Although Stan Lee didn’t design or write the character Morbius, it was his idea, and that’s no surprise, as Netflix viewers will find this weekend now that Sony’s big screen flick Morbius arrives on the streaming service. Stan’s quick quasi-science works at some level for cinema’s Spider-Man and the Hulk, good storytelling made it work for Luke Cage on TV, and humor made it work in Deadpool and Venom. Without Kevin Feige and Disney’s Marvel backing, Marvel fans still may think Sony’s latest could land like Spider-Man, or even Venom. Unfortunately it’s a movie closer to The Fantastic Four (the one with Miles Teller). What’s the problem? Either the decision to make a movie at all from this singularly derivative character, or the choice of writers. We’re in a world where good writers and filmmakers have created spectacular movies and TV about B-level superhero types. Like Ant-Man or Moon Knight, or Sony’s own Venom and Deadpool. As you may guess, Morbius falls into the spectacularly bad category.
The second and third most famous genre Jareds take center stage in this trailer from the Sony side of the Marvel universe. Academy Award winner Jared Leto(Suicide Squad, Blade Runner 2049) stars as Marvel’s own bat-man, Dr. Michael Morbius, and BAFTA Award-winning actor Jared Harris(Sherlock Holmes: A Game of Shadows, Fringe, The Expanse) is Emil Nikols. Yes, Marvel has shaken its tree a lot to get us down to movies featuring the likes of Moon Knight and the “living vampire.” The appeal for most audiences will be more of Michael Keaton in the superhero realm, back as Vulture, Keaton’s villain of Spider-Man: Homecoming. And who isn’t still waiting to see what movie will be Matt Smith′s post-Doctor Who breakout role? The movie also stars Fast & Furious’s Tyrese Gibson, and 6 Underground’sAdria Arjona.
A little bit Robocop, a little bit Bionic Man, a little bit of every Marvel solo character origin story, and very Vin Diesel, the movie adaptation of the 1990s Valiant Comics Harvey and Eisner Award-nominated sci-fi/superhero Bloodshot was the first movie industry collateral damage from the pandemic because it arrived March 13 in theaters, the same weekend the U.S. federal government began responding and theaters began to modify their rules and ultimately close. Which also made it the first for a studio to release at theatrical prices via the new “theater-at-home” option from Vudu and Amazon Prime. The good news is it’s well worth full ticket prices, and would have been even better on the big screen. It has all of the right beats we’ve seen in the past decade in the better movies adapting comics beyond the traditional superheroes of DC Comics and Marvel. It also introduces fans of all things borg to the next squad of cyborg warriors worthy of sequels.
You still have a month before visual effects artist-turned director Dave Wilson’s Bloodshotmovie arrives as the next cyborg superhero from Valiant Comics to hit the big screen. But if you want to get a jump on your friends, there’s Bloodshot: The Official Movie Novelization, just released from Titan Books, a great read for fans of all things borg. Readers will be pulled inside the story of Ray Garrison, a slain special ops Marine, who is resurrected thanks to Dr. Emil Harting, a (mad?) scientist who is perfecting his use of nanotechnology and cybernetics to create an unstoppable squad of super-soldiers. Written by Gavin Smith and based on the Jeff Wadlow and Eric Heisserer screenplay, Bloodshot creates the next step in the evolution of cybernetic technology stories that began with Mary Shelley’s Frankenstein, mixing the rage of The Punisher with the impact on the human psyche and dehumanization of turning from man to cyborg, as we’ve seen in stories like RoboCop (who was inspired by Judge Dredd and Marvel’s Rom).
As for the comics in film, Bloodshot is poised to stack up neatly beside the lab-created Hulk, the merger of body and “something else” of Spider-Man and the Fantastic Four, the mission and science of Captain America, Wolverine, and Deadpool, the determination of Cable, and it’s a fitting follow-up to the half-man/half-monster movie, Venom. That’s a lot of Marvel characters with similar struggles, and there are certainly more, characters with the same vintage of origin story–an unlikely or involuntary super-soldier–so how do you spin this key comics trope in a fresh, new way? As Smith, Wadlow, and Heisserer have done it, you go back to the human condition, and look to what has come before. Bloodshot isn’t from Marvel, but indie publisher Valiant, but it’s sourced in a common creative mindset.
Bloodshot reads much like Martin Caidin’s original story of the first modern cyborg in his novel Cyborg, about Steve Austin, the Bionic Man–the Six Million Dollar Man–a military hero brought to death’s door and back via science. In many ways Bloodshot–the program that pulls in the story’s hero and becomes the name of his new persona–is an update to Cyborg–what you could imagine the Bionic Man reboot with Mark Wahlberg to be like. And it pulls in good mind-twisting sci-fi elements evoking Joss Whedon’s Dollhouse and Duncan Jones’ Source Code.
Two of the three most famous genre Jareds take center stage in the latest trailer from the Marvel universe. Academy Award winner Jared Leto(Suicide Squad, Blade Runner 2049) stars as Dr. Michael Morbius and Jared Harris(Sherlock Holmes: A Game of Shadows, Fringe, The Expanse) as an undisclosed mentor, possibly Jack Russell. Morbiustakes place in the Sony side of the Marvel universe. Not yet taking the plunge to become a full-on Marvel Cinematic Universe entry now that the Disney/Sony deal is done, a trailer appearance by Michael Keaton as Vulture reflects a straddling of the franchise. Keaton’s character was the villain of Spider-Man: Homecoming, the first Spider-Man movie of the Marvel Cinematic Universe. Morbiusappears to have been filmed in the dark lighting of the earlier horror/superhero-verse film Venom, which featured another historic tie-in character from the world of Spider-Man. Morbiuswill be released this summer a few months in advance of a Venom sequel.
Not to be confused with the Dr. Morbius of Forbidden Planet, this is the sci-fi/Dracula hybrid–the “living vampire”–created by Roy Thomas and Gil Kane in the pages of Marvel Comics in 1971. Comic greats like Don McGregor and the late Rich Buckler and Steve Gerber would work on the Morbius stories over the years–a doomed hero drawn to look like actor Jack Palance. Over the years the character would rub shoulders with Ghost Rider, Man-Thing, Doctor Strange, and Blade, but most notably Spider-Man. Elements of the trailer look like the stuff of Doctor Strange, Venom, and Deadpool, and this is obviously a character from the world of Stan Lee.
The original Morbius in superhero costume from the pages of Marvel Comics.
The film co-stars Doctor Who’sMatt Smith, Fast & Furious’s Tyrese Gibson, and 6 Underground’sAdria Arjona.
Could this be an entry point for new Blade, Ghost Rider, or Carnage movies? Take a look at this first trailer for Morbius:
A little bit Robocop, a little bit Bionic Man, a little bit Deadpool and Venom, a bit of The Punisher, and very Vin Diesel, the comic book adaptation of the 1990s Valiant Comics Harvey and Eisner Award-nominated superhero Bloodshot is finally making its way to theaters. Sony Pictures released the first trailer for the film this week, and it has all of those components we’ve seen in the past decade from movies adapting comics beyond the traditional superheroes of DC Comics and Marvel. The inclusion of nanites as part of Bloodshot’s powers make him the latest borg to make it to the big screen. Whatever Martin Scorsese or Francis Ford Coppola or anyone else wants to say about superhero movies, these films are an art form in their own right, with their own language, look, music, editing, and story–just like every other genre of film. Fans will be the only judge that matters when Bloodshotarrives early next year.
Diesel, who somehow seems to be the pick for Italian characters despite his own northern European roots, is a smart casting decision for Ray Garrison aka Angelo Mortalli (which fits Diesel so well), the new incarnation of the cybernetic warrior whose modified blood gives him regeneration abilities (think Wolverine) but also makes him controllable by others (think Joss Whedon’s Dollhouse). He has the action hero role solidly on his resume from his role as fast car driver and ex-con Dominic Toretto in seven (so far) Fast & Furious films and Xander Cage in two xXx films, and he brings sci-fi street cred playing Riddick in the Chronicles of Riddick series. And, of course, he’s one-half of our favorite superhero duo, playing the voice of Groot in the Marvel Cinematic Universe.
The movie co-stars Guy Pearce (hopefully more LA Confidential and less Iron Man 3),Eiza González(Hobbs & Shaw, Alita; Battle Angel, Baby Driver),Lamorne Morris(New Girl, Game Night),Toby Kebbell(Warcraft, Fantastic Four, Planet of the Apes, Kong: Skull Island),Sam Heughan(Midsomer Murders, Outlander), and Talulah Riley(Doctor Who, Thor: The Dark World, Westworld). Kick-Ass 2 writer Jeff Wadlow wrote this story, which will be directed by visual effects artists Dave Wilson. Music was created by horror movie go-to composer Steve Jablonsky(Ender’s Game, Transformers series, A Nightmare on Elm Street, Friday the 13th, The Amityville Horror, The Texas Chainsaw Massacre).
As with Deadpool and Venom, this second tier character and footage is going to get superhero fans into theaters. Here is the first trailer, with Vin Diesel starring in Bloodshot:
The biggest action film of the summer is easily the most enjoyable film of the year. That’s Fast & Furious Presents: Hobbs & Shaw, a movie that gets so many genre formulas right it just can’t miss. Certainly one of the better entries in the Fast & Furious franchise, it knows what works and uses it. That’s a sure-bet cast of Dwayne Johnson and Jason Statham, Mission: Impossible–Fallout’s Vanessa Kirby, Idris Elba in the ultimate badass role as a James Bond spy gone bad with Superman powers, lots of futuristic cyborg tech, and an understanding of why audiences come to the movie theater in the first place. Hobbs & Shaw is a movie for people who like movies.
The trailers gave audiences a glimpse at what to expect, and they delivered on all promises: laugh-out-loud funny dialogue, nonstop action, road races and camera angles that the franchise is known for, and lots of surprises and callbacks, and a script that doesn’t take itself seriously. There’s something for everyone here. If you’re after only the fast cars, action, and speed of the franchise, this entry measures up. And that family drama that the regular franchise leads Diesel, Paul Walker, and Jordana Brewster built the franchise on is here, too. This time that includes digging into the past between Statham’s Deckard Shaw and sister Hattie, played by Kirby, and Helen Mirren back again as their mother (Luke Evans’ brother Owen from the last film may or may not be mentioned this time), and Johnson’s Luke Hobbs is pals with his young daughter at home and returns to the family he left behind years ago in the Samoan Islands.
But stuntman-turned-director David Leitch(Atomic Blonde, Deadpool 2, John Wick) and script writers Chris Morgan (writer of five prior Fast & Furious films) and Drew Pearce (Hotel Artemis, Mission Impossible: Rogue Nation) know why audiences are really buying tickets, and you just need to drift over their previous film credits to see why they were tapped for Hobbs & Shaw. Hattie is a badass equal to Charlize Theron’s Atomic Blonde (Theron also co-starred in the most recent sequel), any of the four lead characters could give Leitch’s John Wick a run for his money, and moviegoers will hardly remember last year’s much-lauded Mission Impossible: Fallout’s action scenes after they see this. (A few casting spoilers follow).
Underneath The Boys, a series so full of all things offensive, with language, misogyny, immorality, violence, sex–something sure to offend everyone, lies a backbone of a story that might have something to say, if the way it was laid out wasn’t so exploitative. It’s easy to imagine show execs Eric Kripke, Evan Goldberg, and Seth Rogen pulling the strings behind the curtain on this project, but what exactly are they trying to say? Mocking the real-life modern horrors on your TV, protected by the acknowledgement that the moral is clear that all the bad they show is bad, it’s intended as satire, as social commentary. It’s an unusual medium to convey its many messages, questions without answers for many things Garth Ennis and Darick Robertson took on in their source material comics of the same name, very much like Alan Moore and Frank Miller’s stories from the 1980s it attempts to pay homage to. It’s impossible not to compare The Boysto Moore’s Watchmen–superheroes for a dark and modern time that are different but familiar to the superheroes we all know so well–it may be even closer to Miller’s Batman: The Dark Knight Returns despite its lack of well-known characters. The entirety of the story of the first season, now streaming on Amazon Prime, is the familiar “Who watches the watchers?”
Who are “The Boys” of the title anyway? Led by ever-angry Bill Butcher, played by the actor of all franchises Karl Urban, it’s a small team of five rebels determined for their individual reasons to take down Vought, a corporation that manages the superheroes that protect Americans from almost every crime that’s occurring. As good as the production values are, the series is not that clever, but its difference is how over-the-top and grimy it’s willing to get to tell its story. From the previews you might think it compares to The Umbrella Academy. Make no mistake, the storytelling in The Boys is better and less yawn-worthy, except The Umbrella Academy showed off some better superhero special effects along the way with its Number Five character. You’ll find a lot here no one else is willing to touch on TV, making it a clear NC-17/R+ show: Carlin’s seven dirty words get explored, anti-fundamentalism, blasphemy in themes and situations, assault on today’s politics and extremism, nationalism, misogyny, sex abusers and other deviants, gender issues–most of these used to make valid points about issues mirroring modern times. But like watching the daily news (or newsfeed) it’s not that enjoyable. It never manages to approach similarly violent but fun efforts like tongue-in-cheek superhero films Deadpool or Kick-Ass. Except for the vengeance. When the bad guys pay–and that’s strangely rare–it’s hard to deny some of the scenes are pretty satisfying, especially when Urban wields a newborn supe as a laser gun.
The Boys has some cream-of-the-crop acting, which elevates the entire project. Urban leads it all as the Daniel Craig-in-Layer Cake level, put-upon, amped-up mercenary Butcher. As with all of his performances he jumps right in, creating one of his best, ugly characters (compare to his Caesar, Vaako, Cooper, and Skurge). Equal to that is a layered performance by Jessica Jones’Erin Moriarty. The series is really about her. She plays Annie January aka Starlight, a young, naive woman who sincerely wants to use her powers to help others. She makes it into an elite, corporate controlled group of “supes” called The Seven. But she quickly learns The Seven are more bad than good for America and the planet: one supe forces her to have sex, another invisible supe hangs out in the restroom leering at her. Along the way Starlight picks up a friend in The Hunger Games’ Jack Quaid as Hughie Campbell, a guy whose girlfriend is killed by a speedster supe in The Seven–but was it an accident? Hughie is enlisted to help Butcher try to take down Vought–the corporation behind The Seven. Vought might as well be Detroit’s Omni Consumer Products from RoboCop or Veidt Enterprises from Watchmen, but even more vile. The shock and in-your-face violence is every bit a match to these films from that infamous era of no-holds-barred 1980s violence.
Does every hero have a dark side? It’s impossible Quicksilver has a dark side. But we’ll find out in five weeks as the 12th film in the longest running superhero movie series sees its second-to-last film with the theatrical premiere of Dark Phoenix. The series that started with X-Men in 2000 began as a knockout with the stellar casting of Patrick Stewart as Professor X, Ian McKellen as Magneto, and Hugh Jackman as Wolverine, ultimately interweaving two separate casts that would include the likes of Jennifer Lawrence as Mystique, Michael Fassbender as a younger Magneto, and James McElvoy as a younger Professor X. With eleven films across 19 years we’d meet our favorite (or second favorite) Marvel superheroes and supervillains shine in X-Men 2: X-Men United, X-Men: The Last Stand, X-Men Origins: Wolverine, X-Men: First Class, The Wolverine, X-Men: Days of Future Past, Deadpool, X-Men: Apocalypse, Logan, and Deadpool 2.
Every hero has a dark side.
This week post-merger Fox released ten new character posters for the new film spreading that message.
Dark Phoenixwas written and directed by Simon Kinberg, and stars James McAvoy, Michael Fassbender, Jennifer Lawrence, Nicholas Hoult, Sophie Turner, Tye Sheridan, Alexandra Shipp, Kodi Smit-McPhee, Evan Peters, and Jessica Chastain. Kinberg has promised Dark Phoenix will be a more faithful adaptation of Chris Claremont and John Byrne’s Dark Phoenix Saga than seen in X-Men: The Last Stand.
Dark Phoenixrepresents one of X-Men fans’ favorite classic X-Men stories. We have already seen one take on the Dark Phoenix story, as Famke Janssen’s Jane Grey destroyed everyone she cares about in X-Men: The Last Stand, but after the timeline manipulation in X-Men Days of Future Past we learned again the lesson of the Terminator movies: The future’s not set—There’s no fate but what we make for ourselves–A common theme of comics, too, as characters are killed and reborn again and again. Dark Phoenixwas written and directed by Simon Kinberg, and stars James McAvoy, Michael Fassbender, Jennifer Lawrence, Nicholas Hoult, Sophie Turner, Tye Sheridan, Alexandra Shipp, Kodi Smit-McPhee, Evan Peters, and Jessica Chastain. Kinberg has promised Dark Phoenixto be a more faithful adaptation of Chris Claremont and John Byrne’s Dark Phoenix Saga.
For those of us who loved the X-Men movies, this is the winding down of a great era, highlighted by the casting of Hugh Jackman as Wolverine, Patrick Stewart as Professor X, and Ian McKellen as Magneto. Who will ever forget one of the finest adaptations to film of any superhero from any comic book as Evan Peters became Quicksilver, defending his fellow mutants in the Pentagon? And the high point of any superhero movie (from Marvel Comics, DC Comics, or anyone else) must be the Academy Award nomination for best screenplay for Logan last year. Like the competing films in the Avengers films, there were as many high as low points, but some greatness happened throughout X-Men, X-Men 2: X-Men United, X-Men: The Last Stand, X-Men Origins: Wolverine, X-Men: First Class, The Wolverine, X-Men: Days of Future Past, Deadpool, X-Men: Apocalypse, Logan, and Deadpool 2.
For Fox’s long string of connected X-Men films, this is the end. Check out this final trailer for Dark Phoenix:
