Ten years! That’s ten years reviewing TV series in the decade that streaming services began to dominate TV viewing– and binge-watching was born as Netflix began releasing entire seasons at once in 2013. How do you pick the best series? As with yesterday’s list of movie recommendations, our theory from the very first day of publishing borg has been reviewing only those things we like, things we think are fun, imaginative, or just plain cool—because if we think they’re cool, maybe you will, too. What makes a great TV series? Great writing—great storytelling. Also we looked to difficulty level and technology innovation—TV productions tend to get a fraction of the budget of big-screen features, so what they do with their time and money is critical, and some television series in the past decade were all-out feats. The third factor we looked to is re-watchability—we’ll be watching the best series for years to come. The big difference between ranking movies and TV is the change between seasons, that force that inevitably causes most shows to decline with each season. So consistency is a factor. Finally, as with movies the most important factor is the fun—why would you devote so many hours of your valuable time if you’re not going to have a great time?
One more thing: Ten years is a long time so we narrowed the series we’re including to those recommendations that fall primarily within the ten-year window. We covered several fantastic, re-watchable series that cemented their status in reruns or syndication, many beginning before borg began publishing and finishing in the years after, including Burn Notice, White Collar, Warehouse 13, Leverage, House, MD, In Plain Sight, and three landmarks among the best pop culture-packed series of all time, Chuck, Psych, and Community. We were disappointed that some of the best series were canceled and left to only a single season, otherwise they may have gone on to fare better against our top recommendations, shows like Jason Isaacs’ psychological police procedural Awake, Sarah Shahi’s all-for-fun Fairly Legal, Lauren Cohan’s action/spy series Whiskey Cavalier, the Doctor Who spin-off Class, the adaptation of Max Allan Collins’ popular noir novel series Quarry, the slick animated series Tron: Uprising, and the cyborg future-world Almost Human starring Karl Urban, to name a few.
So here are the Top 40 series we recommend, spanning 2011 to 2021. These are our favorites. How should you use lists like this? If you like what we talk about at borg, you’re probably going to like these shows. If you’ve missed any, odds are you have some new series to take a look at. Let’s start at #40 and move our way to #1. As with everything borg, we’re stressing genre series. Title links are to one of our previous borg reviews.
Instead of what has been done at past panels at San Diego Comic-Con–having a panel for each or just a few major projects–Marvel Studios exec Kevin Feige was on-hand to get several announcements out the door and as many key cast members in and out of his single panel as possible. For the Marvel Cinematic Universe’s Phase IV, that means tying in Disney’s (pay) streaming service with the movies. The big takeaway? New logos are pretty much all there is so far to share, plus key casting and timing announcements. And although the last Phase had some changes along the way, it looks as if these ten projects will round out the entirety of Marvel over the next few years. The biggest frustration for fans of the X-Men and Fantastic Four is why nobody at Marvel has been getting a head start on these two massively popular teams of characters–money is definitely going to be left on the table for the duration of Phase IV by pushing out these projects. Why aren’t these Priority #1 with someone at Disney in light of the long lead-time the corporation had for the Fox acquisition?
The new time table is straightforward: Black Widow movie (May 1, 2020), The Falcon and the Winter Soldier TV series (Fall 2020), Eternals movie (November 6, 2020), Shang-Chi and the Legend of the Ten Rings movie (February 12, 2021), WandaVision TV series (Spring 2021), LokiTV series (Spring 2021), Doctor Strange in the Multiverse of Madnessmovie (May 7, 2021), What If…?animated series (Summer 2021), HawkeyeTV series (Fall 2021), and Thor: Love and Thundermovie (November 5, 2021). The most eagerly awaited film after this year’s Avengers: Endgame was the hinted-at Guardians of the Galaxy/Thor or Asgardians of the Galaxy team-up movie, but Marvel still has not confirmed that project, unless it’s tied into the 2021 film. Also relegated to “in development” status: Black Panther 2, Captain Marvel 2, Fantastic Four, X-Men, and the next Tom Holland Spider-Man movie (Spider-Man is Iron Man’s replacement, right?). Silence seems to confirm the death of the Marvel Netflix universe of Luke Cage,The Punisher, Daredevil, Jessica Jones, and Iron Fist, and maybe even Disney+ projects Runaways, Ghost Rider, and Helstrom. FX’s Legion was already announced as canceled, and we lost track of how many times The New Mutants movie has been pushed back. Even bigger unknowns are the next Ant-Man and The Wasp, which had Hank Pym actor Michael Douglas already discussing it as a prequel, and if anyone is thinking about Prince Namor the Submariner, nobody is talking. It begs the question: Does Disney have too much to handle now?
As a beginning Disney’s Marvel side seems to be taking a lead from its Star Wars division, with its offerings targeting a mix of fans old, new, and in-between. For the fans of the MCU so far you have plenty, a Black Widow (presumably prequel) and Thor movie as bookends for Phase IV, and TV series to keep alive Falcon, Winter Soldier, Scarlet Witch, Vision, Loki, Doctor Strange, and Hawkeye. For new audiences (and possibly much older comic book readers) there is Shang-Chi and the Eternals to get to know, along with the announcement that Luke Cage’s Mahershala Ali will be playing Blade in a reboot movie at the beginning of Phase V, the vampire hunter who, like Spider-Man, has already seen an entire series of movies outside of the MCU.
The details are an eclectic mix of things you might want, things you didn’t know you want, and things you won’t know what to make of:
Marvel has diversified its creations on film and television so much that anyone can find a series or film that grabs them and surprises them with action, drama, strong characters, superheroics and great storytelling. It’s going to be a subjective call for anyone, but the depth of every storytelling component in two seasons of Marvel’s Luke Cage makes it our nomination for the best superhero series yet. With all that a comic book fan could want (except maybe supersuits), Season Two of Marvel’s Luke Cage, now on Netflix, rises to the occasion again. The writers, actors, and other creators of Luke, his partners, and the crimelords of Harlem, could hold their own against any of the entries in the Marvel Cinematic Universe. A “best of” list of the villains of Marvel adaptations will no doubt have Loki and Killmonger from the movies fighting for top spots, but it also must now have Season One’s Cottonmouth Stokes, and this season’s trifecta of villains: Bushmaster McIver, Shades Alvarez, and Mariah Stokes.
We compared Season One–which was borg.com’s Best TV Superhero Series of 2016 along with Cage actor Mike Colter and Misty Knight actor Simone Missick taking top acting kudos for the year–to Spike Lee’s Do the Right Thing, and again, Season Two is worthy of that comparison. All the key social and cultural issues affecting every-day people inside or outside New York City neighborhoods, from the 1960s and today, work their way into the storytelling of the series. The season kept its fresh approach with a new director at the helm of nearly every episode, while maintaining its focus thanks to Cheo Hodari Coker penning the overall story and leading the series as showrunner. The show’s style is unique. Even more than in Season One, nearly each episode featured the setting of the nightclub Harlem’s Paradise with an incredible performer on-stage with a relevant song to the episode. Where a modern take on 20th century Speakeasy-inspired jazz and blues was the background for Season One, music derived from the roots of hip-hop and the heritage of key show characters in Jamaica defines the style this time. This was topped off in the last episode with a song performed by Rakim that echoed Adrian Younge and Ali Shaheed Muhammad’s 1970s retro-funk series theme.
Family roots and legacies left behind top the season’s themes. Along with the drama, the superheroics were present in Cage’s Power Man persona and new villain Bushmaster’s exquisitely choreographed battle scenes. Charismatic actor Mustafa Shakir, who isn’t Jamaican, is perfectly convincing with the accent as Johnny “Bushmaster” McIver, and like Lou Ferrigno in The Incredible Hulk and series star Colter, Shakir looks like a superhuman with no need for any superhero costume. And yes, Shakir performed most of the fabulous stunt fights with Colter, with training incorporating capoeira fighting, aptly selected for the series from its focus on power, speed, kicks, and spins. Looking for the best superhero genre one-on-one battles at the movies or on television? They can be found in Season Two of Marvel’s Luke Cage. It’s even more refreshing because the series casts aside the current lazy trope in cinema of slow-motion action sequences, which can pull you out of the momentum of the action every time.
The best is back next month. Television’s best comic book adaptation to date, the Emmy-winning Marvel’s Luke Cage, is returning next month as Season 2 arrives on Netflix. Can Season 2 match the one-two punch of the first season? It looks like we’re going to get a return of everything fans are after: More Mike Colter protecting the streets of Harlem as “Power Man” Luke Cage. The first trailer for the 2018 season is out and we’re learning a lot about what to look for in June as the next season is released on Netflix: Supercop badass Misty Knight (Simone Missick) is bringing a new weapon to the law with her own cybernetic arm. Alfre Woodard’s Mariah Dillard is taking her place as leader of the underground criminal element. Luke’s pal Bobby (Ron Cephas Jones) is back with Rosario Dawson’s Claire Temple to watch over Luke. And even Theo Rossi’s master manipulator and henchman “Shades” Alvarez makes an appearance in the trailer.
The challenge of all superhero tales ultimately is the same: How intriguing and compelling is the villain? Season 1 had Shades and Mariah, Frank Whaley’s cool bad cop Detective Scarfe, Erik LaRay Harvey’s sinister Diamondback, and the awesome and gritty Mahershala Ali’s Cottonmouth. With Scharfe, Cottonmouth, and Diamondback out of the picture, we’re getting a new villain: Quarry’s Mustafa Shakir is Bushmaster. Showing Cage there’s always someone bigger and stronger to come along, Bushmaster surprises our hero with equal strength and power.
Does Bushmaster hail from the same mad science that created Cage, or is someone new behind the scenes?
Take a look at this first trailer for Season 2 of Marvel’s Luke Cage:
It’s been one long year of great entertainment. Before we wrap our coverage of 2017, it’s time for the fifth annual round of new honorees for the borg Hall of Fame. We have plenty of honorees from 2017 films, plus many from past years, and a peek at some from the future. You can always check out the updated borg Hall of Fame on our home page under “Know your borg.”
In anticipation of the 2017 film Logan, last year we added Old Man Logan, Laura/X-23, and cyborg-armed mercenary Donald Pierce. We also added Scarlet Johansson’s character The Major, previewing 2017’s live-action film The Ghost in the Shell.
We didn’t get the big ballroom at our venue reserved early enough for the induction ceremony this year, so it limited us to tapping only 24 named characters into the revered Hall of Fame this year.
As with last year, we’re granting a few early entrances this year, first to Simone Missick’s badass cop Misty Knight, who is getting a borg arm for season two of Luke Cage in 2018.
And here is an early look at Josh Brolin’s Cable, from 2018’s Deadpool sequel. The borg comic book character Cable was a first round honoree to the Hall, so this is just another update to the character.
Onto this year… Kingsman’s almost-a-Kingsman Charlie was thought to have been killed off in the first film. But he was back in the 2017 film Kingsman: The Golden Circle, sporting cyborg components.
A host of new borgs–Replicants in Philip K. Dick’s novel Do Androids Dream of Electric Sheep?–returned to the big screen in Blade Runner 2049, including some new names and faces, like Ryan Gosling’s K …
It all leads into the Netflix series The Defenders coming this September.
First we met Matt “Daredevil” Murdock (Charlie Cox) and Elektra Natchios (Elodie Yung) in Daredevil, then Jessica Jones (Krysten Ritter) and Luke “Power Man” Cage (Mike Colter) in the series Jessica Jones and Luke Cage. Next month we meet the last member of Marvel’s newest incarnation of the team from the classic comic book series The Defenders. Danny Rand, the Iron Fist (played by Finn Jones) in next month’s series Iron Fist.
For the most part the Disney-backed Marvel empire has maintained quality storytelling (excluding only a few standalone character sequels along the way) since Jon Favreau and Kevin Feige lit up the franchise with Iron Man in 2008. Efforts with the networks included good efforts with Agents of S.H.I.E.L.D. and Agent Carter (and a new X-Men series Legion gaining steam), but the real serial success has been seen with the Netflix series.
So who is this last member of The Defenders? Netflix sheds some light on Iron Fist in these two previews: Continue reading →
Our borg.comBest of 2016 list continues today with the best in television. If you missed it, check out our review of the Top Picks and Best Movies of 2016 here and the Kick-Ass Heroines of 2016 yesterday here.
Without further ado, this year’s Best in Television:
Best Borg TV Series, Best TV Borg — Ash vs Evil Dead (Starz), Bruce Campbell. We searched high and low for the year’s best TV series featuring one or more borg characters, but didn’t really need to go that far. The brilliantly funny pop culture ace actor Bruce Campbell’s reboot of the borg.com Hall of Famer Ash could have gotten overlooked had it been just another horror series. Yet underneath this over-the-top, blood and gore-filled demon hunt is a whole lot of silly fun. And the actors could have been better, with the likes of Lee Majors (pictured above), Lucy Lawless, and Ted Raimi all making appearances. We couldn’t ask for a better actor than Campbell to take our borg.com TV title this year.
Best TV Series, Best TV Horror Series – Grimm (NBC). The fifth season of Grimm was simply fantastic, full of gripping writing and a change-up of character roles in a way we’ve never seen before. This season we saw the best action, twists and turns, and flat-out excitement, above every other series on television. Pulling bits and pieces of folklore from Western and Eastern mythologies and everything in between, the writers delivered all season long. The writing team’s best work was what they have done all along, taking the story in a direction no one could have predicted.
Best TV Retro Series – Stranger Things (Netflix). It’s nearly impossible to list all the influences that came together to form our pick for this year’s Best Retro Fix. Stand By Me, Firestarter, Silver Bullet—Stranger Things could be another coming of age Stephen King tale, but with nicely creepy John Carpenter undertones and the wonder and sci-fi of a Steven Spielberg movie. Think Close Encounters of the Third Kind, E.T., the Extra-Terrestrial, and Super 8. Whatever it is, great performances by a lead group of kid actors, teen actors, and a few adults from filmdom’s past made for a fun season one.
Best New TV Series, Best Re-Imagining on TV – Wynonna Earp(Syfy). We knew Syfy had a winner in the first episode of this year’s best new TV series, Wynonna Earp. A great mash-up of Western, paranormal, and horror, Wynonna Earp took an American legend and made it interesting for today’s viewers. Melanie Scrofano’s Wynonna is a classic heroine in a supernatural setting. And her interactions with Tim Rozon’s Doc Holliday include some of the best humor on TV. Did we mention the villains are basically zombies? Wynonna’s got a gun–a Peacemaker–and she knows how to use it, giving us a fun, over-the-top shoot ’em up each week to look forward to.
Best Sci-Fi Series – The Man in the High Castle (Amazon). With the slow start of the first season of the series we had doubts where the show would take us for the second season this year. But the last half of the season cinched it. A rare look at science fiction on television that showed what could all be attained with an alternate history story, and a great adaptation of Philip K. Dick’s novel to boot.
Best Animated TV Series – Star Wars Rebels (DisneyXD). For the second year in a row, Star Wars Rebels proves that animated shows are just as compelling as big budget theatrical blockbusters. This season we met the great villain Grand Admiral Thrawn, finally introduced to Star Wars canon. Every episode gave fans something to be excited about, as in the episode “The Antilles Extraction,” where Sabine goes undercover as a cadet in the Empire’s elite flight academy to bring Imperial pilots over to fight for the Rebellion. Darth Maul and Captain Rex are also standout characters. Original trilogy voice actors, compelling visuals, and rousing music, make this one of the best series on TV.
Best TV Superhero Series – Luke Cage (Netflix). Although Marvel Studios adaptations have done well at the movies, its television shows haven’t measured up so well. Until now. The Netflix series Marvel’s Luke Cage is full of so many elements that make it a quality series you can expect it to be a contender at next year’s Emmy Awards. Luke Cage is completely loyal to its 1970s origin. Carl Lucas, played by Mike Colter (reprising the role he began in Marvel’s Jessica Jones), is a man from Harlem, imprisoned for a crime he didn’t commit. The writers successfully updated the story to today, for today’s viewers, and to make the story timely. Set in a New York City neighborhood with a gritty tale like Spike Lee’s Do the Right Thing (with Harlem swapped for Bedford Stuyvesant), the rough-and-tumble Harlem of the series encounters the same class warfare, the same friction between police and minorities, and the same political corruption that is, as once professed by the original Law and Order series, “ripped from the headlines.” It is at once a mix of the M. Night Shyamalan hooded superhero played by Bruce Willis in Unbreakable, and an updated mobster town story.
Best TV Fantasy Series – The Librarians (TNT). The Librarians continued its great mix of fantasy and comedy this year with its excellent ensemble cast. The chemistry of the show’s characters continue to gel, resulting in a fully realized series in the vein of past hits Warehouse 13 and Leverage. We were excited to see great guest appearances with Sean Astin, Noah Wyle and Jane Curtin. And we can’t get enough of Rebecca Romijn, John Larroquette, and the rest of the crew.
Best TV Comedy – Angie Tribeca(TBS). Angie Tribeca has the perfect setting and ensemble cast for a gritty police procedural. But it was actually the comedy we all need. Nothing was written for the screen in any genre this year that made us laugh like this new series. Every now and then we need someone to try to remake Police Squad! and the sight gags here rivaled that classic. We just hope the writers can keep the great comedic scripts coming.
Best TV Writing – Baskets (FX). At first you might not know what to make of Zach Galifianakis, Louis C.K., and Jonathan Krisel’s surreal, black comedy drama Baskets. How down in the dumps can a rodeo clown possibly get? And was that really comedian Louie Anderson playing his mother? Galifianakis was able to play two competing roles as the twin brothers, and Martha Kelly added yet another odd wanderer into the mix to somehow result in a crazy, funny, and strangely poignant series we couldn’t help getting addicted to.
Best TV Episode – Grimm Season 5 finale “Beginning of the End” (NBC). Season 5’s finale of Grimm barreled ahead as if the producers believed the show wasn’t going to get renewed, prompting many story threads to be tied-up and a satisfying wrap-up that leaves viewers excited for Season 6. It’s Black Claw, who caused Sean Renard to rise to become mayor of the city, against Nick and his friends as they work with Eve, Trubel, and Hadrian’s Wall to try to prevent the coming evil that risks the destruction of the barrier between the supernatural and the rest of the world. Incredibly after all the back and forth over five seasons the original villains are villains again and the good guys back together again. The season finale left us wondering how this will all play out as the series ends next season.
Best TV Soundtrack – Stranger Things, Michael Stein and Kyle Dixon. Using 1980s analog synthesizers, the musicians created the perfect sound for a B-movie horror flick that would have fit right in back in the 1980s. Half the credit for the series success with retro aficionados probably should go to the duo, who helped to fully immerse viewers in this familiar, but strange, look into our own childhoods.
Best TV Actress – Tatiana Maslany in multiple roles, Orphan Black (BBC America). In any other year Rose McIver’s weekly new character update on iZombie would have given her the win, but Orphan Black’s Tatiana Maslany came back this year after last season’s so-so stories to prove she has the best dramatic role on television and is well up to the task, further separating and redefining the differences between the ever-increasing number of clone sisters she portrays. Runner-up Rose McIver as Liv Moore, iZombie(CW).
Best TV Supporting Actress – Simone Missick as Misty Knight in Luke Cage (Netflix). With big name actresses like Alfre Woodard and Rosario Dawson co-starring in this year’s new superhero series Luke Cage, it was Simone Missick who broke through to create one of the more interesting characters this year with police officer Misty Knight. She believes in the justice system and is assigned to go after Luke Cage–too bad she has a past with him. Missick plays Misty as a modern version of a Pam Grier character–she’s flawed but she’s tough and smart and we know she’ll cut through all the mess and come up on top. Runner-up: Leanna Lapp as Gilda (iZombie).
Best TV Actor (TIE) – Mike Colter as Carl Lucas/Luke Cage in Luke Cage(Netflix). Luke Cage is as mild-mannered as they come. We first met him in season one of Marvel’s Jessica Jones, but in his own series Mike Colter showed how great this comic book character from the 1970s could be, and how relevant he is today. The problem with networks dropping an entire series on us at once is that with a day long binge session we don’t get the sense of the work that goes into building a character like Cage over a full season like we’re accustomed to. Hopefully the studio will realize how great the series is and how its lead actor can provide us with a real, gritty hero that the world needs. We just can’t wait to see more of what Colter has in store for us next season.
Best TV Actor (TIE) – Cary-Hiroyuki Tagawa as Ambassador Tagomi in The Man in the High Castle (Amazon). Tagawa has played in countless TV series and films but his role as a trade ambassador of an alternate world where Japan controls the western United States may be the most stunning work of his career. His expressions are understated and yet the audience can read so much in his simple looks. His character’s surprise as he maneuvered a parallel world to his own–our real world–was some of the best acting of the genre and among the best performances of the year.
Best TV Supporting Actor (TIE) – Louie Anderson as Mrs. Baskets in Baskets(FX). Louie Anderson has been priming us for this role for decades now. His impersonations of relatives helped make him one of the greatest stand-up comedians of all time. Bringing him in to play to mom to Zack Galifianakis’s Chip Baskets was one of those inspired moves that doesn’t happen very often. And the result was TV gold.
Best TV Supporting Actor (TIE) – Tim Rozon as Doc Holliday in Wynonna Earp (Syfy). Rozon brilliantly played the ghost of Doc Holliday this year in the new series Wynonna Earp, sporting a lazy drawl and unclear motives that make him absolutely captivating. He was mysterious as Wynonna’s questionable love interest, an intermediary between Wynonna and the vile Revenants. He’s a man out of his time, an anti-hero we hope to see more of next season.
Best TV Villain – Vaughn Du Clark (Steven Weber, iZombie(CW)). What kind of sick bastard throws his daughter to the wolves to become a zombie, and then laughs about it? That’s Vaughn Du Clark, whose barbs with daughter Gilda (Leanne Lapp) provided some of the best quick-witted writing we’ve seen since Veronica Mars and Buffy the Vampire Slayer. Du Clark was the ultimate corporate villain, and we watched his rise with great interest all season long. Runners-up: Mariah Dillard (Alfre Woodard, Luke Cage), The Demogorgon (Stranger Things), Grand Admiral Thrawn (Lars Mikkelsen, Star Wars Rebels).
Best YouTube Video – “Seagulls (Stop it Now),” A Bad Lip Reading of The Empire Strikes Back. You know you haven’t seen this Fall’s funniest Star Wars fan video enough, with that catchy, goofy tune. Go ahead, watch it one more time.
Come back tomorrow as we reveal more of the borg.com Best of 2016!
What better way to celebrate the strong, determined leader Leia Organa made famous by actress Carrie Fisher than to celebrate her legacy in the genre heroines of today? What do most of the characters on this year’s list of Best Kick-Ass Genre Heroines have in common? Most have roles that could easily be swapped with a male. Sure, you can have heroine characters who are written to largely rely on traditional female qualities, but women characters bending gender roles are breaking new grounds. We met characters this year who were held back in their place in time by their status as women, and it is often that role that prompts them to gain the fire and passion necessary to become the heroine of their stories. So we have both a dress-wearing, well-read 19th century Jane Austen character on our list, but also a space-faring criminal in combat boots, a sea captain, an alien survivor, an alien visitor, a warrior, a sorcerer, a group of clones, a gunslinger, two cops, a zombie, and a supernatural assassin.
In past years we were able to select our Best Kick-Ass Genre Movie Heroine and Best Kick-Ass Genre TV Heroine, but this year the studios gave us more to cheer about than ever, and instead of ranking them we’re highlighting the very best from an unprecedented slate of heroines, with characteristics to learn from and emulate. Determined, decisive, loyal, brave, smart, fierce, strong. You’ll find no one here timid or weepy, but all rely on their individual skills to beat the odds and overcome any obstacle that comes their way. Some may be frazzled, put-upon, war-weary, very human, resulting from trying circumstances, personal losses, and even death of friends and family. But they all mustered up the strength to rise above it all. These are the Best Kick-Ass Genre Heroines of 2016:
Sara (The Huntsman: Winter’s War). Heroines can be medieval or fairy tale warriors, a trained Huntsman quick with a bow and arrow or two-handed swordplay. Jessica Chastain’s Sara was never seen in Snow White and the Huntsman, but we quickly learned why Chris Hemsworth’s Eric was filled with despair when learning of her supposed death. A loyal warrior to her queen, she must decide whether to join her excommunicated secret husband against the forces of evil or stand with Queen Freya and her manipulative sister. A powerhouse trio of actresses, Chastain’s Sara rises above them all opposite Emily Blunt and Charlize Theron in this great fantasy film.
Elizabeth Bennet(Pride and Prejudice and Zombies). You already know Elizabeth Bennet as the eldest sister in the classic Jane Austen novel Pride and Prejudice. An obnoxious mother harassing her, unlikely prospects for marriage, and an oppressive society with little opportunity to make her own choices. Readers finally get to witness how the classic character might react when given opportunity–opportunity to learn Eastern mysticism and Japanese martial arts, and a role where she and her sisters and friends can fully defend their family and home from a zombie onslaught. Lily James couples lacy dresses, Regency manners, and in-your-face, Quentin Tarantino-inspired kicks, with classic swordplay–and bloody beheadings. If a war is coming, you want the likes of Elizabeth Bennet on your side of the battle lines.
Netflix debuted the first season of Marvel’s Jessica Jones last Friday, November 20, 2015, in the same one-hour (roughly), thirteen-episode format as many of its other hit series including House of Cards and Marvel’s Daredevil. The fourth official Marvel Cinematic Universe property to hit the small screen in live-action format since the success of the first Marvel’s The Avengers movie in 2012, Jessica Jones takes the edgy, sexy, delightfully menacing feeling of Daredevil and adds in more edge, more sex, and more menace.
And the result is more awesome.
FYI, from now on, we’re going to drop the “Marvel’s …” in front of every-friggin-thing because: A) Even Matt Murdock could see the heat from the Marvel logo coming off of a flat screen, and B) We get it, we even agree, Marvel has done a fantastic job with its properties these last several years, but even us ardent fans of all things Marvel are starting to get sick of seeing that red-and-white logo plastered in front of every-friggin-thing.
Whereas the well-written Daredevil series focused on a heroic figure trying to overcome the odds and clean up the streets in the neighborhood where he grew up, Jessica Jones is almost a character out of a bad crime novel. She’s a borderline alcoholic private dick who huddles in alleys and hangs from fire escapes to get dirty pictures for the seedy, pitiful clients she gets from the law firm full of sharks she contracts out to. She lives in a run-down apartment which barely doubles as her office, she turns to the bottle when she can’t sleep and then goes out late at night, not to fight crime but to take more pictures of people at their worst so she can make more money to buy more booze.
At this point you might be asking: Where are the super powers? Where are the super villains? What is this show?
