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Tag Archive: CBS


Grimm fans are pretty grim right now.  Just as the series hit its full stride and seemed to only gain steam, its final season is winding down.  As tonight’s finale arc begins, at least we now know that star David Giuntoli won’t be away from the small screen very long.  He is beginning work on a new series pilot for CBS.

Mission Control will follow the fictional lives of NASA employees as they balance managing the current space program and their own personal drama.  Giuntoli will star in the series along with Unforgettable and Without a Trace star Poppy Montgomery.  Montgomery is continuing her long run on television after four years as the lead on Unforgettable, which switched networks from CBS to A&E in its final season.

The new series hails from The Martian novel author Andy Weir and the film adaptation’s producer Simon Kinberg.  Jeremy Podeswa (Game of Thrones, True Detective, The Riches) will direct.  Other cast members include Levi Fiehler (Ray Donovan, The Fosters) as Izzy, Mercy Malick (iZombie, Major Crimes) as Hoff, and ubiquitous character actor Nestor Serrano as Diaz.

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training-day

Director Antoine Fuqua, who is pretty much an ace in the hole with great movies like Shooter, The Equalizer, and last year’s The Magnificent Seven, brings another one of his hit movies to television this month.  This time Fuqua is in the executive producer role along with Jerry Bruckheimer for Training Day, a sequel series to the film, airing Thursday nights at 9 p.m. Central on CBS, starring Bill Paxton (Aliens, Apollo 13, Edge of Tomorrow, Twister, Weird Science) and newcomer Justin Cornwell, with Julie Benz (Angel) and Marianne Jean-Baptiste (Without a Trace).  The series is directed by Danny Cannon (Gotham, CSI, Eleventh Hour).

Training Day was the 2001 surprise hit that garnered Denzel Washington an Oscar and Ethan Hawke one of his four Oscar nominations.  It’s known for its gritty realism and its view of urban street life with a rookie (Hawke) in his first day in a new role with a veteran cop of questionable motives and actions (Washington).  The series is far less gritty, fitting the modern police procedural framework with more humor and bordering a bit on the melodramatic.

For the series, which aired its first episode last night, we’re brought 15 years after the events in the movie with young do-gooder detective Kyle Craig, played by Cornwell, tasked by the squad’s deputy chief (Jean-Baptiste) to track the actions of an alleged crooked cop, Detective Frank Rourke, played by Paxton.  Training Day’s first episode reveals this is just the latest in decades of L.A.P.D. shows going back to Dragnet.  It’s plenty fun simply to watch an hour of Bill Paxton spouting those quirky words of wisdom his characters are known for.  Episode one even throws in a Western stand-off complete with some background music straight out of an old Western TV show.

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The plot of the series is swappable for any police procedural.  The hook with the series is the title, which fit the movie better since the entire movie took place in one day, but Training Day could easily be a follow-up to Martin Scorcese’s Departed, another film about a rookie trying to get the goods on a bad cop.  The change-up is in the title–who is training whom?  The TV series updated the movie’s 1979 Monte Carlo with an even earlier muscle car for the series taking place so many years later–you can envision a series 40 years from now still using 1970s cars as their street rides.  Ultimately it will be enough for Paxton fans to see him driving around in that car in a seedy L.A. doing his shtick every week.

Here is a behind the scenes look and a preview for CBS’s Training Day:

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lost-in-space-cover

Review by C.J. Bunce

It takes a unique brand of personality to pull together the required components to make a hit television series.  It took a bit of a showman to convince Hollywood in 1965 to produce a science fiction series aimed at kids, and before Star Trek, someone had to lay the groundwork for a series taking place in another world.  That someone was the P.T. Barnum of his day, Irwin Allen.  Classic television researcher Marc Cushman has delved into his favorite show from his youth to deliver a full picture of Allen and the first season of the hit series Lost in Space in his latest work, volume one of Irwin Allen’s Lost in Space: The Authorized Biography of a Classic Sci-Fi Series.

What do all these TV series have in common?  Lassie, Bonanza, Zorro, The Danny Thomas Show, The Twilight Zone, Leave it to Beaver, The Sound of Music, Psycho, and Alfred Hitchcock Presents/Hour?  An assemblage of hundreds of TV people in front and behind the camera came together to make an unlikely idea into a success.  At nearly 700 pages, Cushman’s book leaves no rock left unturned, interconnecting a Who’s Who of Hollywood.  He investigates oddball directors like Irwin Allen, who built up his office desk so visitors would be left to look up to him and had his own “yes man” who would repeat conversations to him as he discussed business with people, and Sobey Martin, viewed by the cast as a bad director who would fall asleep during filming, yet he was the only one who seemed to be able to get an episode filmed on time.  The production never seemed to get an episode filmed with the allotted budget.

lost-in-space

Just as Cushman revealed in his similarly-formatted, award-winning three volume chronicle of Star Trek (These are the Voyages, reviewed previously here at borg.com) that Lucille Ball was the mastermind producer behind Star Trek, here we see the influence of movie and TV stars Groucho Marx and Red Buttons on Irwin Allen as he pushed forward to create the first season of Lost in Space.   Where the coming new sci-fi series Star Trek would be a “Wagon Train to the stars,” Allen was orchestrating a “Swiss Family Robinson in space” an idea that would encounter its own breed of intellectual property legal issues along the way.

Cushman pulls archival interviews from the late series star Guy Williams (one of the top TV stars in the 1960s as he came off his successful run as Zorro and would portray astronaut John Robinson), everyone’s favorite TV mom June Lockhart (as pioneer female astronaut Maureen Robinson), Western and true crime TV star Mark Goddard (as scientist Don West), new starlet Marta Kristen (as John and Maureen’s eldest daughter Judy Robinson), Angela Cartwright fresh off her breakout role with Julie Andrews in The Sound of Music (as Penny Robinson), young Billy Mumy, the versatile child guest star of The Twilight Zone, The Munsters, I Dream of Jeannie, Bewitched, The Fugitive, and The Alfred Hitchcock Hour (as Will Robinson), Bob May (as the guy in the Robot), and the last-minute addition, character actor Jonathan Harris (as the quirky villain Mr. Smith).

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Star Trek blu-rays 50th anniversary box set

If you don’t already own Star Trek’s original series, animated series and movie series, a new boxed set coming next month may be the thing for you.  As part of its 50th anniversary celebration of the original series, CBS and Paramount are partnering to release a high-end compilation of Blu-ray editions of some of the franchise’s best productions.

Every movie featuring the original Enterprise crew of William Shatner, Leonard Nimoy, James Doohan, Nichelle Nichols, George Takei, and Walter Koenig, except Star Trek Generations–Star Trek: The Motion Picture, Star Trek II: The Wrath of Khan, Star Trek III: The Search for Spock, Star Trek IV: The Voyage Home, Star Trek V: The Final Frontier, and Star Trek VI: The Undiscovered Country–can be yours on Blu-ray.  The original series is also included, and the director’s cut of Star Trek II: The Wrath of Khan released earlier this year.

ST disc 30 collection

For those who already have invested in the above content on Blu-ray, the additional material in the new boxed set that may draw you in is a first-time release of Star Trek: The Animated Series in high-definition on Blu-ray, as well as a multi-part documentary: Star Trek: The Journey to the Silver Screen—New 50th Anniversary.  CBS/Paramount promises two hours of features with new content, covering The New Frontier: Resurrecting Star Trek, Maiden Voyage: Making Star Trek: The Motion Picture, The Genesis Effect: Engineering The Wrath of Khan, The Dream is Alive: The Continuing Mission, and End of an Era: Charting the Undiscovered Country.

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Star Trek Beyond Fly spot USS Enterprise inside Starbase Yorktown

Review by C.J. Bunce

In the fiftieth year of Star Trek, fanboy Simon Pegg proved that the franchise has never been stronger.  Probably more so than any prior entry in the now 13-movie catalog, Star Trek Beyond found a way to be the most loyal to the original series, with the writers weaving a story you could also find comfortably set within Star Trek: The Next Generation and Star Trek Voyager.  And director Justin Lin showed that an action heavy film can also tell a good story.

Get ready.  Star Trek Beyond, opening this weekend in theaters everywhere, is also the most fun of the Star Trek movies since Star Trek IV: The Voyage Home, thanks to clever and witty dialogue and circumstances that put the Bones and Spock relationship at center stage.  By movie’s end, diehard Star Trek fans will find themselves trying to categorize the latest big budget blockbuster against the past even-numbered films, generally regarded as the cream of the crop.  That consideration alone elevates the movie into the top echelon of all Trekdom, a welcome jolt for the franchise.

Better than the admittedly good Abrams contributions Star Trek and Star Trek Into Darkness, Star Trek Beyond taps more subtlely into throwbacks we love, like a look at the Enterprise itself and spacedock in a way we haven’t seen since Star Trek: The Motion Picture and Star Trek III:  The Search for Spock.  And speaking of the original Star Trek III, this third reboot mirrors many key moments from that film, despite having an entirely different plot.

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What does it mean to serve on a ship on a long voyage?  What toll does it take on the captain and his or her crew?  Beginning with a humanitarian mission that we think Jean-Luc Picard would have appreciated, including an in-world guest actress (Sofia Boutella) like none other we’ve seen in Star Trek, featuring a strong actor–Idris Elba–as a brilliantly conceived unique–yet also familiar–villain, and dividing up the crew in twos to highlight the strengths of the characters–Star Trek Beyond is practically flawless.  Star Trek Beyond is not just good Star Trek, it’s great Star Trek.

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Star Trek 2017 TV Series Logo

It’s not much but the first teaser for the next Star Trek television series could be telling.  It features the new logo for the series, which doesn’t air until 2017, following the 50 year anniversary of the original 1960s series.  It features familiar notes from the classic Star Trek theme, and a journey through the stars similar to the footage that accompanies the end credits to the J.J. Abrams movies.

CBS presents a new adventure.  New Crews.  New Villains.  New Heroes.  New Worlds.

The “New Worlds” shows an attempt to return to the series’ roots, the search for strange new worlds.  But it’s the plurals that may be sharing some of what fans have been after.  New Crews?  So will this be a series of one-shot episodes?  A series of multi-episode story arcs?  An all-out anthology?  The reboot Battlestar Galactica offered up a reasonably successful spin-off following another vessel’s exploits.  Is that the kind of story the new producers are working on?  Or will each season follow another strange new world and crew?

We still know nothing about the sixth Star Trek series, but fans are hopeful.  Check out this first teaser for the series:

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"Red Faced" -- Personal and professional stress get the better of Kara when she goes too far during a training exercise against Red Tornado, a military cyborg commissioned by Lucy Lane's father, General Sam Lane, on SUPERGIRL, Monday, Nov. 30 (8:00-9:00 PM, ET) on the CBS Television Network. Pictured left to right: Melissa Benoist and Iddo Goldberg as Red Tornado Photo: Darren Michaels/CBS ©2015 CBS Broadcasting, Inc. All Rights Reserved

One of our favorite members of the Justice League will appear on Supergirl later this month.  We discussed the pantheon of DC Comics’ classic superhero team earlier this week here at borg.com, noting Red Tornado was yet to make an appearance.  Ask and ye shall receive, as they say.

Red Tornado is an android with enormous power.  In the comic books, Red Tornado was originally a villain, who turned hero and ended up for several years with the Justice League.  As with the comics, it appears that Supergirl’s version of Red Tornado will start as a key villain, but may yet turn from bad to good.  CBS refers to Red Tornado as “a military cyborg commissioned by Lucy Lane’s father, General Sam Lane”.

Red Tornado costume supergirl

Iddo Goldberg will don the Red Tornado costume in the series.  Here are some artist’s versions of the red superhero:

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Star Wars Cover Girl

CBS is finally taking a cue from Disney.  Disney, digging in its heels every which way it can to exploit its new Star Wars property, may have finally awakened CBS, which holds the Star Trek television rights.  While any new Star Trek on the TV front has been idle since 2005, Star Wars is licensing everything it can to make major money from Star Wars: The Force Awakens, planning more tie-in movies, and going crazy with product placements, including this commercial we just noticed this week:

And this one for Kraft–for some reason any food can go with Star Wars:

Sure–Paramount has released two major Star Trek movies with another on its way next summer, but the core of Star Trek has always been about television, and CBS hasn’t remotely touched on all the opportunities available for a brand like Star Trek.  At long last, CBS is getting off the dime and beginning to try to make some money from its stagnant TV brand opportunity, too, by creating a new Star Trek TV series more than a decade after the end of the most recent Star Trek show, Enterprise. 

What do we know?  Not much.  Only what was issued in the below press release:

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Limitless-CBS-TV-show

As the lead in director Neil Burger’s 2011 theatrical release Limitless, Bradley Cooper gave one of his better performances.  Opposite Abbie Cornish and Robert DeNiro, Cooper played Eddie Morra, who stumbles upon a pill that allows him to use 100% of his brain functions.  This allows him to manipulate the world around him, and, as we said in our review of the film here at borg.com back in 2013, the result was a superhero movie hidden within a film marketed as a drama.

Cooper is briefly reprising his role as Morra in a television sequel series coming to CBS.  Cooper will hand off the leading role to actor Jake McDorman (Live Free or Die Hard, House, M.D.), who plays Brian Sinclair.  Like Morra, he will use these new found powers to change the world around him.

Cooper in Limitless series

Limitless co-stars Jennifer Carpenter (Dexter), Colin Salmon (Arrow, the Brosnan James Bond films, Doctor Who, Resident Evil, The Bank Job) and Mary Elizabeth Mastrantonio (Grimm, Robin Hood: Prince of Thieves).  Check out this preview for Limitless:

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