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Tag Archive: entertainment memorabilia


Back in September here at borg.com we predicted the November Bonhams auction of Robby the Robot and his “space chariot” from the 1956 science fiction classic Forbidden Planet would hit the $1 million mark and we even entertained the possibility of a $10 million sale.  Yesterday the hammer fell at $4.5 million at Bonham’s “Out of this World” auction of entertainment memorabilia and with the addition of a buyer’s premium resulting in a final sale price of $5,375,000, Robby and his car became the highest movie prop lot ever to sell at public auction.  Technically a costume that doubled as a prop, Robby the Robot also became the second highest sale price for any piece of entertainment memorabilia to sell at public auction, eclipsed only by the 2011 sale by auction house Profiles in History of the iconic Marilyn Monroe subway vent dress from The Seven Year Itch, which sold for $5.52 million including buyer’s premium (yesterday Bonhams and the mainstream press, including The New York Times and CBS, mistakenly claimed Robby’s sale surpassed the Monroe dress price, but their reports neglected to factor in the buyer’s premium for the dress–a fee the auction house charges bidders based on a percentage of the hammer price, and the Monroe dress had a hammer price of $4.6 million).  The Robby the Robot costume/prop was used in dozens if not hundreds of appearances over the decades, including in key episodes of Lost in Space and The Twilight Zone.

Still, top prop honors is nothing to sneeze at.  The sale of Robby and his car nudged from the top spot the sale of the 1966 Batmobile from the 1960s television series, which sold for $4.62 million in 2013, including buyer’s premium.  The rest of the pantheon of prime public auction screen-used prop and costume sales includes one of two original James Bond Aston Martins from Goldfinger ($4.6085 million/2010), one of the falcon props from The Maltese Falcon ($4.085 million/2013), Audrey Hepburn My Fair Lady and Breakfast at Tiffany’s dresses ($3.7 million/2011 and $807,000/2006, respectively), Sam’s piano from Casablanca ($3.4 million/2014), the Cowardly Lion suit from The Wizard of Oz ($3.1 million/2014), Von Trapp kids’ costumes from The Sound of Music ($1.5 million/2013), Steve McQueen’s racing suit from LeMans ($984,000/2011), and one of four pairs of ruby slippers from The Wizard of Oz ($666,000/2000).

In the science fiction genre, the artifact to beat was another robot–an R2-D2 that was pieced together from several screen-used components, which sold this past June for $2.76 million, and a Back to the Future III DeLorean time machine sold for $541,000 in 2011.  Robby easily nudged these props aside yesterday.  Would the sale price have been the same without the space car?  You’ll need to track down the anonymous telephone buyer to get the answer to that question (the four final bidders all dueled it out via phone bids), although you might keep an eye out at Paul Allen’s Museum of Pop Culture in Seattle, as this is the kind of high-end prop he has purchased in the past.

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For more than six years we at borg.com have been covering entertainment memorabilia auctions–sales of not merely replicas or mass-produced collectibles, but the real objects seen on film–rare or even one-of-a-kind costumes created by award-winning Hollywood costume designers, detailed props created by production crew, model vehicles created by special effects departments like Industrial Light and Magic, prosthetics created by famous makeup artists, set decoration, concept art, and much more.  Amassing a wide variety of artifacts from classic and more recent film and television history, London and Los Angeles-based Prop Store is hosting its annual auction later this month.  Known for its consignment of some of the most well-known and iconic screen-used props and costumes, Prop Store’s ultimate museum collectibles auction will be open for bidding from anyone, and items will be available at estimates for both beginning collectors and those with deeper pockets.

The Prop Store Live Auction: Treasures from Film and Television will be auctioning off approximately 600 items.  You’ll find the following movies and TV shows represented and more:  3:10 to Yuma (2007), 300, Aliens, Back to the Future films, Blade Runner, Chitty Chitty Bang Bang, The Chronicles of Narnia films, Elysium, Enemy Mine, Excalibur, The Fifth Element, Gladiator, The Goonies, Gremlins 2: The New Batch, Jason and the Argonauts, Hellboy II: The Golden Army, the Indiana Jones films, Iron Man, the James Bond films, Judge Dredd (1995), the Jurassic Park films, Kick-Ass 2, Kingsman: the Secret Service, Lifeforce, Looper, The Lost Boys, The Martian, The Matrix, Men in Black III, Mission: Impossible (1996), The Mummy (1999), Patton, Pirates of the Caribbean series, Predators, the Rocky films, Saving Private Ryan, Scarface, Serenity, Shaun of the Dead, Shawshank Redemption, Sherlock Holmes (2009), Star Trek franchise, Star Wars franchise, Starship Troopers, Superman films, Terminator films, The Three Musketeers (1993), Tropic Thunder, Troy, True Grit, Underworld: Evolution, Who Framed Roger Rabbit, Willow, The Wolfman (2010), World War Z, and the X-Men films.

You can flip through the auction house’s hefty 360-page catalog, or start with a look at what we selected as the best 50 of the lots–what we predict as the most sought-after by collectors and those that represent some of fandom’s favorite sci-fi and fantasy classics and modern favorites.

  • Industrial Light and Magic 17 3/4-inch Rebel Y-Wing filming model from Return of the Jedi
  • Sark (David Warner) Grid costume from the original Tron (1982)
  • Julie Newmar’s Catwoman costume and Burgess Meredith Penguin hat from the classic Batman TV series
  • Buttercup (Robin Wright) Fire Swamp red dress from The Princess Bride
  • Chekov (Walter Koenig) “nuclear wessels” costume, Dr. McCoy (DeForest Kelley) costume, and Sulu (George Takei) double shirt from Star Trek IV: The Voyage Home
  • Full crew set of costumes (Malcolm, Zoe, Wash, Jayne, Inara, Kaylee, River, Book, and Simon) from Serenity (sold as individual costume lots)
  • Jack Nicholson purple Joker costume, plus separate coat and hat, from Batman (1989)
  • Enterprise-D 48-inch “pyro” model from Star Trek: The Next Generation
  • Will Munny (Clint Eastwood) stunt shotgun from Unforgiven
  • Star-lord helmet from Guardians of the Galaxy
  • Thor (Chris Hemsworth) Mjolnir hammer from Thor

  • Ghostbusters and Ghostbusters II jumpsuits made for Bill Murray as Dr. Peter Venkman
  • Witch-king of Angmar crown from The Lord of the Rings: Fellowship of the Ring
  • Val Kilmer Batman suit and cowl from Batman Forever
  • Maverick (Tom Cruise) flight suit from Top Gun
  • Geoffrey Rush Captain Barbossa costume from the first Pirates of the Caribbean film, Curse of the Black Pearl

And there are so many more.  Like…

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Robby the Robot.  He’s probably the only robot who has his own “Actor” page in the Internet Movie Database.  In the history of robots he is probably the most significant and the most game-changing robot of all time.  In the world of science fiction, few came before who achieved such fame, but many would follow.  Most who created the robots that came after–call them droids, androids and variants like fembots or even cyborgs, like the Terminator T-800, Cylons, and Cybermen, R2-D2 and C-3PO, and K-2So and BB-8–all can point back to Robby as inspiration and a critical step in the evolution of robots in cinema.  Robby would become a household name as a co-star and the focus of publicity for Forbidden Planet in 1956 (the classic sci-fi take on William Shakespeare’s The Tempest), and would go on to have guest appearances along with B-9 in Lost in Space, two episodes of The Twilight Zone, and all sorts of classic TV appearances (The Man from U.N.C.L.E., Hazel, Dobie Gillis, The Addams Family, Columbo, Wonder Woman, The Love Boat, Mork & Mindy), and later he can even be spotted in the movies Gremlins and Clueless. 

As pop culture is concerned, there is likely no single, intact, tangible piece of entertainment memorabilia in science fiction that compares to the robot prop itself, which doubled as a costume worn by Frankie Darrow and voiced by Marvin Miller.  The word “iconic” was created for the likes of Robby the Robot.  So no wonder our heads began to spin when it became public this month that the actual robot from the groundbreaking science fiction film Forbidden Planet was going to hit the auction block this year.  And unlike most auctions of original, screen-used, Hollywood memorabilia, Robby the Robot is being sold with a host of original materials used with the Robot throughout his incredible run, and from the auction photos it appears his light-up electronics are still functional.

Bonhams is the lucky auction house that will sell off Robby later this year, presented by Turner Classic Movies.  The auction house posted preview images from its catalog (expected to be available sometime in October) and it’s clear each accompanying production item in the photos could have been auctioned off separately in its own right.  All we know so far is the listing itself and photos, with no idea of the auction estimate or any other details that may be released, including its provenance:   “Robby the Robot from Forbidden Planet, together with Robby’s car, his alternative head, his control panel, and original MGM packing cases.  Also 2 rings for his head, 2 additional arms with pinschers, a stand, a harness, another part for the stand.”

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As with Peter Jackson and The Lord of the Rings/The Hobbit franchise, George Lucas and Lucasfilm have rarely let screen-used props and costumes out of their own personal or corporate collections.  From time to time costume components retained by production staff members or third-party contributors to the productions have surfaced at private auction, mainly parts of costumes including Darth Vader and Stormtrooper helmets, various weapons including like blasters and lightsabers, and model ship filming miniatures.  But never before has an entire Star Wars character found its way to auction, and one of the most iconic pieces in the history of film at that.  So when a beautiful, full-sized R2-D2 hit the auction block yesterday, deep-pocket bidders took notice.  In an exciting back and forth of increasing bids in $100,000 increments, it seemed the bids for R2-D2 wouldn’t end.  In less than 3 minutes the hammer stopped at $2.3 million for a total sale price (after factoring a 20% buyer’s fee) of $2.76 million.  This was not only the first private Star Wars sale to eclipse seven figures, it is the highest known price paid in public auction for a piece of Star Wars film history (a Panavision movie camera used by Lucas to film the original Star Wars sold previously for $625,000, the filming miniature model of the Rebel Blockade Runner spaceship from the opening scene of the original Star Wars sold for $465,000, and a miniature filming model of a TIE Fighter sold for more than $400,000).

Like many props in the film industry, this R2-D2, made of aluminum, steel, and fiberglass parts, was pieced together from many parts that had been used, retired, and refurbished throughout the Star Wars films.  According to auction house Profiles in History, who handled the sale yesterday at its offices in Calabasas, California, the anonymous seller sourced the many robotic components together over several years.  And, indeed, Profiles in History has demonstrated via photographic evidence the R2-D2 can be screen-matched via its individual components to screen use in each film of the original trilogy (1977-1983) and the first two prequel films (1999-2002).  After several weeks of publicity for the auction, the ownership of the restored R2 unit and its sale at this auction was not disputed, and so the bidding got underway at approximately noon Pacific time yesterday.

Profiles in History staff taking phone bids during the auction said there was no time to celebrate the success of the R2-D2 during the auction–even after three days of the auction more than 500 lots remained to be bid on following the landmark sale of the droid.  The sale of the R2-D2 prop came only a day after Profiles in History sold the famous floor John Travolta danced on in the climax of Saturday Night Fever for $1.2 million.  A golden prop foot of R2’s pal C-3PO went unsold at the auction, but in December 2008 Profiles in History sold a golden prop head of C-3PO, worn by actor Anthony Daniels, for $120,000.

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pop-culture-quest

Mark Hamill.  Jedi, Joker, and Trickster.  He’s my favorite genre celebrity, and in his first episode of his new pop culture collectibles series, Pop Culture Quest, Hamill hosts popular DC Comics artist and exec Jim Lee.  Pop Culture Quest is a new series on the pay network Comic-Con HQ, but you can watch the entire first episode below.

Pop Culture Quest is a load of fun, and is similar to past pop culture collecting shows reviewed here at borg.com like Travel Channel’s Toy Hunter, and Syfy Channel’s Hollywood Treasure.  This new series may top those series simply because of the access to Mark Hamill.  Hamill–who we all know as Luke Skywalker, the voice of the animated Batman series’ Joker, and both the classic and current The Flash TV series’ villain The Trickster–hosts the show with a sidekick Muppet fellow named Pop.  Hamill has a good sense of humor and proves to be not only every nerd’s idol, but a card-carrying nerd himself.  Hamill knows his pop culture, as highlighted by his detailed knowledge of the history of DC Comics as he browses the West Coast DC headquarters.  He’s also a solid interviewer, and reminded me of the poise in interviewing guests that William Shatner exhibited on his short-lived interview series Shatner’s Raw Nerve.

cj-bunce-as-luke-trooper

Photo of your humble borg.com Editor.  What does it mean when you start to look like your idol?

Episode 1 follows Hamill as he tours the DC offices and talks shop with Jim Lee.  Lee and Hamill agree to swap Hamill a sketch of The Joker in exchange for a voice message by Hamill that we get to watch performed during the coda for the episode.  It’s good stuff all around.

Check out this first episode of Pop Culture Quest:

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A close up for Bruce the shark in Jaws

Review by C.J. Bunce

In time for the 40th anniversary of the movie Jaws, Titan Books issued an updated edition of Jaws: Memories from Martha’s Vineyard, a rare and unusual chronicle of the making of a film.  Told via photographs and interviews from the locals who helped literally make the film, from construction crews to performers tapped to play key roles in the movies, Memories offers yet another view of the making of the first modern summer blockbuster.

What differentiates this book from other works on this movie (or any other movie) is the “local” perspective.  Instead of giving the standard Hollywood view of the “making of” a movie using interviews with the crew and producers as you’d normally find on the TV and Film shelf, the authors, Jaws memorabilia collectors Matt Taylor and Jim Beller, take a historical research approach.  They rely on primary source material, through hundreds of hours of interviews with every islander who would speak with them, newspaper clippings from 1974, scrapbooks and photo albums that have sat on shelves for 35 years, including plenty of information never before seen by the general public.  The result is a story told in photos rarely seen for any film or film franchise–something you’d only find from years of books published about Star Wars, Star Trek, and the Indiana Jones movies.

Amity Island billboard in production

The story is told chronologically, day by day from the selection of the filming locations on Martha’s Vineyard in Massachusetts to pre-production and on through the wrap-up of filming.  The memorabilia and ephemera pictured includes everything from the remnants of the actual boats used in the movie to the more mundane, like checks and contracts for day laborers.  Yet every piece is interesting, like candid Polaroids showing Robert Shaw’s first day on set and Spielberg at the cabin he lived at during the shoot.  The experience of sifting through all that remains of the production is a bit like spending a weekend at a small town local library researching any historical event from a town’s past.

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