Tag Archive: Cold War era


Since Tom Clancy’s death in 2013 we’ve seen his Jack “Ryanverse” come to the screen twice, first on the big screen in Jack Ryan: Shadow Recruit (2014) with Chris Pine as Ryan, and later on the small screen in Tom Clancy’s Jack Ryan (2018) on Amazon Prime with The Office’s John Krasinski stepping into the role of Ryan previously handled by Alec Baldwin in The Hunt for Red October (1990), Harrison Ford in Patriot Games (1992) and Clear and Present Danger (1994), and Ben Affleck in The Sum of All Fears (2002).  In Clear and Present Danger, the second major Ryanverse character arrived in Willem Dafoe’s John Clark, later reprised by Liev Schreiber in The Sum of All Fears.  As was first done with Ryan in The Sum of All Fears, and later with Pine and Krasinski, the franchise is taking another step back in into the Clancy timeline for the next movie–a prequel, a direct-to-Amazon Prime feature adapting Clancy’s 1993 novel Without Remorse.  That book and its new movie adaptation Without Remorse focuses on the origin of the John Clark character (initially introduced as John Kelly, as explained in the novel/movie), this time played by Creed and Black Panther’s Michael B. Jordan.  Check out the trailer for the movie below.

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In many ways the spy protagonist Lorraine Broughton, played by Charlize Theron in this year’s action blockbuster Atomic Blonde, will be barely recognizable to fans of writer Antony Johnston and artist Sam Hart’s Lorraine Broughton, the heroine of the 2012 graphic novel The Coldest City The most obvious change is certainly that Broughton is not drawn blonde in the pages of the comic, but the modifications go much further.  Yet, if you can separate the source material from the film, both can be appreciated for the great stories and the visuals that both offer.

We reviewed the film Atomic Blonde here at borg.com back in August.  The original Oni Press graphic novel is now available in a movie tie-in edition.  Atomic Blonde is no doubt a catchy and excellent title, and matches the violent and dynamic tone of the film.  But The Coldest City is also a great title, carrying its own clever double meaning.  In the book’s pages Sam Hart draws a black and white spy story that echoes the bleakness of the Cold War territory Antony Johnston’s tale revisits.  Top spy Broughton is serious about her job, she’s street savvy, and has years of experience when she’s brought in for a debriefing at the beginning of the story.  Hart’s art style is striking, and like Jean-Marc Rochette’s artistry in his graphic novel Snowpiercer (reviewed here), the panels aren’t cluttered with detail, and he instead relies on simple, dark lines with shadows to emphasize the mood.  From every angle The Coldest City is an engaging “end of the Cold War” story.

As different as Atomic Blonde appears to be from the graphic novel, the film is substantially faithful to its source.  You might find the differences in the book and movie analogous to a comparison of the film version of Casino Royale starring Daniel Craig to Ian Fleming’s original novel (we reviewed that one here).  The imagery is different but the author’s intent comes through, albeit in an updated package.

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