Tag Archive: borg


 

Review by C.J. Bunce

We’re probably far from seeing a story featuring the bounty hunter Valance as good as in the pages of the original Marvel Comics series in 1978, but the first issue of the latest Star Wars comic book series is promising.  Valance, borg Hall of Famer and the first character in science fiction specifically referred to as a “borg,” shares the spotlight with a few other familiar faces in Star Wars: Bounty Hunters, now available in comic book stores.  When Star Wars writers and artists pull from the original trilogy and do it right, it can be quite fun for fans of the franchise.  And much seems to involve deconstructing every detail of George Lucas’s original visions.  For this series, that means asking the question: Why would you have so many bounty hunters on the bridge of Darth Vader’s star destroyer?  The answer became clear in last year’s Disney+ series The Mandalorian: it’s because sometimes that’s how the jobs work–if you can afford it.  And that’s the starting point of Star Wars: Bounty Hunters.

In the not too distant past we meet Valance working with Boba Fett the Mandalorian and the lizard-like Trandoshan called Bossk, two of the fellows we first met on Vader’s ship, working a job with a few other hunters.  Only the job goes sideways due to the actions of one of the hunters, Nakano Lash.  So the story begins when Lash becomes the bounty, setting the other hunters after her.  Taking place after the events of The Empire Strikes Back, that means Han Solo remains in carbonite in the cargo hold.  And it also means Lady Proxima is still around, the character that held Han’s life in her hands, introduced in Solo: A  Star Wars Story.  And it also makes room for Doctor Aphra, a character from the more recent comics universe.

 

In fact, writer Ethan Sacks and artist Paolo Villanelli appear to have the ability to play with the entire Star Wars universe in a single series.  No longer are they held back, tethered to the lead characters Luke, Leia, Han, and Darth Vader, so readers can finally dig into the other corners of the already established Star Wars galaxy.  The first issue probably has more characters and action sequences than necessary, but it’s a promising beginning.  Check out covers from the first four issues and a preview of the first issue below.

Continue reading

AlteredCarbon_S2_MainTrailer

Review by C.J. Bunce

The first season of Netflix’s Altered Carbon was a fantastic sci-fi series with a stellar cast and a story and production values that rivaled the original Blade Runner and its 2017 sequel.  Based on Richard K. Morgan’s novels, the series is centered around Takeshi Kovacs, a future soldier in a world where science has developed a hard drive called a “stack” that is implanted in humans’ necks, allowing our memories to be uploaded to storage and replanted over and over so they seemingly can live forever, even in new bodies.  That conceit allows Kovacs and other characters to be played by any number of actors, which, as demonstrated in Season 2, can allow the series to continue indefinitely much as Doctor Who’s regeneration mechanism allows replacement Doctors.  So how does a series fair when it replaces the lead after the first season?  Can it keep up the intrigue and interest for viewers?

The first season asked: What does it mean to be human, and how much can you shed away and replace with technology and still retain the “self”?  Unfortunately, the second season falls a bit short.  Although it wisely was paired down from ten to eight episodes for its second season (season one couldn’t keep up the action and would have benefited from some good editing), the series just doesn’t capture the same magic.  Anthony Mackie′s assumption of the role of Kovacs in the year 2385, years after the events of the first season, is more of a re-hash of what we saw Joel Kinnaman do with the character last season.  Mackie is usually one of the best parts of any project he tackles (The Adjustment Bureau, Captain America: Winter Soldier), but the story and dialogue here are not as sophisticated as in the inaugural effort, and Mackie is always intense, his acting dialed up to eleven, much different than his character in the first season.  Simone Missick, who we loved in Marvel’s Luke Cage, provides an interesting new cyborg character for the Altered Carbon universe as Trepp, but it didn’t quite catch up to the passion of Martha Higareda’s driven cop Kristin Ortega last season.  But where the series shines is in its supporting cast of characters, many returning from last season.  The result is like comparing the first season of the Battlestar Galactica reboot with the last–good television–even if it’s not as gritty and exciting as the first season, it still may be the best sci-fi series on television this year.

Poe Dig 301

Foremost is Chris Conner back as the artificial intelligence who has taken inspiration from Edgar Allan Poe, a bodyguard of sorts looking out for Kovacs (Mackie) in his new body (called a sleeve).  Conner brings to the series the same kind of compelling look at the trouble of incorporating humanity into robots or cyber-creations, the same type of battle of sentience in the non-living as conveyed by Robert Picardo as the emergency medical hologram in Star Trek Voyager.  In this season Poe is in trouble–his matrix is broken and he needs to reboot, which he does not want to do because that would mean he would forget Lizzie (Hayley Law), a key character of last season, and a memory stored in his digital mind.  Not rebooting means he makes mistakes that could hinder Kovacs’s ability to stay hidden from his pursuers.  But there is hope for Poe, and that comes in the form of another creation, another artificial intelligence, an ancient storage “archaeologue” unit called Dig 301, played by Dina Shihabi, who nicely substitutes as a futuristic love interest for Poe.

Continue reading

Review by C.J. Bunce

You still have a month before visual effects artist-turned director Dave Wilson’s Bloodshot movie arrives as the next cyborg superhero from Marvel Comics to hit the big screen.  But if you want to get a jump on your friends, there’s Bloodshot: The Official Movie Novelization, just released from Titan Books, a  great read for fans of all things borg.  Readers will be pulled inside the story of Ray Garrison, a slain special ops Marine, who is resurrected thanks to Dr. Emil Harting, a (mad?) scientist who is perfecting his use of nanotechnology and cybernetics to create an unstoppable squad of super-soldiers.  Written by Gavin Smith and based on the Jeff Wadlow and Eric Heisserer screenplay, Bloodshot creates the next step in the evolution of cybernetic technology stories that began with Mary Shelley’s Frankenstein, mixing the rage of The Punisher with the impact on the human psyche and dehumanization of turning from man to cyborg, as we’ve seen in stories like RoboCop (who was inspired by Judge Dredd and Marvel’s Rom).

As for the Marvel universe in film, Bloodshot is poised to stack up neatly beside the lab-created Hulk, the merger of body and “something else” of Spider-Man and the Fantastic Four, the mission and science of Captain America, Wolverine, and Deadpool, the determination of Cable, and it’s a fitting follow-up to the half-man/half-monster movie, Venom.  That’s a lot of Marvel characters with similar struggles, and there are certainly more, Marvel characters with the same vintage of origin story–an unlikely or involuntary super-soldier–so how do you spin this key Marvel trope in a fresh, new way?  As Smith, Wadlow, and Heisserer have done it, you go back to the human condition, and look to what has come before.

Bloodshot reads much like Martin Caidin’s original story of the first modern cyborg in his novel Cyborg, about Steve Austin, the Bionic Man–the Six Million Dollar Man–a military hero brought to death’s door and back via science.  In many ways Bloodshot–the program that pulls in the story’s hero and becomes the name of his new persona–is an update to Cyborg–what you could imagine the Bionic Man reboot with Mark Wahlberg to be like.  And it pulls in good mind-twisting sci-fi elements evoking Joss Whedon’s Dollhouse and Duncan Jones’ Source Code.

Continue reading

Last week we previewed a teaser for the coming second season of Netflix’s Altered Carbon, and we now have a full trailer from the streaming provider showing us even more.  The new trailer confirms the near wipe-out of the main cast from the first season, with only the artificial intelligence named Poe remaining, played by Chris Conner (Burn Notice, House, Bones) and a new kind of robot.  Two supporting characters clearly get a bigger role this season: Renee Goldsberry (Star Trek Enterprise, Life on Mars) as Falconer, a platoon leader from the past, and the original form of the series lead, played by Will Yun Lee (Hawaii Five-O, Bionic Woman, Witchblade).  It’s too bad for those who thought cop Kristin Ortega, played by Mexican actress Martha Higareda (McFarland USA, Royal Pains), was the highlight of the series–she and first season lead Joel Kinnaman (RoboCop, Suicide Squad) seem to be out this time.

In fact other than Poe the new trailer appears like Season Two could easily be an entirely new sci-fi series.  Alison Schapker is the new series executive producer and showrunner.  Anthony Mackie (Captain America: Winter Soldier, The Adjustment Bureau) is in the driver’s seat as the new “sleeve” or body inhabited by Takeshi Kovacs, hero of the Richard K. Morgan novel the show is based on.  Kovacs is a future soldier in a world where science has developed a hard drive called a “stack” that is implanted in humans’ necks, enabling our memories to be uploaded to storage and replanted over and over so we seemingly can live forever, even in new bodies (see our review of the first season here).  Allowing Kovacs and other characters to be played by any number of actors (so the series could potentially run forever like Doctor Who) for the second season will be something new for many Netflix viewers.

Season Two begins thirty years after the last episode, with Kovacs continuing his search for Falconer (explaining why so many first season characters are no longer around).  New to the series, and highlighted in this trailer, are Simone Missick (Marvel’s Luke Cage, The Defenders) as Trepp, Lela Loren (Chuck, Lost) as Governor Danica Harlan, and Torben Liebrecht (Homeland, Luther) as Colonel Carrera, with James Saito (Prodigal Son, Law & Order) as Tanaseda Hidecki.

Check it out the new poster (above) and this new trailer:

Continue reading

It’s a fantastic sci-fi series with a stellar cast and a story and production values that rival the original Blade Runner and its 2017 sequel.  It’s Netflix’s Altered Carbon, based on Richard K. Morgan’s novel of the same name, a story about Takeshi Kovacs, a future soldier in a world where science has developed a hard drive called a “stack” that is implanted in humans’ necks, allowing our memories to be uploaded to storage and replanted over and over so they seemingly can live forever, even in new bodies called “sleeves.”  See our review of the first season here.  Allowing Kovacs and other characters to be played by any number of actors (allowing the series to run forever like Doctor Who), for the second season that means Anthony Mackie (Captain America: Winter Soldier, The Adjustment Bureau) is replacing Joel Kinnaman (RoboCop, Suicide Squad) as series lead.  Netflix revealed its first teaser for the new season this week.  Check it out below!

So fans of the Syd Mead, Ridley Scott, and Philip K. Dick brand of futurism, and all things borg, should catch up on the first season now.  What does it mean to be human, and how much can you shed away and replace with technology and still retain the “self”?  Altered Carbon tackles the philosophical questions The Matrix film series tried to answer.  Kovacs is a 300-year-old soldier.  As a seasoned fighter 250 years ago he was the last of a mercenary group called the Envoys, leading a rebellion against the new world order.  This is a bleak world, filled with virtual reality and virtual sex, body swapping and trafficking, and the kind of tech noir, bleak, dystopian realm seen in Strange Days, A Scanner Darkly, Minority Report, Ready Player One, The Running Man, Brazil, Total Recall, with the violence of A Clockwork Orange.  

The new teaser trailer showcases Mackie, but also shows glimpses of returning characters, including Kovacs former platoon leader, played by Renee Goldsberry (Star Trek Enterprise, Life on Mars), the original Kovacs, played by Will Yun Lee (Hawaii Five-O, Bionic Woman, Witchblade), the artificial intelligence named Poe who is the runner of a seedy hotel, played by Chris Conner (Burn Notice, House, Bones).  Unfortunately it doesn’t look like the fantastic cop Kristin Ortega, played by Mexican actress Martha Higareda (McFarland USA, Royal Pains), will be back, but new additions include Simone Missick (Marvel’s Luke Cage, The Defenders), Neal McDonough (Captain America: The First Avenger, Walking Tall, The X-Files,), and Alessandro Juliani (Chilling Adventures of Sabrina, Battlestar Galactica).

Check out this quick look at season two of Altered Carbon:

Continue reading

Review by C.J. Bunce

It’s a fantastic sci-fi series with a stellar cast and a story and production values that rival the original Blade Runner and its 2017 sequel: Altered Carbon is based on Richard K. Morgan’s novel of the same name, a story about Takeshi Kovacs, a future soldier in a world where science has developed a hard drive called a “stack” that is implanted in humans’ necks, allowing our memories to be uploaded to storage and replanted over and over so they seemingly can live forever, even in new bodies.  That conceit allows Kovacs and other characters to be played by any number of actors, which could allow the series to run forever much as Doctor Who’s regeneration mechanism allows replacement Doctors.  Originally launched on Netflix in 2018, Altered Carbon has been extended for a second season, with filming underway last year, and viewers should expected a second season trailer and 2020 air date any day.  Which means fans of the Syd Mead, Ridley Scott, and Philip K. Dick brand of futurism, and all things borg, should catch up on the first season now.  What does it mean to be human, and how much can you shed away and replace with technology and still retain the “self”?  Altered Carbon tackles the philosophical questions The Matrix film series tried to answer.

Kovacs, played by several actors (more on that below), is a 300-year-old soldier.  As a seasoned fighter 250 years ago he was the last of a mercenary group called the Envoys, leading a rebellion against the new world order.  Kovacs’s stack is shelved for the intervening 250 years until one of the wealthiest men alive, Laurens Bancroft, played by James Purefoy (an actor who has been runner up for the James Bond film roles and appeared in A Knight’s Tale and The Following), buys his stack and puts it in a new body or “sleeve,” giving Kovacs the opportunity to live anew if he agrees to find Bancroft’s killer.  This is a bleak world, filled with virtual reality and virtual sex, body swapping and trafficking, and the kind of tech noir, bleak, dystopian realm seen in Strange Days, A Scanner Darkly, Minority Report, Ready Player One, The Running Man, Brazil, Total Recall, with the violence of A Clockwork Orange, but maybe not so hopeless as in Elysium, Mad Max, Gattaca, Terminator, and Dredd.  

The series, which has a slow start and doesn’t kick into high gear until the second episode, also has the John Carpenter Escape from New York vibe but with Blade Runner visuals and effects, plus the creative elements of Total Recall that made for some unexpected surprises.  Altered Carbon is a close match to RoboCop as future science and technology goes, so it’s easy to see why the casting agents brought along RoboCop remake star Joel Kinnaman as Kovacs’ primary sleeve in the first season.  This sleeve was last owned by a cop killed in duty named Ryker.  Ryker’s partner, Kristin Ortega, played by Mexican actress Martha Higareda (McFarland USA, Royal Pains), takes on the role of the season’s co-lead, struggling as she sees her old partner’s body and acting to protect his sleeve, trying to solve the murder of Bancroft, and uncovering the bad cops in the bureau.  Ortega is a badass character in a small package who gets in and out of several fights that would take down anyone else in any other story, and she is the high point of the series–at one point an incident results in a loss of an arm, soon replaced by a powerful cybernetic arm.  An interesting twist is that her family are Catholics, and in this future Catholics don’t believe in the stacks, which means once they die they are dead forever.  This sets up one of the more interesting plot threads.  If it seems like the series has a lot going on, that’s because it does. But it all comes together in a satisfying way in the final episodes.

Continue reading

It’s been another long year of great entertainment.  It’s time for the seventh annual round of new honorees for the borg Hall of Fame.  We have several honorees from 2019 films and television, plus you’ll find some from the past, and a peek at some from the future – 28 new borgs or updated variants in all, bringing the borg Hall of Fame total to 221.

You can always check out the updated borg Hall of Fame on our home page under “Know your borg.”

Some reminders about criteria.  Borgs have technology integrated with biology Wearing a technology-powered suit alone doesn’t qualify a new member.  Tony Stark aka Iron Man was named an honoree because the Arc Reactor kept him alive, not because of his incredible tech armor.  The new Spider-Man suit worn by Tom Holland is similar to Tony’s, but it’s not integrated with Peter Parker’s biology.  Similarly Peni Parker, seen outside her high-tech SP//dr suit in Spider-Man: Into the Spider-Verse and Black Manta from Aquaman are merely wearing tech suits.  We’d love a reason for a Mandalorian to make the cut, like Boba Fett, or Jango Fett, or the new Mandalorian from the series, since nobody has more intriguing armor.  Maybe the second season coming next fall will give us something new to ponder.

Also, if the creators tell us the characters are merely robots, automatons, or androids, we take their word for it.  Again, integration is key, but in the Hall, once a member, always a member.  

So let’s get on with it.  Who’s in for 2019?

Continue reading

This year we found one series that could easily sweep most of the categories–a single television series that had everything: compelling story, a full range of emotions, great characters, tremendous action, a sharp use of humor, all kinds of genre elements that were satisfying and left viewers feeling inspired.  Richly detailed sets and costumes.  An impossible feat to replicate.  No drama came close.  No other visual effects spectacle could touch it.  And its audience is everyone.  A truly epic addition to television viewing, that series is The Dark Crystal: Age of Resistance, the greatest television series to come along in years.  If you love genre like we do, this was as good as it gets.  And like icing on the cake, along came The Mandalorian at year end.

But we’re not going to ignore the other good things that happened on the small screen this year.

Our borg Best of 2019 list continues today with the best in television.  If you missed it, check out our review of the Best Movies of 2019 here and the best Kick-Ass Heroines of 2019 here.

Without further ado, this year’s Best in Television:

Best Borg SeriesDoom Patrol (DC Universe).  With this year’s series Doom Patrol we got a look at two borgs, DC Comics’ Cyborg, an update to Martin Caidin’s original Bionic Man from the 1970s, and an older borg created before the word was even coined in the 1960s, Robotman.  Both characters revealed a glimpse at what life might be like with significant cybernetic enhancements (when brought together by a modern Dr. Frankenstein).  For 2019, it was the way to get your borg fix on the small screen.

Best TV Series, Best New Limited TV Series, Best TV Fantasy, Best Writing for TV, Best TV Costumes/Makeup, Best TV SoundtrackThe Dark Crystal: Age of Resistance (Netflix).  It was worth the wait.  Jim Henson’s seemingly impossible to replicate artistic vision was successfully achieved thanks to his daughters and the company he founded.  The kindest heroes, the darkest evil, a truly epic, legendary story for the ages.  Everybody is cranking out CGI extravaganzas, but how many are creating artistry so fundamentally real, with so many individual artists and artisans contributing and achieving so much?  Even that wouldn’t be enough if not for the layered mythology and epic adventure story.  Add great humor, high stakes, emotional impact, an all-star voice cast, Daniel Pemberton and Samuel Sim’s  imaginative musical score, and those puppets and all that go into them–it adds up to a rare thing–a Henson masterpiece.

Best TV Sci-fi Series, Best TV DramaThe Man in the High Castle (Amazon).  Amazon Studios could not have adapted a series more faithfully, making changes for the medium and the times, than its take on Philip K. Dick’s most celebrated novel.  The use of science fiction to tell a deep and twisty level of subplots and unique setting all came to a perfect conclusion in the series finale.  Exciting, intelligent, frightening, and the most thought-provoking series this year, it was also different from its sci-fi competition.  Honorable mention: The Mandalorian (Disney+)–but only if we allow space fantasy since the series is not true science fiction, The Orville (Fox)–for its two-part epic movie-worthy space story, “Identity.”

Best New Ongoing TV Series, Runner-up: Best TV Soundtrack, Runner-up: Best TV Costumes/Makeup The Mandalorian (Disney+).  Not a lot needs explaining with this series, which in only its first two hours we rated it closer to the original Star Wars and The Empire Strikes Back than anything with the Star Wars label on it since.  The Western motif is still alive, not all that hidden here in space fantasy garb.  And we won’t get started on the impact of The Child (aka Baby Yoda) on the genre-loving world and beyond.  Credit Jon Favreau’s visible enthusiasm and love for the original movies for the success of this surprisingly awesome arrival–the series is proof Star Wars is far from over.

Continue reading

This Friday fans of the science fiction TV series The Expanse get their wish: a fourth season and new studio commitment that may yield even more seasons.  Dropped by the Syfy channel more than a year ago, Amazon Studios is breathing new life into the series, taking over right where the third season left off (check out a preview for the new season below).  Based on the James S.A. Corey series of novels (eight with a ninth in the works), the show has earned a fan following much like that of the Battlestar Galactica reboot, in part because of its similar dark and gritty look at the future of Earth.  And as a bonus, unlike most TV series, The Expanse now has its own behind-the-scenes book digging into the production, full of concept artwork, ship and costume designs, and all the future tech that goes into a visual effects-filled show.

The Art and Making of The Expanse was created by Titan Books editor Andy Jones and Alcon Publishing’s Jeff Conner.  It doesn’t skimp on the photographs, giving fans both a treasure trove of screen images while also showing how those final shots came to be.  It recounts how the series made its way from video game to roleplay game to novels before getting picked up for TV.  Showrunner Naren Shankar and producers Mark Fergus, Daniel Abraham, and Ty Franck tell the whole story with contributions from actors Steven Strait, Dominique Tipper, Wes Chatham, Cas Anvar, Thomas Jane, and Sadavir Errinwright, production designer Seth Reed, costume designer Joanne Hansen, construction coordinator Robert Valeriote, senior VFX supervisor Bob Munroe, and concept artist Tim Warnock.

Readers will see all the key sets, spacesuits and other costumes, props, designs, ships, ship signage, and more from the first three seasons with a look at the fourth season’s concept art.  Look for layouts on each main character, the major ships and space stations, and a lot more.

Here is a preview of season four of The Expanse, with new cast members Burn Gorman (Torchwood, Forever, The Man in the High Castle), Lyndie Greenwood (Sleepy Hollow, Nikita), Jess Salgueiro (Orphan Black, The Strain), Michael Benyaer (Deadpool, Magnum PI), Chai Valladares (Star Trek Discovery, The Boys), and Kris Holden-Reid (Vikings, Lost Girl), and a new cyborg or two:

Continue reading

Review by C.J. Bunce

In Making the Monster: The Science Behind Mary Shelley’s Frankenstein, chemist and author Kathryn Harkup, author of A is for Arsenic, reveals the results of a thorough investigation into the scientific knowledge available to young author Mary Shelley at the turn of the 19th century when Shelley wrote the first science fiction novel (and basis for the first horror movie), Frankenstein, or The Modern Prometheus The result is a detailed, marvelously interconnected picture of notable minds of the Enlightenment and their theories, a useful history of science and technology, and a worthy supplement to any reading or study of the classic story.

Mary Wollstonecraft Godwin was greatly influenced by noted authors of her era, beginning with her parents, William Godwin and Mary Wollstonecraft (through her writings), and her long-time companion and eventual husband, the noted author and political thinker Percy Bysshe Shelley.  Mary Shelley lived in a world of scientific improvements, while also at only the barest beginnings of modern chemistry, biology, and medicine.  Author Kathryn Harkup looked back to writings of the late 1700s and earlier, where religion, politics, and culture were undergoing a radical shift, with old concepts like alchemy winding down its influence on the thinking world.  As Harkup writes, “Dark, discredited, ineffectual alchemy was contrasted with enlightened, rational, powerful science.”  She follows Mary Shelley’s travels as documented in letters and diaries Shelley and her contemporaries wrote to locate hundreds of opportunities that could have influenced the author’s story as well as Victor Frankenstein the character inside the world where he would create life from the dead.  In doing so the reader will get a snapshot of the world in 1800-1818 and a class in a major chapter of the history of science and technology–what someone in Shelley’s circumstances as a woman among affluent families living among vocal sharers of ideas including the likes of Erasmus Darwin, Luigi Galvani, Benjamin Franklin, and Lord Byron.

Harkup takes her research a step further in Making the Monster: The Science Behind Mary Shelley’s Frankenstein, locating the possible influences of not only Shelley but those around Mary Shelley like her father, her husband, and Byron, whose access to cutting edge science and free thought reached across the ocean and nations.  She references the ongoing relationships and likelihood of the sharing of ideas among these men and Mary Shelley, all leading to the famous trip during the rainy summer of 1816, where the world was overtaken by darkness thanks to the earlier eruption of Mount Tambora in far off Indonesia.  Mary Shelley, age 18, with boyfriend Percy visiting Byron and Dr. John Polidori at Lake Geneva, Switzerland, were hunkered down reading ghost stories to each other from the French book Fantasmagoriana, when Byron suggested each should write his/her own ghost story (Polidori’s story would become The Vampyre, the first vampire novel).  Along with the science, Harkup provides a complete background of each step of Shelley’s life before and after completion of her Frankenstein contribution.

Continue reading