Tag Archive: heist movies


Review by C.J. Bunce

Fans of either of the three stars of Red Notice will probably flock to this latest direct-to-Netflix movie just to see their favorite star in their next picture.  But Red Notice, which arrived on the streaming platform this weekend, is another production that falls into the vibe of the old direct-to-VHS movies–it’s something you’d watch for free on cable but probably wouldn’t pay full movie ticket prices for it.  Going back to the first of Netflix’s exclusive production/distribution projects, Brad Pitt’s War Machine, subscribers began to see this trend, which, despite enormous box office budgets and big-name directors and actors, deliver only ho-hum content.  These include The Cloverfield Paradox, Extinction, IO, Polar, The Irishman, and Mank.  That isn’t to say Netflix never gets it right.  Roma, The Highwaymen, The Trial of the Chicago 7, Extraction, 6 Underground, and Rebecca are exceptions.

But how do you go wrong with Dwayne Johnson, Ryan Reynolds, and Gal Gadot?  When that’s the only thing you deliver.

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Review by C.J. Bunce

Just when you think there may be some hope for a Zack Snyder property, here we are again with another head scratcher.  The movie that gave us hope was the trippy, funny, quirky Army of the Dead, a zombie movie with the gore of the genre, but with the light tonal notes of Shaun of the Dead.  In short it was a worthy entry into the zombie horror genre, if on the more accessible, mainstream side (check out my review here).  The new spin-off film, Army of Thieves, just landed on Netflix, and it is a prequel, but a prequel probably nobody asked for.  It might make you think Snyder & Co. longs to have the C.V. of J.J. Abrams (see the Cloverleaf films) or M. Night Shyamalan (see the Unbreakable trilogy).  Imagine taking the most obscure–the least likely–character from an action film, and then giving him a sweet, heart-warming, dramatic origin story with romance, and have the actor that played the character direct it.  I can’t think anyone would select German actor Matthias Schweighöfer’s safecracker as the character that warranted a spin-off from Army of the Dead, but there it is.  And you can watch it right now on Netflix.

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Review by C.J. Bunce

How can a movie get better on repeated viewings?  What makes that possible?  After three viewings of the home release of Rogue One: A Star Wars Story–the Digital HD edition, the Blu-ray, and the 3D Blu-ray–it’s apparent the film on repeated viewings is indeed as good as the initial theatrical viewing if not better, a rare feat in any genre.  Naysayers who didn’t like the CGI effects of Grand Moff Tarkin and Princess Leia–the primary criticism of the December theatrical release–should find even a home theater big screen television will mask any distractions seen on a 30-foot theater screen.  The Blu-ray and 3D Blu-ray provide the best, clearest picture and sound of any prior Star Wars release.  The 3D transfer is as good as any 3D Blu-ray release to-date, and the special effects, clothing details like stitches and seams are clear and vivid, as is the weathering (or lack thereof, when logical) on props.  As with most 3D movies, outdoor scenes, like the Scarif ground battle, are even more vivid with sharp foregrounds and backgrounds.  Check out the complete review of the film from December here.

The special features disc includes a version of the bonus features viewable together as an entire documentary and also viewable by chapter.  The extra disc available through Target stores only includes two short extra chapters, and although the creature shop feature is excellent the two extras wouldn’t normally be enough to tilt a buyer toward the Target edition–costs being the same–and some may instead opt for packaging, like Steelbook boxes (Best Buy only) or Connexions cards (available only in the Wal-Mart edition).  Fun bits in the features to look for include Bodhi actor Riz Ahmed’s audition tapes for Edwards, a feature documenting many Easter eggs from the show even the best eye likely never identified, and interviews with motion capture actors Guy Henry (Grand Moff Tarkin) and Ingvild Daila (Princess Leia), both who look little like Peter Cushing or Carrie Fisher, proving that simply using lookalikes or prosthetics would not have been a realistic option for re-creating these characters.  The standard bonus features included with the bundles are K-2SO: The Droid, Baze & Chirrut: Guardians of the Whills, Bodhi & Saw: The Pilot & the Revolutionary, The Empire, Visions of Hope: The Look of Rogue One, The Princess & the Governor, Epilogue: The Story Continues, and Rogue Connections (the Easter eggs list).

Rogue One easily merits ranking as the third best film in the series after Star Wars: A New Hope and The Empire Strikes Back–but truly in a league with those two films.  One of the best war movie stories put to film, the best prequel or prequel that is also a sequel (yes, even considering the great Godfather II), the best space battle, the best use of spaceship filming (director Gareth Edwards avoids 2001: A Space Odyssey and Star Trek: The Motion Picture-era overly-long ship takes and instead uses his imagery only as necessary to drive the story forward), while featuring one of the all-time best heist movies.

It really has it all.

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