Tag Archive: Kathryn Hahn


WandaVision Hardback Cover WandaVision_Newsstand_Cover

Review by C.J. Bunce

It’s a surprising and unique story in Phase IV of the Marvel Cinematic Universe.  It’s WandaVision, the almost hallucinogenic, time-tripping story of the aftermath of Avengers: Endgame through the eyes of Wanda Maximoff.  Now fans have their first look inside the making of the series in Marvel’s WandaVision: The Official Marvel Studios Collector Special, a full color, hardcover, souvenir guide to the characters, creators, and development of the Disney+ series.  It’s being released in three editions, one via newsstands, one via comic shops (add it to your pull list at Elite Comics now), and a hardcover version you can pick up here at Amazon and at brick and mortar bookstores (it’s currently an Amazon #1 Best Seller!).  Enjoy a preview for borg readers below from Titan.

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Review by C.J. Bunce

A year ago here at borg we previewed the first look at Marvel Studios’ new series WandaVision, and based on the unusual trailer we asked the question:  What audience is WandaVision aimed at?  The series at last began this weekend on Disney+ and two half-hour episodes in, I’m no closer to answering this question.  In any other time that hasn’t been sidetracked by a pandemic, audiences would have already seen the big-screen release of Black Widow by now.  The commonality is that each is a story focused on characters that have already been killed off in the Marvel Cinematic Universe.  We won’t know until this summer about the prequel movie with Scarlet Johansson returning as Natasha Romanoff (killed off in Avengers: Endgame), but it is a welcome sight to see the return from the dead of Paul Bettany as cybernetic superhero Vision (killed in Avengers: Infinity War) reunited with Elizabeth Olsen as Scarlet Witch aka Wanda Maximoff in this short, nine-episode mini-series.  But here we don’t even know when it takes place in relation to the Avengers movies.

Two episodes in and you’re going to ask:  What the heck did I just watch?

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Review by C.J. Bunce

The Christmas movie releases began big this weekend with the first out of the gate: Spider-Man: Into the Spider-Verse, an animated superhero movie in a year that has seen the animated Incredibles 2 and live action versions of Black Panther, Avengers: Infinity War, Ant-Man and The Wasp, Deadpool 2, and Venom.  Spider-Man: Into the Spider-Verse holds its own against them all.  A rich story and layered characters in an easy to digest, familiar, multi-verse story make this rise above other recent animated superhero shows.  In-world references to comic books–sporting the main characters on the covers, multi-view panel sequences, and even first-person narrative captions appear pulled from the pages of any real-world Spider-Man book.

The cast list has been publicized for months, and as the trailers promised, the voice actors take the film from good to great.  Familiar–maybe over-used–Spidey villain Kingpin, played by Liev Schreiber, is trying to take control of all the multi-verses with a new weapon that initially pulls in Spider-heroes from five other universes.  Shameik Moore plays star Miles Morales, a new Spider-Man trying to find his way at the beginning stage of his journey in his universe along with Chris Pine (Star Trek, Jack Ryan, Wonder Woman) as your more familiar neighborhood Spider-Man.  After an explosion Miles catches up with another Spider-Man, Peter B. Parker, a view of Parker in another dimension 20 years older, played perfectly (and hilariously) by Jake Johnson (Jurassic World, The Mummy, New Girl).  They are soon joined by cool and confident Spider-Woman aka Gwen “Spider-Gwen” Stacy, voiced by Hailee Steinfeld (BumbleBee, True Grit, Ender’s Game).  Early scenes present lots of great action, including a memorable scene where Miles drags Peter to safety aboard a speeding commuter train, but this story is more about sentiment and humor.  And it gets better.

Three other Spider-heroes arrive.  Rounding out the cast previewed in the trailers is Spider-Man Noir, allowing the great Nicolas Cage another superhero role after his performance as Big Daddy in Kick-Ass (after almost starring in a Tim Burton Superman movie years ago).  A lifelong comic book connoisseur, Cage was born to portray superheroes, and here his Spider-Man is pure perfection.  The oldest of spin-off Spideys emerges with the entrance of Peter Porker aka Spider-Ham (John Mulany), first seen in print back in 1983.  And a newer webslinger, the anime heroine Peni Parker from Earth-14512 (Kimiko Glenn), complete with her high-tech “SP//dr Suit,” gets her own great scenes.  The film features plenty of surprise characters, too.

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