Alden Ehrenreich‘s Han Solo, Joonas Soutomo‘s Chewbacca, Emilia Clarke‘s Qi’ra, Donald Glover‘s Lando, Erin Kellyman‘s Enfys Nest, and Paul Bettany‘s Dryden Vos.  And it wasn’t just about costumes, as many displays included the corresponding screen-used prop weaponry for the character.

Costume designers Laura Jean Shannon, Sanja Hays, and Amanda Riley at the costume designers panel at San Diego Comic-Con Saturday, July 21, 2018.

The following are photographs of all 22 costumes.  The lighting and glass displays limited the clarity of some of the images, and the Star Wars display was too high for our equipment to get any detail.  Yet some of the detail is better than you find in many behind the scenes books on the market today showing the costumes of DC, Marvel, or the Star Wars films–nothing beats seeing these close-up.  Take a look:

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Review by C.J. Bunce

Fans of the original Star Wars trilogy and the new film Solo: A Star Wars Story should take note of the fourth installment of Abrams Books’ Star Wars artbook series.  The Art of Solo: A Star Wars Story by Phil Szostak not only looks behind the scenes of the production of the second of the modern anthology movies and fourth of the modern sequels, it reveals the finest and the most evocative Star Wars-styled concept art created since The Empire Strikes Back.  Taking a different path from the episodic sequels, the creators that imagined the look for Solo took their inspiration directly from the work of Ralph McQuarrie (original trilogy production illustrator and concept artist), Joe Johnston (original trilogy ILM art director), Harry Lange (original trilogy art director and set decorator), and Colin Cantwell (the first Star Wars spacecraft designer), concept artists behind the original Star Wars movie.  Including artwork both used for the final creation of sets, effects, and costumes, as well as imagery that didn’t make it to the final cut, The Art of Solo provides visuals fans back to the 1970s have only dreamed about.

Solo is also the first movie of the post-Disney period of Star Wars to draw back to the actual input from George Lucas for more than merely sketches and early descriptions of his earliest ideas from 1973.  Lucas was involved from the beginning, planning a Han Solo movie since before the Lucasfilm sale, and so this sequel has inspiration and concept direction from the creator of the franchise himself.  Lucasfilm/ILM lead concept designer James Clyne, production designer Neil Lamont, costume designers Glyn Dillon and David Crossman, Neal Scanlan‘s creature department, and Rob Bredow and Pat Tubach‘s visual effects team were aware of the unique challenge facing this film–creating something faithful to the original trilogy and beloved characters while also taking the look and feel of the space fantasy into new territory.  The result is a film full of different worlds that still feels “Star Wars-y,” as the designers call it.  For this film, that meant a Western homage mirroring the American journey of settlers from the East Coast to the West Coast, and also importing story elements found in Akira Kurosawa’s Westerns, among many other classic films.

Many of the portraits and landscape paintings are poster-worthy.  Earthbound physical locations were tracked down to define new worlds Corellia, Mimban, Vandor, Kessel, and Savareen, along with CGI renderings, all to look like they belong in the Star Wars galaxy.  As Star Wars was created in the 1970s–taking place ten years prior to the original Star Wars–the artists looked for styles and ideas from the 1960s via movies, bands, computers and technology, and other cultural influences for costumes and set decorations.  So before Emilia Clarke was cast as Qi’ra, images of the character needed to establish her locations and costumes included drawings that look very much like Grace Kelly.  Incorporating images of younger versions of both Harrison Ford and Billy Dee Williams were obvious choices for creating their first looks, like the duo at the gambling table where Lando would lose the Falcon to Solo.  But soon Alden Ehrenreich’s image became the face of Han Solo.  All along, Chewbacca was Chewbacca, only the crew aimed to convey a different view of the Wookiee, where having all his hairs styled in place was no longer important–this was the young, wind-blown companion from the past, the one quicker to tear someone’s arms off.

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Review by C.J. Bunce

Maybe you don’t need the Old West to have a great Western after all.  Bringing back the feel of the first third of the original Star Wars: A New Hope with a Butch Cassidy and the Sundance Kid level of fun and humor, Solo: A Star Wars Story is finally in theaters with something for every Star Wars fan.  The saloons may be different and so are the sidearms, but this is the story of a young gunfighter, complete with the related outlaws and mercenaries, partners and betrayals, card playing, and gunfights.  With the sweeping adventure of The Empire Strikes Back, the perfectly rebuilt and repackaged nostalgia of Rogue One: A Star Wars Story, and a jumping off point for a galaxy of possibilities for beloved characters we only thought we knew, director Ron Howard delivers.  Not weighted down by the gloom and doom of the Dark Side in Rogue One or the rest of the Star Wars films, this Star Wars story creates new and original locations and situations for a few familiar characters plus many new ones and still ties into the overall episodic stories, taking place after Revenge of the Sith, but before Star Wars Rebels and Rogue One.  Yet we meet many new characters and questions are raised in the film that beg for one or more sequels to this branch off the main Star Wars saga–we can now have many new tie-in novels, comics, TV series, and maybe even movies to keep it all going.  If you didn’t think The Last Jedi captured the nostalgia or fun of earlier Star Wars films, then Solo is for you–not since The Empire Strikes Back has an entry in the saga been such a rollercoaster ride.

Surprises?  In a film that could have just filled in the blanks, the surprises were dished out from beginning to end, including some big ones we won’t mention here.  The overall tone is something out of Amazing High Adventure, and it makes perfect sense: It’s Silverado in space.  Screenplay writer Lawrence Kasdan (who wrote the screenplay with son Jonathan Kasdan), known for writing Westerns Silverado and Wyatt Earp, prior Star Wars entries The Empire Strikes Back, Return of the Jedi, and The Force Awakens, and that greatest of adventure movies Raiders of the Lost Ark, was the perfect match to veteran director and movie icon Ron Howard.  The Western inspiration is supported visually in the Frederic Remington-inspired colors and landscapes.  You can spot the World War II movie references along the way, too, that Kasdan and Howard no doubt enjoyed as moviegoers over the years, like Von Ryan’s Express.  The relationships between characters evoke gangster movies and even pirate tales like Treasure Island.  Science fiction fans will see parallels to Han’s band of mercenaries in both the crew of the Ghost in Star Wars Rebels and Joss Whedon’s Serenity crew in the Firefly television series.

The Kasdans smartly injected those scenes every fan has thought about, pulled from passing references throughout the original trilogy to become fully realized plot threads, and then they folded in so much more.  Without the religion and mysticism of the Force, Solo: A Star Wars Story breaks the precedents of the saga as space fantasy to become arguably the first end-to-end science fiction movie of the franchise.  And it’s not just a fun movie.  Viewers will get plenty to think about.  Characters here are sometimes swapped into positions taken by other characters (and beasts) in prior movies in a way that will make moviegoers want to take another look at the prior films again.

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Now that you’re all recovering from your Star Wars Day activities and readying for Free Comic Book Day today, let’s look at the latest from Solo: A Star Wars Story.  We seem to be transitioning from the high of the Avengers: Infinity War in April and heading toward the premier of Solo on May 25.  And there seems to be no stopping the marketing folks at Lucasfilm.  If you’ve been a fan of Star Wars since the beginning, you may find a new Lucasfilm video the greatest thing since blue milk.  It’s the beginning of the scene where Lando and Han play cards, and Han offers up ships as the stakes.  Is this the exact scene we’ll see in theaters, or one pretty close to it?  It seems pretty likely, although don’t rule out last-minute edits as was done with Rogue One–the other awesome Star Wars Story–where much of the trailer footage ended up on the editing room floor.  Check it out below, unless you want to wait to see it in the theater, but you’re not going to see it in this “virtual reality” 360 degree way in the theater.

Does this sneak peek hint at the future of the theatrical experience?  We’ve seen the 360 degree clips before for other films, and some home video formats do allow the viewer to take control and move around during a film to some extent.  How will that translate to the theaters years from now?  Something like you’d find in a high-end theme park ride?  Never before could moviegoers have such a detailed look at a film, in advance of release.  Take a look at those aliens, like the two-headed fellow to Lando’s right, or the arthropoid with chelipeds to his left (that’s Therm Scissorpunch).  These aliens are exquisite, instantly evoking the original Star Wars cantina where most of us first met Han and Chewbacca.  We’re in for a great ride.

But there’s more: a new clip featuring the first scene with Chewbacca and Han flying together, backed by some of John Williams’ best music: sweeping, evocative cues from his “The Asteroid Field” music from The Empire Strikes Back.  And another clip from director Ron Howard features some new looks at Chewbacca in front of and behind the camera.  It just gets better and better.

  

In case you missed it yesterday, we have two highlights of this year’s Star Wars Day, both out of the UK.  First up is the latest Abbey Road album cover homage.  The Beatles albums have been parodied and honored in thousands of ways over the decades, but we love the above image of the original four cantina action figures from Kenner incorporated into the famous zebra crossing (if you know the source, let us know and we’ll credit it).  And Heathrow airport went above and beyond for May the Fourth, with this fantastic flight schedule.  Bravo!  (But Alderaan?  Too soon!).

Our new Lando, Donald Glover is hosting Saturday Night Live tonight.  The show released a revised Solo poster for him.  Take a look at it, plus a dozen new Solo posters and marketing image updates below (glasses, collectible tickets, buttons, and three trading card sets of 28 cards, too!), and the latest great clips, and don’t forget it’s Free Comic Book Day!  Glover recently provided a tour of the Millennium Falcon (we’ve included that below, too):

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A few hours ago Lucasfilm released a new, very long trailer for Solo: A Star Wars Story.  If you’re not already all-in for this next Star Wars adventure, this may get you there.  Lucasfilm also released a new, retro style movie poster.  But be forewarned:  We’re getting to the point in the cycle of a coming summer blockbuster where Hollywood starts showing audiences too much of the film.  So if you have the patience, you may want to move along.  It’s doubtful any major spoilers are given away in this trailer, but it seems likely we’ve had a peek at at least 90% of the key environments in the film already.

What?  You’re still here?

If you’re like us, you can soak in all the Star Wars goodness as Disney & Co. is willing to serve it up, spoilers be damned.  The most exciting bit from this new look is Chewbacca.  We hoped and expected he would be key to this film, and so far it seems director Ron Howard is going to deliver on that expectation.  The other bit of note is Donald Glover’s assimilation of Billy Dee Williams’ performance from The Empire Strikes Back as Lando Calrissian, his summoning of all that cool from the actor now frequenting conventions across the country, his transmografication into the suave character we want to see.  Everyone else looks great, too, including new Han Solo, Alden Ehrenreich.  If you don’t think he evokes Harrison Ford, so what?  Consider if you’d seen this Solo movie in chronological order, before 1977.  From the trailers Ehrenreich’s entry into the franchise seems more like Mark Hamill’s back in 1977.  We hadn’t heard of Hamill either, yet the unknown actor jumped in nicely to lead the way in the new galaxy, far, far away.

So get ready, if you dare, for the next dive into the past world of Star Wars in this new trailer from Solo: A Star Wars Story:

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Unlike yesterday’s sneak peek, everyone gets coverage in this trailer, and it definitely has a Blade Runner feel with its music, and the story clip seems like an “assemble the team,” Seven Samurai/The Magnificent Seven story concept (the very first expanded story concept for Star Wars, originally published in the 1978 Marvel Comics), or maybe a Firefly ship crew-focused story.

We have first looks at a young Han (Alden Ehrenreich), Chewbacca (Joonas Suotamo), and Lando (Donald Glover).  More Millennium Falcon.  New characters played by Emilia Clarke (Qi’ra pronounced Kira) and Woody Harrelson (Tobias Beckett).  The droid that looks like Qi’ra or Lando’s partner is called L3-37, voiced by Phoebe Waller-Bridge.  And that’s Thandie Newton as a new character named Val.

Solo shot 2

And, in case you missed them, trailers for Avengers: Infinity War and Jurassic World: Fallen Kingdom are all below.

Check out the exciting new trailer for Ron Howard’s Solo: A Star Wars Story:

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At last Star Wars fans finally have their first look at Ron Howard’s prequel movie Solo: A Star Wars Story, and there’s plenty to see.

We have first looks at a young Han (Alden Ehrenreich), Chewbacca (Joonas Suotamo), and Lando (Donald Glover).  And even a younger Millennium Falcon!

And new characters played by Emilia Clarke (Qi’ra pronounced Kira) and Woody Harrelson (Tobias Beckett).

And lots of Imperials…

Check out the teaser trailer for Ron Howard’s Solo: A Star Wars Story, with the full trailer to follow tomorrow:

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Hail, Caesar! A day in the life…

Josh Brolin as Eddie Mannix

WELCOME TO EARTH-4

A Column by J. Torrey McClain

When I first walked out of the new Coen Brothers release Hail, Caesar! my initial thoughts were that I wanted more.  I wanted more scenes of the characters that just had brief moments.  I wanted more of Alden Ehrenreich as Hobie Doyle.  I wanted more of Tilda Swinton as the Thacker sisters.  I wanted more of Channing Tatum as Burt Gurney.  I wanted more of just about everything (and instead of listing each and every wonderful actor, I choose to stop and get to my point.)  A few seconds later, I realized that the movie isn’t about any of those supporting people.  It is barely about the star, Josh Brolin playing Eddie Mannix*, a fictionalized version of a real life MGM fixer and studio head.  It is about a day in the life of Eddie Mannix.  Think about that for a second and then join me in the next paragraph.

*(For more Mannix, march over to MGM Stories from “You Must Remember This.”)

What’s a day in the life for anyone?  Do you see all of your loved ones?  Do you talk to all of your family?  Do you get to pet your pets?  Do you work?  Do you make love?

Channing Tatum Hail Caesar

A day in the life doesn’t have to be miraculous, stupendous, monumental or anything.  A day in the life is.  If you asked me yesterday what my life was like, I’d tell you I walked along the Pacific Ocean, ate fresh seafood at a seafood “shack,” saw clear vistas devoid of pollution due to low humidity and high winds, played a trivia video game against my girlfriend and went 1-1, and I drove people around as a Lyft driver.  Today I duplicated my driving, walked for forty minutes, gave my kittens their morning treats, got a positive phone call from my doctor, got a book recommendation from one of my Lyft passengers and started to write this essay and the day is not even seven hours old.  Maybe I’ll apply for jobs later or read a book or watch a documentary or fix myself a bagel with cream cheese and smoked salmon.  My future is in a state of flux as one of my kitten’s tails wags back and forth in front of my laptop’s screen, obscuring words just like the sands of time obscure the future of today.

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