Everything is related. That’s what you’ll learn if you watched this year’s superhero movies, beginning with Black Widow, threading into Hawkeye. Loki and Shang-Chi and the Legend of the Ten Rings wove their way into the coming Doctor Strange: Multiverse of Madness and even if you haven’t seen Spider-Man: No Way Home yet, you know from the trailers it, too, ties into the Multiverse with the appearance of Doctor Strange. And we won’t say how, but if you decided to skip it (and it’s been available in different forms via theaters and digital home release for weeks now), Venom: Let There Be Carnage finally connects Sony’s Marvel world with the giant MCU you know from Disney (another big connection to tie the four corners of Marvel together this month if you’re paying attention). Sure, we may have thought the Sony tie was going to happen in WandaVision, when Sony X-Men’s Quicksilver showed up on Wanda and Vision’s doorstep, but for whatever reason it didn’t happen. The real deal finally began in the sequel to 2018’s Venom(reviewed here). Yes, everything is connected. But that’s not the only reason to make sure you watch Venom: Let There Be Carnage.
There’s something quite deja vu about the origin story for the villain in the 2021 sequel to Marvel Studio’s 2018 surprise hit Venom. Woody Harrelson joins Tom Hardy and Michelle Williams in the second trailer for Venom: Let There Be Carnage. In this next trailer (check out the first one here if you missed it), it’s all about Harrelson’s new villain Cletus Kasady, and how he becomes the Venom (literally) spun-off baddie comic book readers know as Carnage. Yep, the entire sequence is in the trailer, so if you don’t want spoilers you may want to skip this one. The new trailer is below. While you’re waiting for its arrival in theaters (which seems every day like it’s going to get delayed), check out the bookThe Philosophy of Venom, the novel Venom: Lethal Protector, or the giant Venom Factor Omnibus.
Before Tom Hardy starred in the surprise Sony Pictures Entertainment success Venom, most of the movie-going audience didn’t know Eddie Brock. But after Marvel Studios kept delivering very similar takes on its 50-70 years of superheroes, anti-heroes, and villains, the 2018 movie (reviewed here) was a refreshing surprise, which stands up to re-watching much better than many contemporary Marvel movies. Why? It didn’t take itself seriously, and it featured Tom Hardy and Michelle Williams–two actors with plenty of critical acclaim behind them. They infused a great chemistry into their characters’ relationship and made the darker side of Marvel great fun for all ages. Now, will the addition of Woody Harrelson’s golden touch make the autumn theatrical release Venom: Let There Be Carnage another blast for genre fans like he brought to Solo: A Star Wars Story? It sure looks like it. Check out the first trailer for the movie below and see if you agree. It was shared this week by Sony along with the official poster (above).
I think they are just terribly comfortable. I think everyone will be wearing them in the future.
Since–like everyone else–actors are unable to do their jobs until the risk of the COVID-19 pandemic has passed, many have offered up some of their time over the past 120 to 150 days to provide fans with extra interviews, table reads (like the Community table read we discussed here at borg), and comic-cons at home, creating some content for the fan base we wouldn’t have otherwise had access to without this strange new normal of sheltering at home, social distancing, and masks. If you don’t subscribe to or know what Quibi is, you may have missed the latest–an ensemble of actors from popular to more obscure re-enacting scenes from Rob Reiner’s fan-favorite fantasy, comedy, and romance, The Princess Bride.
The style is all intentionally low budget–think of the kind of backyard films you might have made as a kid, and in fact, the film is called Home Movie: The Princess Bride. But it’s great fun, all filmed with quarantine safety rules in place (those filming together were already living together), and the kind of thing any classic film fan base would be overjoyed to see created. The best part is learning who had actual historical costumes in their closet to work with (Mad Men man Jon Hamm had a Renaissance shirt in his closet, as did comedic actors Neil Patrick Harris and David Spade, and Rogue One’s Diego Luna), those who didn’t, and who might be better actors than you’ve given them credit for.
Plenty of genre television is out there right now for viewers at home to consume. But discovering that one that is so exceptional is truly an exciting thing. So you might stumble through Tales from the Loop or Locke & Key or Briarpatch and give up before you even get to the halfway point, but then you land on The Mandalorian and know what great genre television has the potential to be.
If you want to see a good argument for enforcing antitrust policy against mega-sized media corporations, here’s one. Along with so many other change-ups, delays and cancelations, add Fox’s big-(estimated $170 million) budget Mouse Guard movie to the list. The writer, artist, and visionary creator of the Mouse Guard universe, David Petersen announced the news back in April, two weeks before the scheduled filming date. Reportedly Disney directed new subsidiary Fox to cancel the film. No reasons were announced, but it’s difficult to surmise any reason other than a coordinated effort to own the theater box office with its own projects. Just how much work had already been done? How big was this film going to be? Director Wes Ball (The Maze Runner) and Petersen released two videos over social media this week (and more participants have since released even more great pre-production content) that paint a picture that will leave you feeling like audiences have been out-right robbed.
The first video includes a pan of the offices where the pre-production previz work was already completed, including miniatures, maquettes, dioramas, costumes, performance capture and CG-mock-ups, and thousands of pieces of compelling concept art lining the work area walls. You really get a sense for what audiences will be missing with the second video, another development piece for sure, yet even as a demo or “sizzle reel,” anyone who is a fan of fantasy movies can see this was going to be something entirely new. Matt Reeves (The Batman, Planet of the Apes reboots) was producing. Artist Darek Zabrocki was one of many artists who created thousands of pieces of concept art (see above and below) to push the film forward (see Zabrocki’s Instagram account here for several images). Rogue One: A Star Wars Story screenplay writer Gary Whitta′s script was in-hand (he’s now released it via his Twitter account for everyone to read here). Composer John Paesano had his first theme in play with a warrior’s quest-evoking theme in a James Horner/Randy Edelman vibe (listen to it here). It was all just ready for Weta to step in and take over with production, and wham, that House with the Mouse slammed the door. But it looks like no other mice will suffice for Disney. So Fox will either sit on the rights, sell them, or the rights will revert in a few years. All these pre-production pieces will likely get warehoused until they get auctioned off for space reasons down the road as happens with studios (studio storage is expensive!), unless another studio or filmmaker steps in with some money (Peter Jackson? Guillermo Del Toro? The Jim Henson Company?). But we seem to already be past the eleventh hour for that to have happened. On the one hand, outsiders will never know why the decision was made, corporations make these calls for all sorts of business reasons. But what is clear is that without the approval of that mega-merger of behemoth media empires, this expression, this idea, this story, this vision, would be coming to your local theaters soon.
Voice actors enlisted for the film included Idris Elba, Thomas Brodie-Sangster, Jack Whitehall, Samson Kayo, and Andy Serkis. In the meantime, Petersen keeps creating, new Mouse Guard and other worlds. Petersen’s comics and compilation hardcover editions, along with his version of The Wind and the Willows, are the picture books I have purchased more than any other for gifts–ever. His artwork is fantastic, fantastical, and magical, and it came as no surprise when he announced a film in the works back in 2016. Petersen’s Dark Crystal and Teenage Mutant Ninja Turtle comic cover art also has him as a contender for the year’s best cover artist. Mouse Guard is one of those rare worlds in my lifetime that evokes the wonder of Jim Henson, the creativity of J.R.R. Tolkien, and the gravity and import of Mr. Rogers.
Enjoy the little of the film we get to see, these great videos released by Ball and Petersen: Continue reading →
Already taking in more than $1 billion at the box office, Marvel’s Black Panther is one of the biggest and most successful movies to come out of any genre or studio. This is the third day and final look at the major tie-in books that have been developed for Black Panther fans here at borg.com. The first book (reviewed here) consists primarily of concept art for the film, the second book (reviewed here) features the history of Black Panther in the comic books, and this next book, Black Panther: The Official Movie Special showcases the film in photographs with a behind the scenes view of the making of the film.
Fans of the film will love the many 8″ x 11″ stills featuring key characters and scenes. The book includes interviews with actors Chadwick Boseman, Michael B. Jordan, Lupita Nyong’o, Letitia Wright, Angela Bassett, Danai Gurira, Florence Kasumba, Andy Serkis, Martin Freeman, Daniel Kaluuya, and Winston Duke, stunt/fight coordinator Clayton J. Barber, costume designer Ruth Carter, special effects coordinator Jesse Noel, Marvel Studios president and “mastermind” Kevin Feige, and director Ryan Coogler.
Part souvenir book, part photo guide, Black Panther: The Official Movie Special also includes sections on the setting of the film in Wakanda and on the film’s newly designed fantasy-world props. The section on Ruth Carter includes images of costumes and some of her early concept designs. Other interviews are interspersed throughout the book with behind-the-scenes set photos.
Ryan Coogler, the young writer-director of the excellent Rocky sequel Creed, has put his Creed star Michael B. Jordan against Chadwick Boseman, who played Jackie Robinson in 42 and Thurgood Marshall in last year’s film Marshall. The result? The next great Marvel superhero movie, Black Panther, opening this weekend in theaters everywhere. Boseman is back as King T’Challa, the suave and poised Black Panther of the comic books who audiences first met in 2016’s Captain America: Civil War. The new film fills in the blanks of T’Challa’s origin story, populated with a dozen of the best characters from any of the Marvel Cinematic Universe entries, matched to some of today’s best actors. On the heels of last year’s wildly successful surprise hit Thor: Ragnarok, Black Panther is just as good if not better, but completely different. It’s a more serious tale, a one-off in the MCU similarly spliced into the ongoing Avengers narrative as was done with 2016’s supernatural Doctor Strange. It also supplies a new, rich superhero mythology populated primarily with black characters–a film first featuring a black superhero title character in a major studio release. Coogler’s layered, multifaceted film is even more successful at accomplishing what Zack Snyder tried to do last year with the DC Universe film Wonder Woman, which first put a woman in a title role in a major superhero movie. Coogler makes great strides with Black Panther, not just a mere first step.
Beginning with a father teaching his son about a hidden country in Africa called Wakanda, we learn that a powerful resource called vibranium gives the people of this land incredible power, which they hide from the known world. The story is straight out of Shakespeare or Roman and Greek histories: three princes compete for the throne of Wakanda when the King dies in a terrorist attack at the United Nations. Boseman’s T’Challa is the heir-apparent who is challenged for the throne first by Prince M’Baku (Winston Duke), then by Jordan’s Erik Stevens, a special forces soldier from the States whose death toll in battle earned him the nickname Killmonger. Not just a one-note villain found so often in superhero movies, Erik has his own complex backstory that converges with T’Challa’s efforts to capture the film’s villain, Ulysses Klaue (pronounced “claw”), one of Marvel’s best villains yet, played by Middle-earth native Gollum and The Planet of the Apes’s series’ star Andy Serkis. Although his antics are unique, here Klaue is the crazed villain you’d expect from a superhero story. Erik also assumes a villain role, but his story and particularly his life in parallel to the new King is more biblical in its roots. Erik’s father is N’Jobu, a compelling supporting character at odds with Wakanda, played by Marshall co-star and Supernatural’s Sterling K. Brown, and his past sets up a compelling tragedy arc within the film for Erik.
For those who go to superhero movies for badass superheroics, it’s the women of the film that fill that niche. Our own early borg.com nominee for the annual badass heroine of the year goes to the fan-favorite actor from The Walking Dead, Danai Gurira, as Wakanda General Okoye. Her steely resolve and loyalty alone is enough to get us to race back to the theater to watch her all over again in the theater tomorrow. A Wakanda spy and confidante of the King is Nakia, played by Star Wars: The Force Awakens and The Jungle Book star Lupita Nyong’o, a fierce and savvy ally. But a favorite of the film for many will no doubt be T’Challa’s young sister Shuri, played by Letitia Wright (Doctor Who, Ready Player One, Humans, The Commuter). The film doesn’t completely find its voice and reach full throttle until Shuri lets out a howl in a conversation with her brother. By that point the entire audience is onboard. Shuri is very much derived from Q in the James Bond movies, supplying her brother with the latest tech. After movie audiences got a peek at what a woman would look like as James Bond with South African actress Charlize Theron as a superspy in last year’s Atomic Blonde, those looking for the first black James Bond need go no further than Boseman’s smooth and stylish take on T’Challa. Coogler even inserts a spectacular casino mission scene straight out of 2012’s Skyfall, and borrows another great character from the Bond playbook with The Hobbit and Sherlock actor Martin Freeman as a very, very Felix Leiter-esque American CIA agent named Everett Ross. A scene pitting Freeman opposite Serkis again will be a fun reunion for fans of Peter Jackson’s Tolkien movies.
The granddaddy of American genre franchises offers up its next entry next week. Billed as the final chapter, War for the Planet for the Apes at a minimum will bring the reboot universe into a complete trilogy story, focused on star Andy Serkis as Caesar. The story continues two years after the events in Dawn of the Planet of the Apes (directed by Reeves), the sequel to the first of the reboot series, Rise of the Planet of the Apes (co-produced by Clark). So unlike many franchises these days, the same people are creating the beginning, the middle, and the end. Thanks to director Matt Reeves and producer Dylan Clark, we should have some continuity among the films.
War for the Planet for the Apes introduces to the films Woody Harrelson as a military leader bringing mankind’s last stand to the apes. War for the Planet of the Apes co-stars Karin Konoval (The X-Files, Tru Calling, Fringe, Supernatural, Psych, Arrow), Judy Greer (Ant-Man, Tomorrowland, Jurassic World), Chad Rook (Timeless, Supernatural), Ty Olsson (Continuum, Supernatural, Battlestar Galactica) and Steve Zahn (That Thing You Do!, Sahara).
The final poster is out (above, top) and a few more trailers revealed. We have a full scene below featuring the introduction of Zahn, known for his comedic performances, revealed as a new ape referred to as “Bad Ape,” a reference given by humans while he was kept at a zoo. Quickly we see what all the buzz is about with respect to the show’s special effects and Andy Serkis’s unique acting talent. Will the Academy of Motion Picture Arts and Sciences award Serkis with a full acting Oscar, breaking the barrier for motion capture performances? Also, make sure you watch below the very sly teaser of sorts incorporating what looks at first blush to be someone’s YouTube upload from a visit to a zoo. First up, here is a great look behind the scenes at the motion capture technology and Andy Serkis’s role:
Theaters in the U.S. and the U.K. will see an opening night triple feature next month leading up to this summer’s blockbuster War for the Planet of the Apes. AMC and Cinemark have already started selling tickets for their shows beginning this weekend. The night will begin with 2011’s Rise of the Planet of the Apes followed by 2014’s Dawn of the Planet of the Apes, and end with the premiere of the latest film in the popular franchise that has surprised audiences for 50 years.
The first film will be screened in 2D with the later films screened in Real 3D. It’s nearly eight hours of damned dirty apes, but we’re thinking you’ll be cheering them on in the newest film, the ninth theatrical release in the series and third of the reboot movies.
The granddaddy of American genre franchises offers up its next entry with star Andy Serkis reprising his role as Caesar, with director Matt Reeves and producer Dylan Clark. The story continues two years after the events in Dawn of the Planet of the Apes, also directed by Reeves, the sequel to the first of the reboot series, Rise of the Planet of the Apes (Dylan Clark was a producer on that film, too). The film introduces Woody Harrelson as an arrogant military leader bringing mankind’s last stand to the apes. War for the Planet of the Apes also stars Karin Konoval (The X-Files, Tru Calling, Fringe, Supernatural, Psych, Arrow), Judy Greer (Ant-Man, Tomorrowland, Jurassic World), Chad Rook (Timeless, Supernatural), Ty Olsson (Continuum, Supernatural, Battlestar Galactica) and Steve Zahn (That Thing You Do!, Sahara).
