Tag Archive: Cyborg


Review by C.J. Bunce

You may know about Logan aka Wolverine via his movies as played by Hugh Jackman or 47 years of stories in comic books.  But did you know the mutant with the claws and regeneration abilities was part of the same program that gave Steve Rogers his powers as Captain America?  Steve was part of the project as Weapon I and the tenth project–Weapon X–was conducted by scientists in Canada who further tried to make a superweapon by upgrading Wolverine with adamantium, and this melding of the organic and metallic turned him into a cyborg.  That Frankenstein-inspired update to Wolverine’s origin was first written in comics by Barry Windsor-Smith in 2004 as Marvel’s first novel adaptation of comics for adults in Weapon X.  Now that novel is part of a three-part omnibus available from Titan Books as Wolverine: Weapon X–A Marvel Omnibus, part of its rapidly building library of Marvel novels.

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It’s been another long year of great entertainment.  It’s time for the eighth annual round of new honorees for the borg Hall of Fame.  We have several honorees from 2020 films and television, plus you’ll find many from the past, and a peek at some from the future – 44 new borgs or updated variants in all, bringing the borg Hall of Fame total to 265.

You can always check out the updated borg Hall of Fame on our home page under “Know your borg.”

Some reminders about criteria.  Borgs have technology integrated with biology Wearing a technology-powered suit alone doesn’t qualify.  Tony Stark aka Iron Man was named an honoree because the Arc Reactor kept him alive, not because of his incredible tech armor.  The Spider-Man suit worn by Tom Holland is similar to Tony’s, but it’s not integrated with Peter Parker’s biology.

Also, if the creators tell us the characters are merely robots, automatons, or androids (as in Westworld, and as in the Synths of Star Trek: Picard, and the new Dark Troopers of The Mandalorian), we take their word for it.  Again, integration is key, but in the Hall, once a member, always a member.  

So let’s get on with it.  Who’s in for 2020?

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Today we move from the big screen to the small screen with the Best TV Series of 2020.  If you missed it, check out our review of the Best Movies of 2020 here and the best Kick-Ass Heroines of 2020 here.  We watch a lot of television, and probably love a good series even more than a great movie.  We preview hundreds of series, but outside big franchise content you want to know about, we only review what we recommend–the best genre content we’re watching.  The theory?  If we like it, we think you may like it.  The best shows have a compelling story, a full range of emotions, great characters, tremendous action, a sharp use of humor, and all kinds of well-executed genre elements that satisfy and leave viewers feeling inspired.  Even better if we see richly detailed sets and costumes.

Without further ado, this year’s Best in Television:

Best Borg SeriesAltered Carbon (Netflix).  Showing life in a world well past the merger of the organic and inorganic via stacks placed in human individuals’ vertebrae in the back of the neck, the second season of the series further revealed the dark side of being able to live forever.  What parts of life have the most value in a cybernetic world?  What crimes emerge when body and mind can be separated and re-shuffled?  Honorable mention: Star Trek: Picard (CBD All Access)–revisiting Star Trek’s old nemeses The Borg and introducing the cyborg-like nonbiological humanoids called Synths, the same term used in the BBC’s Humans.

Best TV Borg, Best TV VillainDarth Maul (played by Sam Witwer and Ray Park), Star Wars: The Clone Wars (Disney+).  The athletic performer Ray Park provided the best-ever lightsaber duel scenes in his co-starring performance in The Phantom Menace.  Watching the animated series this year it was clear Darth Maul wasn’t just another animated character.  Add another great duel to the books–Park’s motion capture abilities live on and continue to set the bar for Star Wars action sequences, and Witwer voices a character we never want to see go away again.  Honorable mention for Best TV Villain: Grand Moff Gideon, Giancarlo Esposito, The Mandalorian (Disney+).

Best Sci-fi TV Series, Best TV Fantasy, Best Western TV SeriesThe Mandalorian (Disney+).  Not a lot needs explaining with this series, which continues to be compared to the original Star Wars and The Empire Strikes Back more than anything with the Star Wars label on it since.  The Western motif is still alive, not all that hidden here in space fantasy garb.  And we won’t get started on the impact of The Child (aka Baby Yoda) now called Grogu, on the genre-loving world and beyond.  Credit Dave Filoni and Jon Favreau’s visible enthusiasm and love for the original movies for a series that only gets better with each episode, despite their short lengths.  Honorable mention for Best Sci-Fi TV Series: Star Trek: Picard (CBS All Access).

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Review by C.J. Bunce

You still have a month before visual effects artist-turned director Dave Wilson’s Bloodshot movie arrives as the next cyborg superhero from Valiant Comics to hit the big screen.  But if you want to get a jump on your friends, there’s Bloodshot: The Official Movie Novelization, just released from Titan Books, a  great read for fans of all things borg.  Readers will be pulled inside the story of Ray Garrison, a slain special ops Marine, who is resurrected thanks to Dr. Emil Harting, a (mad?) scientist who is perfecting his use of nanotechnology and cybernetics to create an unstoppable squad of super-soldiers.  Written by Gavin Smith and based on the Jeff Wadlow and Eric Heisserer screenplay, Bloodshot creates the next step in the evolution of cybernetic technology stories that began with Mary Shelley’s Frankenstein, mixing the rage of The Punisher with the impact on the human psyche and dehumanization of turning from man to cyborg, as we’ve seen in stories like RoboCop (who was inspired by Judge Dredd and Marvel’s Rom).

As for the comics in film, Bloodshot is poised to stack up neatly beside the lab-created Hulk, the merger of body and “something else” of Spider-Man and the Fantastic Four, the mission and science of Captain America, Wolverine, and Deadpool, the determination of Cable, and it’s a fitting follow-up to the half-man/half-monster movie, Venom.  That’s a lot of Marvel characters with similar struggles, and there are certainly more, characters with the same vintage of origin story–an unlikely or involuntary super-soldier–so how do you spin this key comics trope in a fresh, new way?  As Smith, Wadlow, and Heisserer have done it, you go back to the human condition, and look to what has come before.  Bloodshot isn’t from Marvel, but indie publisher Valiant, but it’s sourced in a common creative mindset.

Bloodshot reads much like Martin Caidin’s original story of the first modern cyborg in his novel Cyborg, about Steve Austin, the Bionic Man–the Six Million Dollar Man–a military hero brought to death’s door and back via science.  In many ways Bloodshot–the program that pulls in the story’s hero and becomes the name of his new persona–is an update to Cyborg–what you could imagine the Bionic Man reboot with Mark Wahlberg to be like.  And it pulls in good mind-twisting sci-fi elements evoking Joss Whedon’s Dollhouse and Duncan Jones’ Source Code.

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It’s been another long year of great entertainment.  It’s time for the seventh annual round of new honorees for the borg Hall of Fame.  We have several honorees from 2019 films and television, plus you’ll find some from the past, and a peek at some from the future – 28 new borgs or updated variants in all, bringing the borg Hall of Fame total to 221.

You can always check out the updated borg Hall of Fame on our home page under “Know your borg.”

Some reminders about criteria.  Borgs have technology integrated with biology Wearing a technology-powered suit alone doesn’t qualify a new member.  Tony Stark aka Iron Man was named an honoree because the Arc Reactor kept him alive, not because of his incredible tech armor.  The new Spider-Man suit worn by Tom Holland is similar to Tony’s, but it’s not integrated with Peter Parker’s biology.  Similarly Peni Parker, seen outside her high-tech SP//dr suit in Spider-Man: Into the Spider-Verse and Black Manta from Aquaman are merely wearing tech suits.  We’d love a reason for a Mandalorian to make the cut, like Boba Fett, or Jango Fett, or the new Mandalorian from the series, since nobody has more intriguing armor.  Maybe the second season coming next fall will give us something new to ponder.

Also, if the creators tell us the characters are merely robots, automatons, or androids, we take their word for it.  Again, integration is key, but in the Hall, once a member, always a member.  

So let’s get on with it.  Who’s in for 2019?

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This year we found one series that could easily sweep most of the categories–a single television series that had everything: compelling story, a full range of emotions, great characters, tremendous action, a sharp use of humor, all kinds of genre elements that were satisfying and left viewers feeling inspired.  Richly detailed sets and costumes.  An impossible feat to replicate.  No drama came close.  No other visual effects spectacle could touch it.  And its audience is everyone.  A truly epic addition to television viewing, that series is The Dark Crystal: Age of Resistance, the greatest television series to come along in years.  If you love genre like we do, this was as good as it gets.  And like icing on the cake, along came The Mandalorian at year end.

But we’re not going to ignore the other good things that happened on the small screen this year.

Our borg Best of 2019 list continues today with the best in television.  If you missed it, check out our review of the Best Movies of 2019 here and the best Kick-Ass Heroines of 2019 here.

Without further ado, this year’s Best in Television:

Best Borg SeriesDoom Patrol (DC Universe).  With this year’s series Doom Patrol we got a look at two borgs, DC Comics’ Cyborg, an update to Martin Caidin’s original Bionic Man from the 1970s, and an older borg created before the word was even coined in the 1960s, Robotman.  Both characters revealed a glimpse at what life might be like with significant cybernetic enhancements (when brought together by a modern Dr. Frankenstein).  For 2019, it was the way to get your borg fix on the small screen.

Best TV Series, Best New Limited TV Series, Best TV Fantasy, Best Writing for TV, Best TV Costumes/Makeup, Best TV SoundtrackThe Dark Crystal: Age of Resistance (Netflix).  It was worth the wait.  Jim Henson’s seemingly impossible to replicate artistic vision was successfully achieved thanks to his daughters and the company he founded.  The kindest heroes, the darkest evil, a truly epic, legendary story for the ages.  Everybody is cranking out CGI extravaganzas, but how many are creating artistry so fundamentally real, with so many individual artists and artisans contributing and achieving so much?  Even that wouldn’t be enough if not for the layered mythology and epic adventure story.  Add great humor, high stakes, emotional impact, an all-star voice cast, Daniel Pemberton and Samuel Sim’s  imaginative musical score, and those puppets and all that go into them–it adds up to a rare thing–a Henson masterpiece.

Best TV Sci-fi Series, Best TV DramaThe Man in the High Castle (Amazon).  Amazon Studios could not have adapted a series more faithfully, making changes for the medium and the times, than its take on Philip K. Dick’s most celebrated novel.  The use of science fiction to tell a deep and twisty level of subplots and unique setting all came to a perfect conclusion in the series finale.  Exciting, intelligent, frightening, and the most thought-provoking series this year, it was also different from its sci-fi competition.  Honorable mention: The Mandalorian (Disney+)–but only if we allow space fantasy since the series is not true science fiction, The Orville (Fox)–for its two-part epic movie-worthy space story, “Identity.”

Best New Ongoing TV Series, Runner-up: Best TV Soundtrack, Runner-up: Best TV Costumes/Makeup The Mandalorian (Disney+).  Not a lot needs explaining with this series, which in only its first two hours we rated it closer to the original Star Wars and The Empire Strikes Back than anything with the Star Wars label on it since.  The Western motif is still alive, not all that hidden here in space fantasy garb.  And we won’t get started on the impact of The Child (aka Baby Yoda) on the genre-loving world and beyond.  Credit Jon Favreau’s visible enthusiasm and love for the original movies for the success of this surprisingly awesome arrival–the series is proof Star Wars is far from over.

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This weekend at New York Toy Fair 2019, toymaker Mezco Toyz surprised fans of the classic Six Million Dollar Man series with a peek at two new 3.75-inch scale, five points of articulation action figures from its “5 Points” line.  Zica Toys previously discontinued its line of Six Million Dollar Man action figures for low sales back in 2014.  The sculpts for the two new figures revealed at the Mezco Toyz booth are similar.  Fans of the 12-inch Steve Austin action figure from the mid-1970s will recall it being the #1 toy of its day, following on the success of 12-inch G.I. Joes.  A later generation in the 1980s and 1990s would experience G.I. Joes reduced in size closer to the Kenner-sized figures.  Now Mezco Toyz has created homages to the 12-inch Bionic Man and the other popular action figure from the original line, the 15-inch Bigfoot.

Although Zica Toys released both a red (and blue) track suit small version of Steve Austin and a Bigfoot, the new figures take it all a step further, revealing the cyborg chips in Steve’s right arm similar to the design of the large-sized classic figure, and Bigfoot features the chest button that, when kick-punched, revealed the robotic circuitry inside (we’re not sure how the Mezco Toyz version will work).  New Steve also comes with the accessory engine, which the large-sized figure easily lifted over his head.  With the classic Adidas Dragons, the only thing missing is the removable skin, chest patch, and bionic eye.  If you’re watching Doom Patrol, you’re seeing DC’s Cyborg borrowing his clothes from the original Cyborg.

Mezco Toyz also featured several new licensed figures from its six-inch line–the One: 12 Collective–including Brie Larson′s Captain Marvel from the coming 2019 film, David Harbour′s Hellboy from the upcoming film, Jon Bernthal′s The Punisher, classic Wesley Snipes as Blade, The Warriors, and yet another They Live alien figure following on Super7′s new 3.75-inch figures.  Plus many more.

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borg Hall of Fame 2018

It’s been another long year of great entertainment.  Before we wrap our coverage of 2018, it’s time for the sixth annual round of new honorees for the borg Hall of Fame.  We have plenty of honorees from 2018 films and television, plus many from past years, and a peek at some from the future – 40 in all.  You can always check out the updated borg Hall of Fame on our home page under “Know your borg.”

Some reminders about criteria.  Borgs have technology integrated with biology.  Wearing a technology-powered suit alone doesn’t qualify a new member.  Tony Stark aka Iron Man was an inaugural honoree because the Arc Reactor kept him alive.  The new Spider-Man suit worn by Tom Holland is similar to Tony’s, but as far as we can tell it’s not integrated with Peter Parker’s biology.  Similarly Peni Parker, seen outside her high-tech SP//dr suit in Spider-Man: Into the Spider-Verse, and Black Manta from Aquaman (and decades of comics before), seem to be merely wearing tech suits.  We’d love a reason for a Mandalorian to make the cut, like Boba Fett, or Jango Fett, since nobody has more intriguing armor.  Maybe Jon Favreau’s new television series will give us something new to ponder next year.

Also, if the creators tell us the characters are merely robots, automatons, or androids, we take their word for it.  Westworld continues to define its own characters as androids (like Star Trek: The Next Generation’s Lt. Commander Data throughout the TV series), and not cyborgs (going back to Michael Crichton’s original story), so we continue this year to hold off on their admittance unless something changes, like the incorporation of living biological (blood, cells, etc.) materials.  Are we closing in on admitting individuals solely based on a breathing apparatus that may allow them to breathe to in non-native atmospheres?  Only if integrated (surgically).  Darth Vader has more borg parts than his breathing filter.  We assume new honoree Saw Gerrera does as well.  With more biological enhancements we’d allow Tusken Raiders, Moloch, and Two Tubes from the Star Wars universe, and Mordock the Benzite from Star Trek, but wouldn’t that also mean anyone in a deep sea suit or space suit is a cyborg?  Again, integration is key.  Ready Player One has humans interacting with a cyber-world with virtual reality goggles and other equipment, but like the Programs (as opposed to the Users) in the movie Tron, this doesn’t qualify as borg either, but we’re making an exception this year for the in-world Aech, who is a cyborg orc character, and two Tron universe characters.

Already admitted in 2017 were advance honorees that didn’t actually make it to the screen until 2018.  This included Josh Brolin’s new take on Cable in Deadpool 2 and Simone Missick’s Misty Knight after her acquisition of a borg arm in Marvel’s Luke Cage.  New versions of Robotman and Cyborg are coming in 2019 in the Doom Patrol series, but they are already members of the revered Hall of Fame.  Above are the new looks for these two earlier honorees.

So who’s in for 2018?

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Although it still has that same look and feel of the recent Man of Steel and Batman v. Superman: Dawn of Justice–it actually looks more like last year’s Suicide Squad–Warner Bros. revealed the latest team-up trailer for Justice League today at Hall H at San Diego Comic-Con at the San Diego Convention Center.  This time the studio is smartly leaning on the success of Wonder Woman to reveal the inclusion of Themiscyra in the movie.  We’ve seen Ben Affleck’s Batman, with his best work probably his cameos in Suicide Squad, and we’ve seen Gal Gadot’s Wonder Woman this year in the first solo Wonder Woman title film.  Jason Momoa’s Aquaman and Ezra Miller’s Flash have had some screen time in various images from Warner Bros. promoting this film, and the last trailer (here) highlighted Ray Fisher’s Cyborg.  Now, in this nearly four-minute long trailer, they all get to be seen.

Justice League, another Zack Snyder creation handed off for last-minute clean-up work to Joss Whedon, arrives in theaters later this year along with Wonder Woman, Logan, Guardians of the Galaxy, Vol. 2, and Spider-man: Homecoming.  Will Justice League deliver enough punch to equal The Avengers?  Can Warner Bros. and DC Entertainment ever stand a chance at catching up to the Marvel Cinematic Universe?

This is the best look at the League in trailers for the film so far.  This looks more like the work of Whedon than Snyder, or are we just hopeful?  Check it out for yourself–here’s the latest trailer for Justice League:

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RoboCop Blu-ray

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It is likely the best format you will have seen of director Paul Verhoeven’s classic vision of social commentary meeting science fiction since it appeared in theaters 30 years ago.  If you’ve only watched it on TV and in standard formats you’ll want to take another look at RoboCop, your favorite borg cop, on high-definition Blu-ray in its unrated director’s cut.  Known for its excess violence and campy cyborg superheroics, RoboCop avoids the dated look of many of its contemporary films, falling in an elite league of re-watchable, cult-favorite 1980s films with The Terminator and Tron.   Filmed in Dallas for its futuristic building locations instead of its actual story setting in Detroit, the police uniforms, corporate setting, and street scenes all feel as if they could be part of some future, with maybe only hair styles and faked media clips that shout 1980s.

RoboCop remastered

Relive the classic boardroom scene where Ronny Cox’s new alternative police replacement robot has a “glitch.”  Relive the first time you saw Ray Wise and Kurtwood Smith playing their earliest genre roles, plus the late Miguel Ferrer in one of his best roles.  And don’t forget that unforgettable Basil Poledouris (The Hunt for Red October, Starship Troopers, Conan the Barbarian, The Twilight Zone) soundtrack.

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