Plenty of genre television is out there right now for viewers at home to consume. But discovering that one that is so exceptional is truly an exciting thing. So you might stumble through Tales from the Loop or Locke & Key or Briarpatch and give up before you even get to the halfway point, but then you land on The Mandalorian and know what great genre television has the potential to be.
At first look “The Child in a cooler” doesn’t sound like something anyone should be selling at all. But context matters! Originally The Child–who the world has dubbed Baby Yoda–was couriered around in what looks like a modified Hamilton Beach ice cream maker (which, not coincidentally, has been selling out since the debut of the series). Our secret sources tell us it is called a Camtono, a prop that made its first appearance in the Star Wars saga on Cloud City in Return of the Jedi. Igloo–the company you’ve probably bought coolers from your entire life–has issued a new tie-in product available until April 20 only, inspired by the floating pod container (not the ice cream… er… Camtono…) the Mandalorian used to transport The Child after the bounty hunter discovered the truth of his bounty.
Our borg Best of 2019 list continues today with the Best Books of 2019. If you missed them, check out our review of the Best Movies of 2019 here, the Kick-Ass Heroines of 2019 here, the Best in Television 2019 here, and the Best Comics of 2019 here.
We reviewed more than 100 books that we recommended to our readers this year, and some even made it onto our favorites shelf. We don’t print reviews of books that we read and don’t recommend, so this shortlist reflects only this year’s cream of the crop.
So let’s get going. Here are our selections for this year:
Best Read, Best Fantasy Read, Best New Edition of Previous Published Work, Best Translated Work – A Hero Born: Legends of the Condor Heroes 1 by Jin Yong, translated by Anna Holmwood (St. Martin’s Press). The first book in one of the most read books of all time finally makes its way to the U.S. after its premiere in Great Britain. Readers will learn why George Lucas pulled its concepts for his Skywalker saga, and why generations of Chinese fans of fantasy of flocked to its heroes and villains. Honorable mention for Best Fantasy Read: A Labyrinth of Scions and Sorcery by Curtis Craddock (Tor Books), The Dark Lord Clementine by Sarah Jean Horwitz (Algonquin Young Readers).
Best New Novel, Best Horror Novel, Best Historical Novel, Best Mystery Novel – The Cthulhu Casebooks: Sherlock Holmes and the Sussex Sea-Devils by James Lovegrove (Titan Books). A truly literary work combining a smart Holmesian adventure and the dark mind of H.P. Lovecraft. Readers will love Lovegrove’s approach, Holmes and Watson’s journey, and all the creepy surprises.
Best Sci-Fi Novel, Best Thriller – The Andromeda Evolution by Daniel H. Wilson (HarperCollins). Wilson successfully conjured the spirit of Michael Crichton for this smart, creepy, and oddly current sci-fi sequel to The Andromeda Strain. A cast of characters just like Crichton would have put together, and a must-read.
Best Franchise Tie-In Novel – Firefly: Magnificent Nine by James Lovegrove (Titan Books). One of the best authors around crafts a worthy story to expand the Firefly canon and give fans their own new movie of sorts for the franchise. Runner-up: Alien: Prototype by Tim Waggoner (Titan Books). Honorable Mention: Death of the Planet of the Apes by Andrew E.C. Gaska (Titan Books).
Best Retro Read – Mike Hammer: Murder, My Love, by Mickey Spillane and Max Allan Collins (Titan Books). Collins continues to bring Spillane’s characters to life with thrilling prose and all the best pieces of noir drama and action. Honorable mention: Brothers Keepers by Donald E. Westlake (Hard Case Crime).
Best Genre Non-Fiction – Industrial Light & Magic Presents: Making of Solo: A Star Wars Story by Rob Bredow (Harry N. Abrams). Bredow’s unique access to the production made for a rare opportunity in any production to see details of the filmmaking process. Every movie should have such a great deep dive behind the scenes. Honorable mention: The Making of Alien by J.W. Rinzler (Titan Books).
There’s much more of our selections for 2019’s Best in Print to go…
This year we found one series that could easily sweep most of the categories–a single television series that had everything: compelling story, a full range of emotions, great characters, tremendous action, a sharp use of humor, all kinds of genre elements that were satisfying and left viewers feeling inspired. Richly detailed sets and costumes. An impossible feat to replicate. No drama came close. No other visual effects spectacle could touch it. And its audience is everyone. A truly epic addition to television viewing, that series is The Dark Crystal: Age of Resistance, the greatest television series to come along in years. If you love genre like we do, this was as good as it gets. And like icing on the cake, along came The Mandalorian at year end.
But we’re not going to ignore the other good things that happened on the small screen this year.
Our borg Best of 2019 list continues today with the best in television. If you missed it, check out our review of the Best Movies of 2019 here and the best Kick-Ass Heroines of 2019 here.
Without further ado, this year’s Best in Television:
Best Borg Series – Doom Patrol (DC Universe). With this year’s series Doom Patrol we got a look at two borgs, DC Comics’ Cyborg, an update to Martin Caidin’s original Bionic Man from the 1970s, and an older borg created before the word was even coined in the 1960s, Robotman. Both characters revealed a glimpse at what life might be like with significant cybernetic enhancements (when brought together by a modern Dr. Frankenstein). For 2019, it was the way to get your borg fix on the small screen.
Best TV Series, Best New Limited TV Series, Best TV Fantasy, Best Writing for TV, Best TV Costumes/Makeup, Best TV Soundtrack – The Dark Crystal: Age of Resistance (Netflix). It was worth the wait. Jim Henson’s seemingly impossible to replicate artistic vision was successfully achieved thanks to his daughters and the company he founded. The kindest heroes, the darkest evil, a truly epic, legendary story for the ages. Everybody is cranking out CGI extravaganzas, but how many are creating artistry so fundamentally real, with so many individual artists and artisans contributing and achieving so much? Even that wouldn’t be enough if not for the layered mythology and epic adventure story. Add great humor, high stakes, emotional impact, an all-star voice cast, Daniel Pemberton and Samuel Sim’s imaginative musical score, and those puppets and all that go into them–it adds up to a rare thing–a Henson masterpiece.
Best TV Sci-fi Series, Best TV Drama – The Man in the High Castle (Amazon). Amazon Studios could not have adapted a series more faithfully, making changes for the medium and the times, than its take on Philip K. Dick’s most celebrated novel. The use of science fiction to tell a deep and twisty level of subplots and unique setting all came to a perfect conclusion in the series finale. Exciting, intelligent, frightening, and the most thought-provoking series this year, it was also different from its sci-fi competition. Honorable mention: The Mandalorian (Disney+)–but only if we allow space fantasy since the series is not true science fiction, The Orville (Fox)–for its two-part epic movie-worthy space story, “Identity.”
Best New Ongoing TV Series, Runner-up: Best TV Soundtrack, Runner-up: Best TV Costumes/Makeup – The Mandalorian (Disney+). Not a lot needs explaining with this series, which in only its first two hours we rated it closer to the original Star Wars and The Empire Strikes Back than anything with the Star Wars label on it since. The Western motif is still alive, not all that hidden here in space fantasy garb. And we won’t get started on the impact of The Child (aka Baby Yoda) on the genre-loving world and beyond. Credit Jon Favreau’s visible enthusiasm and love for the original movies for the success of this surprisingly awesome arrival–the series is proof Star Wars is far from over.
