With DC Comics’ summer Rebirth reboot, many monthly series turned bi-weekly, and we’ve now already seen the first eleven issues published of many series. Like the many reboots before it, DC Comics introduced the Rebirth continuity to re-ignite its fan base after the success of the prior reboot–the New 52–dissipated. So many shake-ups and change-ups occurred in the New 52 that you’d pretty much need to read the entire DC Comics line to keep up with what has happened to even the key Justice League superheroes. With two issues per month that’s difficult for any reader to keep up with.
One of the better sellers in this year’s Rebirth line is the Green Arrow title. Under the New 52 Oliver Queen encountered as many changes to his character as anyone. In fact fans of Green Arrow were probably better served subscribing to the Arrow tie-in comic book to the television series to get a dose of the classic crusader. As likely as not the success of the CW Network series coupled perhaps with fans’ hopes for big changes from the New 52, and a restoration of the essential Oliver Queen, could account for the sales success of Green Arrow in DC’s Rebirth universe.
Otto Schmidt served as artist and colorist on the series in the introductory chapters. Bringing Oliver’s older look back to the character, complete with the goatee, was a move in the right direction. Schmidt used the supersuit of the modern update yet his style conjures up both Neal Adams and Mike Grell’s key design elements that defined Green Arrow’s look for decades. Writer Benjamin Percy, who was the writer on the series before the Rebirth kicked in, re-introduced the second key element that defines Oliver: his partnership with Black Canary. The lack of the Arrow-Canary partnership contributed to the wane of Oliver’s story in the New 52–as a solo character Queen was just too much like everyone else. Percy’s other shift is reminding everyone that Queen is first and foremost a fighter for social justice. In contrast to the billion dollar company he sometimes owns and sometimes loses, Queen is the ultimate anti-corporate superhero. So these three elements: his look, his partnership with Black Canary, and his brand of justice, form the framework for what could be a solid Green Arrow series going forward.
Plenty is left to be done. Queen’s social justice efforts have only scratched the surface with eleven issues already in the can. Instead, Percy has opted for some frivolous, but fun, nostalgia: several scenes are spent restarting a romance between Oliver and Dinah, and he’s brought back classic secondary characters like Shado and Eddie Fyers, both from Mike Grell’s definitive Green Arrow series The Longbow Hunters. With the story now firmly set in Seattle, also as Grell had done with the setting–and not Star City–we can see some good attempts are being made to rediscover what made the 1980s and 1990s Green Arrow worth reading about.
Every year something exciting makes its way to public auction. Back in 2011 we discussed some great art from The Dark Knight Returns here at borg.com and again in 2013 here we discussed more cover art from The Dark Knight Returns hitting the market as well as some Dave Gibbons Watchmen cover art. In December 2015, one of the most iconic covers of the Silver Age hit the auction block courtesy of Heritage Auctions. That cover was Neal Adams’ original cover art to Green Lantern Issue #76 (learn more about it here), the book that launched the Bronze Age of comics in the minds of many historians, and the beginning of the “Hard-Traveling Heroes” story arc that forever re-defined Hal Jordan, Oliver Queen’s Green Arrow, and Dinah Lance’s Black Canary.
So what was the total paid, the auction hammer price including fees, for the cover art?
A whopping $442,150. The twist on this auction is that in the 1970s, most original comic art was not returned to the artists, as has generally been done since then. So many artists, including Neal Adams, have renounced the possession and sale of such pieces as “stolen”. But this seller made a deal with Adams to share in the proceeds (with a cut for the charity The Hero Initiative), and so Adams agreed to endorse the sale with this comment:
“Since the proprietor of the cover has agreed to equitably share the income of the auction with me and my family I hereby validate sale and ownership of this piece and I will, in fact, supply a Certificate of Authenticity to the highest bidder of the auction, and the ownership of this cover will never be questioned by me. This sharing of profit with the creator, of the sale of artwork produced back in those days when ownership has ever been in question, will in this case and may in all cases go far in bringing underground artwork into the light of a fair and open marketplace.”
For everyone who wasn’t that winning bidder, on shelves now at your local comic book store and via Amazon.com here
is a deluxe hardcover edition of the entire Green Lantern/Green Arrow story by Dennis O’Neill and Neal Adams. It’s a great full-color reading copy and reference.
After the cut, check out a high definition copy of the original cover art for Green Lantern Issue #76 that sold this past year.
The Renaissance of movie and TV tie-in action figures arrived in 2013 with Funko’s classic Kenner-style ReAction figure line. Other companies focus on single licensed figures and getting the likenesses spot-on, but Funko’s diversification of lines meant everyone could find something that fit their personal niche at an affordable price point. A true throwback series, one of the overlooked features of the line is the incredible variety of no-names-taken, classic kick-ass heroines represented.
In fact you can find here the top of the world’s best, in-your-face, take-no-prisoners, genre heroines. Buy them for yourself, for your friends, or get your favorite as a totem to inspire you each day from your desktop. And where the early sculpts in Funko’s line admittedly looked nothing like the actresses that made the roles famous, the new lines have only improved. And nobody has better packaging designs than the ReAction line.
Who would you add to the Funko roster of heroines? Compare your list to our more than 85 suggestions for future kick-ass women action figures below.
First, check out this Baker’s Dozen of our favorites in the current Funko pantheon:
If you can’t fit your characters into continuity, why not figure out another way to give fans what they want?
That’s what the CW did with a new promo for the final episodes of the season for Arrow and The Flash. The trinity of DC Comics’ A-list aside, what does the rest of the Justice League do to blow off steam? They practice their skills in their own secret athletic club–the “Superhero Fight Club.” There’s just one rule: There are no rules for the Superhero Fight Club.
So from Team Arrow, check out Arrow, Black Canary, Arsenal/Red Arrow, The Dark Archer, Ra’s Al Ghul, and The Atom, and from Team Flash, The Flash, Firestorm, Reverse Flash, Captain Cold, and Heat Wave:
The three-day Planet Comicon comic book and pop culture convention wrapped yesterday in Kansas City. The highlight of the day for thousands of attendees was the one-day visit to the show by Stephen Amell, star of the CW Network’s Arrow TV series. If you’ve been reading borg.com for very long, you’ll know I’ve been tracking the show as the world’s biggest Green Arrow fan, including spending the night with 7,000 other fans in San Diego for the show premiere with Amell and his co-stars back in 2012.
After hanging with his cousin (and CW star of The Flash) Robbie Amell last night at the Elite Comics after party at the Alamo Drafthouse, we got to meet Stephen today. As you’d expect, fans were happy to meet him, and he kept a cheery disposition throughout a whirlwind day of signing autographs and being featured on a panel at the convention.
Because he was only at the show for one day, that meant plenty of lines to get to see him–lines that barely even looked like lines.
But as typical with attendees at comic book conventions, everyone handled it all with great attitudes.
The biggest news so far released by Warner Bros. about the next DC Comics universe TV experiment was that former Superman Dean Cain (Lois and Clark) and former Supergirl Helen Slater (Supergirl) would have guest roles on the series Supergirl, a Smallville-esque series likely to arrive in 2016. Laura Benanti (Royal Pains, Life on Mars (U.S.) was revealed to play Kara’s Kryptonian mother, Alura Zor-El, leading Supergirl from afar as Jor-El did for Kal-El in the various Superman incarnations. And Superman’s cousin Kara Zor-El aka Supergirl, the series lead, will be played by Melissa Benoist (Whiplash, Glee).
Other roles cast include Calista Flockhart as Kara’s boss, media mogul Cat Grant. Kara’s love interest will be Jimmy Olsen, played by Mehcad Brooks (Necessary Roughness, Dollhouse), Chyler Leigh (Grey’s Anatomy) has been cast as Kara’s foster sister Alex, and David Harewood (Robin Hood, Doctor Who, Homeland) will play Department of Extra-Normal Operations chief Hank Henshaw.
We now have our first views of the new Supergirl supersuit Benoist will don as the latest superheroine in the DC Universe. The designer is Academy Award winning costumer Colleen Atwell, who also created the CW designs for Arrow and The Flash. The suit is similar to many past comic book versions:
The slate of the women’s side of the DC pantheon is finally making some headway. We’ve had a look at Gal Gadot’s Wonder Woman from Superman v. Batman: Dawn of Justice and Katie Cassidy’s Black Canary from Arrow:
One of our favorite artists is J.K. Woodward, known for his vibrant and life-like painting style, and his work on several successful series including Doctor Who/Star Trek: The Next Generation–Assimilation² reviewed here and Star Trek: Harlan Ellison’s The City on the Edge of Forever reviewed here.
We haven’t featured any new original comic art lately so what better time than now to share borg.com’s recent commission of a Woodward painting, done as part of his donation to the Toe Tag Riot crowdfunding project (we reviewed Toe Tag Riot Issue #1 here).
Adding to our gallery of awesome Green Arrow and Black Canary original art, Woodward placed the Alex Ross era costumed duo on the streets of Star City. Green Arrow, sporting his classic look and Van Dyke beard, is ready to take out some vile foe off-screen, as Black Canary soars into the picture overhead on her trusty bike. Based on her facial expression, this superheroine means business.
Check out the full image, after the break…
At long last DC Comics has released a trade edition of the 1980s Green Arrow monthly comic book series. The series that sprang out of Mike Grell’s Green Arrow: The Longbow Hunters is some of the best storytelling work by Grell on the relationship between Oliver Queen and Dinah Lance. We previously reviewed the first trade edition re-released by DC, Green Arrow: Hunter’s Moon, last December here at borg.com. When borg.com readers have requested recommendations for the best of Green Arrow, I’ve pointed them to back issues of this series along with the classic O’Neill/Adams “Hard-Travelling Heroes” books as a starting point.
Unlike the events of Volume 1, which piled on heavy issues ranging from sexual assault, to child abuse, to gay-bashing, prostitution, armed robbery, and biogenic weapons, Volume 2 is a more intimate look at Green Arrow and Black Canary behind the scenes, very similar to the approach taken by writer Matt Fraction in the successful modern Hawkeye series from Marvel Comics.
Green Arrow Volume 2: Here There Be Dragons, which reprints Green Arrow, Issues #7-12 from 1988, finds Dinah continuing to try to forge ahead on her own and move beyond her violent attack in The Longbow Hunters. She and Oliver have issues to work out, Dinah with determining what she wants from life and Oliver being haunted by his past. Together they make the perfect team, like any couple living in the Pacific Northwest, enjoying their town, Oliver perfecting his chili recipe, both commenting on the fact that PNW residents don’t use umbrellas despite the seemingly constant rain. Dinah is focused on her business at the floral shop, Oliver uses his resources to ward off criminals in Seattle one thug at a time.
This period of the Green Arrow series hit its stride without your typical superheroism, and although Oliver dons his costume a few times, finely crafted storytelling without the over-the-top action is why Green Arrow’s stories are unique among the medium. Oliver heads to Alaska to pursue a lead and inadvertently tracks a drug smuggling and car theft ring. Dinah, much like Laurel Lance in the current Arrow TV series, is feeling the pull to help others in the city outside the law.
Review by C.J. Bunce
Sexual assault, child abuse, gay-bashing, drugs, prostitution, armed robbery, biogenic weapons, and street gangs–what dealt with all of these subjects in its opening chapters? A comic book series? DC Comics is finally compiling Mike Grell’s definitive Green Arrow comic book series that began in February 1988 and ran for more than a decade to November 1998. Gritty and real, it’s the Oliver Queen fans cheered for as he cleaned up the streets of not Star City or Starling City, but the dark alleys of Seattle, Washington.
Except for Morton Weisinger and George Papp who created Green Arrow in 1941, and Denny O’Neill and Neal Adams who re-imagined the character nearly thirty years later, Mike Grell did more than anyone to define the urban archer for the ages. Grell actually took over after O’Neill and Adams created their landmark Green Lantern/Green Arrow series in the early 1970s. But he made Green Arrow his own with 1987’s Green Arrow: The Longbow Hunters, a three-issue mini-series that finally awakened DC Comics to the potential of Green Arrow and his long-time girlfriend Black Canary. In 1988 Grell made Oliver Queen throw away his trick arrows and use penetrating broadheads that actually killed the bad guys. And in none of the storylines was Queen ever referred to as Green Arrow, a component maintained in CW’s Arrow series.
If you haven’t watched last night’s second season premiere episode of CW’s Arrow, “City of Heroes,” then come back after you’ve seen it…
…and once you’re back… WOW! What a season opener! We couldn’t ask for more action and drama. CW really delivered one of the best season two starts in recent memory.
At first… confusion! John Diggle (David Ramsey) and Felicity Smoak (Emily Bett Rickards) in an old plane flying over the island where Oliver Queen (Stephen Amell) was marooned for five years? Parachuting to the island and revealing Oliver had used the island as a retreat from the turmoil he left back in Starling City was a great place to begin. We don’t want Felicity and Oliver as love interests, but we can’t get enough of them working together, and from this episode it looks like she is a full partner in Oliver’s Starling clean-up business. And she even had a new compound bow custom made for him.