Advertisements

Tag Archive: Kevin Costner


Seven years ago the writers at borg came up with our top ten favorite fantasy movies (take a look at my list here).  I’m happy to see that my list hasn’t changed much.  Two of my top ten fantasy movies are returning to theaters nationwide for limited showings.  First, Field of Dreams (my #6 favorite), is back next week, followed in July by The Muppet Movie (my #3 favorite).  Celebrating its 30th anniversary, Field of Dreams will be in theaters for Fathers’ Day, an opportunity to share the ultimate story of believing in yourself and trusting your instincts with a new generation.  It’s scheduled to appear at more than 600 theaters.  Then celebrating the 40th anniversary of The Muppet Movie, Fathom Events is partnering with The Jim Henson Company and Universal Pictures to show the classic big-screen debut of the Muppets on more than 700 screens nationwide.

Fathom Events joins Universal Pictures and Turner Classic Movies to bring Field of Dreams to theaters Sunday, June 16, for showings at 1:00 p.m. and 4:00 p.m. local time, and Tuesday, June 18, at 4:00 p.m. and 7:00 p.m. local time.  Director Phil Alden Robinson′s re-write of W.P. Kinsella’s novel Shoeless Joe (reviewed here at borg), features three of cinema’s most fantastic characters coming together: reclusive author Terence Mann (James Earl Jones), baseball player Archibald “Moonlight” Graham (Burt Lancaster and Frank Whaley) and “Shoeless Joe” Jackson (Ray Liotta).  It was nominated for six–and made three–of the American Film Institute’s lists of the top American films of all time, including being named the all-time #6 top fantasy film.

For two days only this July, The Muppet Movie returns with screenings on Thursday, July 25, and Tuesday, July 30.  The Muppet Movie will play at 12:30 p.m. and 7 p.m. (local time) each day.  Following the international success of the television show The Muppet Show, which at its peak aired in more than 100 countries, Muppets creator Jim Henson took a creative risk to have the characters star in their first motion picture.  The result, directed by James Frawley, became a box-office hit, starring Kermit (performed by Henson), Miss Piggy and Fozzie Bear (performed by Frank Oz), Gonzo (performed by Dave Goelz) and his chicken Camilla (performed by Jerry Nelson), Scooter (performed by Richard Hunt), and dozens of other favorite characters.

Continue reading

Advertisements

Review by C.J. Bunce

Eighty-five years ago today, April 1, 1934, two Texas highway patrolmen, 26-year-old Edward Wheeler and 22-year-old Holloway Murphy were on motorcycle patrol, checking on a car they thought may need assistance.  Instead, they were gunned down by Clyde Barrow and Bonnie Parker.  It was Easter Sunday.  The two notorious criminals had repeatedly evaded the law, in part because they were sheltered in an era where the stupidity of the masses outweighed sense and a large segment of the populace viewed them as some kind of folk heroes.  Despite being captured by two former Texas Rangers, Frank Hamer and Maney Gault, that legendary hero status stuck somehow, thanks in part to Hollywood, and specifically the rather popular and also critically acclaimed movie Bonnie and Clyde starring Warren Beatty and Faye Dunaway.  That film portrayed a rollicking, at times humorous, ride, which in fact, shared little of substance about the criminals and their victims.  Hollywood is now doing an about-face with a new, edgy, thoughtful drama, which includes the murders of Wheeler and Murphy and others, in director John Lee Hancock‘s The Highwaymen, now on Netflix.

Hancock, who wrote screenplays for the Kevin Costner/Clint Eastwood film A Perfect World, the screenplay for Eastwood’s Midnight in the Garden of Good and Evil, and wrote and directed the 2004 version of The Alamo, offers up a reserved, measured tale not of the infamous criminals this time, but the two aging men, Hamer and Gault, who knew how to track and kill criminals.  That’s thanks to a script by John Fusco, who has experience writing historical accounts for the screen, as found in his Billy the Kid story Young Guns, the Babe Ruth biopic Babe, the 1890s horse rider tale Hidalgo, and his heavily researched series Marco Polo.  Despite the sometimes dry “historical drama” label, The Highwaymen is by no means devoid of compelling storytelling.  Plus, headlined by Kevin Costner, playing the elder more experienced former Ranger Frank Hamer, and Woody Harrelson as the slightly less experienced B.M. “Maney” Gault, the film showcases the chemistry between the duo.  In one key dramatic sequence the two lawmen come upon a temporary residence for the criminals, looking for clues among the closeted clothing in what could be the bedroom of any small town couple of the day.  But Harrelson may get the most satisfying scene, as he responds to being cornered by a group of Barrow supporters while in a public restroom.

The film is fueled by a compelling musical score by Thomas Newman (Spectre, Skyfall, Road to Perdition, The Shawshank Redemption, Fried Green Tomatoes, The Man With One Red Shoe), the kind of a soundtrack that will no doubt stand well as its own creative work.  His score sets the tempo of the picture while not overtaking it, as happened with Ennio Morricone’s Oscar-nominated score for Costner’s The Untouchables, a similar era film that will no doubt be compared to The HighwaymenNewman’s music is entirely different, a balance of post-Civil War, Western, and Depression-era motifs with guitar that echoes the former Rangers’ cowboy, horse-riding past.  Cinematographer John Schwartzman delivers the kind of bleak, spacious, 1930s America perhaps last scene in László Kovács’ film work on Peter Bogdanovich’s depression-era film Paper Moon.

Continue reading

We haven’t seen Kevin Costner as an Oscar contender for thirty years, but the latest Netflix release has all the right elements for that kind of potential with Costner back with his Gary Cooper-esque style, and that Oscar possibility may line up for Woody Harrelson, too.  The first trailer for The Highwaymen has arrived and if you’re as much of a fan of The Untouchables as we are, this new historical drama about bringing the crime duo of Bonnie Parker and Clyde Barrow to justice in 1934 may be just for you.  And with theatrical releases slated for two weeks in advance of its Netflix premiere, it may also be the Netflix movie that gets you to buy tickets and see it on the big screen.

Director John Lee Hancock (The Founder, The Rookie, Saving Mr. Banks, The Blind Side, Midnight in the Garden of Good and Evil, Snow White and the Huntsman, A Perfect World) is putting aside the comedy of the famous 1967 version–Bonnie and Clyde with Faye Dunaway and Warren Beatty, which garnered ten Oscar nominations–opting for a gritty, realistic take on the brutal murderers and their bloody end.  Originally developed years ago by screenplay writer John Fusco (Crossroads, Young Guns, Marco Polo) to star Robert Redford and Paul Newman, the movie tracks Costner as Frank Hamer and Harrelson as Maney Gault, both real-life ex-Texas Rangers commissioned as special investigators by banks to finally capture the infamous robbers and murderers.  It’s hard not to see Costner’s Eliot Ness from The Untouchables, but this time taking on older cop Sean Connery’s role in the story, or even the Clint Eastwood role instead of the convict part he played in Hancock’s 1993 hot pursuit movie A Perfect World.

The supporting cast could hardly look better, with Kathy Bates (Misery, Titanic) as Governor Ma Ferguson, and Hancock’s The Founder co-star John Carroll Lynch as Lee Simmons, along with Hancock’s The Blind Side co-star Kim Dickens.  It also features Thomas Mann (Hansel & Gretel: Witch Hunters, Kong: Skull Island), and perennial TV and film favorites W. Earl Brown (The X-Files, Deadwood, True Detective) and William Sadler (Wonderfalls, Deep Space Nine).

Here is the trailer for The Highwaymen:

Continue reading

chris-pratt-moneyball

It’s that time of year again.  The 2016 World Series is now in full swing with the first game a sweep by the Cleveland Indians.  How will the Chicago Cubs fare in Game 2 tonight?  If you’re not in the baseball frame of mind yet, we have five of the all-time best baseball movies you can stream right now for free or for less than four dollars on Amazon Prime’s streaming service.  Most of these can also be rented on Netflix.  And let’s face it–everyone should own our fifth movie on the list.

Have you seen them already?  Then you know these great films can be watched over and over again.

Let’s start with a classic:  Gary Cooper as Lou Gehrig in Pride of the Yankees from 1942.  The movie recounts the then-recent personal triumph and tragedy of what baseball as an American pastime has created over and over for more than a century: baseball players as American icons.  Pride of the Yankees shows the personal side of being a famous baseball player, and features real-life legends Babe Ruth, Bob Meusel, Mark Koenig, and Bill Dickey, all playing themselves on-screen.  Academy Award winners Teresa Wright and Walter Brennan co-star.  If you want to see classic baseball from a contemporary view, this is your movie.  Although the story is certainly bittersweet and a tear-jerker, it reflects baseball as more than just a game.

pride-of-the-yankees-babe-ruth-gary-cooper

The most recent movie on our list is Moneyball, from 2011, a modern classic we’ve already watched over and over.  Moneyball reveals the game as a modern business.  The conflict between playing the game as classically envisioned and the game as seen from an analytical angle is wrestled with from the real life mostly true story of the Oakland A’s general manager Billy Beane as he turned the team around in its 2002 season.
Continue reading

Rogue One clip

Our annual “All the Movies You’ll Want to See…” series has been one of the most viewed of all of our entries at borg.com each year.  So this year we again scoured Hollywood and its publicity machine for as many genre films coming out in 2016 as have been disclosed.  Usually we select the 24 that look like the biggest hits, but we’re going all out for 2016.  The result is a whopping 48 movies, many you’ll probably want to see in the theater or catch on video.  We bet you’ll find a bunch below you’ve never heard of.  Bookmark this now for your 2016 calendar!

Most coming out in the second half of 2016 don’t even have posters released yet, but many do.  We’ve included descriptions and key cast so you can start planning accordingly.

Star Trek Beyond clip

What do we think will be the biggest hits of the year?  How about Star Wars: Rogue One?  Or Star Trek Beyond?  You’ve heard endlessly about Batman v Superman: Dawn of Justice, but 2016 will also see Doctor Strange, Captain America: Civil War, and X-Men: Apocalypse.  There’s even a handful of Westerns, with The Hateful 8, Jane Got a Gun, and another remake of The Magnificent Seven heading our way.

01 Hateful Eight poster

The Hateful Eight – January 1

Tarentino’s Western!  Ennio Morricone score!  Kurt Russell, Samuel L. Jackson, Jennifer Jason Leigh, and Channing Tatum!

5WV_1SHT_TSR_05.indd

The 5th Wave – January 8

Chloe Grace Moretz and Liev Schreiber in an alien invasion.

03 400 days poster

400 Days – January 12

The CW’s Brandon Routh, Caity Lotz, and Tom Cavanaugh in a movie about astronauts that seems to be a play on Ender’s Game.

Continue reading

Michael Keaton in Night Shift

In light of Michael Keaton’s Academy Award nomination for best actor in the new film Birdman, we’re launching Michael Keaton Week here at borg.com.  Last year Keaton played a dramatic role as a business executive trying to sell America on bipedal drone security and law enforcement that led to the creation of a well-known cyborg in the remake of RoboCop, reviewed here at borg.com.  Everyone first thinks of Keaton from his role as Batman in the original superhero film that re-launched modern superhero blockbusters.  Before that there was his over-the-top, ghost-with-the-most in Beetlejuice.  But how did he get here and what steps helped him become the beloved actor he is today?

Born Michael Douglas, he would use the stage name Michael Keaton on-screen in light of potential confusion with Academy Award-winning actor/producer Michael Douglas (Wall Street, One Flew Over the Cuckoo’s Nest, Coma, The China Syndrome, Romancing the Stone) and TV show host Mike Douglas (if Keaton wins this year for Birdman, he’ll be the second Michael Douglas to win the coveted prize).  The year 1982 was a perfect time for the entry of someone like Michael Keaton into popular culture.  A young Tom Hanks was on TV in Bosom Buddies and Robin William’s Mork & Mindy was in its final season–these kind of zany comedies were just what early 1980s audiences were after.

Michael Keaton Night Shift

Continue reading

Keira Knightley in Shadow Recruit

Whether or not Keira Knightley wins the Academy Award this year for her role as a World War II codebreaker opposite Benedict Cumberbatch in The Imitation Game (which we reviewed previously at borg.com here) we’re confident she will have one or more Oscars on the shelf years from now.  She was one of our picks in our Best of 2014 review.  A lead actress who could pull off any role, she seems to opt for more quirky and challenging roles.  These include her role as a bounty hunter in Domino, but also classic costume drama parts, like Lara in the remake of Doctor Zhivago, Elizabeth Bennet in Pride & Prejudice, and an against-type Guinevere in King Arthur, genre roles like Padme’s double in Star Wars: The Phantom Menace, a withering-away clone in the disturbing sci-fi drama Never Let Me Go, or Disney franchise star in the Pirates of the Caribbean movies.

Last year Knightley also co-starred in a major studio release, Jack Ryan: Shadow Recruit, as the future Mrs. Jack Ryan opposite Chris Pine, holding her own with the likes of Academy Award winners Kevin Costner and Kenneth Branagh.  The first expansion film of Tom Clancy’s Jack Ryan stories, Jack Ryan: Shadow Recruit is now out on DVD, Blu-ray and On Demand.

Jack Ryan Chris Pine

As Cathy Muller, a role previously played by Gates McFadden, Anne Archer, and Bridget Moynihan, she’s the first actress to take the part beyond emotional support stalwart for Jack.  In a franchise full of large, in your-face-drama: a nuclear sub about to explode in The Hunt for Red October, battling terrorists in Patriot Games or drug kingpins in Clear and Present Danger, and a dirty bomb smuggled into the country taking out an entire city in Sum of All Fears, it’s a big surprise that Shadow Recruit’s big event is tied to a discovery in forensic accounting by Ryan, leading to a potential economic crisis and small scale bombing.  Yet unlike A Good Day to Die Hard, a sequel using a similar plot (proving that once popular franchise is too tired to continue), the prospect of a young couple working together within Ryan’s secret CIA world in Clancy’s universe of global espionage is a bit refreshing.  And Knightley is probably the highlight of the film.

Continue reading

Cavill in new Superman Batman

We now have had a first look at director Zack Snyder’s Batman, and as of this weekend, his Superman, above, from the 2016 release Batman v Superman: Dawn of Justice.  Beginning with its wordy, clunky title, SvBDoJ has the cards stacked against it, if Snyder’s Man of Steel is any indication.  Man of Steel proved a cast of distinguished character actors can’t save a movie from a bad idea and bad direction.  We know Ben Affleck, the new Batman, can be very good, and we all hope Gal Gadot as Wonder Woman, Jason Momoa as Aquaman, Ray Fisher as Cyborg, and Jeremy Irons as Alfred can save this film, or at least give us some fun scenes to pass the time.  But fans should demand more from DC Entertainment.

It starts with Snyder.  It’s difficult to list all the reasons Man of Steel was such a horrible superhero movie.  But we can sure try.  Maybe Snyder will review what he did with Man of Steel and realize that superhero movies can do so much better.  We can hope.  The elements of a good superhero flick?  Heart and gravity.  Heroism and compassion.  Passion and perseverance.  Man of Steel had none of this.  Even the poorly miscast Ryan Reynolds’ vehicle Green Lantern ran circles around Man of Steel.  It can’t be that hard to make a good movie for the DC Comics universe.  If Snyder is going to do better with the first big budget Justice League movie, he must learn from his mistakes with Man of Steel.

Affleck as Batman and new Batmobile

So let’s get it all out in the open, why Man of Steel is on my worst movies list, and should be on yours, too.

Continue reading

jack ryan shadow recruit poster

After Tom Clancy’s passing this week, fans of his biggest character, Jack Ryan, have been introduced to a new phase of the movie incarnations of his geopolitical thriller novels with this weekend’s release of the first trailer for Jack Ryan: Shadow Recruit.  Last December we at borg.com listed Jack Ryan as one of the ten characters to watch in 2013, and we included Jack Ryan, the movie, as one of the 24 films we predicted would be worth seeing in 2013.

Since last year’s announcement of Chris Pine taking on the lead, the title was changed to add the subtitle Shadow Recruit, replacing the prior subtitle Shadow One (we think Hollywood really needs to work on their subtitles).  The role of Jack Ryan was, of course, first played by Alec Baldwin in The Hunt for Red October in 1990, followed by Harrison Ford in Patriot Games in 1992 and Clear and Present Danger in 1994.  Ben Affleck then played a younger Jack in the 2002 prequel film The Sum of All Fears.  All four of these movies were based on bestselling Clancy novels, The Hunt for Red October often being listed as one of the best thrillers of all time.  Likewise, The Hunt for Red October is one of the best, and most exciting, movies of all time, with Alec Baldwin’s performance still the standard for future Ryans to be measured against.

Costner and Pine in Jack Ryan

Continue reading

Django Unchained - Still A

By C.J. Bunce

How does a Western get nominated for a Best Picture Academy Award in 2013? As recently as two years ago the remake of True Grit was nominated for Best Picture and nine other nominations—but did not net a single win.  But would it have been nominated if it hadn’t been directed by the quirky directing duo of Joel and Ethan Coen?  Five years earlier Brokeback Mountain, a film with a Western—or at least a cowboy– theme was also nominated for Best Picture, winning three of eight nominations.  It took director Ang Lee and a completely non-Western plot for that to happen.  Then you have to go back to Unforgiven in 1992, which actually won Best Picture and four of nine of its nominations, to find the last major, critically acclaimed Western.

What made Unforgiven win?  Certainly by supplying one of the two most popular Western actors of all time as the film’s lead helped, even if it was one of his more bland performances, with Clint Eastwood also serving as director. (Yes, John Wayne still remains the #1 most popular Western actor ever).  But more importantly, like the few notable Westerns since, it had a very non-standard plot for a Western.  With its gunfighter-turns-farmer-turns-gunfighter-one-last-time story, it was basically a dark sequel to John Wayne’s Angel and the Badman.  You could keep going—back to Dances with Wolves in 1990, an example of the “epic Western” which seemed to reward the director and acting efforts of rising star Kevin Costner more than the movie as a Western genre masterpiece.  Or back to Butch Cassidy & the Sundance Kid in 1969, probably the last classic era Western to be nominated for a Best Picture Oscar, winning five awards, including a key win for the script by William Goldman.  Then go back to the also-quirky Cat Ballou in 1965 starring Jane Fonda—the rare Western notable for featuring a female lead.

Going back even further gets you into the classic era of Westerns, and throws you into the strange era of “epic Westerns” getting recognized by the Academy.  These were movies that in hindsight are really not as well done as many smaller pictures of the period, but their huge all-star casts and expensive sets made the films hard to ignore, such as How the West Was Won, The Alamo, and Giant.  Surprisingly you have to look back to the adaptation of Louis L’Amour’s Hondo starring John Wayne in 1953 to get back to the era of the “hero Western” as recipient of an Academy nod, a film up there with Shane and High Noon as successful and admired Westerns receiving acclaim by the Academy.

Schultz and Django

But if you put aside the classic Western and look at what has been selected by the Academy since the 1960s it makes a lot of sense that Quentin Tarentino’s Django Unchained is not only a Best Picture nominee this year, but a real contender for the win.  Set in the South two years before the Civil War, the film follows a slave named Django (Jamie Foxx) whose past owners lead him to meet up with German-born, dentist-turned-bounty hunter Dr. King Schultz (Christoph Waltz).  Schultz’s next target is the wanted-dead-or-alive Brittle brothers, and only Django can help him literally recognize his bounty.  Schultz serves as mentor in survival and pursuit skills for Django who is squarely focused on rescuing long-lost wife Broomhilda (Kerry Washington).  The search ultimately leads to a more complicated than necessary scheme to buy Broomhilda from infamous plantation owner Calvin Candie (Leonardo DiCaprio), if only his loyal house slave Stephen (Samuel L. Jackson) will not stand in the way.

So what is the formula for a successful Western in the 21st century and why should Django Unchained make the cut?

Continue reading