Tag Archive: Greg Capullo


 

Todd McFarlane has said he hoped to create a comic that would make it 300 issues when he began his Spawn series back in 1992–to surpass Dave Sims’ Cerebus series and become the longest running independent comic book series.  Now 27 years later he’s making it happen with a scheduled Issue #301 on its way.  But first it’s the big 3-0-0 and plenty of variant covers to go with it.  McFarlane also has a reboot film in the works, but little detail has been released, other than McFarlane intends to write the script, produce the project, and direct it.

For Issue #300 we count 18 covers in all.  So make your picks and let your local comic book store know what you’re after.  Keep in mind this release is similar to other benchmark issues–one-third of these covers will not be regular shop releases–so you will need to track those down on eBay or from collector retailers.

Covers were designed for this issue by McFarlane, Greg Capullo, J. Scott Campbell, Jerome Opeña, and Jason Shawn Alexander, along with black & white covers, logo covers, and “virgin” art covers, as well as a blank sketch cover.

Here are full-sized images of the covers for Issue #300, courtesy of Image Comics, and a preview of Issue #301:

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We’ve had a great response here at borg to our complete checklist of the variant covers for the 80th anniversary of Batman and benchmark 1000th issue of his long-standing comic book series, Detective Comics Check it out here if you missed it.  The cover art, especially when merged with the variety of historical and modern title art and legends, makes for one attractive looking book, whichever copy you go for.  At least one of the ten main covers will provide a dose of nostalgia and excitement for any Batman fan.  But for $9.99 is it worth the price?  Can you tell the book by its 84 covers?

Incorporating eleven short stories and three pin-ups with a variety of stories, themes, and eras, this anthology is tilted in favor of the modern dark knight detective over the versions of the character from his first decades in print (Batman TV fans have several Batman ’66 comic book series to turn to for the lighter fare).  Is the issue epic?  That’s in the eye of the beholder.  Groundbreaking?  Probably not.  But it’s a fun read, and using mixed pairs of writers and artists–a few classic pairs and a few nice change-ups from then and now–it’s a great exercise in searching out what works and what works really well for DC Comics’ editorial department.  Love a particular story or visual style?  Surprise–you the reader now have new creators to keep an eye on in future series.

Becky Cloonan’s Batman from Detective Comics #1000.

You might find your next favorite creators in “Batman’s Longest Case,” with writer Scott Snyder and artists Greg Capullo and Jonathan Glapion, the kind of story you think of when you see Batman as master detective.  Writer Kevin Smith pulled out the stops for his team-up with Jim Lee and Scott Williams in “Manufacture for Use,” including one of those great splash pages Lee/Williams fans can’t get enough of.  Artist Becky Cloonan delivered the biggest visual win with a flawless Batman: Year One-inspired Frank Miller style in one panel and a cool Bernie Wrightson caped crusader in another, matched nicely with Jordie Bellaire‘s colors in the story “The Batman’s Design.”  Tight writing and story make for an exceptional contribution from writer Brian Michael Bendis and artist Alex Maleev called “I Know,” probably the best writing of the book.  I’ll admit I was hoping for a Jim Aparo, Gene Colan, or Marv Wolfman homage (they defined the look of the Batman of my youth), but it wasn’t to be this time.  But based on this issue, who would I like to see in an ongoing monthly?  Brian Michael Bendis and Becky Cloonan.  And my favorite part of the book?  That goes to Mikel Janin‘s take on Batman with Joker and the Riddler in his one-page pin-up, which stopped me in my tracks, and should have been a variant cover option.  More, please!

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Detective Comics, the title DC Comics took its name from, first hit the shelves of newsstands just before March 1937, 26 months before Batman would first appear in the famous Issue #27 in May 1939.  This Wednesday the monthly comic book’s landmark Issue #1000 is arriving, and it’s going to be packed with content from several writers and artists.  It’s 96 pages in all, including the first appearance outside video games of Arkham Knight.  And as you’d expect, DC Comics is releasing the issue with several covers (our count below is a whopping 84 or about a cover for each year Detective Comics has been in print!), including a standard cover, a set of decade-inspired covers, both a blank sketch cover and new black edition, retailer incentives featuring logos or no logos, and several limited, exclusive shop, convention, and creator store variants.  More than a few are simply stunning, and this is the rare mass cover event where the final regular cover set (10) includes several works as interesting or better than the exclusives (the Frank Miller with the classic title art really takes us back to the 1980s).  Check them all out below–all 100 images including art without logos–with links to where to buy them (exclusives that haven’t sold out in pre-sales).

Writers for stories in Detective Comics Issue #1000 include Brian Michael Bendis, Paul Dini, Warren Ellis, Geoff Johns, Tom King, Christopher Priest, Dennis O’Neil, Kevin Smith, Scott Snyder, Peter J. Tomasi, and James T Tynion IV.  Interior artists include Neal Adams, Greg Capullo, Tony S. Daniel, Steve Epting, Joëlle Jones, Kelley Jones, Jim Lee, Doug Mahnke, Alex Maleev, Alvaro Martinez, and Dustin Nguyen.

DC Comics did a nice job of pulling out creators defining each decade, with Steve Rude (1930s), Bruce Timm (1940s Detective Comics #69 homage), Michael Cho (1950s), Jim Steranko (1960s), Bernie Wrightson (1970s), Frank Miller (1980s), Tim Sale (1990s), Jock (2000s), and Greg Capullo (2010s)–all appear to only be available with the trade “Detective Comics” logo (but we’ve included images of the original art below).  DC Comics publisher Jim Lee is back again with the standard cover, a wraparound design.  The rest reflect a crazy big stack of variants by everyone and anyone, most available with the Detective Comics logo (with “trade” logo) or without logo (“virgin”), some in black and white, some with sketch art, some with foil cardstock.  The following are all the non-standard variant artists and where to get them (we heard an Andy Kubert cover may be out there, but could not confirm this): Neal Adams (three designs, NealAdams.com), Jay Anacleto (trade, virgin, and B&W) (Unknown Comic Books), Kaare Andrews (trade only, no virgin-only edition confirmed) (Third Eye), Artgerm (trade, virgin, retro) (Forbidden Planet), Lee Bermejo (virgin, trade) (Midtown), Brian Bolland (trade, virgin, B&W) (Forbidden Planet), Greg Capullo (gold foil version of his 2010s cover) (WonderCon variant), Clayton Crain (virgin, trade) (Scorpion Comics), Tony S. Daniel (trade, no virgin-only) (artist website, Comic Stop), Gabriele Dell’Otto (trade, silver virgin, and gold convention) (Bulletproof), Jason Fabok (trade, virgin, B&W) (Yesteryear Comics), Riccardo Federici (trade, virgin) (ComicXposure), Pat Gleason & Alejandro Sanchez (trade, virgin, B&W) (Newbury Comics), Adam Hughes (trade, virgin) (Frankie’s Comics), Jee-Hyung Lee (trade, virgin, B&W) (Frankie’s Comics), Dan Jurgens & Kevin Nowlan (sketch, line art, and color versions) (Dynamic Forces), Mike Lilly (trade-only, no virgin cover) (Comics Vault), Warren Louw (virgin, trade) (KRS Comics), and Doug Mahnke (trade, virgin) (Planet Comicon).

Plus there’s Francesco Mattina (trade, virgin) (Midtown), Mike Mayhew (trade, virgin) (The Comic Mint), Stewart McKenny (trade, we couldn’t locate anyone selling the virgin cover) (Comics Etc.), Dawn McTeigue (virgin, trade) (Comics Elite), Rodolfo Migliari (trade, retro trade, virgin) (BuyMeToys.com), Lucio Parrillo (trade, virgin) (Scorpion Comics), Alex Ross (two covers) (via his website), Natali Sanders (virgin, trade) (KRS Comics), Nicola Scott costume match design to her Superman image for Action Comics #1000 (trade, virgin) (Kings Comics), Bill Sienkiewicz (two designs, signed or not, one in trade, one virgin, via his website), Mico Suayan (trade, virgin) (Unknown Comic Books), Jim Lee & Scott Williams (midnight release vertical and convention silver foil, B&W, and four villain designs) (Torpedo Comics, Bedrock City Comics, Graham Crackers).

Want to see them all?  Here goes:

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Review by C.J. Bunce

The third book in the new series of hardcover novels based on Batman stories from DC Comics, following The Killing Joke (reviewed earlier here at borg) and the Harley Quinn story Mad Love (reviewed here) is on its way to your comic book shop and other bookstores.  The Court of Owls is relatively new to Batman and DC Comics.  It’s a storyline that emerged from the New 52, the big DC reboot from seven years ago, created in the pages of Batman comics from writer Scott Snyder and artist Greg Capullo.  Just as DC was re-creating origin stories and restarting some story lines for various characters, The Court of Owls became the latest subversive crime unit, a mix of a secret society like Skull & Bones and the mid-century Mob, infiltrating every part of Gotham City, controlling everything from the police to the banks, business, and the government.  It was an entirely new creation, so Snyder was challenged with establishing a foundation of events no reader had encountered in Batman’s then 72 years, but thenceforth became a part of established Gotham City history and lore.  This is the focus of a new novel edition of the storyline, Batman: The Court of Owls, written by tie-in author Greg Cox.

People are catching fire, human spontaneous combustion style, across Gotham.  As Bruce Wayne aka Batman investigates with Commissioner Gordon, it becomes clear crime scene information is similar to crimes of record from Batman’s past sleuthing.  An element is common among the remains, tying these deaths to a secret society that Batman previously encountered and confronted in the underground Labyrinth lair–The Court of Owls.  The Court of Owls consists of a small but far-reaching group of the wealthy and powerful who meet in secret and wear a sort of Eyes Wide Shut face mask system, and their henchmen, called Talons, also wear masks, and possess unnatural regenerative qualities.  They are fierce and possibly unbeatable.  Enter the missing Joanna Lee, rescued in a shoot-out in Gotham years ago by Batman, she was an art history student studying a historic Gotham sculptor when she vanished.  As Bruce, butler Alfred, and ally Barbara “Batgirl” Gordon piece together the history of the city and this sculptor’s strangely pervasive art, they learn the impossible has happened: This 19th century artist created works depicting future events decades before they happened.  What they have in common opens up a past that was in front of Bruce Wayne all his life.

As a standalone novel, Batman: The Court of Owls is a solid, worthy Batman story, a complete adventure that doesn’t require much prior knowledge from the reader.  It’s not an adaptation of the New 52 story, but incorporates various elements from the original, comic book version of The Court of Owls story, plus elements from related stories, Night of the Owls, City of the Owls, Fall of the Owls, and Scourge of the Owls

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The wedding of Batman and Catwoman is shaping up in the issues of DC Comics’s Batman bi-weekly series, with the date set at Issue #50, greeting comic book readers next month.  Writer Tom King continues his ongoing Bat-tale with an abundance of interior and variant cover artists, including Mikel Janin, Joëlle Jones, Jim Lee, Frank Cho, Alex Ross, Mike Mayhew, Tim Sale, Neal Adams, Lee Bermejo, Joshua Middleton, Dawn McTeague, Frank Miller, Jock, Andy Kubert, Ant Lucia, Eric Basaldua, Natali Sanders, Greg Capullo, Joe Jusko, Olivier Coipel, Scott Williams, Warren Louw, Tyler Kirkham, Rafael Albuquerque, Tony S. Daniel, J. Scott Campbell, Jose Luis Garcia-Lopez, David Mack, Lee Weeks, Mark Brooks, Dave Johnson, Clay Mann, Greg Horn, Francesco Mattina, David Finch, Paul Pope, Joe Madeurera, Mitch Gerads, Alé Garza, Becky Cloonan, Jae Lee, Francesco Mattina, Ty Templeton, Joseph Michael Linsner, Nick Derington, Jason Fabok, Arthur Adams, Jim Balent, Lucio Parillo, Amanda Conner, and Michael Turner.  The standard cover will feature the work of Mikel Janin.  So how is this going to go down?  Anyone else remember the wedding storyline for Green Arrow and Black Canary?  It seems plenty of villains will be around if the variant covers are any indication.

We think we found nearly all the base images for the variant covers (below).  Let us know if you see one when missed and we’ll update the images below.  We did not include every logo or no-logo version, or black and white or similar variants.

A quick heads-up for Frank Cho fans.  He is selling the above interlocking triptych variant cover series, and if you want these beauties, you’ll want to order them soon.  The image features the main characters of the Batman Universe: Catwoman, Nightwing, Batman, Robin, and Batgirl.  (Cho’s covers will be available at a discount off his release price with a code you can get by signing up for his newsletter here), and Joe Madureira has a similar offer for his covers here.  Even more artists are posting pre-order options for their own variants almost daily.

   

Did we mention variant covers?  If you haven’t been following Batman, the cover art of Batman and Catwoman over the past few months has been something fans of the characters dream of.  With black and white and other versions available, expect at least 30 variant covers for Issue #50.  Many of these options from contributing artists, like Frank Cho, will be found at exclusive sellers, including Kirkham (Hastings), Fabok (Yesteryear), Mattina (7-Ate-9), Jimenez (ZMX), Jae Lee (DF), Sanders (Comic Market Street), Jusko (Midtown), McTeigue (Yancy Street), and Adams (Legacy), and creator exclusive variants only at San Diego Comic-Con or webstores include Alex Ross, Mark Brooks, Greg Horn, Joe Madureira, J. Scott Campbell.  With the release of Batman Issue #50 on July 4 comes Catwoman, Issue #1.  In a rarity for comics, take a look (above, right) at what Catwoman is holding in this cover by Joëlle Jones… Janin’s cover to Batman 50.

Alex Ross Batman 50

And even more have been announced, like three Alex Ross exclusives, available for pre-order for San Diego Comic-Con at his website here.  Greg Horn has three covers available only at his website here.  Mark Brooks has eight variants available here.  J. Scott Campbell has five variants available here.  Jock has three covers here.  Aspen has pulled some art from the late Michael Turner for variants, too.  See even more below.

Here are many of the 50+ cover images and some variations on those variants for Issue #50 previewed so far:

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Wil Wheaton standing room only crowd at Planet Comicon 2013

This weekend Planet Comicon Kansas City is featuring a pantheon of nationally recognized comic book writers and artists at its sixth year in downtown Kansas City, Missouri.  The show begins tomorrow at Bartle Hall, and continues through Sunday.  Bring your stacks of comics for autographs from your favorite creators, including Frank Cho, Jill Thompson, Dave Dorman, Mark Brooks, Brian Azzarello, Jae Lee, Dan Jurgens, Chris Stevens, Peter Stiegerwald, Amy Chu, Ashley Witter, Greg Capullo, Stephane Roux, Christopher Priest, and Scott Snyder.

Back again are PCKC regulars Freddie Williams, Tony Moore, Jason Aaron, Phil Hester, Jai Nitz, Ande Parks, Ant Lucia, Skottie Young, Megan Levens, Neal Adams, Greg Horn, Seth Peck, Rob Davis, Darryl Woods, Jason Arnett, Bryan Fyffe, Bryan Timmins, C.W. Cooke, Damont Jordan, and Darren Neely.

Planet Comicon 2014

Make sure you visit the Elite Comics flight crew at the “Party on the Pillar” and pick up some great deals on what the Con is all about–comics–including Elite Comics and Planet Comicon exclusive cover variants of special issues available only at the show.

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star_wars_galaxy_topps_final_cover

Ten years after Return of the Jedi, Topps trading cards editor and writer Gary Gerani was tasked once again to meet fan demand for more Star Wars trading cards.  Many years before he would create photo cards for a new trilogy of prequels, he would team up with Lucasfilm’s Steve Sansweet to showcase Star Wars as interpreted by some of the best artists that contributed to the films or would re-imagine the “Star Wars Galaxy” in their own styles.

The three resulting trading card series have been released in the 2016 addition to Abrams ComicArts successful hardbound series featured here previously at borg.comStar Wars Galaxy: The Original Topps Trading Card Series includes the works of more than 170 artists in more than 200 card reproductions, plus commentary by Gerani and an afterword by notable poster artist Drew Struzan.  Unlike the prior volumes in the series, only the obverse image from the cards, which featured the artwork, is included.

chiarello-sw-galaxy-card     starwarsgalaxy_p062-0

You’ll find an incredible array of imagery by a surprising combination of artists, including rare images you will have seen only if you collected the original cards.  So you’ll find the work of Jack Kirby, Steve Ditko, Ralph McQuarrie, Moebius, Drew Struzan, Dave Dorman, Al Williamson, Howard Chaykin, Mike Grell, John Eaves, Mike Zeck, George Perez, Jim Starlin, Dave Stevens, Walter Simonson, Gene Colan, Rich Buckler, Bill Sienkiewicz, Mark Schultz, P. Craig Russell, Dave Gibbons, Sergio Aragones, Boris Vallejo, Charles Vess, and Gil Kane.

sw-galaxy-card-sample-a     75144-117fr

The volume includes the entire run of portraits created for Star Wars Galaxy specifically for the Topps cards by Joseph Smith–the original art was later bought by George Lucas for his personal collection.

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Batman Night of the Owls hardcover cover

As someone who bailed a few issues into Scott Snyder and Greg Capullo’s Batman: The Court of Owls story arc in the monthly Batman comic book which spanned the bulk of the first year of the New 52, I found that I really enjoyed the crossover follow-on story as compiled in the late February hardcover release, Batman: Night of the Owls.  While you are either left scratching your head or enjoying the ride as the Batman “Death of the Family” story arc wrapped last week with Batman Issue #17, this new trade edition is one way to check out some other New 52 titles you might not otherwise try.  And it’s fun watching how several writers can make a crossover take place in one night over 14 issues.

It’s the first crossover of the New 52.  Batman: Night of the Owls collects 360 pages, including Batman Issues #8-9, plus the tie-ins from Batman Annual #1, Nightwing Issues #8-9, and Issue #9 of All-Star Western, Batgirl, Batman and Robin, Batman: The Dark Knight, Batwing, Birds of Prey, Catwoman, Detective Comics and Red Hood and the Outlaws.

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Review by C.J. Bunce

In the climax of Batman Volume 1: The Court of Owls, a battered Batman looks up and utters “…I am sick… to death… of owls!”  Me, too, I thought, after seven chapters of the first released hardcover of the New 52, written by Scott Snyder with pencils by Greg Capullo.  Hardly a page of the first seven issues of the rebooted Batman series does not include an owl, worked into the background or architecture or elsewhere.   There’s not a lot of subtlety to be found here.

Although I’d put David Peterson’s owl renderings in Mouse Guard up against Capullo’s any day, Capullo does a nice job of working owls into the story.  In fact his art and the overall look of this hardcover puts it in the camp of prior trade compilations like Batman: The Cult.  It certainly surpasses Grant Morrison and David McKean’s equally dark Arkham Asylum in both story and art.  That said, it fails to achieve the excitement, fun, and energy of Jeph Loeb and Jim Lee’s Batman: Hush or Alan Moore and Brian Bolland’s Batman: The Killing Joke, or the mythology of Batman found in Frank Miller’s Batman: Year One.  If you like your Batman not only dark but flawed, making as many bad decisions as good, and you’re tired of the recycled pantheon of Bat-villains, this book may be for you.  Unfortunately, the twists and excellent execution of story found in Issue #1 of this Batman series didn’t hold out, the owl-villainy doesn’t match the classic bat-villains, and so the series became monotonous and tired by Issue #7 for this reader.

I haven’t seen a lot of continuity of story presentation across the New 52 titles.  But of all the titles I’d hoped for more origin of Batman than is peppered in flashback through the first seven chapters of this compilation.  Had The Court of Owls been a story arc in a normal year of Batman stories, I may have actually appreciated it more.  But as part of a launch that was to allow new readers to enter and understand the series, I think this series doesn’t make any headway.  That said, what’s there really to understand?  It’s just Batman, right?  As the leading title of DC Comics, I think despite its great sales, the story doesn’t have broad appeal.  Why is everyone reading it then?  With all the Bat-titles in the reboot, this series started out as the best and is probably considered the best, but we’re all not just waiting for another good Batman story, we want another great Batman story and we’re willing to keep coming back until we get it.

The hook of the owl as a creature of night who eats bats as a visual or storytelling concept would have worked for me for an issue or two.  Today DC Comics have The Court of Owls – Night of the Owls story permeating throughout the DC New 52 titles as a crossover event.  What is the Court of Owls?  It’s a bit like an evil version of the Brotherhood of the Cruciform Sword from Indiana Jones and the Last Crusade, mixed with the Masons as revealed in the National Treasure series, and a chemical reaction that allows humans to be immortal.  Despite all the years of Bruce Wayne exploring and building out a batcave, and his long understanding of Gotham City as his city, suddenly we readers are introduced to a concept never before even hinted at, and a mention that… oh, yeah, Bruce Wayne tried to hunt down the Court of Owls as a kid and ultimately came to the realization they did not exist.  The problem is, unlike the Brotherhood of the Cruciform Sword’s noble cause, we are given no motivation for the Court’s evil doings.  They’re just bad guys.  If you had this much power, would you live like these masked ghouls under Gotham or would you live the high life?

That said, there is a lot to like in this series.  Snyder’s use of modern technology to assist Batman is well placed. Dick Grayson’s Nightwing has hardly been better as Batman’s sidekick, including a brilliant turn as Joker to fool the inmates of Arkham Asylum.  The entire supporting cast, although hardly used, have nice moments, including Tim Drake, Commissioner Gordon and even Alfred.   Capullo’s art is as good as any of Jim Lee’s best Batman work.  Capullo and Snyder both are obviously passionate about creating a complex Bat-tale, and for that, the book is worth a second read.  With that second read, more plotted foreshadowing can be found.  The Court of Owls was clearly not an easy tale to construct, both from a story concept or visually.  And as a starting point, Issue #1 is one of the best issues of Batman you’ll ever read.  If you like Batman in a chamber of horrors, Snyder and Capullo’s vision has the feel of the crazy masked club of Stanley Kubrick’s Eyes Wide ShutUnfortunately I just didn’t find the arc compelling enough to keep me hooked for all seven issues.

Batman: The Court of Owlsseems to borrow a bit from Jim Starlin and Bernie Wrightson’s Batman: The Cult in story and look.  Capullo’s depictions of a tortured Batman are equal to the horror and drama depicted in Bernie Wrightson’s panels in The Cult.  That’s high praise for Capullo as Wrightson’s work on The Cult was nicely done.  But I was never fond of Batman being duped and sucked into the villain’s world, or portrayed as less than genius, and even allowed to be beaten to a pulp.  All that happened in both Batman: The Cult and Batman: The Court of Owls This is why I found myself on the side of Nightwing in the sparring between the two–and I am not typically a fan of Nightwing.  I prefer my Bat-story to show Batman in the shadows more, as the detective who doesn’t become emotional or fall for the villains’ traps like the Batman of the camp 1960s TV series.  Finally, I was distracted by how much the Court’s henchman Talon looked like Watchmen’s cool hero Nite Owl.

Nite Owl from Watchmen.

A big plus of this hardcover edition can be found at the back of the book.  Snyder’s script for issues #1 and Capullo’s pencil roughs that accompany that story reveal some of their creative process, which I always love to see.  And along with Greg Capullo’s superb cover art (it’s great when a publisher allows the interior penciller to also create the cover art!), the appendix also includes full page color images of the alternate, incentive covers.

If you want to give Batman: The Court of Owls a try, it is now available at local comic book stores and online.  Editors Note:  Check out my review of the hardcover of Night of the Owls–all the crossover issues compiled–at this link.