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Tag Archive: Grimm


After a painfully long wait for fans of the series, the CW Network renewed the hit horror comedy/drama iZombie for a fifth season late Friday.  Even the folks at TV Guide had their fingers crossed for this renewal, stating, “At last, our long national nightmare is over,” in response to the news.  What began as a successful comic book series by writer Chris Roberson and artist Michael Allred for DC Comics’ Vertigo imprint about a gravedigger zombie gal who eats brains to survive, took on its own life under the deft management of showrunner Rob Thomas, who had already dazzled his target audience with Veronica Mars.  Powerhouse star Rose McIver’s Liv Moore has become every bit the ace detective that Veronica was, but she also bridged the audience back to the pop culture references and off-the-wall fun Joss Whedon brought the TV audience with the original badass heroine with his Buffy the Vampire Slayer.  And McIver had the added bonus of playing a character that had to change up her performance every single episode while also appearing in nearly every scene, like Quantum Leap’s Sam Beckett and more recently Tatiana Maslany’s several sisters in Orphan Black.  And she has met the challenge with high energy along the way.  Everyone should be taking a good look at McIver’s performance this year come award season.

That isn’t to say the series hasn’t had a few ups and downs as it found its footing each season, upping the ante for its characters faster than anyone could have predicted… Liv and Major (Robert Buckley) are off, then on again… Ravi (Rahul Kohli) and Peyton (Aly Michalka) are off, then on again… Major and Blaine (David Anders) were zombies, then they weren’t and now they are, etc.  The experimentation worked, as the change-ups kept the show fresh and interesting, and as other shows get tired after the first or second season iZombie has taken the road traveled by NBC’s Grimm, a show that kept up the momentum taking major risks and changes only to get better with every new episode.

This week’s Episode 10 of the fourth season, “Yipee Ki Brain, Motherscratcher!” was the kind of crazy fun you might find on an early episode of South Park or Buffy.  Mocking shows that run out of funds that then are left to have their action scenes off-screen to be summarized on-screen by a character afterward, in an audaciously hilarious move by the writers, co-star Malcolm Goodwin (last year’s borg.com pick for Best TV Actor) was left to pantomime a recap of his off-screen heroics for the episode.  That was coupled with the kind of genre trope episode the series’ fans love: a bombardment of movie references and Easter eggs tied to 1980s action flicks.  And Blaine and Bryce Hogson’s Don E continue to surprise us, but never more than in this week’s episode.  The excellent villainy of the past four seasons (iZombie has three episodes left in Season 4) has smartly balanced out the heroes’ story: first with the brilliant Steven Weber’s Vaughn Du Clark and his daughter Gilda (Leanne Lapp), then with Eddie Jemison’s mobster Stacey Boss, followed by the return of Veronica Mars lead Jason Dohring as the questionable zombie law enforcer Chase Graves, and meanwhile the writers were furtively building the character arc of Robert Knepper’s Angus/Brother Love into compelling new territory as we prepare for what’s coming next season.

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The movie-going world first met Anna Paquin when she co-starred in Jane Campion’s The Piano, which earned her the Academy Award for her supporting role at age 11–the second youngest Oscar winner in history.  As the New Zealand actress gained experience in her craft she went on to star in True Blood, which earned her a Golden Globe Award.  These days she’s best known as Rogue in the X-Men series, appearing in four X-Men movies so far.  This past fall she starred as a murder victim in Netflix’s 19th century historical drama series Alias Grace, and this month U.S. audiences were introduced to her performance as a cop in one of the better episodes of season one of Philip K. Dick’s Electric Dreams.  This week she returns to television in a starring role again as a cop in the new series Bellevue on WGN America.

Paquin continues to show her Oscar and Golden Globe wins were deserved.  The actor has a command of the stage, and consistently her presence in a scene brings authority to her characters.  In Bellevue we meet a down-to-Earth side of Paquin as she plays Detective Annie Ryder, a local institution in her small town, whose brash personality and working class roots put her at odds with other officers in her department and every other faction in the town of Bellevue.  Her new case is locating a missing young man, a local hockey player and celebrity of sorts who we learn had a transgendered lifestyle and possibly was being counseled by a priest at a local church.  Paquin’s Ryder has her own odd sense of humor as she makes the best of handling a daughter, a sad sack ex-husband, and the residents of a mining town with a newly closed mine and a newly opened brewery.  The first episode really kicks in as we watch Ryder find a connection between the recent crime and strange messages left to her after her father’s suicide when she was a child.

You can see bits and pieces of a myriad of dark-murder-mystery genre TV and film in Bellevue, everything from the dark creepy vibe of Haven, Grimm, Twin Peaks, The Returned, The X-Files, and Wayward Pines–minus the supernatural elements–along with the serious crime material of Broadchurch, Fargo, and Thirteen.  As for its pacing, this Canada production for WGN America is presented like many British mystery series–there seems to be more time spent in study of each scene, as found in better mysteries like Shetland or Hinterlands.  One episode in and it already is more compelling than The Killing.  For current audiences Bellevue may feel more like Riverdale–the series pilot even has Ryder’s daughter recounting a past murder in the small town as Jughead often narrates in Riverdale.

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Our borg.com Best of 2017 list continues today with the best in television.  If you missed it, check out our review of the Best Movies of 2017 here and the Kick-Ass Heroines of 2017 yesterday here.

Without further ado, this year’s Best in Television:

Best Borg TV Series, Best TV BorgHumans (AMC). From the awakenings in the first episode of season 2, AMC’s Humans kicked in full throttle as the borg show to watch this year.  Continuing to explore what it means to be real and addressing the desire and need to overcome oppression, the show took ideas from Frankenstein and THX-1138 and everything in between to show us realities of life as a borg as it took the world from robotic cyborgs to sentience.  And this year’s best borg goes to all the Synths on the series, as each showed a different side to what a world full of cyborgs might be like.

Best Sci-fi TV Series, Best Soundtrack for TVThe Orville (Fox).   The Orville expanded on elements from across all sci-fi, like space battle sequences and planet flyovers using Star Wars-inspired camera angles (including real model ships, not just CGI), completely new and unique aliens (the only thing close to these can be found in Doctor Who), and a fantastic, triumphant musical score from Bruce Broughton.  A visually gorgeous show that took itself seriously more than trying to mock anything that came before it.  The science fiction series we’ve been waiting for since Star Trek Voyager ended.

Best Fantasy TV SeriesWynonna Earp (Syfy).  Wynonna Earp’s second season proved the first wasn’t a fluke.  The sharp-tongued, swaggering, tough-as-nails gunfighter, her sister, the sheriff, and the ghost of Doc Holliday added some new team members and some great supernatural villains, providing a series we couldn’t wait to get back to each week.  Wynonna’s handling of the Revenants and a transport back in time was even more fun while she managed her pregnancy.

Best Retro TV SeriesStranger Things (Netflix).  The only question after binge-watching the second season of Stranger Things was struggling to decide whether it was better than the first.   It had the same look and feel of its first season, but somehow the characterization was really amped up, the action more exciting, and the tension pretty much perfect.  Stranger Things really had it all–stars of our favorite 1980s movies, throwback references to video games, music, fashions, and the obscure like no other show–and with a second season that eclipsed the first, it proved it is the real deal.

After the cut, come back for more of our Best in Television 2017, including our pick for Best TV Series:

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It’s time for borg.com‘s annual look at the year’s Best Kick-Ass Genre Heroines in film and television.  Again the studios gave us more to cheer about than ever.  We’re highlighting the very best from a slate of fantastic heroines, with characteristics to learn from and cheer on.  Determined, decisive, loyal, brave, smart, fierce, strong (and, okay, sometimes evil), you’ll find no one here timid or weepy, but all rely on their individual skills to beat the odds and overcome any obstacle that comes their way.  Some may be frazzled, put-upon, war-weary, or human, but all have fought, some against difficult circumstances, others against personal demons, and some against gun and laser fire.  And they all showed what a tough, kick-ass character is about.

In 2017 these characters broke new ground, and unlike last year’s great list, this year’s selections would not have worked had the characters been swapped for males.  We had a pregnant gunfighter, a mutant mental patient, a double agent, a space pilot, an alien security officer, a pregnant former psychopathic killing machine, a cyborg assassin, a mythic warrior, a maverick mercenary, a warrior, a commander of armies, an alien slave turned teacher, an angry young mutant, and a teenage high school reporter.

These are the Best Kick-Ass Genre Heroines of 2017:

Wynonna Earp (Wynonna Earp).  Melanie Scrofano not only played Wynonna Earp as pregnant in this year’s second season, she actually was.  And that didn’t slow her down, defeating all the evil Revenants in the town of Purgatory, and incorporating the discomfort of pregnancy made for great comic release all season long.  Who had the tougher task, Earp or Scrofano?  Either way, the series showed it’s a keeper and Earp the sharp-tongued, swaggering, tough-as-nails gunfighter we continue to love.

Valkyrie (Thor: Ragnarok).  As cool and powerful as Cate Blanchett’s Hela was in this year’s pinnacle of the Marvel Cinematic Universe, the real scene stealer in Thor: Ragnarok was Tessa Thompson’s surprising new tough heroine, Valkyrie.  Cocky?  Yep.  And she backed up that confidence with mad fighting skills and brains–enough of a combination to help Thor & Co. save the people of Asgard and get some revenge for the Valkyries who lost the original battle against Hela.  As much as any other character, we’re looking forward to more of Valkyrie in next year’s ultimate team-up Avengers: Infinity War.

Luv (Blade Runner 2049).  If Blade Runner 2049 is remembered for anything, it should be Sylvia Hoeks’ badass Replicant oddly (ironically?) named Luv.  First unassuming, polished, and pristine in her mannerisms, she later reveals she can be the next best thing since Sarah Connor and the Terminators.  Luv is a fierce, brutal borg whose villainy became the high point of the film.

After the cut, the rest of the list…

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Grimm fans are pretty grim right now.  Just as the series hit its full stride and seemed to only gain steam, its final season is winding down.  As tonight’s finale arc begins, at least we now know that star David Giuntoli won’t be away from the small screen very long.  He is beginning work on a new series pilot for CBS.

Mission Control will follow the fictional lives of NASA employees as they balance managing the current space program and their own personal drama.  Giuntoli will star in the series along with Unforgettable and Without a Trace star Poppy Montgomery.  Montgomery is continuing her long run on television after four years as the lead on Unforgettable, which switched networks from CBS to A&E in its final season.

The new series hails from The Martian novel author Andy Weir and the film adaptation’s producer Simon Kinberg.  Jeremy Podeswa (Game of Thrones, True Detective, The Riches) will direct.  Other cast members include Levi Fiehler (Ray Donovan, The Fosters) as Izzy, Mercy Malick (iZombie, Major Crimes) as Hoff, and ubiquitous character actor Nestor Serrano as Diaz.

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Our borg.com Best of 2016 list continues today with the best in television.  If you missed it, check out our review of the Top Picks and Best Movies of 2016 here and the Kick-Ass Heroines of 2016 yesterday here.

Without further ado, this year’s Best in Television:

Best Borg TV Series, Best TV Borg — Ash vs Evil Dead (Starz), Bruce Campbell.  We searched high and low for the year’s best TV series featuring one or more borg characters, but didn’t really need to go that far.  The brilliantly funny pop culture ace actor Bruce Campbell’s reboot of the borg.com Hall of Famer Ash could have gotten overlooked had it been just another horror series.  Yet underneath this over-the-top, blood and gore-filled demon hunt is a whole lot of silly fun.  And the actors could have been better, with the likes of Lee Majors (pictured above), Lucy Lawless, and Ted Raimi all making appearances.  We couldn’t ask for a better actor than Campbell to take our borg.com TV title this year.

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Best TV Series, Best TV Horror Series – Grimm (NBC).  The fifth season of Grimm was simply fantastic, full of gripping writing and a change-up of character roles in a way we’ve never seen before.  This season we saw the best action, twists and turns, and flat-out excitement, above every other series on television.  Pulling bits and pieces of folklore from Western and Eastern mythologies and everything in between, the writers delivered all season long.  The writing team’s best work was what they have done all along, taking the story in a direction no one could have predicted.

Stranger Things cast

Best TV Sci-fi Series – Stranger Things, (Netflix).  It’s nearly impossible to list all the influences that came together to form our pick for this year’s Best Retro Fix.  Stand By Me, Firestarter, Silver BulletStranger Things could be another coming of age Stephen King tale, but with nicely creepy John Carpenter undertones and the wonder and sci-fi of a Steven Spielberg movie.  Think Close Encounters of the Third Kind, E.T., the Extra-Terrestrial, and Super 8.  Whatever it is, great performances by a lead group of kid actors, teen actors, and a few adults from filmdom’s past made for a fun season one.

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Best New TV Series, Best Re-Imagining on TV  – Wynonna Earp (Syfy).  We knew Syfy had a winner in the first episode of this year’s best new TV series, Wynonna Earp.  A great mash-up of Western, paranormal, and horror, Wynonna Earp took an American legend and made it interesting for today’s viewers.  Melanie Scrofano’s Wynonna is a classic heroine in a supernatural setting.  And her interactions with Tim Rozon’s Doc Holliday include some of the best humor on TV.  Did we mention the villains are basically zombies?  Wynonna’s got a gun–a Peacemaker–and she knows how to use it, giving us a fun, over-the-top shoot ’em up each week to look forward to.

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Best Animated TV Series – Star Wars Rebels (DisneyXD).  For the second year in a row, Star Wars Rebels proves that animated shows are just as compelling as big budget theatrical blockbusters.  This season we met the great villain Grand Admiral Thrawn, finally introduced to Star Wars canon.  Every episode gave fans something to be excited about, as in the episode “The Antilles Extraction,” where Sabine goes undercover as a cadet in the Empire’s elite flight academy to bring Imperial pilots over to fight for the Rebellion.  Darth Maul and Captain Rex are also standout characters.  Original trilogy voice actors, compelling visuals, and rousing music, make this one of the best series on TV.

After the cut, come back for more of our Best in Television 2016:

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What better way to celebrate the strong, determined leader Leia Organa made famous by actress Carrie Fisher than to celebrate her legacy in the genre heroines of today?  What do most of the characters on this year’s list of Best Kick-Ass Genre Heroines have in common?  Most have roles that could easily be swapped with a male.  Sure, you can have heroine characters who are written to largely rely on traditional female qualities, but women characters bending gender roles are breaking new grounds.  We met characters this year who were held back in their place in time by their status as women, and it is often that role that prompts them to gain the fire and passion necessary to become the heroine of their stories.  So we have both a dress-wearing, well-read 19th century Jane Austen character on our list, but also a space-faring criminal in combat boots, a sea captain, an alien survivor, an alien visitor, a warrior, a sorcerer, a group of clones, a gunslinger, two cops, a zombie, and a supernatural assassin.

In past years we were able to select our Best Kick-Ass Genre Movie Heroine and Best Kick-Ass Genre TV Heroine, but this year the studios gave us more to cheer about than ever, and instead of ranking them we’re highlighting the very best from an unprecedented slate of heroines, with characteristics to learn from and emulate.  Determined, decisive, loyal, brave, smart, fierce, strong.  You’ll find no one here timid or weepy, but all rely on their individual skills to beat the odds and overcome any obstacle that comes their way.  Some may be frazzled, put-upon, war-weary, very human, resulting from trying circumstances, personal losses, and even death of friends and family.  But they all mustered up the strength to rise above it all.  These are the Best Kick-Ass Genre Heroines of 2016:

Sara Huntsman

Sara (The Huntsman: Winter’s War).  Heroines can be medieval or fairy tale warriors, a trained Huntsman quick with a bow and arrow or two-handed swordplay.  Jessica Chastain’s Sara was never seen in Snow White and the Huntsman, but we quickly learned why Chris Hemsworth’s Eric was filled with despair when learning of her supposed death.  A loyal warrior to her queen, she must decide whether to join her excommunicated secret husband against the forces of evil or stand with Queen Freya and her manipulative sister.  A powerhouse trio of actresses, Chastain’s Sara rises above them all opposite Emily Blunt and Charlize Theron in this great fantasy film.

Lily James and Bella Heathcote in Screen Gems' PRIDE AND PREJUDICE AND ZOMBIES.

Elizabeth Bennet (Pride and Prejudice and Zombies).  You already know Elizabeth Bennet as the eldest sister in the classic Jane Austen novel Pride and Prejudice.  An obnoxious mother harassing her, unlikely prospects for marriage, and an oppressive society with little opportunity to make her own choices.  Readers finally get to witness how the classic character might react when given opportunity–opportunity to learn Eastern mysticism and Japanese martial arts, and a role where she and her sisters and friends can fully defend their family and home from a zombie onslaught.  Lily James couples lacy dresses, Regency manners, and in-your-face, Quentin Tarentino-inspired kicks, with classic swordplay–and bloody beheadings.  If a war is coming, you want the likes of Elizabeth Bennet on your side of the battle lines.

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The fifth season of Grimm was simply fantastic, full of gripping writing and a change-up of character roles in a way we’ve not seen on television.  Who knew a horror series full of fantasy, magic, and monsters could fare so well?  Grimm is still going strong after so many competing shows dropped by the wayside: Constantine, Hannibal, Dracula, and more.  In just two weeks a bittersweet sixth season begins, but based on the fifth season finale we’re thinking this show will barrel through to the final episode like the action-filled freight train of fun we’ve come to love.

Grimm’s completely new universe of storytelling surprised us year after year.  In season five we saw the best action, twists and turns, and flat-out excitement of any series in 2016.  So many factors make this a standout series that will stand the test of time.  It’s not another New York or Los Angeles or even a Vancouver-based series.  It is another “save the city” series like The Flash and Arrow, but it uses the lavishly dark, forest-trimmed Portland, Oregon as its background for an all-out war over the supernatural world.  No matter how the series wraps, there will always be room for a reboot.

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Everything about Grimm has been unique.  Local supporting acting roles were filled with the local theater community, providing a look of realism and familiarity for the show.  The main cast proved their range and revealed that each individual–from David Giuntoli to Claire Coffee to Russell Hornsby, Bitsie Tulloch, Silas Weir Mitchell, Reggie Lee, Bree Turner and Sasha Roiz–will likely go on to even bigger roles in 2017.  CGI and make-up monsters provided us that “monster of the week” series we’ve missed since classic episodes of The X-Files.  But Grimm proved to be even better than that classic series.

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Wonde Woman 2017 poster SDCC 2016

The annual San Diego Comic-Con weekend is here and we have already seen some great, new movie and TV posters.   Revealed to publicize properties fans have been waiting for as well as new seasons of our favorite TV shows, Hollywood has piqued our interest again–we want to see all of these films and shows now.

First look images from the world’s best and biggest fan event include the first posters we’ve seen for 2017’s Wonder Woman and the remake of The Magnificent Seven.  And we can’t wait to see the first episodes of CW’s Riverdale, the next season of Star Wars Rebels, and the last season of our favorite horror drama Grimm.

Fans of the Power Rangers have their first look at the new outfits for the next live action version of the franchise.

Ash v Evil Dead poster 2016

Check out all these new images with more to come this weekend from SDCC 2016:

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Nick finale five

Review by C.J. Bunce

With NBC’s recently announced decision to renew Grimm for a sixth season, the network indicated it knows what TV viewers know:  The fifth season was simply fantastic, full of gripping writing and a change-up of character roles in a way we’ve never seen before.  Who knew a horror series full of fantasy, magic, and monsters could fare so well?  And who knew Grimm would outlast so many competing shows?  Constantine, Hannibal, and Dracula fizzled out but Grimm is still going strong.

In fact, if Friday night’s season five, two-hour finale is any indication, nothing can stop this action-filled freight train of fun.  Grimm’s completely new universe of storytelling surprised us year after year.  But last night we saw some of the best action, twists and turns, and flat-out excitement than we’ve seen on any TV show this year.  This is the same series that, back in the fall of 2011, no one believed it had a chance against the ABC/Disney fantasy Once Upon a Time. 

Grimm crew

So many factors make this a standout series that will stand the test of time and make a great re-watchable series in syndication one day.  It’s not another New York or Los Angeles or even a Vancouver-based series.  It is another “save the city” series like The Flash and Arrow, but it uses the lavishly dark, forest-trimmed Portland, Oregon as its background for an all-out war over the supernatural world.  Local supporting roles are filled with the local acting community, which grounded the show.  The main cast proved their range and revealed that each individual–from David Giuntoli to Claire Coffee to Russell Hornsby, Bitsie Tulloch, Silas Weir Mitchell, Reggie Lee, Bree Turner and Sasha Roiz–will likely go on to even bigger roles once the series wraps.  CGI and make-up monsters provided us that “monster of the week” series we’ve missed since classic episodes of The X-Files. 

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