Last year at San Diego Comic-Con we got our first look at season one of His Dark Materials, BBC and HBO’s adaptation of Philip Pullman’s popular fantasy novels, so it’s no surprise the second season trailer premiered at this year’s Comic-Con@Home. Logan star Dafne Keen returns as Lyra to lead a cast including Ruth Wilson, Lin-Manuel Miranda, Ariyon Bakare, Andrew Scott, Amir Wilson, and newcomers to the series this season, Terence Stamp, Jade Anouka, and Simone Kirby.
The showrunner and cast of History’s Vikings, including showrunner and writer Michael Hirst and actors Travis Fimmel, Katheryn Winnick, and Clive Standen, who we saw at their first Comic-Con back in 2013, invaded Comic-Con this weekend with a new preview for the last time. That’s a virtual invasion, because of course this year it’s San Diego Comic-Con@Home, but as panels go this was just as you’d see at any ordinary SDCC, but without the lines and squinting from the back of Hall H. Hirst and actors Fimmel, Winnick, and Standen were joined this year by actors Alex Ludwig and Jordan Patrick Smith, to discuss the fates of Fimmel and Winnick’s characters on past episodes, the six seasons of the series, and what’s next.
Originally previewed here at borg in 2018 and marketed by Dynamite Comics as Miss Fury, Volume 3, the third recent Miss Fury reboot was delayed again to September 2019, finally to be sidelined to an Indiegogo campaign beginning yesterday. Fortunately Dynamite learned fast that Miss Fury fans will keep coming back for each new effort to resurrect writer/artist/creator Tarpé Mills’ first superheroine, as the campaign was funded in less than two hours. So Dynamite will be publishing its third solo Miss Fury project in early 2021, this time taking what was to be a three-issue limited series straight to the graphic novel trade edition with one hardcover option.
We first previewed the Anovos line of licensed replicas back in 2011 here at borg.com. Since then we’ve built their complete full-sized Star Wars original trilogy Stormtrooper kit and worn the company’s Star Trek: The Next Generation two-piece Starfleet uniform, and found their quality to be the top commercial products available. Anovos returned to San Diego Comic-Con this year with their most recent line of costumes and helmets and–as with the past products–the company continues to create the best replicas around.
For the most part these aren’t 100% the same designs and fabrics as the original screen-used pieces, but they come as close as most cosplayers will get access to. The exceptions are the armor kits and finalized sets of the Star Wars line, which are equal in quality to screen-used pieces, and even better quality in many cases. In the Star Trek line, despite using production-made pieces as a guide, the fabrics and color dyes don’t exactly match and some of the piping and trim is close to the original William Ware Theiss and Robert Blackman designs they are copying, but not dead-on, e.g., the Star Trek movie maroon uniform color is difficult to replicate and current fabrics used show wrinkles more than the expensive fabrics used by the studios years ago. Also, the blue dye used in the infamous “skants” is also a much lighter blue than original pieces and their appearance on the screen under production lights. It makes sense that Anovos creations for the more recent Abrams films and Star Trek Discovery series uniforms are closer to the real thing, as Anovos says it has worked with the studios in re-creating the most recent uniforms in both the Star Trek and Star Wars series, like this great command uniform from a design by Sanja Hayes for Star Trek Beyond:
The best bet is ordering currently in-stock costumes from the Anovos website. For costumes not yet available but sold on pre-order, Anovos has been known to take more than a year for delivery in the past, causing a history of canceled orders, despite warning customers about long projected delivery dates.
As we previewed here at borg.com, toymaker Super 7 featured great exclusives at this year’s San Diego Comic-Con with both an onsite presence and an offsite store featuring both a Masters of the Universe theme and a Universal Monsters theme. If you were early enough you could have even scored a pair of four different styles of limited edition Universal Monster-themed Saucony shoes. We think the best nostalgia draw from Super 7 is their multi-license classic Kenner style 3 3/4-inch ReAction figure line that we’ve covered here at borg.com since Day One. We previewed some of the latest ReAction figures in our coverage of 2018 New York Toy Fair (here), but Super 7 showcased some brand new prototypes, packaging, and exclusives this weekend.
Probably the best display featured the figures of the new Hellboy line. These two-pack sets look great in person, and will likely become only more popular as we get closer to the release of the new Hellboy movie. The Ghosts ‘n’ Goblins prototypes based on the classic arcade game were also fantastic, giving fans a look at the final pieces in the first series (back row) and the next series (front in grey) that’s underway.
Of course the next series of the original Super 7 ReAction line, Alien, looks great and the sculpts and packaging have only gotten better. We’re going to need to pick up one of those Ripley’s the Jonesy the cat at a minimum. And Kane after his attack in his spacesuit–Wow!
Below are photographs from the Super 7 booth featuring other figures from the ReAction line: the exclusive convention Universal Monsters, The Fiend and Alien exclusives, Masters of the Universe, and Robotech.
With 3D imaging and new technologies arriving each year, one of the attractions that just seems to get overlooked is the statue market. Sure, Sideshow, Gentle Giant, Weta, and several other companies offered up some incredible figurines at San Diego Comic-Con last weekend, and this year the Sideshow booth had so many new creations it seemed like an endless row after row any figure could get lost in. Yet for the most part we’re seeing new versions of the same characters we saw last year and the year before. So it’s more difficult for anything to knock your socks off. It’s rarer to see someone come up with something new, and it’s the rare realization of a fresh idea with new 3D rendered sculpts that has become the real jaw dropper.
This year that surprise was the unannounced preview of a new series of high-end figures from Gentle Giant’s own brand, the Honey Trap Army. A tongue-in-cheek throwback mashing the best of 1960s and 1970s design with the spy movie genre, the first series of four figures was a standout among collectible statue figures five years ago. With the 2013 convention exclusive (discussed at borg.com here) Whisper character, Gentle Giant interpreted the 1960s James Bond–think Thunderball and Doctor No–and created a deep-sea diving superspy who could probably kill anyone with her harpoon 21 different ways. Right with her, team member Katya was ready to take no prisoners with her trusty Doberman, Lucky was straight out of the Army special forces, and Derby was something else altogether. With box art by Kevin Dart, we thought the Honey Trap Army was poised to best the G.I. Joe Adventure Team. Like many a toy line–as many learned over the past year watching The Toys That Made Us on Netflix–the Honey Trap Army was an idea that went straight to the toy (in this case, a collectible) with no backstory, comic book, animated show, or movie tie-in.
So we were happily surprised to see last weekend at San Diego Comic-Con, overlooked by many, the next series of the Honey Trap Army. It begins with the new British spy with the best spy name not created by Ian Fleming–Brexit, also known as Dani Mint. She’s the explosives expert, and brings along the fight of Britannia. She is joined by a new Russian spy with the simple moniker The Russian. Don’t let her little dog distract you. And the seventh member of the Honey Trap Army is Junior. You can find Junior easily. She’s driving race car number 88.
Steeped in Polynesian lore but reborn as a derivative American pop-design style going back to the 1930s, “tiki culture,” which in some ways goes back to the peoples of Easter Island, was reinterpreted into a form of Americana, and had its own resurgence after GIs brought back bits of Polynesian culture to the States after World War II. It sprang back again in the 1970s (Gilligan’s Island had its own take on it), and had another revival in the 1990s, but in the past year it seems to be back again, with a huge following. Tiki is really in its stride with a wide scope of tiki mugs on the market–those mugs that take on the image of a familiar “patron,” the mug is usually made of ceramics and is still a featured souvenir of tiki bars from coast to coast.
Perhaps the craziest display of the 21st century’s look at tiki culture could be found at San Diego Comic-Con this year with a tiki hut themed booth full of inspired artwork by the California artist known as Shag. His retro art style was a great foundation for a mash-up with Planet of the Apes–a crazy and cool spin on pop culture. The booth, hosted by The Shag Stores in Palm Springs and West Hollywood, had the coolest shirt onsite–an orange Hawaiian style shirt with Planet of the Apes imagery. Visitors could also pick up art prints and t-shirts in tiki-tubes. And Shag premiered his Shag Cocktail Birds–limited fine-art prints on wood, limited to 200 units. Check out The Shag Store website here for more on the artist and his products.
But that wasn’t all. Entertainment Earth had its own hefty tiki mugs, depicting Frankenberry, Count Chocula, and Boo Berry, probably the best tie-ins to Big G cereals anyone has yet thought of. You can still pre-order the tiki mugs from Entertainment Earth here. While you’re there you should check out the rest of their tiki mug line-up. How about a Kraken, a Unicorn, a Mermaid, or a Dragon? Want your favorite franchise fix in tiki form? How about a Captain Kirk or Captain Picard tiki mug? Or maybe a Yoda or Jawa mug is your jam. Or just get a set of four classic tiki character images. There’s several more from Star Wars, Star Trek… even a Frankenstein. The best? Check out all the creatures from Star Wars and the rest of the tiki mugs from Entertainment Earth below:
When you think of iconic with respect to genre films from Hollywood, what first comes to mind? The Wizard of Oz? Star Wars? Jaws? James Bond? Raiders of the Lost Ark? Forbidden Planet? Planet of the Apes? Star Trek? Terminator? Maybe superhero movies?
Maybe your tastes are after less of the big franchises. Like Edward Scissorhands, Spaceballs, American Graffiti, or Power Rangers?
Costumes and props representing all of these franchises made their way to booths of auction houses showing off their lots for fans of San Diego Comic-Con this past weekend. Just how long is too long to become transfixed at the golden birds atop the actual Lost Ark (okay, one of the actual Lost Arks seen in Raiders of the Lost Ark)?
President Joe Maddalena and prop expert Brian Chanes from Profiles in History–the biggest auction house of Hollywood entertainment memorabilia–were on hand to walk visitors through some truly iconic props and costumes featured in its next big auction. Nearby, The Prop Store (formerly The Prop Store of London) had COO Brandon Alinger and its Los Angeles staff and some members from its London branch onsite show off select pieces from this week’s Power Rangers auction and future auctions.
Some of the finest Star Wars props and costumes are coming to auction soon, including production models, Imperial helmets–including Darth Vader–multiple lightsabers, and Rogue One: A Star Wars Story costumes including one worn by Felicity Jones as the film’s heroine Jyn Erso. A jacket purported to be one of those worn by Harrison Ford as Han Solo in The Empire Strikes Back was at The Prop Store display (they expect it to sell for $1 million or more). One of the biggest sellers will no doubt be an original series command tunic worn by William Shatner in Star Trek and a Type 2 phaser, both with good provenance. One of the hats used in the greatest fantasy film classic, The Wizard of Oz, for the Wicked Witch played by Margaret Hamilton, will be sold by Profiles in History. And a full supersuit worn by Christopher Reeve in the original Superman films will be auctioned by Prop Store.
A weapon used by Leslie Nielsen in Forbidden Planet, Johnny Depp’s Edward Scissorhands outfit, a full-sized Terminator, props from Spaceballs, an Indiana Jones fedora, a director’s clapperboard from Jaws, a license plate with a familiar number from American Graffiti, a special effects doll used for James Bond in For Your Eyes Only, an original ape costume from Planet of the Apes, and an original Spider-man supersuit. They are all coming up for auction soon. Check out these photos from the Prop Store and Profiles in History booths:
Last weekend San Diego Comic-Con spotlighted women costume designers and the creations of more than a dozen women designers created for actresses for some of the decade’s biggest genre films. The Costume Designers Guild presented a panel Saturday featuring members Sanja Hays (costume designer, Captain Marvel, Star Trek: Beyond, Star Trek: Insurrection), Amanda Riley (costume designer, Supergirl, Agents of S.H.I.E.L.D.), and Laura Jean Shannon (costume designer, Iron Man, Titans, Black Lightning, Jumanji: Welcome to the Jungle) who provided highlights and anecdotes about their careers designing costumes for some of the most popular current and recent productions on television and in film. A big high point for attendees was Hayes, whose new Captain Marvel costume will be the next benchmark in the Marvel Cinematic Universe, to be worn next year by Brie Larson in Captain Marvel–the first Marvel film with a woman in the title role. Hayes commented that she found working on Marvel movies different from past projects in that many details of design and even minor changes require extra levels of approval from Marvel’s continuity side. Each of the designers stated they have arrived at a stage in their careers where they now have the power to cherry pick costumes to personally dive into from their projects and assign other production team members for the rest. They also stressed the value of having close-knit and exceptional artists on their teams that can work together to meet the requirements of production.
At the giant Marvel Studios area on the convention floor, attendees could get up close to several key screen-used superheroine costumes from the past ten years, from Anna B. Sheppard‘s World War II Agent Carter uniform worn by Hayley Atwell from the beginning of the franchise to Evangeline Lilly‘s armor from The Wasp from this summer’s Ant-Man and The Wasp, created by Louise Frogley. Eight other costumes bookended one side of the Marvel stage, including another four costumes opposite them in glass display cases–twelve heroines in all: Lupita Nyong’o‘s Nakia, Danai Gurira‘s Okoye, and Letitia Wright‘s Shuri costumes from Black Panther, created by Ruth E. Carter, Tessa Thompson‘s Valkyrie armor created by Mayes C. Rubeo for Thor: Ragnarok, Scarlett Johansson‘s Black Widow costume from Captain America: The Winter Soldier, Zoe Saldana‘s Gamora costume, Karen Gillan‘s Nebula costume, and Pom Klementieff‘s Mantis costume from Guardians of the Galaxy, Vol. 2, all created by Judianna Makovsky, Elizabeth Olsen‘s Scarlet Witch costume from Avengers: Age of Ultron, created by Alexandra Byrne, and Jaimie Alexander‘s Sif armor from Thor: The Dark World, created by Wendy Partridge.
A separate giant display elsewhere was created for Karl Urban‘s Skurge armor created by Mayes C. Rubio for Thor: Ragnarok. DC Entertainment displayed Leah Butler‘s Shazam! costumes for Asher Angel‘s Billy Batson and his superhero alter ego, played by Zachary Levi. And Lucasfilm presented David Crossman and Glyn Dillon‘s costumes from Solo: A Star Wars Story (a little more out of reach than the rest, posed high at the top of their exhibit), including screen-used costumes from Alden Ehrenreich‘s Han Solo, Joonas Soutomo‘s Chewbacca, Emilia Clarke‘s Qi’ra, Donald Glover‘s Lando, Erin Kellyman‘s Enfys Nest, and Paul Bettany‘s Dryden Vos. And it wasn’t just about costumes, as many displays included the corresponding screen-used prop weaponry for the character.
Costume designers Laura Jean Shannon, Sanja Hays, and Amanda Riley at the costume designers panel at San Diego Comic-Con Saturday, July 21, 2018.
The following are photographs of all 22 costumes. The lighting and glass displays limited the clarity of some of the images, and the Star Wars display was too high for our equipment to get any detail. Yet some of the detail is better than you find in many behind the scenes books on the market today showing the costumes of DC, Marvel, or the Star Wars films–nothing beats seeing these close-up. Take a look:
Our San Diego Comic-Con coverage continues with Fox’s television series The Orville, which had both a panel and signing this year, along with featuring The Orville shuttle-themed PediCabs to cart visitors around the Gaslamp District and waterfront. We have the panel video below, as well as the preview shown at the panel for Season 2. Series star and executive producer Seth MacFarlane said fans can look forward to a Season 2 where “Every episode feels like a movie.”
Thanks to The Orville concept artist Lex Cassar, we (I and my wife, author and borg.com TV reviewer Elizabeth C. Bunce) had one of our best experiences at meeting the crew of a show. Seeing that the standby line for The Orville signing had no hope of making it to the Fox booth (events often can run long and subsequent events get behind at SDCC), Cassar came out to hand out some of the SDCC-exclusive Planetary Union pins to those at the back of the line–a very kind and classy gesture to those standing for an hour and half. Seeing me and Elizabeth in the Orville uniforms she created for the Con, he came back with a screen-used resin phaser for us to pose with. He went back to the booth and brought back Jason Roberts, unit production manager, who brought Bortus’s egg from the series, plus another hero resin light-up phaser and light-up scanners, and we were able to get more photos with the crew and these great props (gorgeously detailed, realistic, and heavy!).
The Orville production crew and borg.com staff with screen-used props at San Diego Comic-Con.
Despite not getting the lottery for the signing, we got up close and Seth MacFarlane (Capt. Ed Mercer) said we looked great, Scott Grimes (Lt. Gordon Malloy) gave me a fist bump and had a quick chat with Elizabeth regarding the comfort of the uniform, J. Lee (Lt. Cmdr. John LaMarr) gave us a thumbs-up, and Penny Johnson Jerald (Dr. Claire Finn) blew kisses from the balcony. Peter Macon (Lt. Cmdr. Bortus) chatted it up with everyone at the Fox booth.
Seth MacFarlane and Adrianne Palicki signing at the Fox Booth at Comic-Con.
Emmy-winning producer and The Orville executive producer and director Jon Cassar (and 24 series executive producer and director of Continuum and The Dead Zone among other things) and producer and film editor Tom Costantino were especially gracious and gave us some of the Union logo pins and a Union hat after The Orville interview show.
C.J. Bunce and Elizabeth C. Bunce at San Diego Comic-Con (photo by SDCC official staff photographer).
All a great payoff for Elizabeth’s time in interpreting and deconstructing the costumes with only photographs in The World of the Orville book as a guide, sourcing fabrics, creating patterns and sewing the final uniforms! Comic-Con cosplay is in part about feedback to the studios. It’s also about showing your support for what you like–the driving theme of borg.com, too. We loved Season 1 and want to see more of it, and want these creators to know.
The real McCoy–an Orville screen-used resin phaser.
So check out the new trailer for Season 2, plus footage from The Orville panel, followed by the interview at the Fox booth at the show:
