Tag Archive: Black Panther


Review by C.J. Bunce

Only a year ago I called director Craig Brewer’s 2019 biopic Dolemite is My Name–the theatrical return of Eddie Murphy and Wesley Snipes from Netflix–the big Oscar miss of the year.  It begged the question:  When was the last time Murphy and Snipes were this good, and why did they ever leave the top spot on marquees of movie houses everywhere?  Brewer is back again with Murphy and Snipes, this time in a sequel to director John Landis’s quirky 1988 comedy Coming to America, a two-time Oscar nominee for costumes and one of Rick Baker’s makeup nominations for turning Murphy and co-star Arsenio Hall into a host of characters, a box office success that gained favor over the years thanks to video rental stores, and today it’s a nostalgic trip back to the 1980s.  The sequel Coming 2 America is a big surprise: a big budget marvel not from Netflix but Amazon Studios, a thoughtful, funny, surprisingly deep sequel we didn’t know we wanted, and a result that is even better than the originalMore than “just another sequel,” it’s a fairy tale like The Princess Diaries, a bit A Knight’s Tale, a bit Crazy Rich Asians, and a worthy sequel in concept and art design to Black Panther.  It’s also a celebration of the career and characters of Eddie Murphy, and it expands to be a celebration of black culture and comedic films via dozens of great Easter eggs.  In short, it’s one of the best direct-to-television movies since studios started moving from movie houses to home screens.

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It was only a year ago here at borg we were discussing some of the projects expected to arrive in 2020.  That didn’t happen, but a pandemic later and some juggling by the execs at Disney and we seem to have a realistic schedule for the projects we’ll see in 2021.  So let’s gather some excitement for Marvel superheroes heading our way, at least from the first looks at these shows we’ve seen via their movie and series trailers.  What does it look like we’re going to actually see in 2021 via streaming Disney+ or Vudu streaming?  As Phase IV of the Marvel Cinematic Universe continues with the final episodes of WandaVision on Disney+, next up will be The Falcon and the Winter Soldier starting on Disney+ March 19.  Probably the most eagerly awaited of all Marvel projects since Spider-Man: Far from Home is Black Widow, delayed and delayed some more, now expected to arrive May 7, probably for a theater run and a pay version via Disney+.  Which leaves the six episode mini-series Loki, also expected to arrive in May, via Disney+.  The common link?  All of these feature characters and storylines still heavily anchored to Phase III of the MCU, and all are an opportunity to tweak the past via time travel or a changed past to allow for new characters and new storylines.

Venom: Let There Be Carnage is expected to arrive in theaters June 25, and Shang-Chi: The Legend of the Ten Rings has a July 9 premiere date, but Disney hasn’t issued a trailer for either yet.  As a bonus we’ll throw in the trailer below for the animated series What… If? which doesn’t have anything but a 2021 projected Disney+ series launch date, and the trailer for Morbius, a Sony production tying into the MCU–at least via a cameo by Michael Keaton as Vulture, the villain from Sony’s Spider-Man: Homecoming.  It’s now slated for a January 2022 theatrical premiere.  Although an Eternals movie is expected around Thanskgiving and another Spider-Man movie could slip in around Christmas, all the other Phase IV projects have been pushed out beyond 2021–the next movies featuring Doctor Strange, Thor, Black Panther, Captain Marvel, Ant-Man and The Wasp, Guardians of the Galaxy, and Fantastic Four, and TV series featuring a new Hawkeye, Moon Knight, She-Hulk, Guardians of the Galaxy (a special), Secret Invasion, Ironheart, Armor Wars, and a Wakanda series.

Check out these trailers:

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Writer/artist Ed Piskor broke new ground with his epic history of the Marvel universe in a tiny package, with his Grand Design and Second Genesis trilogy series (reviewed here at borg only last year).  A complete throwback in style to comics of the 1930s through the 1970s, Piskor’s series included small, tightly crammed panels allowing for only minimal detail, lots of content per page, bright classic colors, and good ol’ fashioned newsprint pages (mmm… just smell that newsprint!).  But Piskor covered only one segment of the Marvel universe in his books:  The X-Men.  This week writer/artist Tom Scioli enters the picture with his own take on Marvel’s Grand Design series, focusing on the Fantastic Four in the new series Fantastic Four: Grand Design.

In Issue #1 Scioli takes readers through an origin story of the Fantastic Four: Reed Richards, Sue Storm, Johnny Storm, and Ben Grimm, as they become Mr. Fantastic, the Invisible Girl, the Human Torch, and the Thing, all in a similar style to Piskor’s series.  As expected, readers can look for a lot of history in 45 pages, including meeting one of the Watchers, Doctor Doom, Black Panther, Prince Namor the Sub-Mariner, the Mole Man, the Hulk, the Celestials, the Inhumans, Galactus, Silver Surfer, and lots of other characters tucked into the corners.  Since the success of the Marvel Cinematic Universe, I find it difficult to separate the comics from the movies, and every comic I read pulls me into the thought of how it might be adapted for the big screen.  If you haven’t been keeping up, along with the X-Men, the Fantastic Four, Silver Surfer, and Namor all moved over to Disney’s MCU, and Scioli lays out one possible way the Fantastic Four could be introduced into the reel world dominated thus far by the Avengers.  Could the first Fantastic Four movie, or a Fantastic Four sub-series of films (like the Avengers) segue moviegoers into the missing pieces never before seen on the big screen like Namor, and pull in the above heroes and villains?  We’ll know in a few years.

 

Look for two covers by Scioli for the first issue of Fantastic Four: Grand Design, and one variant, a very cool homage to Frank Miller’s second issue of Batman: The Dark Knight Returns featuring the Thing in place of Batman, re-created by Ed Piskor (shown above with Miller’s original).  Want to have a look inside the first issue?  Here’s a preview of #1, and a sneak peek at Issue #2:

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If Classics Illustrated was ever your thing or you like peering into fantastical worlds, a new graphic novel series online will be worth checking out.  It’s not really about a fantasy setting as found in Black Panther or Flash Gordon or Tarzan or Conan, but it has the same appeal, the same visual cues, bold colors, and feel.  It’s Aztec Empire, by writer Paul Guinan (known for his time-bending mash-up Boilerplate: History’s Mechanical Marvel and his participation in the documentary 24 Hour Comic) and comic artist David Hahn.  It features an incredible culture from the past along with good storytelling that will keep you coming back for more.  And it’s timed right, as this spring is the 500th anniversary of the events featured in the introductory pages of the series.

As with the Eisner Award-winning writer-artist Eric Shanower’s look at ancient Greece in his Age of Bronze graphic novel series, Aztec Empire is a heavily researched time travel voyage back into the daily lives of a people in history, in this case the period before the fall of the Aztec peoples to the Spanish in 1521, only three years after the arrival of Europeans.  Guinan researched dozens of primary sources (including contemporary writings from the 1500s) as well as secondary historical sources, and the end of each episode of his series provides six pages of equally fascinating explanatory annotations to the historical record to support each panel.  Some of these feature photographs of the source materials used to derive the look of references like glyphs on walls, or embellishments on character clothing.  In many ways Aztec Empire is an attempt to update the writings of the past with the benefit of today’s resources and knowledge, but its sources are very much contemporary to the events chronicled.  Human barbarism to other humans is also not reserved for only one side of the story–here the atrocities of each side of the conquest come to the fore.

Guinan is not only the series writer, he provides layouts, coloring, and lettering.  “In telling this story, my main challenge is keeping it as authentic as possible,” says Guinan.  “All the persons and events depicted in Aztec Empire are based on the factual record, with some extrapolation as to specific character motivations, dialogue, costume details, etc.  I’m cross-referencing primary sources from different viewpoints, looking at Mesoamerican and European sources with an awareness of their cultural biases as well as my own.”  Hahn designed the look of the characters and provides the finished pencil work and inks.  The combined artwork shares a style in common with the animated style of Doug Wildey and something of P. Craig Russell’s work on his illustrated novels.

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borg Hall of Fame 2018

It’s been another long year of great entertainment.  Before we wrap our coverage of 2018, it’s time for the sixth annual round of new honorees for the borg Hall of Fame.  We have plenty of honorees from 2018 films and television, plus many from past years, and a peek at some from the future – 40 in all.  You can always check out the updated borg Hall of Fame on our home page under “Know your borg.”

Some reminders about criteria.  Borgs have technology integrated with biology.  Wearing a technology-powered suit alone doesn’t qualify a new member.  Tony Stark aka Iron Man was an inaugural honoree because the Arc Reactor kept him alive.  The new Spider-Man suit worn by Tom Holland is similar to Tony’s, but as far as we can tell it’s not integrated with Peter Parker’s biology.  Similarly Peni Parker, seen outside her high-tech SP//dr suit in Spider-Man: Into the Spider-Verse, and Black Manta from Aquaman (and decades of comics before), seem to be merely wearing tech suits.  We’d love a reason for a Mandalorian to make the cut, like Boba Fett, or Jango Fett, since nobody has more intriguing armor.  Maybe Jon Favreau’s new television series will give us something new to ponder next year.

Also, if the creators tell us the characters are merely robots, automatons, or androids, we take their word for it.  Westworld continues to define its own characters as androids (like Star Trek: The Next Generation’s Lt. Commander Data throughout the TV series), and not cyborgs (going back to Michael Crichton’s original story), so we continue this year to hold off on their admittance unless something changes, like the incorporation of living biological (blood, cells, etc.) materials.  Are we closing in on admitting individuals solely based on a breathing apparatus that may allow them to breathe to in non-native atmospheres?  Only if integrated (surgically).  Darth Vader has more borg parts than his breathing filter.  We assume new honoree Saw Gerrera does as well.  With more biological enhancements we’d allow Tusken Raiders, Moloch, and Two Tubes from the Star Wars universe, and Mordock the Benzite from Star Trek, but wouldn’t that also mean anyone in a deep sea suit or space suit is a cyborg?  Again, integration is key.  Ready Player One has humans interacting with a cyber-world with virtual reality goggles and other equipment, but like the Programs (as opposed to the Users) in the movie Tron, this doesn’t qualify as borg either, but we’re making an exception this year for the in-world Aech, who is a cyborg orc character, and two Tron universe characters.

Already admitted in 2017 were advance honorees that didn’t actually make it to the screen until 2018.  This included Josh Brolin’s new take on Cable in Deadpool 2 and Simone Missick’s Misty Knight after her acquisition of a borg arm in Marvel’s Luke Cage.  New versions of Robotman and Cyborg are coming in 2019 in the Doom Patrol series, but they are already members of the revered Hall of Fame.  Above are the new looks for these two earlier honorees.

So who’s in for 2018?

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When we created last year’s preview of 2018 movies we were pretty sure we were going to have some great movies this year, but we were surprised by what ended up being the best.  All year we tried to keep up with what Hollywood had to offer and honed in on the genre content we thought was worth examining.  We went back and looked at it all and pulled together our picks for our annual Best Movies of 2018.

GenredomAs always, we’re after the best genre content of the year–with our top categories from the Best in Movies.  There are thousands of other places that cover plain vanilla dramas and the rest of the film world, but here we’re looking for movies we want to watch.  What do all of this year’s selections have in common?  In addition to those elements that define each part of genredom, each has a good story.  Special effects without a good story is not good entertainment, and we saw plenty of films this year that missed that crucial element.

Come back later this month for our TV and print media picks, and our annual borg Hall of Fame inductees.  Wait no further, here are our movie picks for 2018:

Best Film, Best Drama – Bohemian Rhapsody (20th Century Fox).  For the epic historical costume drama category, this biopic was something fresh and new, even among dozens of movies about bands that came before it.  Gary Busey played a great Buddy Holly and Val Kilmer a perfect Jim Morrison, and we can add Rami Malek and Gwilym Lee’s work as Freddie Mercury and Brian May to the same rare league.  But it wasn’t only the actors that made it work.  Incredible cinematography, costume and set recreations, and an inspiring story spoke to legions of moviegoers.  This wasn’t just another biopic, but an engaging drama about misfits that came out on top.  Honorable mention: Black Panther (Disney/Marvel).

Best Sci-fi Movie, Best Retro Fix, Best Easter EggsSolo: A Star Wars Story (Disney/Lucasfilm).  Put aside the noise surrounding the mid-year release of Solo before fans had recovered yet from The Last Jedi, and the resulting film was the best sequel (or prequel) in the franchise since the original trilogy (we rate it right after The Empire Strikes Back and Star Wars as #3 overall).  All the scenes with Han and Chewbacca were faithful to George Lucas’s original vision, and the new characters were as cool and exciting, and played by exceptional talent, as found in the originals, including sets that looked like they were created in the 1970s of the original trilogy.  The Easter Eggs scattered all over provided dozens of callbacks to earlier films.  This was an easy choice: no other science fiction film came close to the rip-roaring rollercoaster of this film, and special effects and space battles to match.   Honorable mention for Best Sci-Fi Movie: Orbiter 9 (Netflix).

Best Superhero Movie, Best Crossover, Best Re-Imagining on Film Avengers: Infinity War (Disney/Marvel).  For all its faults, and there were many, the culmination of ten years of careful planning and tens of thousands of creative inputs delivered something no fan of comics has ever seen before:  multiple, fleshed out superheroes played by A-list actors with intertwined stories with a plot that wasn’t all that convoluted.  Is it the best superhero move ever?  To many fans, yes.  But even if it isn’t the best, its scope was as great as any envisioned before it, and the movie was filled with more great sequences than can be found in several other superhero movies of the past few years combined.  But teaming up Thor with Rocket?  And Spider-Man with Doctor Strange and Iron Man?  That beat all the prior Avengers team-ups that came before (and anything offered up from the other studios).  It’s easy to brush off any given film with so many superhero movies arriving these days, but this one was the biggest, grandest, and greatest made yet and deserves all the recognition.  Honorable mention: Spider-Man: Into the Spider-Verse (Sony Pictures Animation), Black Panther (Disney/Marvel).

Best Fantasy Movie, Best Comedy MovieJumanji: Welcome to the Jungle (Columbia Pictures).  No movie provided more laugh-out-loud moments this year than last winter’s surprise hit, a sequel that didn’t need to be a sequel, and a video game tie-in for a fake video game.  A funny script and four super leads made this an easy pick in the humor category, but the Raiders of the Lost Ark-inspired adventure ride made for a great fantasy film, too.  Honorable mention for Best Fantasy Movie: Black Panther (Disney/Marvel), Ready Player One (Warner Bros./Amblin).

Best Movie Borg, Best Borg Film – Josh Brolin’s Cable, Deadpool 2 (20th Century Fox).  Brolin’s take on Cable ended up as one of those great borgs on par with the Terminator from the standpoint of “coolness” factor.  But the trick that he wasn’t really the villain of the movie made him that much more compelling in the film’s final moments.  Ryan Reynolds was back and equal to his last Deadpool film, and his Magnificent Seven/Samurai Seven round-up of a team was great fun.  If not for all that unwinding of what happened in the movie in the coda, this might have made the top superhero movie spot.  But Deadpool 2 was a good reminder there is something other than Disney’s MCU to make good superhero flicks.

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It’s time for borg′s annual look at the Best Kick-Ass Genre Heroines in film and television.  This year we selected 25 characters that rose to the top.  Again the studios gave us more to cheer about than ever.  We’re highlighting the very best from a slate of fantastic heroines, with characteristics to learn from and cheer on.  Determined, decisive, loyal, brave, smart, fierce, strong (and, okay, sometimes evil), you’ll find no one here timid or weepy, but all rely on their individual skills to beat the odds and overcome any obstacle that comes their way.  Over the years we have expanded the list to include any tough, savvy, gritty character played by a woman, so villains are welcome here, too.  Some may be frazzled, put-upon, war-weary, or human, but all have fought, some against difficult circumstances, others against personal demons (literally, figuratively, or both), and some against gun and laser fire.  And they all showed what a tough, kick-ass character is about.

In 2018 these characters broke new ground, and unlike last year’s great list, this year’s selections would not have worked as well had the characters been swapped for males.  We had a former MI-5 agent, bounty hunters, assassins, doctors, defenders, advanced superhumans, superheroines, warriors, witches, and even a few cyborgs–with a roster evenly split between television and movie characters.

Better yet, here’s something we haven’t said before.  Several of our selections this year were played by women over 50.

These are the Best Kick-Ass Genre Heroines of 2018:

Enfys Nest (Solo: A Star Wars Story).  For the first half of Solo: A Star Wars Story, Enfys Nest was the leader of a band of pirates, a character as cool and ruthless as anyone Han Solo ever faced.  But once she took off her mask,  it became clear how important she was, how significant her mission was–even more so than Han Solo’s own pursuit of mere wealth.  She foreshadowed what Han would later find with Leia, an early glimpse at a rogue and scoundrel who actually had some good in him.  When they joined forces, it made their characters even better.  And she became one of the best warriors in the Star Wars universe since the original trilogy.  (Disney/Lucasfilm)

Okoye (Black Panther, Avengers: Infinity War).  Is there any woman warrior as powerful and impressive in a fantasy movie this year as Danai Gurira’s Okoye?  We can’t think of any.  A smart commander, a brave soldier, a loyal ally.  Stalwart, devoted, steadfast, strong physically, intimidating and wise, with a keen unwavering ferocity, she represented the best of Wakanda, and fought bravely to defend the world at the last stand against Thanos.  (Disney/Marvel)

Higgins (Magnum PI).  Few television characters are as beloved as Jonathan Higgins in the original Magnum, p.i.  So it was going to be risky having any actor step into the role John Hillerman made famous.  So when the show honored the original character and late actor with such a finely tuned, updated character and actor, we took notice.  Perdita Weeks’s Juliet Higgins is everything Robin Masters was–the character we all thought Higgins was in secret.  We don’t know whether we’ll learn the truth this time around and what that truth will be, but as an ex-British secret service agent, she’s a James Bond for Thomas Magnum to partner with–literally running alongside the show’s star and fighting and shooting her way as an equal.  And the result?  Every episode of the first season was full of great action and fun.  (CBS)
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As part of the continuing celebration of 10 years of the Marvel Cinematic Universe that kickstarted filmdom’s modern superhero blockbuster chapter, AMC Theaters are getting the entire team back together for an eight-day movie marathon nationwide beginning Thursday, August 30.  Get ready for the Marvel Studios 10th Anniversary Film Festival.  Marvel has converted three early films in the series to IMAX for the first time: Iron Man, Captain America: The First Avenger, and The Incredible Hulk.  So the entire 20 film series will be screened in IMAX, plus many of the films will also be screened in 3D.

The announcement arrives with the home video release of Avengers: Infinity War, now available on Blu-ray and Digital HD, 4K, and DVD.  If you missed Infinity War, check out our review here (and catch all our Marvel Cinematic Universe reviews below).  This is your chance to catch up any or all of the films you might have missed in the theater, including the three 2018 releases Black Panther, Avengers: Infinity War, and Ant-Man and The Wasp.  And it will give many younger viewers the opportunity to see some great superhero movies from the early days of the MCU on the big screen for the first time.

The big day of the festival appears to be September 3, with a great single-day line-up: Thor: Ragnarok, Black Panther, Avengers: Infinity War, and Ant-Man and The Wasp.  The series will run over Labor Day weekend, with four films per day from August 30 through September 5.  On September 6, AMC will screen two fan-favorite films, to be selected by a fan vote.  See the Marvel Studios 10th Anniversary Film Festival website for more details.  It also seems likely based on past screenings that AMC may offer some kind of bundled purchase price for multiple shows.  Check back to the website as the end of August nears for any additional promotions.

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Last night the Academy of Science Fiction, Fantasy and Horror Films held the 44th annual Saturn Awards, honoring the best in science fiction, fantasy, horror, and other genres, held in Burbank, California.  Coming into last night’s presentation, Black Panther was nominated in 14 categories, Star Wars: The Last Jedi was nominated in 13 categories, and Blade Runner 2049 and The Shape of Water were each nominated in nine categories.  In television, The Walking Dead led the nominations with seven, followed by Star Trek: Discovery with five.  You can never predict who and what will win at the Saturn Awards, but you can be sure they will be very fandom-centric picks.

Black Panther led the night with four wins, for Best Comic-to-Motion Picture Release, Best Director (Ryan Coogler), Best Supporting Actress (Danai Gurira), and Best Make-up.  Star Wars: The Last Jedi followed with three wins, for Best Actor (Mark Hamill), Best Writing, and Best Editing.  In television, because of the Awards’ split between traditional TV shows and streaming shows, the expected suspects came out on top: The Flash and Marvel’s The Punisher as best superhero shows, and The Orville and Star Trek: Discovery each winning awards.  But the most wins was a tie, with three awards each for Better Call Saul and Twin Peaks: The Return.

Here are all the winners and nominees:

Movie Awards

Best Comic-to-Motion Picture Release
Winner:  Black Panther
Nominees:
Guardians of the Galaxy Vol. 2
Logan
Spider-Man: Homecoming
Thor: Ragnarok
Wonder Woman

Best Science Fiction Film Release
Winner:  Blade Runner 2049
Nominees:
Alien: Covenant
Life
Star Wars: The Last Jedi
Valerian and the City of a Thousand Planets
War for the Planet of the Apes

Best Fantasy Film Release
Winner:  The Shape of Water
Nominees:
Beauty and the Beast
Downsizing
Jumanji: Welcome to the Jungle
Kong: Skull Island
Paddington 2

Best Horror Film Release
Winner: Get Out
Nominees:
47 Meters Down
Annabelle: Creation
Better Watch Out
It
Mother!

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For the fourth consecutive year, Wizard World will be invading the Iowa Events Center this June, bringing comic book writers and artists and celebrity guests to meet thousands of attendees for Iowa’s largest comic and pop culture convention.  Wizard World Comic Con Des Moines will again feature non-stop live entertainment, gaming, panels with celebrities, and cosplayers.  Celebrity guests scheduled to attend the show include Winston Duke (Black Panther, Avengers: Infinity War), James Marsters (Buffy the Vampire Slayer), Nichelle Nichols (Star Trek), Charisma Carpenter (Buffy the Vampire Slayer), Matt Ryan (Legends of Tomorrow, Constantine), Jim Beaver (Supernatural, Deadwood), Lisa Berry (Supernatural), Gregg Sulkin (Runaways, Faking It), hosted by Kato Kaelin.

Comic book creator guests include Phil Hester (Green Arrow, The Bionic Man, Shipwreck, The Irredeemable Ant-Man), Ande Parks (Green Arrow, Capote in Kansas, The Lone Ranger), Chad Hardin (Harley Quinn, Justice League), Tom Cook (Masters of the Universe, Smurfs), and dozens of other writers in artists in the event’s Artist Alley.  Purchase books, sketches, and other original art, and get autographs from dozens of creators and entertainers.

Even more celebrity guests and creators are expected to be announced in advance of the event.

   

Wizard World Comic Con events bring together thousands of fans of all ages to celebrate the best in pop culture movies, television, gaming, live entertainment, comics, sci-fi, graphic novels, toys, original art, and collectibles.

Show hours are Friday, June 1, 2018, 4-9 p.m.; Saturday, June 2, 2018, 10 a.m.-7 p.m.; and Sunday, June 3, 2018, 10 a.m.-4 p.m.  Kids 10 and under are admitted free with paid adult admission.

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