The last we saw Saturday Night Live sensation Mike Myers was as a music agent in the Oscar-winning Bohemian Rhapsody. Myers can do drama like he can do funny. But beyond his megahit movie series Wayne’s World and Shrek, his reputation over the long haul is similar to Eddie Murphy and Jerry Lewis–a comedic man of many faces, which he honed on SNL and his Austin Powers movie series. His next outing, a Netflix series mocking conspiracy theories, is called The Pentaverate, and it looks more like Austin Powers than the rest, complete with Myers playing multiple roles. It also points back to one of his funnier bits in the comedy classic So I Married an Axe Murderer.
It’s that time of year again, time to take a look forward at what movies should be on your radar for 2021! But wait! Next year’s list sure looks a lot like the the films we previewed last December. The covid pandemic has delayed hundreds of film projects, but some made it through. When you walk back through last year’s list and compare it to movies released after theater lockdowns, you get some insight into how Hollywood thinks. Big movies and movies predicted to be successes were universally held back, while less popular films were released to low box office returns from theaters that remained open, and yet other films went directly to home streaming or related media platforms.
Last year we pulled 85 of the hundreds of films then slated for the 2020 movie calendar. The first two dozen made it to theaters (films like Underwater, Dolittle, and Birds of Prey) before the national shift began on March 11 with news of the NBA reacting to the pandemic by suspending pro basketball–the first national awareness of the scope of the problem. Suddenly we saw Vudu and other home platforms coming to the rescue for our entertainment fix, adding a new Theater at Home option, which captured movies like Anya Taylor-Joy’s Emma, Vin Diesel’s Bloodshot, and the animated Scoob! Disney began an interesting tiered release of Mulan, which for half the year showed a studio doing its best to maximize returns on what would have been a key release in any other year. After another delay The New Mutants made it briefly to theaters followed by home release after three years of getting kicked aside as the last vestiges of the Disney-Fox merger were shaken out. Other films, like Vast of Night, Extraction, The Old Guard, Rebecca,Radioactive, and Fantasy Island safely premiered on Netflix and Amazon Prime, with Chris Hemsworth’s Extraction standing out as the clear popular winner–the entire world needed some new entertainment and after what would only be the first of several months of shelter-at-home, it tentatively filled the void.
So our predictions for the year’s big genre films were flat wrong, every single one except Mulan was delayed to 2021, including Ghostbusters: Afterlife, Black Widow, No Time to Die, a new Fast & Furious, Tom Clancy’s Without Remorse, and superhero flicks Venom 2, Eternals, and Morbius. Wonder Woman 1984 is expected to have a theatrical release by year end. Altogether 35 of last year’s 85 movies previewed on our annual list are back again below, plus we found more than 35 new genre films we think will appeal to borg readers.
So what’s left and what’s new?
Grab your calendar and start making your plans–here are the movies you’ll want to see in 2021. Then compare the below list to our 2020 list, and look back to the 2019 list, 2018 list, 2017 list, 2016 list, 2015 list, or 2014 list. Last year we noticed studios moving genre content from the big screen to the small screen via streaming services, and the pandemic only stepped up that migration. Note: Warner Bros. has reported it will issue its 2021 releases simultaneously on HBO Max. Netflix has mostly dramas slated for 2021, but a few genre films are in pre-production, so expect a few surprises throughout the year. Amazon Studios has fewer, most partnerships with Blumhouse Productions.
As we learned well this year, many of these films will have revised release dates, and even get pushed to 2022.
January
Mortal Kombat. Based on the video game. New! Tentative release date: January 15, 2021. HBO Max.
Wrath of Man. Next Jason Statham action flick. New! Tentative release date: January 15, 2021.
The French Dispatch. Wes Anderson and his familiar actors in new quirky film about journalists. New! January 28, 2021.
The Dig. A film about a woman finding archaeological treasures on her land, starring Ralph Fiennes, Lily James, and Carey Mulligan. January 29, 2021. Netflix.
I think they are just terribly comfortable. I think everyone will be wearing them in the future.
Since–like everyone else–actors are unable to do their jobs until the risk of the COVID-19 pandemic has passed, many have offered up some of their time over the past 120 to 150 days to provide fans with extra interviews, table reads (like the Community table read we discussed here at borg), and comic-cons at home, creating some content for the fan base we wouldn’t have otherwise had access to without this strange new normal of sheltering at home, social distancing, and masks. If you don’t subscribe to or know what Quibi is, you may have missed the latest–an ensemble of actors from popular to more obscure re-enacting scenes from Rob Reiner’s fan-favorite fantasy, comedy, and romance, The Princess Bride.
The style is all intentionally low budget–think of the kind of backyard films you might have made as a kid, and in fact, the film is called Home Movie: The Princess Bride. But it’s great fun, all filmed with quarantine safety rules in place (those filming together were already living together), and the kind of thing any classic film fan base would be overjoyed to see created. The best part is learning who had actual historical costumes in their closet to work with (Mad Men man Jon Hamm had a Renaissance shirt in his closet, as did comedic actors Neil Patrick Harris and David Spade, and Rogue One’s Diego Luna), those who didn’t, and who might be better actors than you’ve given them credit for.
When Oscar gets it right, it highlights something about the current zeitgeist, not necessarily a mirror image of the social, literary, artistic, political, or technological achievements of the day, but at least a taste of it. Do many of the nominees for the Academy Awards have that this year? Ford v Ferrari, Once Upon a Time in Hollywood, Jojo Rabbit, Joker, Little Women, Marriage Story, 1917, Parasite, or The Irishman? Did they last year? How about a story about a person trying to make a name for himself, barely getting by, trying to pay his bills, experiencing a tough go at it before he realizes his dream? Perhaps the biggest miss of this year’s ballot is one of those timeless stories of self-made success: Dolemite is My Name.
Dolemite is My Nameis a biopic and a classic underdog story. The seemingly ageless Eddie Murphy has his best leading role and best performance of his career, playing comedian, singer, actor, and film producer Rudy Ray Moore, who found his niche in cinema in the 1970s. Murphy as Moore is like Richard Pryor at his best. Murphy plays Moore as Everyman, pulling together his own outgoing nature from his 1980s stand-up performances and finessing them with the benefit of years of experience into a real, believable, even heroic character. This is the same character type we saw resonate so expertly last year with Brent Jenning’s lead character struggling to succeed after putting years into a failed career in TV’s Lodge 49. Murphy’s range of emotion, his subtlety, his depth of struggle and effort in every look and word is exactly why you have awards for acting in the first place. This film is a smartly scripted drama with comedy notes, written by dynamic writing duo Scott Alexander and Larry Karaszewski (Man on the Moon, Ed Wood, The People vs. Larry Flynt). It’s backed up with costumes, hairdos, music, cars, language, and an all-around fashion fest of 1975. If you didn’t know better you’d think this was a Quentin Tarantino film, because it gets the retro production design just right, as he has been able to do so well. Instead it’s Craig Brewer directing, the director of Hustle & Flow, the Footloose remake, and Empire series.
Supporting Murphy is a fantastic cast, beginning with Da’Vine Joy Randolph as Lady Reed, as an immensely entertaining and sympathetic single mom, brushing off her ex as Murphy’s Rudy Ray Moore watches and learns. Moore invites her into his partnership. He and his friends go to the movies for laughs and walk out nonplussed. Moore knows he can do better. So he tries to get financing and make a movie. His selected production staff, and the actors behind them, makes for a dream assemblage. Keegan-Michael Key(The Predator, Tomorrowland),Craig Robinson(Mr. Robot, Hot Tub Time Machine), Mike Epps (Resident Evil, The Hangover), Tituss Burgess (The Addams Family, 30 Rock), and Kodi Smit-McPhee(X-Men: Dark Phoenix, Let Me In), plus familiar faces Wesley Snipes, Chris Rock, and Snoop Dogg make for a top tier cast. When these people are working together in an old abandoned hotel converted to a film set, you witness the same kind of camaraderie as audiences witnessed in those barber shops in Do the Right Thing and Marvel’s Luke Cage.
It’s that time of year again, time to take a look forward at what movies should be on your radar for 2020. Are you going to see them all? Heck no. These are the genre films we think borg readers will want to know about to make their own checklists for the coming year–and they are only the films we know about so far. We pulled 85 of the hundreds of films that have been finalized or are in varying stages of final production, slated for next year’s movie calendar.
What looks to top the list for most fanboys and fangirls? Ghostbusters: Afterlife! Scarlett Johannson solo in Black Widow! A new James Bond movie, No Time to Die. Vin Diesel in Bloodshot and a new Fast & Furious. The original Tom Clancy novel series is finally continuing with an adaptation of Without Remorse. Comic book adaptations are in less supply in 2020, but look for Venom 2, Wonder Woman 1984, Eternals, The New Mutants, Morbius, Birds of Prey, The Old Guard, and did we mention Black Widow? Compare the below list to our 2019 list and even the 2018 list, 2017 list, 2016 list, 2015 list, or 2014 list, and your takeaway may be seeing the studios moving genre content from the big screen to the small screen via streaming services.
Do you like sequels? There are far less coming to theaters in 2020 than in 2019, but many more remakes of movies, books, and TV shows are on the way. In fact, with all the blockbusters in 2019, 2020 looks pretty tame as the cinema marquee is concerned. Some films don’t have locked in release dates yet: Amazon Studios and Netflix haven’t revealed dates for the following 2020 releases (those we know you’ll find on the calendar below):
7500, a film about a highjacked airplane, starring Joseph Gordon-Levitt (Amazon Studios)
The Dig,a film about a woman finding archaeological treasures on her land, starring Ralph Fiennes, Lily James, and Carey Mulligan (Netflix)
Horse Girl, Alison Brie stars and directs this story about an awkward girl who fuses her dreams with reality (Netflix)
Jingle Jangle, an animated Christmas story with the voices of Forest Whitaker, Keegan-Michael Key, and Hugh Bonneville (Netflix)
Louis Wain, biopic of the 19th century artist starring Benedict Cumberbatch, Claire Foy, and Andrea Riseborough (Amazon Studios)
The Old Guard, adaptation of comic book story, starring Charlize Theron and Chiwetel Ejiofor (Netflix)
Radioactive, a film about Marie Curie, starring Rosamund Pike and Anya Taylor-Joy (Amazon)
Rebecca, adaptation and remake of the Daphne Du Maurier classic novel, starring Lily James, Keely Hawes, Kristin Scott Thomas, and Armie Hammer (Netflix)
Welcome to Sudden Death, sequel to Jean-Claude van Damme 1995 movie starring Michael Jai White (Netflix)
The Willoughbys, animated adaptation of the Lois Lowry book, with voices of Maya Rudolph, Martin Short, and Jane Krakowski (Netflix)
Wonderland, murder conspiracy mystery starring Mark Wahlberg, Allan Arkin, and Colleen Camp (Netflix)
Some of these films will have revised release dates, or get pushed to 2021.
So grab your calendar and start making your plans–here are the movies you’ll want to see in 2020 (and some you might not!):
January
The Informer – Thriller, starring Joel Kinnaman, Rosamund Pike, Ana de Armas, Common, and Clive Owen – January 10.
Underwater– Thriller, stars Kristin Stewart in underwater horror story – January 10.
Dolittle– Family/Comedy, stars Robert Downey, Jr. in remake of the classic, with voices of Tom Holland, Rami Malek, Octavia Spencer, Emma Thompson, Antonio Banderas, Ralph Fiennes, and Michael Sheen – January 17.
After seeing Jim Henson and Frank Oz‘s The Dark Crystalreturn to theaters back in 2017 for its 35th anniversary, we were reminded why the movie kept up its status as the best live-action, high-fantasy film for two decades–until the arrival of Peter Jackson’s The Lord of the Rings series. The set for Aughra′s beautiful pinnacle of all set pieces–the location of that mechanical wonder called the Orrery–showcased a fantasy creation that has yet to be surpassed in any film. We first mentioned Netflix green-lighting the return of The Dark Crystal universe way back in 2017 here at borg, as the studio began work on the ten episode series The Dark Crystal: Age of Resistance. At last the first trailer has arrived (below) and the arrival date for the first season: August 30, 2019. The best part? Fizzgig is back, along with Aughra (voiced by Donna Kimball(Community)) and a re-creation of her incredible Orrery, and Henson’s vile Skeksis, complete with that familiar, creepily sniveling voice. And as with the 1982 movie, the series uses puppets, which were created by Jim Henson Co.’s Creature Shop and Brian Froud, the original conceptual designer — there will be no CGI in the series.
Taron Egerton (Robin Hood, Rocketman, Kingsman series) will be playing the voice of Rian, Nathalie Emmanuel(Furious 7, Game of Thrones) is the voice of Deet, and Anya Taylor-Joy(Glass, Split, The New Mutants) is the voice of Brea (above)–making up the trio to lead the film as Gelflings. Other Gelfling characters will be voiced by Oscar winner Alicia Vikander (Tomb Raider, Ex Machina, The Man from U.N.C.L.E.), Oscar nominee Helena Bonham Carter(Alice in Wonderland,Harry Potter series), Emmy winner Eddie Izzard(Valkyrie, The Riches, Treasure Island), BAFTA nominee Mark Strong(Shazam!, Green Lantern, Kick-Ass, Kingsman series), Golden Globe nominee Toby Jones(Doctor Who, Harry Potter series, Marvel movies, Jurassic World: Fallen Kingdom), Golden Globe nominee Caitriona Balfe (Super 8, Outlander), plus Natalie Dormer (The Hunger Games series, Captain America: The First Avenger), Shazad Latif (The Commuter, Black Mirror, Star Trek Discovery), and Theo James (Underworld series).
Voicing the Skeksis and urRu (or “Mystics”) are BAFTA winner Mark Hamill(Star Wars, The Flash, and Kingsman series, Batman animated series), Golden Globe nominee Jason Isaacs(Harry Potter series, Star Wars Rebels, Star Trek Discovery), BAFTA nominee Simon Pegg (Star Trek, Star Wars series), Emmy winner Keegan-Michael Key(The Predator, Tomorrowland), Emmy nominee Harvey Fierstein (Hercules, Independence Day), Ólafur Darri Ólafsson(The BFG), Ralph Ineson (The Ballad of Buster Scruggs, Guardians of the Galaxy, Star Wars, Kingsman, and Harry Potter series), and Golden Globe winner Andy Samberg(Saturday Night Live). Other voice roles will be performed by the puppet actors.
Wait no longer–check out this great first trailer for The Dark Crystal: Age of Resistance:
It’s that time of year again, time to take a look forward at what movies should be on your radar for 2019. Are you going to see them all? Heck no. These are the genre films we think borg readers will want to know about to make their own checklists for the coming year–and they are only the films we know about so far. We pulled 78 of the hundreds of films that have been finalized or are in varying stages of final production, slated for next year’s movie calendar.
What looks to top the list for most fanboys and fangirls? The last of the nine films in theStar Wars saga. Captain Marvel, Avengers: Endgame, and Spider-Man: Far From Home.Shazam!is DC’s contribution. Quentin Tarantino returns to movies to direct Once Upon a Time in Hollywood, and Martin Scorsese is back with an all-star cast in The Irishman (on Netflix). M. Night Shyamalan finishes his dark superhero trilogy with Glass. Arnold Schwarzenegger and Linda Hamilton return in Terminator. Jordan Peele is back with another horror film with Us.
Do you like sequels? This is your year. Another Men in Black, X-Men, Shaft, Happy Death Day, Lego Movie, Hellboy, John Wick, Kingsman, Jumanji, The Secret Life of Pets, How to Train Your Dragon, Fast and the Furious, Zombieland, Addams Family, Charlie’s Angels, Godzilla, Shaun the Sheep, Annabelle,and Stephen King’s It and Pet Sematary—Disney is trying to get you to move into your local theater with another Toy Story, Aladdin, Dumbo, Frozen, and Lion King–all in one year. Yep, lots and lots of sequels are coming.
Some films don’t have locked-in release dates yet. Amazon Prime and Netflix haven’t revealed dates for these 2019 releases:
Martin Scorcese’s The Irishman, a film about Jimmy Hoffa starring Robert DeNiro, Al Pacino, Joe Pesci, Harvey Keitel, Ray Romano, and Bobby Cannavale (Netflix)
The Kid, a Western biopic with Chris Pratt, Ethan Hawke, Dane DeHaan, and Vincent D’Onofrio (Netflix)
The Man Who Killed Hitler Then Bigfoot, starring Sam Elliott (Netflix)
6 Underground, a Michael Bay film starring Ryan Reynolds, Ben Hardy, Dave Franco, and Mélanie Laurent (Netflix)
The Last Thing He Wanted, Dee Rees directs Anne Hathaway, Ben Affleck, Willem Dafoe, and Toby Jones; journalist quits newspaper job to become an arms dealer for a covert government agency (Netflix)
The Laundromat, Steven Soderbergh directs Meryl Streep, Gary Oldman, Antonio Banderas, James Cromwell, about the Pentagon Papers (Netflix)
Radioactive, Rosamund Pike plays Marie Curie, with Anya Taylor-Joy (Amazon)
Some of these films will have revised release dates, or get pushed to 2020.
So grab your calendar and start making your plans–here are the movies you’ll want to see in 2019 (and many you might not):
January
Glass – Superhero, M. Night Shyamalan trilogy part 3, stars Bruce Willis, Samuel L. Jackson, James McAvoy; continues where Unbreakable and Split left off – January 18.
Serenity– Mystery/Thriller, stars Anne Hathaway, Jason Clarke, Djimon Hounsou, Jeremy Strong, Diane Lane; sorry, no relation to Firefly – January 25.
King of Thieves– Heist Comedy, stars Jim Broadbent, Tom Courtenay, Charlie Cox, Michael Gambon, and Ray Winstone – January 25.
After seeing Jim Henson and Frank Oz‘s The Dark Crystalreturn to theaters last winter for its 35th anniversary, we were reminded why this movie kept up its status as the best live-action, high-fantasy film for two decades–until the arrival of Peter Jackson’s The Lord of the Rings series. The set for Aughra’s beautiful pinnacle of all set pieces–the location of that mechanical wonder called the Orrery–showcases a fantasy creation that has yet to be surpassed in any film. We first mentioned Netflix green-lighting the return of The Dark Crystal universe last year here at borg, as the studio began work on the ten episode series The Dark Crystal: Age of Resistance. No other news has surfaced publicly about the series until this week. We now have the first three images of the three lead character Gelflings, and an award-winning roster of voice actors. And good news for The Dark Crystal fans: Aughra will be returning, voiced by Donna Kimball(Community).
Taron Egerton (Robin Hood, Eddie the Eagle, Kingsman series) will be playing the voice of Rian (below, left), Natalie Emmanuel is the voice of Deet (below, right), and Anya Taylor-Joy is the voice of Brea (above)–making up the trio to lead the film. Other Gelflings will be voiced by Oscar winner Alicia Vikander (Tomb Raider, Ex Machina, The Man from U.N.C.L.E.), Oscar nominee Helena Bonham Carter(Alice in Wonderland,Harry Potter series), Emmy winner Eddie Izzard(Valkyrie, The Riches, Treasure Island), BAFTA nominee Mark Strong(Shazam!, Green Lantern, Kick-Ass, Kingsman series), Golden Globe nominee Toby Jones(Doctor Who, Harry Potter series, Marvel movies, Jurassic World: Fallen Kingdom), Golden Globe nominee Caitriona Balfe (Super 8, Outlander), plus Natalie Dormer (The Hunger Games series, Captain America: The First Avenger), Shazad Latif (The Commuter, Black Mirror, Star Trek Discovery), and Theo James (Underworld series).
And it doesn’t stop there. Voicing the Skeksis and urRu (or “Mystics”) are BAFTA winner Mark Hamill(Star Wars, The Flash, and Kingsman series, Batman animated series),Golden Globe nominee Jason Isaacs(Harry Potter series, Star Wars Rebels, Star Trek Discovery), BAFTA nominee Simon Pegg (Star Trek, Star Wars series), Emmy winner Keegan-Michael Key(The Predator, Tomorrowland), Emmy nominee Harvey Fierstein (Hercules, Independence Day), Ólafur Darri Ólafsson(The BFG), Ralph Ineson (The Ballad of Buster Scruggs, Guardians of the Galaxy, Star Wars, Kingsman, and Harry Potter series), and Golden Globe winner Andy Samberg(Saturday Night Live). Other voice roles will be performed by the puppet actors.
Not since the original Predator, Alien, and Aliens has Hollywood been able to match these sci-fi classics, despite attempts with eight sequels in these franchises. But the ninth attempt–this summer’s release of The Predator–has come the closest to matching that classic blend of sci-fi, horror, future military, and action thriller. In the new behind-the-scenes book The Predator: The Art and Making of the Film, writer James Nolan explains why director Shane Black’s return to the franchise after 30 years was the right stuff needed to bring the excitement and fun back for fans of the original genre-defining alien hunter.
The colorful hardcover includes Black’s own multi-page mission statement provided to the cast and crew, where he provides a truly unique look into the mind of a Hollywood director and storyteller. He unveils the risks, the challenges, and his choices to resurrect the spirit of 1980s blockbuster action movies, while providing an update that is both loyal to the original movie and its ground-breaking creators like Stan Winston, while carrying forward a future vision for the film series. Hired to serve as writer on the original 1987 film, Black chose to take on an acting role instead, and the rest was sci-fi history–until he was entrusted last year to helm this sequel. To provide a first-hand account of production, Nolan interviewed Black, his writing partner Fred Dekker, key cast members Boyd Holbrook, Olivia Munn, Sterling K. Brown, Trevante Rhodes, Jake Busey, Jacob Tremblay, Thomas Jane, Keegan-Michael Key, and Augusto Aguilera, Predator actor Brian Prince, stunt performer Trevor Addie, production designer Martin Whist, director of photography Larry Fong, special effects supervisor Jonathan Rothbart, set decorator Hamish Purdy, costume designer Tish Monaghan, prop master David Dowling, producer Bill Bannerman, special effects icons Tom Woodruff, Jr. and Alec Gillis, and many more.
The biggest attraction in the book is the detailed photography of the interiors of the two alien spaceships and the armor and props. Readers get to see concept artwork, computer mock-ups, designs, in-process photographs, and close-up stills. In many films props are just set decoration that help to create the environment, but in The Predator the prop gauntlet, the helmet, and especially the “kudjad” spaceship key factor directly into the mystery. Who could ever get enough of the aliens–the dreadlocks, those teeth, the shoulder cannon? And then there’s the giant hunter, whose size and ship also factor into not just the finale, but the future of the films.
Shane Black has finally delivered what fans of the Predator alien have been after since they first saw Arnold Schwarzenegger take the creature on in the original 1987 film that featured Black in an acting role as one of the marines. The movie The Predator, in theaters now, delivers exactly as promised. More Predators. Bigger and badder alien fight scenes. Great new sci-fi special effects tech. A wall-to-wall movie of rude jokes and one-liners. A squad of maladjusted, badass misfits in the realm of The Dirty Dozen (if every character was played as Telly Savalas’s character), only this time the squad isn’t recruited for a suicide mission to fight the bad guys. The surprise comes with an actual, serviceable plot that knocks the predecessor sequels out of the ranking (some elements… gasp… it even handles better than the original).
For diehard fans of the franchise who read the prequel novel (a great read we reviewed here earlier at borg) the movie lives up to the introduction provided in the book, which gave plenty of backstory for Sterling K. Brown’s pseudo-military leader Will Traeger–one of the movie’s key villains. Screenplay writers Shane Black and Fred Dekker include an ambitious, layered story with interesting subplots. One thread follows a boy played by played by Jacob Tremblay, the autistic son of star Boyd Holbrook’s tough Captain McKenna. The kid begins to play with what can only be described as “really cool alien tech” his dad sends him in the mail. Olivia Munn gets to play her most badass character yet, a biologist called in to work with the research group that has caught a Predator, being studied in a lab led by Jake Busey, who plays the son of the character his father Gary Busey played in Predator 2–Jake Busey offers a solid performance as a low-key scientist that could make it back for a future sequel. Another subplot follows the alien hunters as they each search for some secret objects. The ensemble ad hoc military unit that takes on the Predator includes a diverse team of actors pulling together a chaotic brand of chemistry: Trevante Rhoades, Thomas Jane, Augusto Aguilera, and Keegan-Michael Key. Another subplot sets up the next film nicely, a new phase for Predators this film only touches on.
The reason we see more than one kind of Predator is explained in the film, but each has incredible updated props and costumes, and the plot makes great use of both. It’s all loyal to the original. The best part of the 1987 film was the absence of the alien throughout the film, appearing sporadically, menacingly, like the shark in Jaws. We don’t see much more of the alien in this movie, but we get to see what he looks like head to toe in the lab, we get to see how his arm gauntlet and helmet work, and plenty of action scenes as in the original. One character even gets into the head of a Predator (sort of) to understand its technology and motivations.
