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Tag Archive: Alien


As we previewed here at borg.com, toymaker Super 7 featured great exclusives at this year’s San Diego Comic-Con with both an onsite presence and an offsite store featuring both a Masters of the Universe theme and a Universal Monsters theme.  If you were early enough you could have even scored a pair of four different styles of limited edition Universal Monster-themed Saucony shoes.  We think the best nostalgia draw from Super 7 is their multi-license classic Kenner style 3 3/4-inch ReAction figure line that we’ve covered here at borg.com since Day One.  We previewed some of the latest ReAction figures in our coverage of 2018 New York Toy Fair (here), but Super 7 showcased some brand new prototypes, packaging, and exclusives this weekend.

Probably the best display featured the figures of the new Hellboy line.  These two-pack sets look great in person, and will likely become only more popular as we get closer to the release of the new Hellboy movie.  The Ghosts ‘n’ Goblins prototypes based on the classic arcade game were also fantastic, giving fans a look at the final pieces in the first series (back row) and the next series (front in grey) that’s underway.

Of course the next series of the original Super 7 ReAction line, Alien, looks great and the sculpts and packaging have only gotten better.  We’re going to need to pick up one of those Ripley’s the Jonesy the cat at a minimum.  And Kane after his attack in his spacesuit–Wow!

Below are photographs from the Super 7 booth featuring other figures from the ReAction line: the exclusive convention Universal Monsters, The Fiend and Alien exclusives, Masters of the Universe, and Robotech.

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With the exception of the vast expanded universe of Star Wars and Star Trek, probably no other sci-fi property has branched out in as many exciting ways as the Alien universe.  Every new tie-in novel consistently has been packed with suspense and innovative takes on Weyland-Yutani and its influence years before, during, and after the events of Ridley Scott’s original Alien movie.  Each year fans of Alien celebrate April 26 as Alien Day, reflecting not a specific day in the history of the franchise, but the designation of the moon in the film Aliens: LV426.

No book or film has portrayed the people behind the Weyland-Yutani Corporation as more vile and despicable as author Alex White has envisioned them in his new novel released for Alien Day 2018, Alien: The Cold Forge, a sequel to the second film in the franchise, James Cameron’s Aliens.  The Company is proceeding to fulfill one of its initial ideas, to weaponize the Xenomorphs for military use.  Alien: The Cold Forge is Aliens as if written by Michael Crichton, a blend of Congo and Jurassic Park with aspects of the modern Planet of the Apes trilogy tie-ins and Project X.  Never before in the Alien stories will readers want to see a corporate rep get his just desserts as the brutal, psychopathic corporate exec Dorian Sudler, embarking on a resource slashing audit of the experimental science station RB-323.  A dying woman must carry out her own secret gene research project among the layers of secret projects within Weyland-Yutani–if she is to survive.  Exciting?  Yes.  Suspenseful?  Definitely.  Readers will also learn the true name of the Xenomorphs, and encounter an entirely new use of the Weyland-Yutani borgs (like Bishop and David) that we haven’t seen before.  Order your copy of Alien: The Cold Forge now, here at Amazon.

Coming later this year is Alien Covenant: David’s Drawings by Dane Hallett & Matt Hatton.  This boxed edition contains two books, providing readers an insight into the most intriguing character from the Alien prequels.  The in-universe sketchbook contains more than 200 illustrations from the set and will take you inside the mind of David.  Plus Developing the Art of an Android provides an interview with Hallett and Hatton, the artists behind the sketchwork.

In the vein of fun tie-in books like A Die Hard Christmas, get ready for Jonesy: Nine Lives on the Nostromo by Rory Lucey.  In space, no one can hear you meow.  Aboard the USCSS Nostromo, Jonesy leads a simple life enjoying The Company cat food and chasing space rodents.  Until one day his cryostasis catnap is rudely interrupted.  The humans have a new pet and it’s definitely not house trained.  This full-color illustrated book offers a cat’s eye view of all the action from the movie Alien.

While you’re at it, check out these Alien tie-ins previously reviewed here at borg.com:

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Review by C.J. Bunce

For a niche area of publishing, you might be surprised how diverse the range of coverage you can find in art books delving behind the scenes of the latest movies.  In Titan Books latest artbook Tomb Raider: The Art and Making of the Film, two key elements stand out compared to prior examinations of film.  First, the cast and crew were deeply passionate about the film, reflected in their great contributions to the book.  Second, audiences have probably not seen production sets and stunt sequences that created realism in the adventure genre as much as Tomb Raider since the Raiders of the Lost Ark series, although it’s no secret that Raiders of the Lost Ark was the principal inspiration for many key sequences.  In the theater it’s easy to get into the story and not hone in on the background details, but thanks to this latest entry in the artbook realm fans of the film will see how it became a mix of James Bond-level stunt work built on a classic adventure style full of exciting special effects.

As with Guillermo del Toro’s significant contributions to The Shape of Water artbook, Tomb Raider director Roar Uthaug contributes insight into his vision in nearly every segment of the book.  He references his love for Raiders of the Lost Ark when creating his film for its mix of action, humor, archaeology, mystery, and great characters.  He also looked back to Ripley and Sarah Connor in Alien and Terminator 2 as he carved out the lead role for Alicia Vikander as Lara Croft.  Other executives and crew members explain significant aspects of the creation of the film: producer Graham King was perhaps the earliest advocate for a reboot film in the series, production designer Gary Freeman (Maleficent, Everest) knew exactly how he wanted to create the major environments for the adventure, cinematographer George Richmond (Kingsman 1 and 2) discusses challenges filming the visual effects sequences, costume designer Colleen Atwood (Arrow, Fantastic Beasts and Where to Find Them) provides particular insight into her creation of the look of each character and how she sourced materials, and stunt coordinator Frank Henson (Never Let Me Go, Sherlock Holmes) had a greater responsibility in this stunt-heavy film than a stunt coordinator in most movies with its variety of action scenes.  Star Alicia Vikander (Ex Machina, The Man from U.N.C.L.E.) recounts the experience of playing the popular character as a sort of prequel or origin story for the character.  Vikander contributes heavily to the behind the scenes detail of the book, in addition to the other key players in the film, including co-stars Daniel Wu and Walton Goggins.

The film all centered around leaving the past films in the past and honing in on the 2013 video game reboot of Tomb Raider.  It is not likely any prior adaptation of a video game has come as close to its source as the new film, which included many storyboarded scenes from the 2013 game sequences.  From the London training facility where Lara trains in MMA fighting, to the planning and execution of the exciting fox-and-hound bicycle race on the back streets of London (one of the few scenes where Vikander didn’t do her own stunts was the crash), to the very Indy Jones-esque crypt under Croft Manor, to the chase scene at a full-scale mock-up of Hong Kong’s Aberdine Harbor, to building the cargo ship from the game–the weathered vessel Endurance–on a giant hydraulic gimble (set dresser Raffaella Giovannetti used real materials from similar ships to give it the realistic appearance), to Vikander’s twelve days submerged under water in a tank–the book is filled with production how-to knowledge for any aspiring filmmaker, movie aficionado, or anyone who is just a fan of Lara Croft.  Roughly half of the volume covers the scenes that take place on the island.  Author Sharon Gosling points out Vikander was filmed in the raging rapids sequence in the facility where the 2012 Olympics were held, and the parachute drop scene came straight from the game.

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We’ve reviewed dozens of books from the Alien franchise over the past six years at borg.com.  The latest book blends the look and style of the Batman v. Superman Tech Manual (reviewed here at borg.com) and the virtual world potential of Pokémon Go.  The Book of Alien: Augmented Reality Survival Manual, by Owen Williams, allows diehard fans of the franchise a new way to immerse themselves in the world of the U.S. Colonial Marines.  With a nod to real world guides like the U.S. Army Survival Manual this future version is interactive, merging a free Alien Augmented Reality app that readers can download to their smartphones with the preparatory lessons and guidance in the book.  The Alien Survival Manual is entirely in-universe, featuring explanatory material for the reader newly stepping into the boots of a new Marine.

The book features historical data on six past missions.  You’ll revisit or learn for the first time what went wrong on key case study missions involving the xenomorph aliens: USCSS Prometheus–the first recorded encounter with the aliens, USCSS Covenant–a colonization ship is annihilated by xenomorphs, USCSS Nostromo–an ovomorph and xenomorph encounter, USCSS Sulaco–less information is on file from this mission, and lastly, the Fiorina 161 mission–two facehugger aliens board the ship, and USM Auriga–the perils of attempting to clone this unpredictable alien species.

Once trainees are up to speed on their history, it’s time to engage via your smartphone or Surface/iPad with six real-world training missions.  An embedded separate workbook inside the Alien Survival Manual incorporates some basic augmented reality features, placing the familiar aliens in the virtual space of your own room when used with the Alien AR app.  The goal of each mission?  Survival.

Mission #1 is engaging a xenomorph egg simulation.  Mission #2 is a drop-ship simulator, where Marines must maneuver a ship onto a designated landing surface.  Mission #3 is an alien autopsy simulation.  Mission #4 is a chestburster simulation.  Mission #5 is an alien queen encounter (hint: just drop your phone and run).  And Mission #6 is weapons training.  Grab that M41A pulse rifle!

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Joey Spiotto is an artist whose works are immediately recognizable.  He has his own whimsical take on characters fans know and love–unique, but much like comic book cover artist Skottie Young he makes popular characters his own.  Spiotto is well known for his parody covers for Little Golden Books–his Storytime series takes sci-fi, fantasy, and other pop culture favorites and uses a Muppet Babies-type change-up to show us characters as wee ones on the cover of their own little kids’ book.  He’s taken on every franchise from Raiders of the Lost Ark, Terminator 2, Robocop, and Lost, to the Hamilton musical, from Mad Max: Fury Road, Mr. Rogers’ Neighborhood, They Live, and Tron, to Donnie Darko.  How often do you see one series of anything include homages to both Mr. Rogers and Donnie Darko?  Individual prints of his Storytime series can be bought here and many have been compiled in his book available here at the artist’s Etsy store.

Now in stores is Spiotto’s latest book, Firefly–Back From the Black, a look at the characters of the fan favorite sci-fi series in the artist’s style and brand of humor.  A latecomer to the Firefly series, Spiotto counts himself a fan, and he shows it through his many obscure references in page after page of single panel drawings.  This is one where those who aren’t Firefly fans probably won’t understand what’s going on, but for those who are fans all the key characters are covered–spoofed, parodied, and maybe poked fun at more than a little bit.  You’ll find plenty of images of Jayne sporting his cunning hat, including one of his Mom sewing his hat for him–an off-screen scene every Firefly fan has imagined.  Fans of Spiotto’s first movie tie-in, 2015’s lovable look at Ridley Scott’s Aliens, Alien Next Door, will also like what the artist does here with the Firefly crew.  The kind of book you’d see getting as a Christmas stocking stuffer for those dreaming of a return of Firefly, or a nice add-in to a future Firefly Cargo Crate, Firefly–Back From the Black is now available here from Amazon.

   

Spiotto fans also have just under a day left to take advantage of the artist’s Kickstarter campaign to launch a compilation book of his High Fidelity series of prints–it’s fully funded, but some great deals and incentives are still available.  In this series he takes a similar twist on popular films and series as with his Storytime prints, but with High Fidelity the format is vintage 33 1/3 vinyl LP record album covers, and the characters become bands.

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Is this a stand-up fight or another bug hunt?

Would Aliens–that epic sci-fi war movie sequel to the groundbreaking sci-fi horror tale Alien–have been half as great without the performance of Bill Paxton as Colonial Marine Private Hudson?  Tens of thousands of fans came out to celebrate Paxton and his performance in the film when news spread of his passing this February.  Always willing to recite a line from one of his movies for fans, you have to think he would have loved a read like Aliens: Bug Hunt, a new anthology from Titan Books.  Aliens: Bug Hunt hones in on the gritty band of spacefaring soldiers as 19 authors share 15 new short stories of the Alien universe.

The new release, just after the Aliens 30th anniversary and nicely timed to this month’s theatrical release of Alien: Covenant, provides stories before and after Aliens, some sci-fi, some horror, action and drama, or a mix of each.  One story tells the tale of Corporal Hicks before the events in Aliens, and a personal mission to locate the cause of his wife’s death.  Another story details an operation of the Marines in an encounter with a hostile alien menace unrelated to the Xenomorphs.  One story provides insight into the synthetic Bishop and how he came to be the determined and decisive crew member we met in the series.

The anthology was edited by Jonathan Maberry with new works by Maberry and a “usual suspects” list of tie-in book writers and more.  Dan Abnett, Rachel Caine, Larry Correia, Keith R.A. DeCandido, David Farland, Matt Forbeck, Ray Garton, Christopher Golden, Heather Graham, Brian Keene, Paul Kuppenberg, Tim Lebbon, Marina J. Lostetter, James A. Moore, Yvonne Navarro, Weston Ochse, Mike Resnick, and Scott Sigler contributed stories.

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When you think of the Alien franchise, what iconic images come to mind?  Sigourney Weaver’s Ellen Ripley in a giant power loader suit or going face-to-face with a Xenomorph?  The first facehugger?  Hicks, Hudson and Vasquez realizing they were facing something hopeless?  Queen of sci-fi Veronica Cartwright’s scream at the first terrifying chest burst?  Ridley holding Jonesy finally sighing with relief that they survived the alien onslaught?  Dozens of these and other iconic images are packed into a new adult coloring book, Alien: The Coloring Book, coming this May from Titan Books.

The adult coloring book business is gaining steam with publishers taking extra efforts to see that the artwork inside meets the standard of the franchise.  Alien: The Coloring Book has pulled together artwork that resembles the actors and key scenes from the movie, but also does so in a visually interesting manner and conforms to the whole point of these books: to give fans a chance to color their favorite scenes (in or outside the lines).

Creating scenes from all of the Alien movies featuring heroine Ellen Ripley are artists Leandro Casco, Wellington Diaz, Vinz El Tabanas, Salvador Navarro, Guilherme Raffide, Rubine, Vincenzo Zerov Salvo, Adriano Vicente, and Daniel Wichinson.  Eighty pages provide Xenomorphs, chestbursters, Xenomorph eggs, your favorite characters, spacesuits, ships, Ridley Scott’s futuristic sets and H.R. Giger-inspired designs.  One of the fun illustrations features Lance Henriksen’s cyborg Bishop playing mumbletypeg with the hand of Private Hudson (played by the late Bill Paxton).

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alien-covenant-clip

On Christmas Eve 20th Century Fox released the first trailer for Ridley Scott’s next gory chapter in the Alien cycle, Alien: Covenant.  In a bit of a deja vu, only four years ago we saw the first trailer and images of Ridley Scott’s touted reboot of the Alien franchise in the 2013 theatrical release Prometheus.  Like the trailer for Prometheus, we are left scratching our heads.  Alien: Covenant is the sequel to Prometheus, and prequel to the original Alien, yet the trailer makes the new film look an awful lot like the original Alien.  Is Scott really releasing a cloaked remake of Alien, banking on some idea similar to the formula J.J. Abrams succeeded with in last year’s Star Wars: The Force Awakens (a remake of sorts of the original Star Wars)?

Assuming the trailer reflects the final film, which admittedly is not always the case, Alien: Covenant may appeal to fans of the horror and sci-fi shocker Alien.  But what about the fans of the Alien sequel Aliens, which focused more on the action above the science fiction and horror components?

crudup

Viewers are left to assume that blood-and-gore horror is going to take center stage in Alien: Covenant, although we’ll no doubt get some bits and pieces of sci-fi and some action along the way.  The story revolves around the crew of the colony ship Covenant.  The crew encounters a planet that is not what it seems and a familiar face–Michael Fassbender’s synthetic borg David, survivor of the doomed Prometheus expedition.

Check out this trailer for Alien: Covenant:

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DeptH cover 1

In so many ways, Dark Horse Comics’ Dept.H is everything we look for at borg.com.  Science fiction, action, adventure, retro, mystery, noir.  And it’s all in one comic book series.  Writer/artist Matt Kindt has said his series Dept.H was inspired by 1970s G.I. Joes, Fisher Price Adventure People toys, 20,000 Leagues Under the Sea and Jacques Cousteau, and you can feel all of that come through in its first nine issues this year.  From the patch on the underwater crew outfits that evokes the classic 1960s/1970s G.I. Joe Adventure Team patch to the SP-350 diving saucer from the famed Calypso in the craft that takes the series lead to the depths of the ocean floor in the opening pages, to the setting and Department H Headquarters based on the ocean floor that screams H.G. Wells, Dept.H is at the top of this year’s comic book series.

Best known for his run on his Mind MGMT series, Eisner Award nominee Kindt wrote and illustrated the story, with coloring supplied by wife Sharlene.  The series is an Agatha Christie-inspired closed room case.  We meet Mia Hardy, who has been asked to find the mole in the undersea lab, a mole who is believed to have sabotaged the base and murdered her father.  Mia has worked with the suspects before, providing the opportunity for the writer to hold back information and share with us bits and pieces when necessary.  Who killed Mia’s father?  Was it Q, the head of Dept. H security?  Her father’s business partner Roger?  The frenetic head of research Jerome?  Demolition expert Bob?  Her childhood friend turned enemy Lily?  Her own brother Raj?  Or Aaron, the research assistant?  Or was it somehow, someone topside?

dept-h-issue-8-kindt

Readers feel the pressure of undersea operations as Mia is plunged into her own peril, as the facility again is sabotaged before she can work her way though all the suspects.  How long can Kindt take us for this suffocating adventure before letting us come up for air?  The page design even features a graduated flood gauge at the pages’ right edges that slowly “fills up” with water issue after issue.

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weyland-yutani-report-cover

One of the best in-universe, sci-fi, tie-in books that we have come across is part of this year’s celebration of the 30th anniversary of James Cameron’s Aliens.  Insight Editions’ Alien: The Weyland-Yutani Report is not only a great idea–a book that could have been a movie prop used by the likes of Paul Reiser’s junior executive Carter Burke–its execution is superb.  Remove the title wrap and you have a mock leather-bound, heavy duty field guide that you might see passed around by the corporate types in the next Alien movie.

Written by Aliens, Star Trek, and Resident Evil tie-in novelist S.D. Perry with lavish artwork and designs by Markus Pansegrau and John R. Mullaney, The Weyland-Yutani Report pulls out all the stops to deliver a comprehensive Board of Directors summary guide to the findings and technology uncovered with the Alien movies beginning with Ridley Scott’s prequel Prometheus in 2012 to 1979’s Alien, to Aliens (1986), Alien 3 (1986), and through to Alien: Resurrection (1997).  (The Predator crossovers are not covered in The Report). 

yutani-spread-a

The most eye-opening data ties together–in a manner more clearly than portrayed in the films–Weyland-Yutani corporation and its founder Sir Peter Weyland, from details available in the films and information that was only character background that didn’t make it into the films.  The goals of the corporation that were the fabric that connected all the films is investigated with some top secret findings (and some redacted), including the hierarchy and gross (as in chestburster) anatomy of the Xenomorphs, groundbreaking (future) scientific achievements of “The Company,” as well as weapons, ships, tools, and theories of alien beings and their connections to early Earthlings.  (Learn even more about “The Company” at the corporate website here).

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