No Time to Die. It’s the 25th official James Bond movie and the 27th if you include the independent movie Never Say Never Again and the first version of Casino Royale, all part of the longest running movie blockbuster franchise that began in 1962 with Dr. No. For those hoping for just one more Daniel Craig Bond movie: note that they should have quit while they were ahead, and rolled Spectre into a Daniel Craig finale. No Time to Die is a slow, plodding retread of the Spectre plot. It has a new main villain and several minor ones, but it’s missing all the style of previous Bond outings. That’s thanks to the studio selecting movie director Cary Fukunaga for his first foray into big-budget cinema and using an over-long script that took five writers to create. After a long wait–it’s been six years since Spectre and this was initially set for an April 2020 release–No Time to Die is finally streaming on Vudu and other outlets at sell-through prices. But you may want to save your money and wait until it comes to Netflix or cable.
No Time to Die. It will be the 25th official James Bond movie and the 27th if you include the independent movie Never Say Never Again and the first version of Casino Royale, all part of the longest running blockbuster franchise that began in 1962 with Dr. No. Bond has left active service and is enjoying a tranquil life in Jamaica. His peace is short-lived when his old friend Felix Leiter from the CIA turns up asking for help. The mission to rescue a kidnapped scientist turns out to be far more treacherous than expected, leading Bond onto the trail of a mysterious villain armed with dangerous new technology. The premiere of No Time to Die – said to be the last Daniel Craig stint as James Bond – was delayed due to studio concerns about the COVID-19 pandemic. The next, action-packed movie trailer for No Time to Dieis here (check it out below). The film is now slated for a November release. But does anyone think crowds will return to theaters by then?
No doubt the movies of writer-director Wes Anderson are an acquired taste. Fortunately he exhibits some variety, as we’ve explored before here at borg. Whether it’s Bottle Rocket, Rushmore, The Royal Tenenbaums, The Life Aquatic with Steve Zissou, The Darjeeling Limited, Fantastic Mr. Fox, Moonrise Kingdom, The Grand Budapest Hotel, or Isle of Dogs, at least one of these films will likely appeal to you. For his next big screen venture, Anderson is taking an anthology angle. The lengthy-titled The French Dispatch of the Liberty, Kansas Evening Sun, or just The French Dispatch, for short, doesn’t need to mention Anderson’s name at all. It’s instantly recognizable from his framed cinematography, disturbing bland color hues, and fourth-wall breaking stares from its cast. Yes, there really is a Liberty, Kansas (found in southeast Kansas, population 123). Purportedly inspired by The New Yorker magazine, the film is actually based in a fictional city in France, and follows media types in the latest look at that self-reflective, stark fantasyland found in many Anderson movies.
The anthology element consists of incorporated story threads centered on characters and “stories” played out by Anderson troupe members Tilda Swinton and Frances McDormand, and–new to Anderson-land–Jeffrey Wright. Other Anderson familiars include Owen Wilson, Bill Murray, Edward Norton, Bob Balaban, and Jason Schwartzman. Like Woody Allen movies years ago, everyone seems to be flocking to be in the next Anderson picture, so this time that means the likes of Henry Winkler, Willem Dafoe, Anjelica Huston, Benicio Del Toro, Adrien Brody, Léa Seydoux, Christoph Waltz, Liev Schreiber, and many more. Music is by Alexandre Desplat.
Check out this trailer for the expectedly unusual The French Dispatch of the Liberty, Kansas Evening Sun:
No Time to Die. It will be the 25th official James Bond movie and the 27th if you include the independent movie Never Say Never Again and the first version of Casino Royale, all part of the longest running blockbuster franchise that began in 1962 with Dr. No. The first full movie trailer for No Time to Dieis here (check it out below), along with several character posters. And those (like us) who see Daniel Craig as their favorite Bond will be sad to hear Craig says this will be his last turn at 007. His performance as “the man every guy wants to be and every woman wants to be with” would no doubt be familiar to author Ian Fleming, whose character was a rugged, late career spy as Craig has played it (check out our past reviews of the Bond novels here at borg).
Along with other international venues, Bond returns to Jamaica in his next film, where we’ve seen him before in Dr. No and Live and Let Die, but more importantly it’s Bond coming full circle, as Jamaica is where Fleming wrote all of his Bond stories, at his real home there he called Goldeneye. Long-time series producer Barbara Broccoli tapped Cary Fukunaga, a cinematographer and relative newcomer to the big screen, to take the reins as director, following Sam Mendes, who directed the last two Bond movies. Returning as the familiar core characters are Ralph Fiennes, Naomie Harris, Ben Whishaw, Rory Kinnear, Jeffrey Wright, Christoph Waltz, and Léa Seydoux as Bond’s latest love interest from the last outing. New to the series are Rami Malek(Bohemian Rhapsody) as the villain Safin, plus Ana de Armas(Blade Runner 2049),Lashana Lynch(Captain Marvel) as a new 00, Lourdes Faberes (Knightfall),Rae Lim(Tomb Raider), and Billy Magnussen(Black Mirror).
Bond has left active service and is enjoying a tranquil life in Jamaica. His peace is short-lived when his old friend Felix Leiter from the CIA turns up asking for help. The mission to rescue a kidnapped scientist turns out to be far more treacherous than expected, leading Bond onto the trail of a mysterious villain armed with dangerous new technology.
Check out all the character posters (which list the UK release date) and the first trailer released today for No Time to Die:
We have a review of the first of three tie-in books to the new Robert Rodriguez film Alita: Battle Angel coming your way. Alita: Battle Angelshould appeal to any fan of cyborgs–the story as envisioned by James Cameron was a pet project of the director for several years, one he’d picked up from Guillermo del Toro. When Cameron decided to pursue management of his several Avatar sequels directly and finally handed over the project to Rodriguez he did so with more than 600 pages of notes he’d prepared. The film is an adaptation of the manga Battle Angel: Alita by Yukito Kishiro, a story about self-discovery and empowerment via a centuries-old human brain that finds its way into the cybernetic body of a young girl. A part-time doctor, part-time bounty hunter, Doctor Ido, played in the film by two-time Oscar winner Christoph Waltz, takes center stage inAlita: Battle Angel–Doctor Ido’s Journal, the new release by writer Nick Aires for Titan Books.
After losing his human daughter’s struggle to live, the Dr. Frankenstein-inspired Dr. Ido finds the “core” of a cyborg in a scrapyard with a surviving, living human brain. He uses the prosthetics and futuristic body parts he’d designed for his daughter to rebuild a new girl, quasi-Pinocchio style, naming her Alita after his daughter. The sci-fi story follows Alita as she tries to learn about her past and survive in a dystopian world that mixes inspirations from John Carpenter, Ridley Scott, Neill Blomkamp, and George Miller. The visions of each of these directors’ best futuristic films comes through in Doctor Ido’s Journal, an in-universe document which reprints concept art, sketches, and photographs from the film, combining them with a diary entry narrative written by Aires in the place of Dr. Ido. Doctor Ido’s Journal will be familiar to fans of Aires’ past in-universe books, includingOliver Queen’s Dossier, S.T.A.R. Labs: Cisco Ramon’s Journal, and Arrow: Heroes and Villainsand works by others reviewed here, including Alien: The Weyland-Yutani Report, The Book of Alien: Augmented Reality Survival Manual, and theBatman v Superman Tech Manual. Fans will first find a cleverly designed flex-cover that mimics metal (a great design effect that would make for an attractive blank journal), followed by pages of dense notebook entries that track the action of the film, all from Dr. Ido’s perspective.
The artwork is exceptional, vivid engineering-level drawings like those found in Mark Salisbury’sElysium: The Art of the Film, reviewed here at borg, and the combination of horror and beauty found in production artists Dan Hallett and Matt Hatton’s elaborate designs in Alien: Covenant: David’s Drawings, reviewed here (it’s worth noting the Weta Digital created much of the designs for both Alita: Battle Angel and Elysium, and the similarly realized scrap-metal worlds of Blomkamp’s District 9 and CHAPPIE). At times the gear-heavy animatronics inside the cyborgs echo the real-world 19th century automaton past of these creations, making these modern borgs into something that feels almost steampunk.
It’s that time of year again, time to take a look forward at what movies should be on your radar for 2019. Are you going to see them all? Heck no. These are the genre films we think borg readers will want to know about to make their own checklists for the coming year–and they are only the films we know about so far. We pulled 78 of the hundreds of films that have been finalized or are in varying stages of final production, slated for next year’s movie calendar.
What looks to top the list for most fanboys and fangirls? The last of the nine films in theStar Wars saga. Captain Marvel, Avengers: Endgame, and Spider-Man: Far From Home.Shazam!is DC’s contribution. Quentin Tarantino returns to movies to direct Once Upon a Time in Hollywood, and Martin Scorsese is back with an all-star cast in The Irishman (on Netflix). M. Night Shyamalan finishes his dark superhero trilogy with Glass. Arnold Schwarzenegger and Linda Hamilton return in Terminator. Jordan Peele is back with another horror film with Us.
Do you like sequels? This is your year. Another Men in Black, X-Men, Shaft, Happy Death Day, Lego Movie, Hellboy, John Wick, Kingsman, Jumanji, The Secret Life of Pets, How to Train Your Dragon, Fast and the Furious, Zombieland, Addams Family, Charlie’s Angels, Godzilla, Shaun the Sheep, Annabelle,and Stephen King’s It and Pet Sematary—Disney is trying to get you to move into your local theater with another Toy Story, Aladdin, Dumbo, Frozen, and Lion King–all in one year. Yep, lots and lots of sequels are coming.
Some films don’t have locked-in release dates yet. Amazon Prime and Netflix haven’t revealed dates for these 2019 releases:
Martin Scorcese’s The Irishman, a film about Jimmy Hoffa starring Robert DeNiro, Al Pacino, Joe Pesci, Harvey Keitel, Ray Romano, and Bobby Cannavale (Netflix)
The Kid, a Western biopic with Chris Pratt, Ethan Hawke, Dane DeHaan, and Vincent D’Onofrio (Netflix)
The Man Who Killed Hitler Then Bigfoot, starring Sam Elliott (Netflix)
6 Underground, a Michael Bay film starring Ryan Reynolds, Ben Hardy, Dave Franco, and Mélanie Laurent (Netflix)
The Last Thing He Wanted, Dee Rees directs Anne Hathaway, Ben Affleck, Willem Dafoe, and Toby Jones; journalist quits newspaper job to become an arms dealer for a covert government agency (Netflix)
The Laundromat, Steven Soderbergh directs Meryl Streep, Gary Oldman, Antonio Banderas, James Cromwell, about the Pentagon Papers (Netflix)
Radioactive, Rosamund Pike plays Marie Curie, with Anya Taylor-Joy (Amazon)
Some of these films will have revised release dates, or get pushed to 2020.
So grab your calendar and start making your plans–here are the movies you’ll want to see in 2019 (and many you might not):
January
Glass – Superhero, M. Night Shyamalan trilogy part 3, stars Bruce Willis, Samuel L. Jackson, James McAvoy; continues where Unbreakable and Split left off – January 18.
Serenity– Mystery/Thriller, stars Anne Hathaway, Jason Clarke, Djimon Hounsou, Jeremy Strong, Diane Lane; sorry, no relation to Firefly – January 25.
King of Thieves– Heist Comedy, stars Jim Broadbent, Tom Courtenay, Charlie Cox, Michael Gambon, and Ray Winstone – January 25.
One of the under-the-radar previews at this weekend’s San Diego Comic-Con was for the new James Cameron/Robert Rodriguez/Jon Landau sci-fi film, Alita: Battle Angel. If you compare the trailer previewed Friday night at Horton Plaza’s Regal Theater to the earlier teaser from last December (see both below) you will see a stark difference, with clear improvements made in the interim in post-production, especially with the CGI face and movements for Alita the lead borg character in the film, with motion capture performance by Rosa Salazar. Director Robert Rodriguez and producer and Oscar-winner Jon Landau headlined the panel Friday with Salazar and Keean Johnson, who plays Hugo.
WETA featured an Alita display at their booth. Hundreds of WETA Digital creators worked on the film.
Based on Yukito Kishiro’s manga comic Battle Angel Alita, the adaptation follows a doctor, played by Oscar-winner Christoph Waltz, whose character is the latest Geppetto, creating Alita, a cybernetic girl. The screenplay, written by James Cameron, takes the common borg origin sub-genre of science fiction (Frankenstein, Pinocchio, Edward Scissorhands, Ghost in the Shell, etc.), to make the next sci-fi warrior heroine. The film co-stars Michelle Rodriguez, Jennifer Connelly, Mahershala Ali, Ed Skrein, Jackie Earle Haley, and Jeff Fahey.
Not many R-Rated movies these days get much attention in a genre world of sci-fi, fantasy, superhero, action, or suspense/thriller films. The current wave of hit films seems to be targeting the broader, all-age audience, not just the adult set, with Deadpool being the notable exception. But a new historical romance opening this weekend is so loaded with genre actors it drew our attention. The background for Tulip Fever is as unusual as its subject matter. Tulip Fever was initially set to be a Steven Spielberg film with Paramount Pictures starring Jude Law, Keira Knightley, and Jim Broadbent, way back in 2004, but a change in UK tax rules stopped the film in its tracks. So Harvey Weinstein bought the rights and re-cast the film and production commenced in 2014.
The costumes, from Academy Award winning designer Michael O’Connor (Dredd, The Duchess, Harry Potter and the Chamber of Secrets) and the set design by Simon Elliott (Bleak House) look quite good, a dark European drama with Les Miserables-esque cinematography. The film’s premise is unusual. Academy Award winning actress Alicia Vikander (Ex Machina, The Man from U.N.C.L.E., Jason Bourne, The Danish Girl, and next year’s Tomb Raider) stars as Sophia, a young married woman who falls for a portrait artist during Tulip Mania in 17th century Amsterdam. Her lover is played by Dane DeHaan (Valerian and the City of a Thousand Planets, The Amazing Spider-man 2). The comparison of this couple to Kate Winslet and Leonardo DiCaprio’s secret lovers in Titanic is unmistakable. But can a movie set with the backdrop of Tulip Mania possibly hope to draw the appeal of the sinking of the Titanic? Probably not where this film is heading. The film was originally screened at Cannes in 2015. It’s release has been delayed at least six times.
But the genre actor cast list continues. Sophia’s husband is played by two-time Oscar winner Christoph Waltz (Spectre, Inglourious Basterds, Django Unchained, The Legend of Tarzan, Muppets Most Wanted). Oscar winner Dame Judith Dench (the James Bond series, The Chronicles of Riddick, Pirates of the Caribbean: On Stranger Tides, Shakespeare in Love, Henry V) has a cameo role as a nun. BAFTA winner Tom Hollander (Pirates of the Caribbean series, Mission Impossible: Rogue Nation, Muppets Most Wanted, Valkyrie, Gosford Park) plays a doctor. Primetime Emmy winner Zach Galifianakis plays a friend of DeHaan’s character and DeHaan reunites with Valerian co-star Cara Delevingne.
Dozens of adaptations of Edgar Rice Burroughs’ Tarzan have made it to the big screen and TV, and the newest version is out this summer, director David Yates’ The Legend of Tarzan. It’s not another Disney adaptation although the 1999 Disney version was a good film. This new version offers some nice CGI with its Planet of the Apes-style apes and other animals. It also includes some updates to the original story.
The biggest draw for comic book movie fans will be the lead actress, Margot Robbie, as Jane. Robbie will be portraying Harley Quinn in Suicide Squad later this year. Stellan Skarsgård’s (The Avengers, The Hunt for Red October) son Alexander is Tarzan. A major league cast supports this film, including two-time Academy Award winner Christoph Waltz, Academy Award winner Jim Broadbent, and Academy Award nominees Samuel L. Jackson, Djimon Hounsou, and John Hurt.
Check out this first full-length trailer for The Legend of Tarzan:
Christie’s & Eon Productions are auctioning off 24 lots from last year’s latest James Bond entry, SPECTRE, now out on Blu-ray and reviewed here at borg.com last week. An online-only sale will offer 14 of the 24 lots, open for bidding beginning tomorrow, February 16, 2016, through Tuesday, February 23, 2016, with an invitation-only live auction being held on Thursday, February 18, 2016, at Christie’s in London. The live auction is also open to Internet and telephone bidders.
1. Blu-ray disc signed in gold marker pen by Daniel Craig plus James Bond’s blue initialed ‘JB’ Tom Ford cufflinks worn by Daniel Craig
Each set with oval lapis lazuli panels engraved with the monogram ‘JB’ for James Bond, to single-link connections, signed Tom Ford, 15mm wide, in maker’s case and card box. Bond’s cufflinks were personalized for SPECTRE, designed by Jany Temime and made by Tom Ford. Daniel Craig as James Bond wore these cufflinks throughout the film with each of his suits apart from the ‘mother-of-pearl’ version which he wore with his dinner suit (see Lot 15). They are one of two pairs held in the EON archive.
Estimate: $4,300–7,100
2. James Bond’s Day of the Dead Costume worn by Daniel Craig
Designed by Costume designer Jany Temime and mask designer Robert Allsopp. The set includes:
Black frock coat with white hand painted bones, size IT38
Skull mask with elastic fastening
Black leather gloves, size M
Black top hat, 100% wool with grosgrain ribbon hat band ‘Jaxton Victorian’, size 7 ⅝” (61 cm.)
Skull cane
This is one of three Day of the Dead Costumes worn by Daniel Craig (the other two are retained by EON) in the pre-title sequence of the film. Bond is in pursuit of assassin Sciarra.
Estimate: $17,000–25,000
3. Longines ‘Conquest Heritage’ watch
This is the 18-carat rose gold automatic wristwatch worn by Ralph Fiennes as M in SPECTRE. With a diameter of 35 mm, this model in 18-carat rose gold displays a sunray silver dial with pink applied indices, “dolphine” hands with superluminova and date aperture at 12 o’clock. Fitted with a self-winding mechanical calibre L633, it indicates the hours, the minutes and the seconds. The caseback is decorated with a gold and enamel medallion representing a constellation. One of only two worn by Ralph Fiennes in SPECTRE, the other retained by Omega.
Estimate: $7,100–9,900
4. Final Legal SPECTRE script signed by Sam Mendes, Michael G. Wilson and Barbara Broccoli
Estimate: $4,300–7,100
5. Oberhauser’s SPECTRE gold ring worn by Christoph Waltz
The ring is made of 9 carat yellow gold, with 7 tentacle octopus logo rendered in distressed black, and has some marks on back of ring. This is one of only two gold rings made for the film, the other is retained by EON.
