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Tag Archive: JJ Abrams


While moviegoers are awaiting the new trailer for DC Entertainment’s Aquaman coming this weekend from San Diego Comic-Con, studios have slipped in a few other film trailers you may want to check out:

Godzilla: King of the Monsters stars Stranger Things star Millie Bobby Brown in the next installment of the franchise.

Welcome to Marwen is a Robert Zemeckis drama featuring Steve Carell as a post-trauma victim who uses action figures to re-create his lost world.

Patient Zero stars Doctor Who’s Matt Smith and Game of Thrones’ Natalie Dormer with the irrepressible Stanley Tucci.

And Overlord appears to be J.J. Abrams’ attempt to mash-up an M. Night Shyamalan horror thriller with Quentin Tarentino’s over-the-top World War II action flick Inglourious Basterds.

Check them all out:

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Speaking of Mark Hamill’s performance in this year’s December release Star Wars: The Last Jedi, Star Wars: The Force Awakens director J.J. Abrams said this past week, “I think we are all going to be very upset if he does not win an Oscar.”  It’s a great thought, and certainly hits on what must be a significant role in this year’s eagerly awaited Episode XIII.  But it’s pretty unlikely if the ghost of Oscars past has anything to say about it.  This year is like most years when it comes to Academy Award nominations.  Dramas monopolize the nominee categories yet again.  When a genre is represented–also as usual–the representations are dramas in genre dress (like Passengers).  The usual representation of biopics (like Jackie), movies about Hollywood (like La La Land) and historical dramas (like Hacksaw Ridge) are back as well, sure to take home some of the coveted trophies tonight.  But nine nominees for best picture and no Midnight Special?

The best animated film category provides a little relief, with Kubo and the Two Strings, Moana, Life as a Zucchini, The Red Turtle, and Zootopia as nominees.  Oscar winner Colleen Atwood is back as a costume design nominee with one of the year’s fantasy releases, Fantastic Beasts and Where to Find Them, which also garnered a nod for production design.  But why Fantastic Beasts?  Compare Atwood’s reserved designs for Fantastic Beasts with her elaborate designs for The Huntsman: Winter’s War.  Alas, Dave Crossman and Glyn Dillon’s landmark costume designs for Rogue One: A Star Wars Story were completely ignored, as were the hundreds of new, stunning, alien wardrobe designs and Starfleet retro-design uniforms created by Sanja Milkovic Hays for Star Trek Beyond.

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As usual you need to look for the technical categories for the genre works.  Star Trek Beyond and Suicide Squad, along with A Man Called Ove are the makeup and hairstyling contenders.  Considering the fifty unique makeups designed for Star Trek Beyond in the franchise’s fiftieth year, this would be a triumph for the franchise.  Rogue One: A Star Wars Story landed multiple nominations this year, including a deserved nod for sound mixing.

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star-trek-beyond-alien

Review by C.J. Bunce

Star Trek Beyond is available this month on Digital HD, Blu-ray, Blu-ray 3D and DVD.  Consistent with the trend in big franchise releases, Star Trek Beyond is available in a variety of formats.  Fortunately one version makes the selection easy: Target has included an entire bonus disc of behind the scenes content in one its Blu-ray/DVD/Digital HD combo edition.  The bonus disc accompanying the Blu-ray combo has so much interesting content you’ll want this edition for your Star Trek collection, but unfortunately 3D fans will also need to pick up the 3D Blu-ray separately, a failing of this type of scattered release.

The bonus disc includes more than 45 minutes of extra content, the best taking us into the workrooms for the prop and costume departments at Paramount.  “The Battle of Yorktown” shows how Lin and production crew created the action scenes involving the movie’s climax at the Yorktown space station.  “Properly Outfitted” gives great insight, including visuals, of concept artwork and prop design, including original series inspiration for the new phaser rifles and John Eaves designs.  “Set Phasers to Stunning” joins costume designer Sanja Milkovic Hays, who was also designer for Star Trek Insurrection, as she discusses the movie’s incredible variety and expanse of alien fashion and updates to Starfleet garb.  “Spliced” takes us through the editing process, “Beats and Shouting” provides a discussion with composer Michael Giacchino and his son, “Small World” provides a great look at the very classic feeling introduction of the film and a new alien race, and “Visually Effective” takes us through the work behind the show’s special effects creations.

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The behind the scenes extras that are included with the other versions also feature great content that illustrates the care and attention taken by this production team to improve upon past Star Trek films.  Where the extras are deficient is with the deleted scenes.  Included are only two, and they are so brief and irrelevant that you’re left thinking there must be more to be released later.  The gag reel, however, is full of fun, showing the camaraderie of the crew, including Zoe Saldana (Uhura) cutting a scene short to chide Chris Pine (Kirk) for sliding too far into a William Shatner impression.

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Rogue One gif image

By now everyone who has ever been a Star Wars fan must be excited for Rogue One: A Star Wars Story.  Other than its odd title (why not just go with Rogue One?), last week’s trailer cinched it.  Finally, an exciting Star Wars story is on our way steeped in that gritty detail and aura that made all our jaws drop back for the first time back in 1977.  Check out that trailer if you missed it last week here at borg.com.

Then we caught wind of another trailer Monday.  We won’t trick you into thinking it’s a Lucasfilm trailer.  It’s not.  But it plays into all sorts of pop culture fun, especially if you’re a Star Trek fan and you’re a fan of J.J. Abrams’ direction of the first two Star Trek reboot films and Star Wars: The Force Awakens.  If you don’t know it already, Abrams is a fan of The Beastie Boys, and he used the band’s song “Sabotage” to show just how cocky and cool his young Jim Kirk was in Star Trek (2009).

Vader in Rogue One

Abrams even used “Sabotage” as the background music for his first trailer for Star Trek Beyond, released near the premiere of Star Trek: The Force Awakens back in December 2015.  Here is that trailer if you missed it:

We’ll stop for a second for anyone who hasn’t seen Star Trek Beyond, this summer’s biggest blockbuster so far Spoilers ahead, so consider yourself warned.  But if you choose to read on be prepared for what we think is one of the best fan-edited trailers on the Web.

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10-Cloverfield-Lane-Poster

Review by C.J. Bunce

Chances are you skipped 10 Cloverfield Lane when it hit theaters this March 11.  It was one of those movies with a cryptic trailer.  In a world where trailers typically give too much away, this one left you thinking John Goodman was some kind of rescuer of two others in a dystopian underground quonset hut.  But once you’ve seen it, you realize you were better off not having an explanation.  Why?  Spoilers.  10 Cloverfield Lane is now available on Blu-ray, pay cable and streaming services.

It’s the ultimate horror story.  A woman, played by fan favorite Mary Elizabeth Winstead in a smart and resourceful role, wrecks her car and awakens tied to a post in an underground bunker with two men.  The older man, played expertly by John Goodman in a performance that would have garnered him an Oscar nod a decade ago (think Kathy Bates in Misery), claims that the outside world is gone, victim to a chemical attack.  Maybe it’s the Russians.  Maybe it’s aliens.  Maybe he’s a psycho.  Or maybe its zombies.  But we know the movie has the word Cloverfield in the title and is produced by J.J. Abrams, so what’s really going on here?  Does it have anything at all to do with J.J. Abrams’s 2008 monster movie Cloverfield or not?  Is there some sci-fi element lurking around the next corner?  Or is it just a street address, much like Abrams includes the name Kelvin in all his movies?

All will be revealed in time.

Winstead Cloverfield Lane

10 Cloverfield Lane is an expertly paced mystery, plunging you into the question “what genre is this movie?”  It’s that question that will keep you on the edge of your seat until the very last scene.  Fans of M. Night Shyamalan movies will fit right in here, and at times you get the feeling that Shyamalan is somewhere behind the scenes.  When is the revelation coming?  Who is telling the truth?

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Finn lightsaber

When it comes to Star Wars, the red carpet rolls out.  For Star Wars: The Force Awakens, that means every IMAX theater in the country–including those tied to museums, will pull their other films to make room for the next episode.  So for at least four weeks beginning December 18, 2015, Star Wars have all the North American IMAX screens and most of the foreign screens all to itself, about 400 U.S. and 400 other screens worldwide.  Only The Hobbit trilogy films had a similar exclusivity arrangement.

Abrams has said one sequence was filmed with IMAX cameras, so don’t expect Episode VII to be entirely in full IMAX mode.  Luckily, if you’re among the three people out there who aren’t Star Wars fans, the IMAX exclusive shouldn’t impact other genre films of the season–SPECTRE, the next James Bond flick, will likely have completed its run in theaters by then.

New SW teaser with Daisy - Rey and BB-8

We also have a quick clip that was released via Instagram today showing a surprising image–John Bodega’s Finn, revealed in earlier trailers as a Stormtrooper who wrecks his TIE Fighter, is wielding a lightsaber in the same dark and blue lit location as Adam Driver’s Darth Vader-inspired Kylo Renn–the villain with the unique hilted-blade saber.

Don’t blink–or you may miss this brief clip, also featuring a new shot of Daisy Ridley’s Rey and the nifty new non-CGI droid BB-8.  Here’s the clip:

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Chewy and Han Episode VII screencap

Stop everything.  It’s another <<Day a New Star Wars Trailer is Released>>. 

The rest of the Internet can shut down for the rest of the day.  Nothing else matters.  Move along.  Or, that is, watch the trailer and then move along.  But we don’t think you can watch it only once.

And look who is featured in this second of the previews released by Abrams & Co. so far.  Luke and R2-D2, Chewy and Han.  And all those new guys from the first preview.

chrome stormtrooper Episode VII

A chrome stormtrooper?  Neat.  A downed Star Destroyer?  Also neat.  White TIE Fighters?  Oh, boy.

What circumstances would result in someone holding Darth Vader’s charred helmet?  Is some part of Anakin Skywalker still alive?  Do the Sith have a katra?  Did Abrams forget he was making a Star Wars, not a Star Trek, flick?

downed Star Destroyer

Questions, questions.  Just watch the trailer over and over after the break, and check out the new poster art floating around Twitter today, as well as how to see live streaming of this weekend’s Star Wars Celebration in Anaheim…

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Star Wars VII X-wing pilot

Why go see it in theaters in front of one of the lackluster holiday offerings this season when you can watch it for free at home?  It’s the teaser trailer for Star Wars Episode VII: The Force Awakens.  And it’s a short 88 seconds, with much of the teaser spent on slow pans and the logo roll.

It’s what we’ve been waiting for.   A look at Star Wars in the hands of Disney and J.J. Abrams.

Star Wars VII new lightsaber

Wait no further.  Here’s the official first trailer for Episode VII, after the break:

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StarWarsEpisodeVII copyright lucasfilm 2014

Does a picture tell a thousand words?

Lucasfilm released today the slate of the main cast for Star Wars: Episode VII and the above photo.  Writer/Director/Producer J.J Abrams (top center right) with (clockwise from right) Harrison Ford, Daisy Ridley, Carrie Fisher, Peter Mayhew, Producer Bryan Burk, Lucasfilm President and Producer Kathleen Kennedy, Domhnall Gleeson, Anthony Daniels, Mark Hamill, Andy Serkis, Oscar Isaac, John Boyega, Adam Driver, and writer Lawrence Kasdan.  Defying the convention of not wearing the band shirt to the concert is our favorite gentle giant Peter Mayhew sporting a rebel-logo golf shirt.

The studio previously revealed the new film would take place 30 years after Return of the Jedi, but considering nearly the entire main cast for the original trilogy is in England’s Pinewood Studios for this cast read-through, the idea that they will be trivial to the story seems to be out the window.  And after a lot of eyeball-rolling from fans across the globe, this is starting to get a bit exciting.

Maybe we were looking at this wrong.  Disney let Marvel Studios make some good movies with The Avengers, Iron Man, and Captain America, right?  And J.J. Abrams made two Star Trek movies that could easily fit in the Star Wars universe.  Heck–they could have served as auditions for getting this directorial gig.  Lawrence Kasdan is one of the best moviemakers ever, with Silverado and The Empire Strikes Back in his portfolio.  You cannot say enough about John Williams, back yet again for another score.  And George Lucas was solely responsible for the prequel trilogy. ‘Nuff said there.  But we won’t let Disney off the hook until they prove that they won’t ruin the greatest franchise of all time.

Ming the Merciless Von Sydow

But more details were released.  Max Von Sydow, Emperor Ming from the 1980s Flash Gordon, will have a key role in the film.  Recall the original Flash Gordon serials inspired Lucas’s original vision.  Von Sydow is perfect for a role here–right up there with classic Star Wars veterans Peter Cushing, Alec Guinness, and Christopher Lee.  The original R2-D2 actor will be back, too: Kenny Baker will return as the guy in the droid suit, joining Anthony Daniels as C-3PO.

It’s fanboy speculation time…

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Enterprise from Into Darkness

Review by C.J. Bunce

After more trailers than we can count, more minutes of screen-time revealed in advance, and more advertising and hype than any Star Trek film in recent memory, Star Trek Into Darkness is not only better than you’ve heard, it’s the best Star Trek movie since Star Trek VI: The Undiscovered Country.  Considering all my fellow uber-Trek fan friends had more negative to say than positive on this 12th motion picture entry, I was scratching my head to try to figure why this was the most fun I’ve had watching a movie in years–or maybe why they didn’t have as much fun as me.

Star Trek, the Original Series, is pretty much sacred, and not only sacred, its sacrosanct in the eyes of loyal fans, so J.J. Abrams was taking a risk by getting his claws into the franchise in 2009’s Star Trek.  When I read that he was taking on Star Trek II: The Wrath of Khan material specifically, I thought he was just plain nuts.  But then I asked myself, if I had the keys to the candy store what would I do if I wanted to make my mark on the franchise?  Bring back Christopher Lloyd’s Klingon Commander Kruge or Ricardo Montalban’s regal Khan?  Kill off a main character?  Abrams did just what any of us would love to do, and I expect, this should set our expectations for what he will do with the third trilogy of the Star Wars franchise, which will have a much larger international audience and implications for Abrams’ own future.

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As a viewer well-versed in the minutia of Star Trek, I expected to nitpick this film to death when walking into the theater and actually put off watching the film instead of seeing it on opening weekend like I had historically viewed the past films back to Star Trek VI.  But not 15 minutes into the movie, when Kirk is being scolded by Admiral Christopher Pike (played deftly again by Bruce Greenwood) for violating the prime directive and then rightfully demoted, I was reeled into a cleverly twisting plot that delivered the goods at every level with a non-stop, action packed thrill ride that also managed to offer some of the best characterization for key roles than has been given to them in any prior Star Trek film, period.

Take for instance Simon Pegg’s Scotty.  Not since the TV series was Scotty given the opportunity to play a key role in the story of a Trek film.  Here he plants the seeds not as the throwaway silly Scottish chap, but as the moral voice for the film.  Karl Urban’s Bones similarly gets many lines–good lines– and we learn something about him other than his “wait a damn minute” grunting, which was all we ever saw from him in Star Trek: The Motion Picture through Star Trek VI.  We learn for example that he once gave a C section to a pregnant Gorn (with octuplets).  And that they bite.  Awesome!  This sheds some light on why he later would try to work on the dying Klingon ambassador in Star Trek VI.  And someone finally, onscreen, calls out Bones for his repeated metaphors.

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