Last weekend San Diego Comic-Con spotlighted women costume designers and the creations of more than a dozen women designers created for actresses for some of the decade’s biggest genre films. The Costume Designers Guild presented a panel Saturday featuring members Sanja Hays (costume designer, Captain Marvel, Star Trek: Beyond, Star Trek: Insurrection), Amanda Riley (costume designer, Supergirl, Agents of S.H.I.E.L.D.), and Laura Jean Shannon (costume designer, Iron Man, Titans, Black Lightning, Jumanji: Welcome to the Jungle) who provided highlights and anecdotes about their careers designing costumes for some of the most popular current and recent productions on television and in film. A big high point for attendees was Hayes, whose new Captain Marvel costume will be the next benchmark in the Marvel Cinematic Universe, to be worn next year by Brie Larson in Captain Marvel–the first Marvel film with a woman in the title role. Hayes commented that she found working on Marvel movies different from past projects in that many details of design and even minor changes require extra levels of approval from Marvel’s continuity side. Each of the designers stated they have arrived at a stage in their careers where they now have the power to cherry pick costumes to personally dive into from their projects and assign other production team members for the rest. They also stressed the value of having close-knit and exceptional artists on their teams that can work together to meet the requirements of production.
At the giant Marvel Studios area on the convention floor, attendees could get up close to several key screen-used superheroine costumes from the past ten years, from Anna B. Sheppard‘s World War II Agent Carter uniform worn by Hayley Atwell from the beginning of the franchise to Evangeline Lilly‘s armor from The Wasp from this summer’s Ant-Man and The Wasp, created by Louise Frogley. Eight other costumes bookended one side of the Marvel stage, including another four costumes opposite them in glass display cases–twelve heroines in all: Lupita Nyong’o‘s Nakia, Danai Gurira‘s Okoye, and Letitia Wright‘s Shuri costumes from Black Panther, created by Ruth E. Carter, Tessa Thompson‘s Valkyrie armor created by Mayes C. Rubeo for Thor: Ragnarok, Scarlett Johansson‘s Black Widow costume from Captain America: The Winter Soldier, Zoe Saldana‘s Gamora costume, Karen Gillan‘s Nebula costume, and Pom Klementieff‘s Mantis costume from Guardians of the Galaxy, Vol. 2, all created by Judianna Makovsky, Elizabeth Olsen‘s Scarlet Witch costume from Avengers: Age of Ultron, created by Alexandra Byrne, and Jaimie Alexander‘s Sif armor from Thor: The Dark World, created by Wendy Partridge.
A separate giant display elsewhere was created for Karl Urban‘s Skurge armor created by Mayes C. Rubio for Thor: Ragnarok. DC Entertainment displayed Leah Butler‘s Shazam! costumes for Asher Angel‘s Billy Batson and his superhero alter ego, played by Zachary Levi. And Lucasfilm presented David Crossman and Glyn Dillon‘s costumes from Solo: A Star Wars Story (a little more out of reach than the rest, posed high at the top of their exhibit), including screen-used costumes from Alden Ehrenreich‘s Han Solo, Joonas Soutomo‘s Chewbacca, Emilia Clarke‘s Qi’ra, Donald Glover‘s Lando, Erin Kellyman‘s Enfys Nest, and Paul Bettany‘s Dryden Vos. And it wasn’t just about costumes, as many displays included the corresponding screen-used prop weaponry for the character.
Costume designers Laura Jean Shannon, Sanja Hays, and Amanda Riley at the costume designers panel at San Diego Comic-Con Saturday, July 21, 2018.
The following are photographs of all 22 costumes. The lighting and glass displays limited the clarity of some of the images, and the Star Wars display was too high for our equipment to get any detail. Yet some of the detail is better than you find in many behind the scenes books on the market today showing the costumes of DC, Marvel, or the Star Wars films–nothing beats seeing these close-up. Take a look:
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Kasdan recollections round out excellent bonus features on Solo: A Star Wars Story home release
That Miller and Lord cut of Solo you were hoping for? You already saw it.
I was always sold on his father, Lawrence Kasdan for writing The Empire Strikes Back, Raiders of the Lost Ark, and writing and directing Silverado (and his superb work on non-blockbuster films like Continental Divide and Mumford), but Jonathan Kasdan (who co-wrote the screenplay to Solo: A Star Wars Story with his father) has filled in the remaining gap in what is probably the year’s best home video special features package. That would be the extra features that accompany the home release of Solo: A Star Wars Story, available now. The included features have key deleted scenes, most of which would have served the movie well were they included in the theatrical release (like Han’s fall from the Imperial Navy), and the least of which is plain fun that every Star Wars fan should love (like a snowball fight between Han and Chewbacca)–eight deleted scenes in all. The home release also contains insightful featurettes that demonstrate the love for the saga and the vision, skill, and craftmanship that came together to create the film. But it’s missing an audio commentary. More on that in a minute.
Director Ron Howard, production designer Neil Lamont, special creature effects designer Neal Scanlan, director of photography Bradford Young, and the Kasdans, along with other members of the crew, provide fantastic insight into the influences and experience of creating the movie. The best features include Team Chewie, with interviews and footage of Joonas Suotamo in and out of costume, and Scoundrels, Droids, Creatures and Cards: Welcome to Fort Ypso, where we see the historical art influence on the Sabacc card game scene, and Solo: The Director and Cast Roundtable, a a refreshing and eye-opening look at how Howard and the key actors came together. Also included are short featurettes Kasdan on Kasdan, Remaking the Millennium Falcon, Escape From Corellia, The Train Heist, Becoming a Droid: L3-37, and Into the Maelstrom: The Kessel Run. Across all these, keep an eye out for Tim Nielsen, supervising sound editor and sound designer for Skywalker Sound, whose creativity is the kind of effort that caused Ben Burtt to get the Oscar for his work on the original Star Wars. Watch these features and see why Nielsen and his team should be in the running for Oscar for his work on Solo: A Star Wars Story this year.
Director Ron Howard on the Millennium Falcon set of Solo: A Star Wars Story.
Director Ron Howard, who replaced Christopher Miller and Phil Lord late in production of the film, bent over backwards to treat the departure of the two prior directors with grace and respect, which means he hasn’t discussed much detail about his work on the film. We never thought we’d learn “who contributed what” to the film, but that is where Kasdan’s notes come into play. Released in advance of the home video release this past week, they shed some light on what went on behind the scenes, what could easily be Kasdan’s personal, unrecorded, audio commentary notes–had Lucasfilm included one in the features. From a certain point of view, the inclusion of so many scenes developed by the initial director duo reflect the theme of the saga: Miller and Lord–seemingly two rebels against Lucasfilm/Disney who had a vision for Star Wars and for whatever reason were sidelined–were able to have much of their vision survive in the final cut of the film. Howard’s role seems to have been both Fixer and Closer, in addition to giving his personal touch to certain scenes, something addressed well in the features. Kasdan’s notes (not included with the home release but reproduced below) are the ultimate backstage pass into all the creative minds behind what must have been a difficult film to make (Star Wars plus Star Wars fandom sometimes reflects the Dark Side of the movies all too well).
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