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Tag Archive: Bee Gees


Lip Sync Battle Dwayne Johnson The Rock

No surprise here. You know what you’re going to get with the show’s title: Lip Sync Battle.  Jimmy Fallon’s Tonight Show lip sync contests where he faces off against everyone from Will Farrell to Emma Stone are the stuff of viral videos now.  So it was a smart move for him to lead up a team of producers and Saturday Night Live’s Beth McCarthy-Miller as show director to feature a cable show that spun-off this segments into its own gig.

Spike TV started its new “reality competition” series off this week right, featuring the king of lip sync, the goofy, give-it-all-you-got Fallon against the larger than life charisma of Dwayne “The Rock” Johnson.  LL Cool J serves as the host of the show, with co-host/Spike eye candy model Chrissy Teigen.

Both trash talked each other throughout the show with plenty of good humor.  The prize for each episode is a giant boxing belt and midway through battle one Fallon offered up a pint-sized version for Johnson.

LL Cool J Jimmy Fallon Lip Sync Battle

Johnson’s songs were Taylor Swift’s “Shake it Off” up against Fallon’s take on Harry Belafonte’s “Jump in the Line” song from Beetlejuice.  Fallon upped the ante by taking the audience into a Conga line.  But the second round was the big production, with Fallon first up, syncing Madonna’s “Like a Prayer” with a back-up choir.  But you just can’t beat Johnson sporting John Travolta’s trademark duds from Saturday Night Fever, syncing the Bee Gee’s “Staying Alive.”  Both the stars really seemed to give it their all.

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Raiders of the Lost Ark

Last year Cinemark Theaters created their own event series similar to the great Fathom Events limited re-releases of classic films.  Last year’s series included American Graffiti, Animal House, Back to the Future, Dirty Dancing, Grease, and Ghostbusters.  Spread out over five weekends, younger audiences have an opportunity to watch these modern classics the way they were meant to be seen, on the big screen, to–as the 1970s re-release of Star Wars advertised–“See it again for the first time.”

This year’s roster is a tad shorter.  Back to the Future and Dirty Dancing are returning (hey, there’s something for everyone).  Plus, John Travolta and an awesome Bee Gees soundtrack can be found with Saturday Night Fever.  Both The Godfather Part 1 and Part 2 are showing, too (make sure you’re well caffeinated for that six-hour double feature).

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Review by C.J. Bunce

At long last, Johnny Alucard, Kim Newman’s sequel to 1992’s Anno Dracula, 1995’s The Bloody Red Baron, and 1998’s Dracula Cha Cha Cha is now available.  And for fans of Newman’s richly detailed universe, the first Anno Dracula universe tale in 15 years was worth the wait.  It’s a ballad of a kid born with nothing, who has a destiny, and that destiny takes him to conquer America.  And it all happens in a parallel world where Bram Stoker’s Dracula was a biography of an historical figure, and humans and vampires live side-by-side in a universe similar, yet very different, from our own.

Known for its deeply layered world building occupied by well-known fictional and historical characters with jumbled realities, this latest Anno Dracula entry doesn’t let up.  We at borg.com last year named the re-release of Dracula Cha Cha Cha the best read of 2012.  Check out our review here.  That novel followed Newman’s four protagonists as their stories collided with the death of Dracula in the 1950s.  Three women vampires are at the heart of the Anno Dracula universe: Geneviève Dieudonné, a centuries-old French vampire who watched and participated in key historic events in this timeline; Kate Reed–the most accessible of the three–a plucky Irish journalist who carries the reader through many events in Newman’s stories; and Penelope (“Penny”) Churchward, the third wheel who never quite becomes friends with the other “Charles’s Angels”.   The Charles is Charles Beauregard, a British spy all three women had relationships with over the years, and who died in Dracula Cha Cha Cha, around the time of the death of Dracula himself.

This latest installment of Newman’s series picks up with the tale of an up-and-coming vampire legend. Born Ion Popescu, Johnny Alucard was “turned” at the age of 13 in 1944.  But the story begins in 1976 when he ends up as a gofer under Francis Ford Coppola as he is agonizing over the production of, not Apocalypse Now, but his own Dracula film.  Geneviève, Kate, and Penny are back, and they have key roles in Ion’s story as he transforms himself into “Johnny Pop” and ultimately the wealthy Johnny Alucard, elevating himself higher than anyone thought possible.

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