One of the best superhero series yet returned Tuesday, as Stargirl begins a new season on the CW network. After the city of superheroes was blown apart in last season’s finale, viewers will catch up with Brec Bassinger’s Courtney Whitmore aka Stargirl as she tries to lead a new generation of Justice Society of America superheroes. But is it meant to be? Yvette Monreal’s Wildcat is reeling from killing Brainwave, justifiably or not. Cameron Gellman’s Hourman is trying to track down Solomon Grundy. And Anjelika Washington’s Beth Chapel continues her turn as the saddest character on TV, now losing her relationship with her parents even more, plus Charlie, the cyber entity that no longer knows her. Worst of all, it’s the end of the school year and Courtney finds she’s stuck in summer school.
We rated it one of the best TV superhero series of the decade (behind Marvel’s Luke Cage) in our wrap-up of the first 10 years of borg. In the first season of Stargirl the series never let up, never let us down, and with this week’s new trailer it looks like it’s full steam ahead. The series that may have you stand up and cheer, from the far corners of 30 years of DC Comics, Stargirl′s first season delivered a story of a trope TV never really does that well–a positive relationship between step-daughter and step-father. Brec Bassinger’s Courtney Whitmore had a relationship with her new stepdad like you’d expect at first–awkward. But it was doubly awkward when he was an over-eager good guy named Patrick played by Luke Wilson–and they are both superheroes. Now that the introduction is out of the way, where do we go from here?
Check out the first trailer for Season 2 of Stargirl:
If first impressions are everything, the first four minutes of the new CW series Superman & Lois look like a great next series to add to your DVR. But that’s not where the writers of the series take us, leaning more into the soap opera drama audiences saw in years of Smallville. The typical Superman tale follows Clark Kent from rural America to the big city of Metropolis, when the typical Supes story takes off. This series reverses that plan, moving Supes and his family back to Smallville when newspaper man Clark Kent loses his job in the big city. What happens when you take a strong-willed city woman like Lois Lane and her and Clark’s two (newly created) citified (twin) sons to Smallville? Fans loving to watch Superman soaring in the supersuit, righting wrongs and exploring the globe, will need to take a backseat for at least part of the new series. Economic downturns, the scam of reverse mortgages, embedded conflicts between rural and urban America–things you probably don’t turn to for your next CW superhero series–is the direction of the new series. But what about strong-willed Lois? Although she gets to share the title, Lois doesn’t get much to do–yet.
After what I viewed as the best superhero series pilot yet here at borg back in May, Stargirl never let up, never let us down, and with this week’s season finale rises to become the very best superhero series yet. We can slice and dice and compare series like The Flash and Arrow, Supergirl, and Marvel’s Agents of S.H.I.E.L.D., but did any of them adapt the comic book mythos to the screen as written and drawn by years of comic book writers and artists? Or did they all twist the stories to cut away at what made the stories enduring in the first place? Even Riverdale and Chilling Adventures of Sabrina–two fantastic comic book adaptations–were nudged aside by thirteen perfect episodes of comic books in TV form. Not since the heart in the original series The Flash,The Incredible Hulk, and the animated series Superfriends has a series full of superhero characters gotten so much so right. And one scene in the season finale was so good, so surprising, it may have you stand up and cheer.
Isn’t this a great time for a new superhero series to begin? If you agree then you’re in luck, because tonight’s premiere episode of Stargirlmight be DC Comics’ best TV pilot yet. Prepare to meet the next superheroes from the corners of 30 years of DC Comics. Courtney Whitmore’s relationship with her new stepdad is like you’d expect at first–awkward. But it’s doubly awkward when he’s an over-eager good guy named Patrick played by Luke Wilson (known best for his roles in Wes Anderson movies and an unforgettable spot on The X-Files). Courtney (seen above sporting a rather timely mask) discovers there is more than meets the eye with Pat, and the series opener will propel viewers further ahead into his secrets and past–sooner than you might expect. The result is incredibly promising, a pilot mixing well-done special effects with a great story, a coming of age tale targeted at kids, a fun cast of familiar faces and a new young actress hitting the ground running (or soaring), a cool car and a 1950s vibe, and throwbacks for viewers who keep their eyes open. And the entire first season is now available on digital.
Detective Comics, the title DC Comics took its name from, first hit the shelves of newsstands just before March 1937, 26 months before Batman would first appear in the famous Issue #27 in May 1939. This Wednesday the monthly comic book’s landmark Issue #1000 is arriving, and it’s going to be packed with content from several writers and artists. It’s 96 pages in all, including the first appearance outside video games of Arkham Knight. And as you’d expect, DC Comics is releasing the issue with several covers (our count below is a whopping 84 or about a cover for each year Detective Comics has been in print!), including a standard cover, a set of decade-inspired covers, both a blank sketch cover and new black edition, retailer incentives featuring logos or no logos, and several limited, exclusive shop, convention, and creator store variants. More than a few are simply stunning, and this is the rare mass cover event where the final regular cover set (10) includes several works as interesting or better than the exclusives (the Frank Miller with the classic title art really takes us back to the 1980s). Check them all out below–all 100 images including art without logos–with links to where to buy them (exclusives that haven’t sold out in pre-sales).
Writers for stories in Detective Comics Issue #1000 include Brian Michael Bendis, Paul Dini, Warren Ellis, Geoff Johns, Tom King, Christopher Priest, Dennis O’Neil, Kevin Smith, Scott Snyder, Peter J. Tomasi, and James T Tynion IV. Interior artists include Neal Adams, Greg Capullo, Tony S. Daniel, Steve Epting, Joëlle Jones, Kelley Jones, Jim Lee, Doug Mahnke, Alex Maleev, Alvaro Martinez, and Dustin Nguyen.
DC Comics did a nice job of pulling out creators defining each decade, with Steve Rude (1930s), Bruce Timm (1940s Detective Comics #69 homage), Michael Cho (1950s), Jim Steranko (1960s), Bernie Wrightson (1970s), Frank Miller (1980s), Tim Sale (1990s), Jock (2000s), and Greg Capullo (2010s)–all appear to only be available with the trade “Detective Comics” logo (but we’ve included images of the original art below). DC Comics publisher Jim Lee is back again with the standard cover, a wraparound design. The rest reflect a crazy big stack of variants by everyone and anyone, most available with the Detective Comics logo (with “trade” logo) or without logo (“virgin”), some in black and white, some with sketch art, some with foil cardstock. The following are all the non-standard variant artists and where to get them (we heard an Andy Kubert cover may be out there, but could not confirm this): Neal Adams (three designs, NealAdams.com), Jay Anacleto (trade, virgin, and B&W) (Unknown Comic Books), Kaare Andrews (trade only, no virgin-only edition confirmed) (Third Eye), Artgerm (trade, virgin, retro) (Forbidden Planet), Lee Bermejo (virgin, trade) (Midtown), Brian Bolland (trade, virgin, B&W) (Forbidden Planet), Greg Capullo (gold foil version of his 2010s cover) (WonderCon variant), Clayton Crain (virgin, trade) (Scorpion Comics), Tony S. Daniel (trade, no virgin-only) (artist website, Comic Stop), Gabriele Dell’Otto (trade, silver virgin, and gold convention) (Bulletproof), Jason Fabok (trade, virgin, B&W) (Yesteryear Comics), Riccardo Federici (trade, virgin) (ComicXposure), Pat Gleason & Alejandro Sanchez (trade, virgin, B&W) (Newbury Comics), Adam Hughes (trade, virgin) (Frankie’s Comics), Jee-Hyung Lee (trade, virgin, B&W) (Frankie’s Comics), Dan Jurgens & Kevin Nowlan (sketch, line art, and color versions) (Dynamic Forces), Mike Lilly (trade-only, no virgin cover) (Comics Vault), Warren Louw (virgin, trade) (KRS Comics), and Doug Mahnke (trade, virgin) (Planet Comicon).
Plus there’s Francesco Mattina (trade, virgin) (Midtown), Mike Mayhew (trade, virgin) (The Comic Mint), Stewart McKenny (trade, we couldn’t locate anyone selling the virgin cover) (Comics Etc.), Dawn McTeigue (virgin, trade) (Comics Elite), Rodolfo Migliari (trade, retro trade, virgin) (BuyMeToys.com), Lucio Parrillo (trade, virgin) (Scorpion Comics), Alex Ross (two covers) (via his website), Natali Sanders (virgin, trade) (KRS Comics), Nicola Scott costume match design to her Superman image for Action Comics #1000 (trade, virgin) (Kings Comics), Bill Sienkiewicz (two designs, signed or not, one in trade, one virgin, via his website), Mico Suayan (trade, virgin) (Unknown Comic Books), Jim Lee & Scott Williams (midnight release vertical and convention silver foil, B&W, and four villain designs) (Torpedo Comics, Bedrock City Comics, Graham Crackers).
Eighty years ago Superman first hit neighborhood newsstands in Issue #1 of Action Comics–an issue that if you kept your copy could pay off your house, car, and retirement. The cover was dated June 1938, but it was in kids’ hands first on April 18, 1938. DC Comics is celebrating Superman’s big anniversary this week with a celebratory issue of Action Comics numbered 1000, created by some of DC’s top writers and artists, an anthology of stories just as you’d find in Action Comics’ first 500 issues. The 1,000 issues is spot-on with the number of Action Comics issues released, but those counting the months since 1938 will come up short: Action Comics shifted from a monthly to a bi-weekly once upon a time, and you won’t find numbered issues #905-956, which were replaced by 52 issues of the New 52 reboot numbering 1-52. For American comic book fans, there’s something special about holding this issue in your hands. It’s no small feat seeing such a truly undisputed iconic character get to this point.
The 80-page giant issue is one not to pass up. For current fans, it’s a ramp-up to Brian Michael Bendis’s writing run beginning with the complete issue #1001. For everyone else, it’s a nostalgic trip via variant covers and dozens of classic and modern creators offering up stories about the Man of Steel. The writers? Dan Jurgens, Peter Tomasi, Marv Wolfman, Paul Levitz, Geoff Johns, Richard Donner, Scott Snyder, Tom King, Louise Simonson, Paul Dini, Brad Meltzer, and Brian Michael Bendis. The artists? Dan Jurgens, Pat Gleason, Curt Swan, Neal Adams, Olivier Coipel, Rafael Albuquerque, Clay Mann, Jerry Ordway, Jose Luis Garcia-Lopez, John Cassaday, Jim Lee, Norm Rapmund, Butch Guice, Kurt Schaffenberger, Kevin Nowlan, Scott Williams, Hi-Fi Color, Alejandro Sanchez, Dave McCaig, Jordie Bellaire, Trish Mulvihill, Laura Martin, and Alex Sinclair. Cover artists include Steve Rude, Michael Cho, Dave Gibbons, Michael Allred, Jim Steranko, Joshua Middleton, Dan Jurgens, Kevin Nowlan, Lee Bermejo, Dave Dorman, George Perez, Neal Adams, Jim Lee (providing the main cover and two variants), Curt Swan, Felipe Massafera, Nicola Scott, Jock, Oliver Coipel, Jason Fabok, Kaare Andrews, Gabrielle Dell’Otto, Artgerm, Tyler Kirkham, Pat Gleason, Francesco Mattina, Ken Haeser, Doug Mahnke, and Tony S. Daniel. Check out images of all the variant covers below. Our favorite? Danielle Dell’Otto’s take on Christopher Reeve at the Fortress of Solitude, and Pat Gleason’s cover, which includes Krypto.
Some comic book stores are holding events to celebrate the Man of Steel’s big day. This Saturday if you’re in the Kansas City area head on over to Elite Comics, where you can pick up copies of Issue #1000 plus a limited exclusive Superman print (shown above) by artist Bryan Fyffe, a nationally-recognized artist whose licensed works include projects for Disney and Star Wars. Or check out your own neighborhood store.
Next month Dark Horse Comics releases a must-read for fans of He-Man, She-Ra “Princess of Power,” and the Masters of the Universe world of toys, animated series, magazines, chapter books, posters, comic strips, and comic books. The Art of He-Man and the Masters of the Universe Limited Edition Hardcover includes more than 300 pages full-color art, a portfolio featuring an exclusive print by Gerald Parel, a foil-embossed cover, and a die-cut two-piece Castle Greyskull slipcase. A standard edition of the book will also be available. Many well-known creators worked with these characters since its inception in the early 1980s, including Ralph McQuarrie, Drew Struzan, Dick Giordano, J. Michael Straczynski, George Tuska, Klaus Janson, Boris Vallejo, Tony Moore, Darwyn Cooke, Geoff Johns, and Tommy Lee Edwards.
Designers from every stage of the creation of He-Man, She-Ra, Skeletor, and the large cast of sword and sorcery heroes and villains, offer insight into character development, decision-making, and the impact on 1980s kids. The best feature is the inclusion of hundred of pieces of full-color art, concept artwork, page layouts, sketches, storyboards, packaging art, prototypes, never before seen and unused imagery, advertising art, original comic art, and final comic book pages, covers, and animation cels. It features restored art from master illustrator Earl Norem, as well as interviews with Dolph Lundgren, who played He-Man in the 1987 movie, director Gary Goddard, well-known TV producer/comic book writer Paul Dini, and voice actress Erika Scheimer, among many others. Captions for photos were written by comic book creators Tim Seeley and Steve Seeley.
Particularly of interest to toy collectors are the original notes from the development stage of the toy line at Mattel. Mattel, which had passed on the ground-breaking Star Wars action figure line, developed He-Man as a direct competitor to that toy line. Mattel drove the look of the characters–this was first and foremost a toy line, inspired in part by the fantasy art of Frank Frazetta. But it grew beyond that. Artists and writers and other creators remark with pride about the focus on the stories that went beyond the toy line.
If you’re not watching The Flash on the CW Network there’s no time like tonight to join in and get caught up. All the DC Comics fans who grew tired of the dark and gloomy nature of the DC Comics universe as realized in television (like Constantine) and the movies (like Christopher Nolan’s Dark Knight trilogy) have the alternative they have been looking for from this spin-off of CW’s Arrow.
Grant Gustin plays Barry Allen against all prior types. He’s more like Peter Parker than the Barry Allen of the Silver Age or more recent New 52 incarnations, and little like the older, more serious scientist in The Flash television series from the 1980s starring John Wesley Shipp. He’s cheery, funny, friendly, and generally a happy guy despite his obsession with his mother’s death years ago, having to deal with his father in prison for her murder, and the fact that his life has been turned upside down by a bolt of electric current from a particle accelerator.
And if the series isn’t enough for you, check out the tie-in comic book series The Flash Season Zero.Season Zero provides a supplemental story to the TV show but also is a jumping-on point for those who may have missed the first few episodes. Now only two issues in, you can get these back issues easily from any comic book retailer. The best reason to check out Season Zero? The return of artist Phil Hester to the part of the DCU he drew for many years as penciller on the monthly Green Arrow series. With multiple crossover episodes this season between The Flash and Arrow, hopefully we’ll get a chance to see Hester’s take on drawing Stephen Amell’s much younger version of Oliver Queen.
The CW Network released this first look at the new Flash costume and announced that filming of the pilot episode will begin this week. This time around, the supersuit developed by Academy Award-winning costume designer Colleen Atwood seems to have kept with the modern design continuity of her costume for Stephen Amell’s Arrow while possibly pulling in some inspiration from Chris Evans’ Captain America costume from Captain America: The First Avenger, with that 1940s leather football helmet look, complete with chin guard.
Captain America–inspiration for the new Flash supersuit helmet?
The primary red-colored suit from the decades of comic book artist renderings has been cast aside for an edgier, dark look, also perhaps taking the lead from the darker mood of the Arrow series’ new DC universe that the new Barry Allen/Flash springs from. The color also resembles the classic Flash series that this new series will be undoubtedly compared to, possibly the best incarnation of a costumed hero to appear on TV or film, worn in 1990-1991 by actor John Wesley Shipp, shown here:
The original Flash–a supersuit that can’t be beat.
