It’s no wonder Netflix got its hooks into Ryan Reynolds (and he into them). With great films like Free Guy and 6 Underground, not to mention his Deadpool series, he’s becoming reliable–still far to go to become the next Tom Cruise, but well on his way. In his new movie The Adam Project, which started this weekend on Netflix, you get a lot: an almost family friendly, coming of age, sci-fi movie (with lightsabers). It feels like director Shawn Levy, known for everything from Stranger Things to The Pink Panther to Night at the Museum to Free Guy and Lassie (and being Eugene’s brother) completely understands what it took to make a great 1980s Steven Spielberg sci-fi movie. It has spectacular special effects like you’d see in Guardians of the Galaxy, but they take a backseat to a story of relationships and second chances. It belongs alongside E.T. the Extra-Terrestrial, Explorers, The Last Starfighter, Starman, Flight of the Navigator, D.A.R.Y.L., and J.J. Abrams’ own 1980s tribute, Super 8.
After World War II, in essence a world stunned with death and destruction emerged to try to forge its way into the future after one of the planet’s most trying challenges. Inspiring tens of millions was the true-life voyage of Norway’s Thor Heyerdahl, a pioneer made of the same mettle as Shackleton and Hillary. Heyerdahl was a student in Oslo who spent a year in Polynesia, where he developed the idea that peoples like the ancient Incas could have traveled across the Pacific Ocean and settled the area easier than saling from the west. After a decade trying to prove his hypothesis, Heyerdahl assembled a team of six men, five Norwegians and a Swede, and built a balsa raft consistent with parts and construction the Polynesians would have had available centuries before, which he named Kon-Tiki after an Incan sun god. His challenge? To complete the voyage from South America to Polynesia without assistance from modern technology.
Heyerdahl’s 1948 account of the voyage, Kon-Tiki: Across the Pacific in a Raft, became one of the best-selling books of all time (selling more than 56 million copies), his 1950 documentary of the voyage,Kon-Tiki, earned an Oscar, and an impressive 2012 theatrical adaptation, also named Kon-Tiki, was nominated for an Oscar for best foreign film. Both of these films are now streaming on Amazon Prime.
Only mere seconds into Farmageddon—the next big production from frequent Oscar-winner and stop-motion pioneer Aardman Animations–and viewers will feel the pangs of their favorite classic Steven Spielberg movies, complete with a magical score that has all the beats of a John Williams-esque adventure, thanks to composer Tom Howe. This is a return to the lovable Aardman underdog Shaun the Sheep, star of several series and films who we last saw on the big screen in 2015’s Shaun the Sheep movie. But this time our lovable wooly hero encounters an alien visitor and the resulting effort by directors Will Becher and Richard Phelan with writers Jon Brown, Mark Burton, and Nick Park may be Aardman’s most effective, most lovable, and most far-reaching crowd-pleaser to date. A direct-to-Netflix presentation, it also stands a chance at being a contender for best full-length animated film at next year’s Oscars.
Shaun the Sheep steps in for Spielberg’s Elliott in this modern close encounter with a lovable extra-terrestrial named Lu-la, so adorable that she may even make Baby Yoda go “awww.” The impeccable stop-motion animation viewers expect from Aardman is here, as well as the cast of endearing anthropomorphic farm animals, but the heartfelt story, unthinkably successful chemistry between clay characters, exquisite visual effects, lighting, and cinematography, and an emotional score make for a triumph of sci-fi and family storytelling, proving a common language is not necessary to understand relationships between someone that might be a bit different. Here that’s a sheep and an alien, but the story is effective enough that kids (and attentive adults) will apply the message to everyone. In fact, Aardman proves language isn’t necessary at all–the story is told entirely without spoken English dialogue, relying on expressive visuals, animal voices, and sound effects, making it truly internationally (or intergalactically) enjoyable.
This fun new sci-fi/fantasy adventure begins with a dog guarding his sheep–a motley but crafty band who live at the farm including Shaun–followed by a great homage to Looney Toons classic barnyard antics as the show establishes the farmyard bond between sheep and dog and dog and man. The man and dog– The Farmer and Bitzer–show Aardman going back to its roots, what first made the filmmaker internationally known through its award-winning shorts. Wallace and Gromit could be cousins to this man and dog duo, and anchoring the film with the ensemble here again (as with past Shaun stories) instead of going off in a different direction was a wise choice. It takes a special combination to merge classic animation with expert laugh-out-loud comedy situations, and the creators at Aardman are the closest thing I’ve ever seen to the spirit and creativity of Jim Henson. The story is sweet and can appeal to a variety of audiences. The older crowd can try to spot all the influences, and the young at heart can marvel at Farmageddon′s sheer joyous presentation.
