We first previewed the big-budget Death on the Nilehere at borg back in 2018, possibly the most pandemic-delayed film of any. Based on Agatha Christie’s 1937 novel, it’s the second in Branagh’s series of opulent, major cast, big-screen films after 2018’s Murder on the Orient Express (reviewed here). That movie was far more spectacle, more Hollywood, a faithful, exciting film filled with genre stars including Branagh as Christie’s famous detective Hercule Poirot, plus Johnny Depp, Michelle Pfeiffer, Josh Gad, Daisy Ridley, Willem Dafoe, Judi Dench, and Penélope Cruz, with a particularly engaging performance by Tom Bateman as Poirot’s friend Bouc. Bouc, a new character brought along by Branagh is the only returning character with Poirot for Death on the Nile.
A sort of Christie twist on Romeo and Juliet, the story and its core murder plot on Egypt’s great river remains identifiable, but Branagh updates nearly everything else, unlike in his first Christie adaptation. So like Branagh’s Frankenstein, this really is Branagh’s Death on the Nile, although also credit the changes to writer Michael Green (Logan). After a theatrical run beginning in February, it’s now available on Vudu and digital and other home media.
It’s that time of year again, time to take a look forward at what movies should be on your radar for 2022. We’re changing up this year’s preview by adding several trailers. Unlike in previous years, we have trailers for most of these movies. These are the genre films we think borg readers will want to know about to make their own checklists for the coming year. In all we pulled 60 movies from the hundreds of films that have been finalized or are in varying stages of final production and slated for next year’s movie calendar. Many of these will be more than familiar to you, as we’ve previewed some going back to 2019.
The biggest surprise is there aren’t a lot of surprises on the horizon, at least for big movies, like Doctor Strange and the Multiverse of Madness, Thor: Love and Thunder, Fantastic Beasts: The Secrets of Dumbledore, Black Adam, Lightyear, Spider-Man: Across the Spider-verse, Halloween Ends, Top Gun: Maverick,Jurassic World: Dominion, a new Predator movie called Prey, and The Batman.Compare the below list to our 2021 list, 2020 list, 2019 list and even the 2018 list, 2017 list, 2016 list, 2015 list, or 2014 list, and you’ll see the studios continue moving genre content from the big screen to the small screen via streaming services. Hollywood hasn’t made its way back to full production mode yet since the pandemic risks aren’t over yet, and it’s beginning to look like TV will be the location most people watch their movies for the foreseeable future, if not permanently. What do the big movies have in common? They’re all sequels–and more remakes of movies, books, and TV shows are on the way.
First up, the top 15 movies expected in 2022 that don’t have an announced release date yet, followed by our annual month-by-month rundown of trailers. Grab your calendar and start making your plans–here are the movies you’ll want to see in 2022 (and some you might not!):
Havoc –Tom Hardy stars as a detective in a crime drama directed by Gareth Evans (Netflix)
Enola Holmes 2 –sequel, starring Millie Bobby Brown and Henry Cavill (Netflix)
Prey – the fifth movie in the Predator franchise will be a prequel, starring Amber Midthunder as a Comanche who must protect her tribe from the alien threat (Hulu)
Pinocchio– live-action version of the fairy tale stars Tom Hanks as Geppetto and Joseph Gordon-Levitt as Jiminy Cricket (Disney+)
The Amazing Maurice – animated young adult fantasy about a sentient cat, based on the 2001 book The Amazing Maurice and His Educated Rodents by Terry Pratchett, starring Emilia Clarke, Hugh Laurie, David Thewlis (theatrical release)
Blonde – a biopic about Marilyn Monroe starring Ana de Armas, with Adrien Brody and Bobby Cannavale (Netflix)
Wendell and Wild – comedy duo Key and Peele create a stop-motion dark horror comedy (Netflix)
The Gray Man –the Russo brothers direct a film about a an ex-CIA agent, starring Ryan Gosling, Chris Evans, and Ana de Armas (Netflix)
The Adam Project – sci-fi movie stars Ryan Reynolds as a man who goes back in time to get his younger self for help (Netflix)
Spaceman – sci-fi movie stars Adam Sandler and Carey Mulligan (Netflix)
The School for Good and Evil – long-delayed young adult fantasy with Charlize Theron (Netflix)
Slumberland – kids fantasy adventure starring Jason Momoa and Kyle Chandler (Netflix)
All Quiet on the Western Front – remake of novel adaptation, this time starring Daniel Bruhl (Netflix)
Blade of the 47 Ronin – sequel to 47 Ronin, starring Mark Dacascos (Netflix)
Deep Water– another Ben Affleck bad marriage “erotic psychological thriller,” with Ana de Armas (Hulu).
January
The 355 – Spy/thriller, starring Jessica Chastain, Lupita Nyong’o, Bingbing Fan, Diane Kruger, Penelope Cruz, Sebastian Stan – January 7.
The Tender Bar – Coming of age story starring Ben Affleck and Christopher Lloyd (Amazon) – January 7.
Hotel Transylvania: Transformania– Latest entry in the animated franchise (Amazon) – January 14.
Scream– Horror, the big reboot/sequel stars Neve Campbell, Courteney Cox, and David Arquette – January 17.
It’s that time of year again, time to take a look forward at what movies should be on your radar for 2021! But wait! Next year’s list sure looks a lot like the the films we previewed last December. The covid pandemic has delayed hundreds of film projects, but some made it through. When you walk back through last year’s list and compare it to movies released after theater lockdowns, you get some insight into how Hollywood thinks. Big movies and movies predicted to be successes were universally held back, while less popular films were released to low box office returns from theaters that remained open, and yet other films went directly to home streaming or related media platforms.
Last year we pulled 85 of the hundreds of films then slated for the 2020 movie calendar. The first two dozen made it to theaters (films like Underwater, Dolittle, and Birds of Prey) before the national shift began on March 11 with news of the NBA reacting to the pandemic by suspending pro basketball–the first national awareness of the scope of the problem. Suddenly we saw Vudu and other home platforms coming to the rescue for our entertainment fix, adding a new Theater at Home option, which captured movies like Anya Taylor-Joy’s Emma, Vin Diesel’s Bloodshot, and the animated Scoob! Disney began an interesting tiered release of Mulan, which for half the year showed a studio doing its best to maximize returns on what would have been a key release in any other year. After another delay The New Mutants made it briefly to theaters followed by home release after three years of getting kicked aside as the last vestiges of the Disney-Fox merger were shaken out. Other films, like Vast of Night, Extraction, The Old Guard, Rebecca,Radioactive, and Fantasy Island safely premiered on Netflix and Amazon Prime, with Chris Hemsworth’s Extraction standing out as the clear popular winner–the entire world needed some new entertainment and after what would only be the first of several months of shelter-at-home, it tentatively filled the void.
So our predictions for the year’s big genre films were flat wrong, every single one except Mulan was delayed to 2021, including Ghostbusters: Afterlife, Black Widow, No Time to Die, a new Fast & Furious, Tom Clancy’s Without Remorse, and superhero flicks Venom 2, Eternals, and Morbius. Wonder Woman 1984 is expected to have a theatrical release by year end. Altogether 35 of last year’s 85 movies previewed on our annual list are back again below, plus we found more than 35 new genre films we think will appeal to borg readers.
So what’s left and what’s new?
Grab your calendar and start making your plans–here are the movies you’ll want to see in 2021. Then compare the below list to our 2020 list, and look back to the 2019 list, 2018 list, 2017 list, 2016 list, 2015 list, or 2014 list. Last year we noticed studios moving genre content from the big screen to the small screen via streaming services, and the pandemic only stepped up that migration. Note: Warner Bros. has reported it will issue its 2021 releases simultaneously on HBO Max. Netflix has mostly dramas slated for 2021, but a few genre films are in pre-production, so expect a few surprises throughout the year. Amazon Studios has fewer, most partnerships with Blumhouse Productions.
As we learned well this year, many of these films will have revised release dates, and even get pushed to 2022.
January
Mortal Kombat. Based on the video game. New! Tentative release date: January 15, 2021. HBO Max.
Wrath of Man. Next Jason Statham action flick. New! Tentative release date: January 15, 2021.
The French Dispatch. Wes Anderson and his familiar actors in new quirky film about journalists. New! January 28, 2021.
The Dig. A film about a woman finding archaeological treasures on her land, starring Ralph Fiennes, Lily James, and Carey Mulligan. January 29, 2021. Netflix.
It’s one of the only films this year to keep its original theatrical premiere month, and it’s still planning on coming to a theater near you. And it’s one of the most eagerly awaited sequels of the year after director and star Kenneth Branagh delivered such an impressive adaptation of Agatha Christie’s Murder on the Orient Express in 2017. A new all-star cast has assembled behind Branagh, returning as master detective Hercule Poirot, in Death on the Nile. Despite her many convoluted plots, Christie knew how to name a story. Get ready for some more good sleuthing–The first trailer for the film is here.
When we created last year’s preview of 2019 movies we were pretty sure we were going to have some great movies this year, but we were surprised by what ended up being the best. All year we tried to keep up with what Hollywood had to offer and homed in on the genre content we thought was worth examining. We went back and looked at it all and pulled together our annual picks in our Best Movies of 2019.
Genredom. As always, we’re after the best genre content of the year–with our top categories from the Best in Movies. There are thousands of other places that cover plain vanilla dramas and the rest of the film world, but here we’re looking for movies we want to watch. What do all of this year’s selections have in common? In addition to those elements that define each part of genredom, each has a good story. Special effects without a good story is not good entertainment, and we saw plenty of films this year that missed that crucial element.
Come back later this month for our print media picks, and our annual borgHall of Fame inductees. And if you missed it, check out our Best Kick-Ass Genre Heroinesof 2019here. Wait no further, here are our movie picks for 2019:
Best Film, Best Superhero Movie, Best Re-Imagining on Film – Shazam!(Warner Bros.). Movies are supposed to be a wonder, right? What brought the magic of the movies back to theaters more than Shazam? Why did DC take so long to adapt a superhero to the scene perfectly? Who cares–they finally did it. Faithful to the character from the #1 selling superhero book of the 1940s, this was the superhero movie many of us have been waiting for for the past 50 years (or more). Full of superhero fun, one of the best training montages ever, Zachary Levi’s boyish hero was perfectly matched to Jack Dylan Grazer’s take on best pal Freddy. It’s also the only superhero movie we can think of that got better as it went along, culminating in a fantastic, satisfying third act and finale. This is what we want more of. And it was the first DC superhero movie of the millennium that could be watched and enjoyed by the entire family. Honorable mention: Glass (Universal), Spider-Man: Far From Home (Sony Pictures).
Best Fantasy Movie, Best Adventure Movie, Best Comedy Movie – Jumanji: The Next Level (Columbia Pictures). The only issue with this film was that its status as a sequel will prompt some to not recognize it for the gigantic success it truly is. With adventure scenes bigger and better than anything in the entire Indiana Jones franchise, two movies in and director Jake Kasdan proved a sequel can actually be as good as the original. The four stars didn’t miss a beat, swapping roles and adding new laughs, and the new characters inside and outside the game were perfectly spliced in to tell a new tale. The bridge crossing scene is now the adventure film scene to beat. An epic fantasy that’s loads of fun. Honorable mention for Best Fantasy Movie: Shazam! (Disney/Marvel), Captain Marvel (Disney/Marvel).
Best Movie Borg, Best Borg Film – Arnold Schwarzenegger’s Carl, Terminator: Dark Fate (Paramount Pictures). It would have been almost impossible for James Cameron and director Tim Miller not to get this right, a new thread through time reuniting Linda Hamilton’s Sarah Connor and a new T-800 with Arnold back with another take on his greatest borg of all time. New characters and new effects kept the franchise from getting boring, but this was more than just getting by, a big sci-fi spectacle with great cyborg battles, and easily the best cyborg fix this year.
It’s that time of year again, time to take a look forward at what movies should be on your radar for 2020. Are you going to see them all? Heck no. These are the genre films we think borg readers will want to know about to make their own checklists for the coming year–and they are only the films we know about so far. We pulled 85 of the hundreds of films that have been finalized or are in varying stages of final production, slated for next year’s movie calendar.
What looks to top the list for most fanboys and fangirls? Ghostbusters: Afterlife! Scarlett Johannson solo in Black Widow! A new James Bond movie, No Time to Die. Vin Diesel in Bloodshot and a new Fast & Furious. The original Tom Clancy novel series is finally continuing with an adaptation of Without Remorse. Comic book adaptations are in less supply in 2020, but look for Venom 2, Wonder Woman 1984, Eternals, The New Mutants, Morbius, Birds of Prey, The Old Guard, and did we mention Black Widow? Compare the below list to our 2019 list and even the 2018 list, 2017 list, 2016 list, 2015 list, or 2014 list, and your takeaway may be seeing the studios moving genre content from the big screen to the small screen via streaming services.
Do you like sequels? There are far less coming to theaters in 2020 than in 2019, but many more remakes of movies, books, and TV shows are on the way. In fact, with all the blockbusters in 2019, 2020 looks pretty tame as the cinema marquee is concerned. Some films don’t have locked in release dates yet: Amazon Studios and Netflix haven’t revealed dates for the following 2020 releases (those we know you’ll find on the calendar below):
7500, a film about a highjacked airplane, starring Joseph Gordon-Levitt (Amazon Studios)
The Dig,a film about a woman finding archaeological treasures on her land, starring Ralph Fiennes, Lily James, and Carey Mulligan (Netflix)
Horse Girl, Alison Brie stars and directs this story about an awkward girl who fuses her dreams with reality (Netflix)
Jingle Jangle, an animated Christmas story with the voices of Forest Whitaker, Keegan-Michael Key, and Hugh Bonneville (Netflix)
Louis Wain, biopic of the 19th century artist starring Benedict Cumberbatch, Claire Foy, and Andrea Riseborough (Amazon Studios)
The Old Guard, adaptation of comic book story, starring Charlize Theron and Chiwetel Ejiofor (Netflix)
Radioactive, a film about Marie Curie, starring Rosamund Pike and Anya Taylor-Joy (Amazon)
Rebecca, adaptation and remake of the Daphne Du Maurier classic novel, starring Lily James, Keely Hawes, Kristin Scott Thomas, and Armie Hammer (Netflix)
Welcome to Sudden Death, sequel to Jean-Claude van Damme 1995 movie starring Michael Jai White (Netflix)
The Willoughbys, animated adaptation of the Lois Lowry book, with voices of Maya Rudolph, Martin Short, and Jane Krakowski (Netflix)
Wonderland, murder conspiracy mystery starring Mark Wahlberg, Allan Arkin, and Colleen Camp (Netflix)
Some of these films will have revised release dates, or get pushed to 2021.
So grab your calendar and start making your plans–here are the movies you’ll want to see in 2020 (and some you might not!):
January
The Informer – Thriller, starring Joel Kinnaman, Rosamund Pike, Ana de Armas, Common, and Clive Owen – January 10.
Underwater– Thriller, stars Kristin Stewart in underwater horror story – January 10.
Dolittle– Family/Comedy, stars Robert Downey, Jr. in remake of the classic, with voices of Tom Holland, Rami Malek, Octavia Spencer, Emma Thompson, Antonio Banderas, Ralph Fiennes, and Michael Sheen – January 17.
Nothing taken away from the work of actor Joseph Fiennes in the romance-comedy Shakespeare in Love, but in the 2019 biopic All is True, it’s hard to imagine any actor as perfectly cast as William Shakespeare himself than SirKenneth Branagh. In one conversation between Branagh’s Shakespeare and Sir Ian McKellen′s Earl of Southampton, the quiet beauty of language and craft they convey will make you think no two people were better suited to their art. Taking a cue from the subtitle of Shakespeare’s final play, Henry VIII–the play being performed when Shakespeare’s Globe Theater caught fire (pro tip: don’t put stage cannons in your scripts)–All is True takes Shakespeare from there to his death, as he quits writing and returns to his home, his wife, and their two daughters to retire.
Ghosts of his past catch up with Shakespeare, as the rural village of his birth does not forget the scandals of his family’s past and present, silly things today that meant everything to English society in 1613. One of those ghosts is that of his son, Hamnet, the twin of his younger daughter, who died in real life of unknown causes at eleven, and which is expanded upon for dramatic sake in this story by writer/comedian Ben Elton (Much Ado About Nothing). Elton’s script smartly stitches together what history knows about Shakespeare and his family after his plays and what is probable or at least possible, providing a faithful, glorious look at what someone who knew his own legacy in his own time might have done next. Branagh reflects the kind of ego that must have been behind the man. Shakespeare neglected his family for years, and his youngest daughter, played by Kathryn Wilder (Ready Player One), lets him know it.
Shakespeare’s wife, Anne Hathaway, 18 years his senior in real life, is played as impeccably as audiences would expect from Dame Judi Dench, and although 26 years his senior in real life it all works seamlessly. Branagh is hardly recognizable at first, until his undeniable voice takes over, thanks to a prosthetic nose that never leaves any doubt that Branagh conjured the ghost of Shakespeare for this performance. Equal to the performance is the year’s best cinematography by Zac Nicholson(The Guernsey Literary and Potato Peel Society), who frames every scene as if it were an adaptation of an original oil painting by Johannes Vermeer or Rembrandt van Rijn. His use of light–especially his scenes shot by candlelight to mimic chiaroscuro–is magical.
It’s that time of year again, time to take a look forward at what movies should be on your radar for 2019. Are you going to see them all? Heck no. These are the genre films we think borg readers will want to know about to make their own checklists for the coming year–and they are only the films we know about so far. We pulled 78 of the hundreds of films that have been finalized or are in varying stages of final production, slated for next year’s movie calendar.
What looks to top the list for most fanboys and fangirls? The last of the nine films in theStar Wars saga. Captain Marvel, Avengers: Endgame, and Spider-Man: Far From Home.Shazam!is DC’s contribution. Quentin Tarantino returns to movies to direct Once Upon a Time in Hollywood, and Martin Scorsese is back with an all-star cast in The Irishman (on Netflix). M. Night Shyamalan finishes his dark superhero trilogy with Glass. Arnold Schwarzenegger and Linda Hamilton return in Terminator. Jordan Peele is back with another horror film with Us.
Do you like sequels? This is your year. Another Men in Black, X-Men, Shaft, Happy Death Day, Lego Movie, Hellboy, John Wick, Kingsman, Jumanji, The Secret Life of Pets, How to Train Your Dragon, Fast and the Furious, Zombieland, Addams Family, Charlie’s Angels, Godzilla, Shaun the Sheep, Annabelle,and Stephen King’s It and Pet Sematary—Disney is trying to get you to move into your local theater with another Toy Story, Aladdin, Dumbo, Frozen, and Lion King–all in one year. Yep, lots and lots of sequels are coming.
Some films don’t have locked-in release dates yet. Amazon Prime and Netflix haven’t revealed dates for these 2019 releases:
Martin Scorcese’s The Irishman, a film about Jimmy Hoffa starring Robert DeNiro, Al Pacino, Joe Pesci, Harvey Keitel, Ray Romano, and Bobby Cannavale (Netflix)
The Kid, a Western biopic with Chris Pratt, Ethan Hawke, Dane DeHaan, and Vincent D’Onofrio (Netflix)
The Man Who Killed Hitler Then Bigfoot, starring Sam Elliott (Netflix)
6 Underground, a Michael Bay film starring Ryan Reynolds, Ben Hardy, Dave Franco, and Mélanie Laurent (Netflix)
The Last Thing He Wanted, Dee Rees directs Anne Hathaway, Ben Affleck, Willem Dafoe, and Toby Jones; journalist quits newspaper job to become an arms dealer for a covert government agency (Netflix)
The Laundromat, Steven Soderbergh directs Meryl Streep, Gary Oldman, Antonio Banderas, James Cromwell, about the Pentagon Papers (Netflix)
Radioactive, Rosamund Pike plays Marie Curie, with Anya Taylor-Joy (Amazon)
Some of these films will have revised release dates, or get pushed to 2020.
So grab your calendar and start making your plans–here are the movies you’ll want to see in 2019 (and many you might not):
January
Glass – Superhero, M. Night Shyamalan trilogy part 3, stars Bruce Willis, Samuel L. Jackson, James McAvoy; continues where Unbreakable and Split left off – January 18.
Serenity– Mystery/Thriller, stars Anne Hathaway, Jason Clarke, Djimon Hounsou, Jeremy Strong, Diane Lane; sorry, no relation to Firefly – January 25.
King of Thieves– Heist Comedy, stars Jim Broadbent, Tom Courtenay, Charlie Cox, Michael Gambon, and Ray Winstone – January 25.
This month Marvel is celebrating the first ten years of the Marvel Cinematic Universe with a look back at the first three phases of the films in a new hardcover book, Marvel Studios: The First Ten Years. With the March 2019 release of Captain Marvel the official fourth phase of the MCU will begin. With that shift to a new era quickly approaching, as well as an uncertain future thanks to the imminent completion of the acquisition of the X-Men characters, and the 10-year benchmark, it’s a good time to assess all Marvel Studios president Kevin Feige was able to pull together beginning way back when we first saw Robert Downey, Jr. don the Iron Man armor for the first time. This nostalgic trip back over the past decade will be published by Titan in conjunction with Marvel.
Readers will find interviews with Feige, co-president Louis D’Esposito, Stan Lee, Jon Favreau, Kenneth Branagh, Anthony and Joe Russo, James Gunn, Robert Downey, Jr., Chris Evans, Chris Hemsworth, Scarlett Johansson, Benedict Cumberbatch, Jeremy Renner, Paul Rudd, Mark Ruffalo, Chadwick Boseman, Evangeline Lilly, Karen Gillan, Don Cheadle, Sebastian Stan, Gwyneth Paltrow, William Hurt, and Josh Brolin. Multi-page sections focus on each of the 22 films in the series. High-quality color photographs accompany the discussion of each film in chronological order, most with behind-the-scenes images, like a great image of all the parts to Ant-Man’s helmet laid out on a table.
Fascinating discussion points include D’Esposito pointing out how the produces intentionally made each new film a different genre, not just a superhero movie. He also indicates that casting Robert Downey, Jr. was the most important casting decision of the franchise. Guardians of the Galaxy director James Gunn talks about using the soundtracks on set for everyone to get the feel of the two Guardians movies. The book even provides some preview information for next year’s Captain Marvel movie. And there are several Easter eggs that most fans will have never read about anywhere else, often 10 or more for each film (the Collector and the Grandmaster are brothers?). Here are a few pages from Marvel Studios: The First Ten Years:
Something about a film created contemporary to the World War II years automatically lends itself to a greater level of authenticity than the modern attempt at an epic war film. Dunkirk is one of those modern large-scale productions, falling in line behind the likes of 1998’s Saving Private Ryan and 2001’s Pearl Harbor. Dunkirk is better than both, and although it doesn’t have the gravitas of 1993’s Schindler’s List and is not as nail-biting as something like 1981’s Das Boot, Dunkirk still provides some good nuggets of emotion as we hone in on a dozen soldiers, sailors, and civilians attempting to get to the end of a week during the Battle of France–May 26 to June 4, 1940. Dunkirk doesn’t tell a story full of intrigue like 2008’s Valkyrie, but its reflection of the war seems all the more reality-based despite not using film methods like that of Steven Spielberg, who tends to film historical settings with filters that make audiences feel more like “we were there.” The most important lessons of history can be found in the study of World War II so any World War II film is a success if it can tell a story of brave leadership, brave soldiering, and accountability of the citizenry as Dunkirk does.
Dunkirk comes closest to Saving Private Ryan, presenting a believable wide-scope, giant battlefield, then bringing viewers into the brief encounters and interactions of a few. Compelling roles are shared evenly in the three stories by actors young and old–most importantly is newcomer Fionn Whitehead playing a soldier who barely makes it to the battlefield and then seems to have nothing but bad luck as he must make life-and-death choices at every step to try to get closer to home. From the older set, Mark Rylance (Wolf Hall, The BFG, Ready Player One) is a stoic Brit civilian who has his own reasons to try to bring some soldiers home. And Tom Hardy (Mad Max: Fury Road, The Dark Knight Rises) plays the key fighter pilot, whose fuel gauge is broken and his assistance from other squadrons is nil. The aerial dogfights aren’t the exciting stuff of war movies of the past, but the story doesn’t really call for that. The theme is in the numbers: Can any individual beat the odds with the German fighter aircraft returning for further attacks on the beach, on the escort and attack vessels, and against the three British airplanes? Who will make it home, and who will not?
Director Christopher Nolan engages a unique story device, telling three stories simultaneously. The first begins a week before the finale that follows the fate of 400,000 British ground forces (with a few French soldiers) waiting to be picked up on the beach in Dunkirk for transport back to England after the failure to secure France (or picked off by enemy strafing). The second story begins one day before the finale, as a man, his son, and a friend answer the call in England for civilian boats to head across the channel to Dunkirk to transport troops home. The third story begins one hour prior to the end, and follows three British pilots trying to stave off a German aerial assault on the beachhead. Despite the spliced intersections of three clocks, Nolan makes it work. Astonishingly the audience is reeled into the story even if we learn almost nothing about the backstory of any character in the film. The best takeaway? The relative value in war of one man in a single fighter plane vs. 400,000 ground troops.
