We’re three episodes into the CW’s Crisis on Infinite Earths crossover event, sixth of the now annual efforts to get interest from the audience of Arrow, The Flash, Legends of Tomorrow, Supergirl, Batwoman, or Black Lightning in more than just one of their several adaptions of DC Comics. The Crisis crossover has so far aired during Supergirl, Batwoman, and The Flash, and is now streaming on the CW app, continuing January 14 with episodes on Arrow and Legends of Tomorrow. If you’re able to not be critical of all its flaws, you may be able to sit back and have fun with all the cameos and guest stars. But the clunky writing and even clunkier dialogue may also leave you thinking about what could be–what could be done with the DC characters if only someone would put forth some extra effort. Nobody expects TV series to produce the results you get with a movie budget, yet so far CW’s series have been more faithful to the spirit of the comic book source material than DC at the theaters (this year’s movie Shazam! as the welcome exception). With all the money going into so many related series, why not cut a few of the series and combine efforts to focus more on compelling combined team scripts? The actors are great, a cut above the material they’re working from, and it’s difficult to watch the crossover event and not wish executive producer Marc Guggenheim & Co. would give the actors something more.
Sure, it’s tough to cram so many characters into so few minutes. But you also don’t want your fans making excuses for you. We like fan service, a term host Kevin Smith uses a few times in his after show to describe this crossover, but how about that extra push to boost the quality? That said, there is something for every taste in the Crisis crossover, and if you’re willing to sit back and let it all come at you, you’re going to find some great efforts to pull at your nostalgia strings. Everyone involved, especially as they discuss their efforts in the after show, seem to love the material. The overall big wins include John Wesley Shipp, who still holds the title for all-time best superhero adaptation, returning again for some scenes as the Flash from his 1990-91 series, Brandon Routh playing both his regular series character The Atom and donning the cape again he wore as the big-screen Superman in Superman Returns, and Matt Ryan, who couldn’t be more dead-on from the comics in his performance, reprising his role as John Constantine (more Justice League Dark, please!).
In part, the CW is stuck because of deals and studios, which (sort of) explains no Wonder Woman, Green Lantern, Aquaman, (yet two Supermans?) or big-screen Batman actor–although voice actor Kevin Conroy has a legion of fans who are probably more than happy to see him take a turn as a Kingdom Come-inspired Bruce Wayne. Having a voice actor who doesn’t look like any comic version of Batman is just something you have to go with here–maybe close your eyes and imagine him in the animated Batman series.
is a play on words. “Roughs” are what Ross refers to as his work that is created in order to get to a final painting. He uses thumbnails to get down the big picture and often to lay out the design for an entire work. He often free-hand sketches with fluid movements, with sprawled out reference images surrounding him, in order to mock-up the image he sees in his head, well before he dips his brushes in gouache. And of course the “Justice” in the title comes from his ongoing themes underlying his great superhero subjects and the title of one of his key series for DC Comics.
. It’s a good reference work, a fine chronicle of Ross’s art, and its great presentation and superb images qualifies this as a nice coffee table book.
