Movie trailer? What’s a movie trailer? It’s been forever since we’ve seen the studios reveal a new movie or a trailer, and for some this next movie is of the “long-time, eagerly awaited” category. For others, well, they can just shield their eyes and wait for it to pass. Another Bill & Ted adventure? A third? (There were two?). Bill & Ted Face the Music comes right on the heels of… or actually… 30 years after the original Bill & Ted’s Excellent Adventure(Bill & Ted’s Bogus Journey came two years later). It’s the continuing adventures of two teenagers played by Keanu Reeves and Alex Winter who meet up with a timelord played by George Carlin (complete with passable TARDIS), all without de-aging CGI and without Carlin, who died in 2008. How is this supposed to work again?
It’s that time of year again, time to take a look forward at what movies should be on your radar for 2019. Are you going to see them all? Heck no. These are the genre films we think borg readers will want to know about to make their own checklists for the coming year–and they are only the films we know about so far. We pulled 78 of the hundreds of films that have been finalized or are in varying stages of final production, slated for next year’s movie calendar.
What looks to top the list for most fanboys and fangirls? The last of the nine films in theStar Wars saga. Captain Marvel, Avengers: Endgame, and Spider-Man: Far From Home.Shazam!is DC’s contribution. Quentin Tarantino returns to movies to direct Once Upon a Time in Hollywood, and Martin Scorsese is back with an all-star cast in The Irishman (on Netflix). M. Night Shyamalan finishes his dark superhero trilogy with Glass. Arnold Schwarzenegger and Linda Hamilton return in Terminator. Jordan Peele is back with another horror film with Us.
Do you like sequels? This is your year. Another Men in Black, X-Men, Shaft, Happy Death Day, Lego Movie, Hellboy, John Wick, Kingsman, Jumanji, The Secret Life of Pets, How to Train Your Dragon, Fast and the Furious, Zombieland, Addams Family, Charlie’s Angels, Godzilla, Shaun the Sheep, Annabelle,and Stephen King’s It and Pet Sematary—Disney is trying to get you to move into your local theater with another Toy Story, Aladdin, Dumbo, Frozen, and Lion King–all in one year. Yep, lots and lots of sequels are coming.
Some films don’t have locked-in release dates yet. Amazon Prime and Netflix haven’t revealed dates for these 2019 releases:
Martin Scorcese’s The Irishman, a film about Jimmy Hoffa starring Robert DeNiro, Al Pacino, Joe Pesci, Harvey Keitel, Ray Romano, and Bobby Cannavale (Netflix)
The Kid, a Western biopic with Chris Pratt, Ethan Hawke, Dane DeHaan, and Vincent D’Onofrio (Netflix)
The Man Who Killed Hitler Then Bigfoot, starring Sam Elliott (Netflix)
6 Underground, a Michael Bay film starring Ryan Reynolds, Ben Hardy, Dave Franco, and Mélanie Laurent (Netflix)
The Last Thing He Wanted, Dee Rees directs Anne Hathaway, Ben Affleck, Willem Dafoe, and Toby Jones; journalist quits newspaper job to become an arms dealer for a covert government agency (Netflix)
The Laundromat, Steven Soderbergh directs Meryl Streep, Gary Oldman, Antonio Banderas, James Cromwell, about the Pentagon Papers (Netflix)
Radioactive, Rosamund Pike plays Marie Curie, with Anya Taylor-Joy (Amazon)
Some of these films will have revised release dates, or get pushed to 2020.
So grab your calendar and start making your plans–here are the movies you’ll want to see in 2019 (and many you might not):
January
Glass – Superhero, M. Night Shyamalan trilogy part 3, stars Bruce Willis, Samuel L. Jackson, James McAvoy; continues where Unbreakable and Split left off – January 18.
Serenity– Mystery/Thriller, stars Anne Hathaway, Jason Clarke, Djimon Hounsou, Jeremy Strong, Diane Lane; sorry, no relation to Firefly – January 25.
King of Thieves– Heist Comedy, stars Jim Broadbent, Tom Courtenay, Charlie Cox, Michael Gambon, and Ray Winstone – January 25.
It was only a year ago, in Timothy Zahn‘s novel Star Wars: Thrawn, that Zahn returned to provide the backstory for the enigmatic military genius Grand Admiral Thrawn, who emerged from the sidelined Expanded Universe novels of the past to be part of the rebooted Star Wars canon as a driving force in last year’s season of Star Wars Rebels. Zahn has returned with another tale of Thrawn, this time partnering the strategist with two of the most important characters of the entire Star Wars saga (or three, from a certain point of view): Anakin Skywalker, Padme Amidala, and Darth Vader. In his latest novel, the author of the most popular Star Wars novel series (the Heir to the Empire saga), brings us Star Wars: Thrawn–Alliances, one of the best character studies (in book form or on film) of Thrawn, Vader, Anakin, and Padme.
Although you’ll find the preface timeline indicates this story fits between Solo: A Star Wars Story and Rogue One: A Star Wars Story (immediately followingA New Dawn), a good half ofThrawn–Alliances‘ 342 pages takes place just before the events of Star Wars Episode III: Revenge of the Sith. This is important because it introduces significant events for its key characters that have never been mentioned outside this book. Most important is an early partnership between Anakin Skywalker and Thrawn at a time when Skywalker was Republic representative and Jedi and newly married to Senator Amidala, and before Thrawn joined the Imperial Navy. As with most Star Wars stories, a recurring theme is the echo or repetition of events (dialogue, scenes, etc.) among key characters in the Star Wars universe, across the movies, novels, and comics. So readers now learn that before the events of Star Wars Rebels, Emperor Palpatine once decided to partner Thrawn with Darth Vader to investigate a disturbance in the Force occurring on the very planet Anakin and Padme first met Thrawn years before, an outlying planet called Batuu. The twist is that Vader’s former existence as Anakin is a carefully guarded secret in the forward story, not even disclosed to Thrawn. The helmeted and fully armored Vader is quite knowledgeable about his past with Thrawn, and so we get to watch a sort of dance between the characters over the course of the story.
Zahn gives some powerful dialogue to Darth Vader in this story, possibly some of his best lines in the saga, and you can hear James Earl Jones’s voice in each delivery. Because the always angry and impatient Vader is shown as the only slightly progressed and naïve Jedi, neither incarnation is a match for the wits of the shrewd and dynamic Thrawn, Zahn’s original creation first introduced in the now mostly discarded novel Heir to the Empire. In many ways Zahn takes this novel as his opportunity to create a better, stronger, more manipulative villain than Darth Vader, a feat that is great for Thrawn but it also could be seen to minimize what has always been the saga’s #1 villain. Zahn also has an opportunity to finally give Padme a rich and heroic adventure–a sadly lacking component in George Lucas’s prequel trilogy. Yet Zahn doesn’t take full advantage of that opportunity. She is allowed to come to the aid of some tangent factions and gets a brief survival story, but her role is secondary to the two key parallel leads and unfortunately ishe s underutilized again.
Keanu Reeves’s John Wick has revved up fans of action movies in both John Wick and the sequel John Wick: Chapter 2. Dynamite Comics is taking fans of the movie series back to the origins of the character in a new comic book series arriving at comic book stores today. John Wick: Book of Rules, Part One, is created by writer Greg Pak (Planet Hulk) and artist Giovanni Valletta (Dark Horse Presents).
When a young John Wick emerges from prison and embarks upon his first, epic vendetta, he comes up against a strange, powerful community of assassins and must learn how to master the Book of Rules that guides their lethal business. What are the Three Bills? Who is Calamity? And who was John Wick before he became the Baba Yaga?
Issue #1 delves right in, offering a look at Wick in two pasts, with tight writing by Greg Pak. Valleta provides some cinematic fun via his excellent choreographed action sequences. Fans of the films will love the attention Pak and Valleta give to the character and the opening scenes of this new monthly. Look for cover variants by artists Giovanni Valletta, John Cassaday, Denys Cowan and Bill Sienkiewicz, as well as a photo cover.
Check out this preview of Issue #1 of John Wick: Book of Rules, Part One, courtesy of Dynamite Comics:
Our annual “All the Movies You’ll Want to See…” series has been one of the most viewed of all of our entries at borg.com each year. So this year we again scoured Hollywood and its publicity machine for as many genre films coming out in 2017 that have been disclosed. The result is a whopping 58 movies, many you’ll probably want to see in the theater or catch on video (and some you may want to skip). We bet you’ll find a bunch below you’ve never heard of. Bookmark this now for your 2017 calendar!
Most coming out in the second half of 2017 don’t even have posters released yet. We’ve included descriptions and key cast so you can start planning accordingly.
What do we think will be the biggest hits of the year? How about Star Wars: Episode VIII or Wonder Woman? Luc Besson’s Valerian and the City of 1,000 Planets? Ghost in the Shell? Or Beauty and the Beast?
You’ve heard endlessly about Logan and Justice League, but 2017 will also see numerous other sequels, like Alien: Covenant, Blade Runner 2049,Thor:Ragnarok, and sequels for Underworld, Resident Evil, Planet of the Apes, Pirates of the Caribbean, XXX, John Wick, King Kong, The Fast and the Furious, Cars, The Kingsman, Transformers, Despicable Me. And The Six Billion Dollar Man is finally on its way. Look for plenty of Dwayne Johnson, Tom Cruise, Vin Diesel, Ben Affleck, Samuel L. Jackson, Zoe Saldana, Hugh Jackman, John Goodman, Michael Peña, Ryan Reynolds, Sofia Boutella, and Elle Fanning in theaters this year.
So wait no further, here are your genre films for 2017:
Keegan-Michael Key and Jordan Peele are as funny a comedy team as you’ll ever find. Key’s work on Whose Line is it Anyway? is some of the best improv we’ve seen in years and his cameo in Tomorrowland was one of that film’s high points. A new comedy from Warner Bros. opens tonight across the country that offers up a mash-up of Keanu Reeves’ John Wick and an endless supply of YouTube kitten video mayhem.
Keanu is about a high-octane pursuit to save the cat starring the comedy duo, and almost coincidentally featuring the voice of the only Keanu anyone knows–Keanu Reeves–in a sequence as the voice of the star cat.
Will Forte and Method Man co-star in the film. The previews look like fans of the comedy team will get plenty of the comedy the duo is known for. And check out the awesome onslaught of parody movie posters advertising the film:
The original 1991 theatrical release Point Break starred Keanu Reeves as an undercover cop with the lame name of Johnny Utah playing against free-wheeling surfer turned thief named Bodhi played by the late Patrick Swayze. Directed by Katherine Bigelow (Hurt Locker) Point Break became on of those films like Road House–overplayed on Cinemax and HBO over the years so you couldn’t help seeing it at some point but usually not from beginning to end. The film set up Reeves as B-movie action star, readying him for his big hit action film break three years later with Speed.
As hard as it is to watch Reeves’ trademark stilted recitation of dialogue (which still defines the actor), Point Break was at least an easy watch, with an interesting group of thieves cleverly sporting the masks of past presidents. But the film also cemented Patrick Swayze as the real deal as cool goes.
But Point Break wasn’t much more than a passing summer flick. So why a remake?
The first trailer for the new Point Break is out, and the answer seems clear. Someone wanted to make a James Bond movie. The locations for the new flick look pretty spectacular. The story spins similarly around an undercover cop named Johnny Utah, this time played by Luke Bracey whose only notable credit is playing the guy in the Cobra Commander suit in G.I. Joe: Retaliation. Edgar Ramirez plays Bodhi this time around. The problem? These guys are pretty obscure to head up a big action film. Why are we going to lay down ten bucks to see this in the theater?
The legend of the 47 Ronin has been told and retold and numerous books and at least seven movies. This includes a Dark Horse comic book titled 47 Ronin which just wrapped up its five-issue series last month. The unrelated Universal Pictures movie 47 Ronin was originally scheduled for release November 21, 2013, then it got bumped to this February and now to December 25, 2013. Usually that kind of movement signals a potential bomb. The trailer for the film has some surprisingly good elements, however, despite some obvious quirks.
The first questionable element is star Keanu Reeves, who in past performances never seems to play anyone other than the same Keanu Reeves character we’ve seen over and over again. Maybe beyond the goofy teen in Bill and Ted’s Excellent Adventure, but not far off the characters he played in Parenthood, Point Break, Dracula, Much Ado About Nothing, Speed, The Devil’s Advocate, The Matrix Trilogy, Constantine, The Day the Earth Stood Still. You could almost say he is like John Wayne or Arnold Schwarzenegger in this regard, but he’s not remotely as iconic and has yet to have a standout performance despite heading up some big films.
The trailer shares a lot in common with the preview we showed here at borg.com of The Wolverine, starring Hugh Jackman, released just last week–both centering around a fish-out-of-water white man in Japan. Was 47 Ronin pushed because the studio didn’t want it to compete with The Wolverine? Reeves has his fan base, but his popularity wouldn’t seem to stack up against the multi-faceted Jackman.
The new film also seems to echo elements of Tom Cruise’s character and story in The Last Samurai. The creators had to have contemplated audiences making this comparison. Again, fish-out-of-water white guy in Japan with ancient cultural themes. It begs the question of whether Hollywood only thinks American audiences can get sucked into Japanese warrior-themes films without an American or Australian (for Jackman) as designated film tour guide. The long-term success with American audiences of Akira Kurosawa films such as Seven Samurai, which needs no Anglo character hook, should at some point lead us to create a big-budget picture without the hook.
