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Tag Archive: James McAvoy


Ever wonder how the studios make the determination to release one version of a trailer in the U.S. and a different version simultaneously elsewhere?  So do we.  Language differences aside, a few cultural distinctions would make sense sometimes, but infrequently.  But how do you explain it with a straightforward superhero movie?  We previewed the U.S. trailer last week here at borg for this summer’s X-Men movie Dark Phoenix.  It looked great.  Then we saw the international version.

The international version leaves out the introduction with a weepy superheroine Jean Grey, but instead offers a developing, linear short film summary that builds and teases like a good trailer should, reflecting the power and excitement the character Dark Phoenix is known for.  And it teases an incredible space shuttle scene.  This is the right trailer to get people into theaters.  Yet it’s not the trailer most Americans will see.

Take a look and see what you think.  Here’s the new international trailer for Dark Phoenix:

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It’s hard to believe the reboot cast of the X-Men franchise is at its fourth film with this summer’s 20th Century Fox release, Dark Phoenix Despite delays caused by studio mergers, this last film before who-knows-what will happen couldn’t look better, an exciting topper on the X-Men movie franchise.  With eleven of thirteen films released so far since the first film, X-Men, arrived with Patrick Stewart, Hugh Jackman, and Ian McKellen in 2000, it’s become the seventh highest grossing film franchise ever.  With a pretty stuffed superhero film market only getting bigger this year (the last of the Fox Marvel films, The New Mutants, follows in August), Dark Phoenix could be the film that dodges the hype, bringing a classic film story and legion of familiar characters into what will hopefully be a solid comic book story adaptation.  Since X-Men: First Class, James McAvoy‘s Professor X, Michael Fassbender‘s Magneto, Jennifer Lawrence‘s Raven, Nicholas Hoult‘s Beast, and (with X-Men: Days of Future Past) Evan Peters‘ Quicksilver are among the best actor/character combinations of all the superhero films.

One of the best parts of X-Men: Apocalypse was the re-introduction of Jean Grey, with Sophie Turner providing an engaging take of the character, along with what might be the best incarnation in any medium of the normally bland Scott Summers, improved upon by actor Tye Sheridan.  Argue it how you want, Marvel Comics has long established the most powerful superhero to be Jean Grey as Phoenix.  And yet among the weakest of the eleven films was X-Men: The Last Stand, the first attempt at revealing her power.  With Dark Phoenix, fans get to see another attempt.  Were the X-Men movies to be transferred a few years earlier into the Marvel Cinematic Universe of Disney, would we be seeing some version of Jean Grey in the position of Carol Danvers/Captain Marvel, poised to eliminate Thanos in Avengers: Endgame?  Or Deadpool, also, for that matter, who has similarly been nestled in the Fox version of Marvel and written to destroy Thanos before)?

Whatever the climax of Avengers: Endgame, it’s good to know another superhero movie awaits this summer.  Check out the new poster and this stellar new trailer for Dark Phoenix:

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Merry Christmas!

It’s that time of year again, time to take a look forward at what movies should be on your radar for 2019.  Are you going to see them all?  Heck no.  These are the genre films we think borg readers will want to know about to make their own checklists for the coming year–and they are only the films we know about so far.  We pulled 78 of the hundreds of films that have been finalized or are in varying stages of final production, slated for next year’s movie calendar.

What looks to top the list for most fanboys and fangirls?  The last of the nine films in the Star Wars saga.  Captain Marvel, Avengers: Endgame, and Spider-Man: Far From Home.  Shazam! is DC’s contribution.  Quentin Tarentino returns to movies to direct Once Upon a Time in Hollywood, and Martin Scorcese is back with an all-star cast in The Irishman (on Netflix).  M. Night Shyamalan finishes his dark superhero trilogy with GlassArnold Schwarzenegger and Linda Hamilton return in TerminatorJordan Peele is back with another horror film with Us.

Do you like sequels?  This is your year.  Another Men in Black, X-Men, Shaft, Happy Death Day, Lego Movie, Hellboy, John Wick, Kingsman, Jumanji, The Secret Life of Pets, How to Train Your Dragon, Fast and the Furious, Zombieland, Addams Family, Charlie’s Angels, Godzilla, Shaun the Sheep, Annabelle,and Stephen King’s It and Pet SemataryDisney is trying to get you to move into your local theater with another Toy Story, Aladdin, Dumbo, Frozen, and Lion King–all in one year.  Yep, lots and lots of sequels are coming.

Some films don’t have locked-in release dates yet.  Amazon Prime and Netflix haven’t revealed dates for these 2019 releases:

  • Martin Scorcese’s The Irishman, a film about Jimmy Hoffa starring Robert DeNiro, Al Pacino, Joe Pesci, Harvey Keitel, Ray Romano, and Bobby Cannavale (Netflix)
  • The Kid, a Western biopic with Chris Pratt, Ethan Hawke, Dane DeHaan, and Vincent D’Onofrio (Netflix)
  • The Man Who Killed Hitler Then Bigfoot, starring Sam Elliott (Netflix)
  • 6 Underground, a Michael Bay film starring Ryan Reynolds, Ben Hardy, Dave Franco, and Mélanie Laurent (Netflix)
  • The Last Thing He Wanted, Dee Rees directs Anne Hathaway, Ben Affleck, Willem Dafoe, and Toby Jones; journalist quits newspaper job to become an arms dealer for a covert government agency (Netflix)
  • The Laundromat, Steven Soderbergh directs Meryl Streep, Gary Oldman, Antonio Banderas, James Cromwell, about the Pentagon Papers (Netflix)
  • Radioactive, Rosamund Pike plays Marie Curie, with Anya Taylor-Joy (Amazon)

Some of these films will have revised release dates, or get pushed to 2020.

So grab your calendar and start making your plans–here are the movies you’ll want to see in 2019 (and many you might not):

January

Glass – Superhero, M. Night Shyamalan trilogy part 3, stars Bruce Willis, Samuel L. Jackson, James McAvoy; continues where Unbreakable and Split left off – January 18.

Serenity – Mystery/Thriller, stars Anne Hathaway, Jason Clarke, Djimon Hounsou, Jeremy Strong, Diane Lane; sorry, no relation to Firefly – January 25.

King of Thieves – Heist Comedy, stars Jim Broadbent, Tom Courtenay, Charlie Cox, Michael Gambon, and Ray Winstone – January 25.

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Universal dropped its next trailer for the third film in M. Night Shyamalan’s superhero trilogy, Glass. They’re all being brought together in today’s trailer by the writer/director of The Sixth Sense, Signs, The Village, The Happening, Wayward Pines, and Lady in the Water–Samuel L. Jackson returning as Elijah aka Mr. Glass, the seemingly fragile, self-aware comic book villain of the title, Bruce Willis as the unbreakable hooded vigilante David Dunn, and James McAvoy as Patricia/Dennis/Hedwig/Barry/Jade/Orwell/Heinrich/Norma or just The Beast.

Shyamalan’s psychological horror-thriller Split was a real genre buster–one of those odd movies that really didn’t seem to fit into the genre you thought you were getting from the previews, like Midnight Special.  But we’d learn only at the end we were inside not only the mind of a sociopath, but the mind of a particularly twisted supervillain from the darkest edge of comic book land.  How many more theater seats would have been filled if moviegoers had known Split was the sequel to Shyamalan’s cult-favorite superhero movie Unbreakable?

Glass is arriving just on the heels of last year’s Split.  Unbreakable arrived in theaters way back in 2000.  It all is coming together a bit like J.J. Abrams disjointed, multi-genre Cloverfield movie series.  Take a look at the latest trailer from Universal for Glass:

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It must be going forward if 20th Century Fox releases an actual trailer for the movie, right?  After the last contract is inked it may very well be that only thirteen “X-Men movies” were ever made, before Disney steps in and recombines the Marvel X-Men adaptations into Disney’s Marvel Cinematic Universe.  For those of us that loved the X-Men movies, this is the winding down of a great era of movies, highlighted by the casting of Hugh Jackman as Wolverine, Patrick Stewart as Professor X, and Ian McKellen as Magneto.  Who will ever forget one of the finest adaptations to film of any superhero from any comic book as Evan Peters became Quicksilver, defending his fellow mutants in the Pentagon?  And the high point of any superhero movie (from Marvel Comics, DC Comics, or anyone else) must be the Academy Award nomination for best screenplay for Logan this year.  Like the competing films in the Avengers films, there were as many high as low points, but some greatness happened throughout X-Men, X-Men 2: X-Men United, X-Men: The Last Stand, X-Men Origins: Wolverine, X-Men: First Class, The Wolverine, X-Men: Days of Future Past, Deadpool, X-Men: Apocalypse, Logan, and Deadpool 2.

Only two more films were in the works when negotiations for control of 20th Century Fox’s film group got closer to a deal this year: Dark Phoenix and The New Mutants.  We previewed The New Mutants trailer way back last October here at borg, announcing an expected release date in April 2018, which came and went (the release date currently reflects a long overdue August 2019 premiere in theaters).  At last, 20th Century Fox has released a trailer for Dark Phoenix.

Dark Phoenix represents one of X-Men fans’ favorite classic X-Men stories.  We have already seen one take on the Dark Phoenix story, as Famke Janssen’s Jane Grey destroyed everyone she cares about in X-Men: The Last Stand, but after the timeline manipulation in X-Men Days of Future Past we learned again the lesson of the Terminator movies: The future’s not set–There’s no fate but what we make for ourselves.  

Along with the new official poster, check out this first trailer for Dark Phoenix:

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Universal dropped a short teaser for it earlier this week, and for Friday of San Diego Comic-Con week we at last get to see a full trailer for the third film in M. Night Shyamalan’s superhero trilogy, Glass.  They’re all being brought together in today’s trailer by the writer/director of The Sixth Sense, Signs, The Village, The Happening, Wayward Pines, and Lady in the Water–Samuel L. Jackson returning as Elijah aka Mr. Glass, the seemingly fragile, self-aware comic book villain of the title, Bruce Willis as the unbreakable hooded vigilante David Dunn, and James McAvoy as Patricia/Dennis/Hedwig/Barry/Jade/Orwell/Heinrich/Norma or just The Beast.

Shyamalan’s psychological horror-thriller Split was a real genre buster–one of those odd movies that really didn’t seem to fit into the genre you thought you were getting from the previews, like Midnight Special.  But we’d learn only at the end we were inside not only the mind of a sociopath, but the mind of a particularly twisted supervillain from the darkest edge of comic book land.  How many more theater seats would have been filled if moviegoers had known Split was the sequel to Shyamalan’s cult-favorite superhero movie Unbreakable?

Glass is arriving just on the heels of last year’s Split.  Unbreakable arrived in theaters way back in 2000.  It all is coming together a bit like J.J. Abrams disjointed, multi-genre Cloverfield movie series.  Take a look at the first trailer from Universal for Glass:

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Review by C.J. Bunce

At the beginning of Daniel Craig’s first foray as James Bond in 2006’s Casino Royale, Craig redefined Bond as viewers were taken back to his first kill, the event that earned Bond his 00 status.  The scene instantly set the standard for the modern fight-or-die scene.  This is the exact level of hand-to-hand combat viewers will be treated to in the new summer release, Atomic Blonde.  Charlize Theron terrifically portrays what everyone always wanted to see: a woman in the role of James Bond.  Sure, she has a different name, but Theron is believable just the same as a spy being interrogated by heads of MI6 at the end of a mission.  As she tells her story, in every way she convinces us that she could go head-to-head with, and maybe even knock out Craig’s tough and bloody version of the Brit master spy.  Only don’t think this is a typical Bond movie.  It isn’t.  It’s layered, more like The Usual Suspects or Tinker, Tailor, Soldier, Spy, only better–less cerebral and more fun.  And Theron chalks up another badass cinematic heroine, resulting in a film that is easily worth the admission price.

Based on Antony Johnston and Sam Hart’s 2012 graphic novel The Coldest City from Oni Press, Atomic Blonde follows the original, focusing on several nations’ spies trying to recover a secret list of agents being smuggled out of East Germany just before the fall of the Berlin Wall in 1989.  Theron plays Lorraine Broughton, a no-nonsense top-level spy, with attitude and style, battered and bruised from some recent epic encounter when we meet her at the beginning of the movie.  She’s being interrogated and debriefed by both British and American agency heads, with John Goodman (Argo, 10 Cloverfield Lane, The Big Lebowski, Monsters, Inc.) as the American and Toby Jones (Captain America: The First Avenger, Snow White and the Huntsman, Tinker Tailor Soldier Spy, Doctor Who) as the Brit.  What unfolds is a smartly constructed Cold War thriller, more complicated than Ian Fleming but not as complicated as John le Carré, but enough so that it may lose viewers a few times along the way.  Ultimately Broughton finds herself trying to smuggle out of the country a German officer who memorized the secret spy list, played by Eddie Marsan (Sherlock Holmes, The Illusionist, V for Vendetta, The World’s End).  The rewards and payoffs come not only at the resolution but in several scenes along the way, as Theron punches, kicks, hammers, fires, splatters, mows down, stabs, punctures… everything but bites her way through dozens of bad guys trying to kill her.  The violence is extreme, but it all works–it’s great fun much like Arnold Schwarzenegger’s or Chuck Norris’s blockbuster rampages in the 1980s–and it’s not gratuitous like a Quentin Tarentino bloodbath (blown-off heads aside).

The Atomic Blonde of the title comes from Broughton’s short, 1980s style hair, and that length allows us to see that much of the time Theron is actually doing her own punching, and taking plenty of punches, from all these men.  She’s quicker, and she prepares herself for many of her punches and bruises by soaking in a tub of water filled with ice cubes–a concept that helps her more than once throughout the film.  The story and action really kicks in as Broughton begins to smuggle Marsan’s character out of the country and as the steps are laid out in a subplot involving her mission to assassinate Satchel, a double agent known for selling secrets to the Soviets.  It’s exciting like the real-life story told in Ben Affleck’s hit film Argo, where a spy smuggled a group of would-be hostages out of Iran in 1980.  Atomic Blonde has less subtlety and nuance than Argo, but Atomic Blonde similarly displays an early, retro style of storytelling compelling enough to keep viewers interested.  Does it feel like a comic book adaptation?  Sure.  Like History of Violence and Road to Perdition.  In fact Broughton could be Hit Girl from Kick-Ass all grown up.

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In The Italian Job Charlize Theron played a tough and edgy thief.  In Aeon Flux she was a decisive assassin.  In Snow White and The Huntsman and The Huntsman: Winter’s War she was a ruthless, evil queen.  In Mad Max: Fury Road she was a rebel road warrior.  This year she adds another badass to her repertoire, an anti-hero named Lorraine Broughton, in the 1980s Cold War movie Atomic Blonde.  Theron gets to play Jason Statham in any number of action films.  Or the latest James Bond type.  A bit Jack Reacher or John Wick.  Or Van Damme in his heyday.

Bruce Willis and Chuck Norris, Steve McQueen and Clint Eastwood wish they had moves like Theron’s portrayal of a cold-blooded spy in this new action spy thriller from stunt man-turned-director David Leitch (John Wick, Dead Pool 2).  The latest trailer reveals a stylish, gritty, crazy-fun flick that any fan of Theron will be after.

The latest movie to be based on a graphic novel, Atomic Blonde is from Antony Johnston’s 2012 book.  A great supporting cast boasts John Goodman, James McAvoy, Eddie Marsan, Toby Jones, and another great actress taking Hollywood by storm:  Star Trek Beyond and The Mummy’s Sofia Boutella.

Check out this trailer for Atomic Blonde:

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x-men-apocalypse-quicksilver-rescue-scene

Review by C.J. Bunce

Superheroes in movies and television.  It’s the entertainment explosion of the past ten years, beginning with Jon Favreau’s Iron Man in 2008.  Yet after only ten years, after so many Marvel lookalikes and too many dark Dark Knights, what superhero shows rise above the rest?  All fanboys and fangirls have an opinion.  The best part is that there truly is something for everyone.  Maybe you like Netflix’s cool and gritty Luke Cage.  Or maybe the CW parade of DC series is your thing.  If you’re like us, you love Ant Man and Guardians of the Galaxy over all the Marvel and DC team-up movies.  Maybe you like it all.  Director Bryan Singer created another X-Men entry that was released last summer, overlooked by many, but a solid entry in the X-Men cinema archive: X-Men: Apocalypse.  It’s streaming now on Amazon Prime, and it’s not to be missed, especially for Logan fans collecting all of Hugh Jackman’s Wolverine appearances and everyone looking for a great superhero assemblage.

How often do superhero movies, or any other drama, sci-fi, fantasy, or action franchise movie, threaten stakes as great as the end of the world?  How many actually take you through an apocalypse?  X-Men: Apocalypse delivers the rampage and destruction you read about as a kid inside the pages of Marvel Super Heroes Secret Wars.  If you enjoy seeing great superhero powers on the big screen, as with X-Men: Days of Future Past, Evan Peters’ Quicksilver remains the defending champion.  He gets even more character development and screen time in X-Men: Apocalypse.

X-men plane

As kids we debated over what power would allow you to triumph over your superhero peers, and Singer must have done the same thing and landed with the same answer.  Speed.  Despite giving us the best superhero TV series of the 1980s and today with its two looks at Barry Allen/The Flash, DC Entertainment has not yet shown us all a speedster could do.  Will that happen in Justice League this year?  Any speedster work will be compared to Quicksilver.  Until that film hits theaters, X-Men: Apocalypse is worth a second look for Quicksilver’s big scene alone.  But there’s more.

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rocket

Our annual “All the Movies You’ll Want to See…” series has been one of the most viewed of all of our entries at borg.com each year.  So this year we again scoured Hollywood and its publicity machine for as many genre films coming out in 2017 that have been disclosed.  The result is a whopping 58 movies, many you’ll probably want to see in the theater or catch on video (and some you may want to skip).  We bet you’ll find a bunch below you’ve never heard of.  Bookmark this now for your 2017 calendar!

Most coming out in the second half of 2017 don’t even have posters released yet.  We’ve included descriptions and key cast so you can start planning accordingly.

What do we think will be the biggest hits of the year?  How about Star Wars: Episode VIII or Wonder Woman?   Luc Besson’s Valerian and the City of 1,000 Planets?  Ghost in the Shell?  Or Beauty and the Beast? 

justice

You’ve heard endlessly about Logan and Justice League, but 2017 will also see numerous other sequels, like Alien: Covenant, Blade Runner 2049, Thor: Ragnarok, and sequels for Underworld, Resident Evil, Planet of the Apes, Pirates of the Caribbean, XXX, John Wick, King Kong, The Fast and the Furious, Cars, The Kingsman, Transformers, Despicable Me.   And The Six Billion Dollar Man is finally on its way.  Look for plenty of Dwayne Johnson, Tom Cruise, Vin Diesel, Ben Affleck, Samuel L. Jackson, Zoe Saldana, Hugh Jackman, John Goodman, Michael Peña, Ryan Reynolds, Sofia Boutella, and Elle Fanning in theaters this year.

So wait no further, here are your genre films for 2017:

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